There is a lot of jargon in photography. With a history stretching back almost 200 years, the dictionary of photographic terms has grown enormously. From the letters found on lenses, through the names of obscure lighting accessories, in the glossary below you will find a full A to Z of what these terms mean. In addition to the gear and techniques, we also pull out some of the most influential photographers and inventors from the history of photography.
An optical fault in a lens that creates a less-than-perfect image.
In photography, this term refers to images that concentrate on aspects of a subject such as shape, form, color and texture, instead of a straightforward representation
of a subject.
Adams (1902-1984) was an influential American photographer, acclaimed for
his black-and-white landscapes of the American West, and particularly Yosemite National Park. Together with Fred Archer, he formulated the Zone System as a way to determine the optimum exposure for a negative.
This is a layer containing an image adjustment or effect instead of image content. Like a red Cellophane overlay on a print, an adjustment layer will alter the appearance of layers below it, but not actually alter their content, making adjustment layers a cornerstone of reversible, ‘non-destructive’ editing. The adjustment can be altered, hidden or removed at any point. When you add an adjustment layer, a mask is also automatically created, so that the effect can be applied to a lesser extent (or not at all) in particular areas of the image.
Adobe Camera Raw
A plugin included with Photoshop and Photoshop Elements that enables users to process and edit raw files. Adobe Camera Raw is frequently updated to support the newest camera models.
An abbreviation for automatic exposure. This camera feature enables the user to determine the shutter speed and aperture for an image, usually via a TTL (through-the-lens) exposure meter.
Automatic exposure lock. This is a push-button control that enables you to select the part of the scene from which the camera takes its meter reading, and then lock this setting while the image is re-framed for better composition. The button can also be used for focusing.
Stands for autofocus, a function first introduced on cameras in the late 1970s,
in which the lens is adjusted automatically to bring the designated part of the image into sharp focus. Manyl modern lenses for digital SLRs have AF, which is achieved via one or more sensors and a motor either integrated in the lens itself
or the camera body.
This is a system used by some cameras
and flashguns to assist autofocus operation in poor light. A pattern of red light is projected on to the subject, which aids the contrast-detection autofocus to adjust the lens correctly.
This stands for ‘autofocus-silent’, and refers to Nikon lenses that use a silent motor to control the autofocus system.
See aspherical lens.
A type of photographic print, invented in 1850 by Frenchman Louis Désiré Blanquart-Evrard (1802-1872). It consists of a sheet of paper coated in egg white (albumen) and salt, then dipped in a light-sensitive silver nitrate solution. The paper, when dried, is overlaid with
a glass negative and exposed to the sun. The albumen print was widely used until
the late 19th century.
This term refers to a range of photographic processes, mostly dating from the late 19th and early 20th century, which devotees continue to use for their unique qualities. They include the daguerreotype, gum bichromate, cyanotype, salt print, bromoil, platinum and palladian processes.
The existing light in a particular scene, which may be sunlight, moonlight or an artificial light already providing illumination. It excludes any light source added by the photographer, such as flash or studio lighting.
Angle of view
A measurement of how much a lens can see of a scene from a particular position, usually measured in degrees. The longer the focal length of the lens, the narrower the angle of view. Zoom lenses have adjustable angles of view.
A method of smoothing diagonal or curved lines in digital images to avoid a ‘staircase’ or ‘stepped’ appearance (also called ‘jaggies’), caused by the fact that the
pixels making up an image are discrete blocks of color.
The opening in the lens that restricts how much light reaches the image sensor. In all but the most basic cameras, the size of the aperture is adjustable. The aperture setting used has an important role to play in both exposure and depth of field.
Semi-automatic exposure system, where the aperture is set by the photographer. The shutter speed is then set by the camera to suit the light level reading taken by the camera’s own meter.
Abbreviation of apochromatic. This is used, for example, to describe Sigma lenses that use super-low dispersion (SLD) lens elements to reduce chromatic aberration.
The initials of the Advanced Photo System, a short-lived film photography format introduced by Kodak and other manufacturers in 1996. The 24mm film
was housed in a drop-in cartridge, and could be shot in three different formats.
It was mainly used in compact cameras, but also a small number of SLRs.
This refers to the size of sensor used in some digital cameras, measuring around 22.5x15mm, and with a 3:2 aspect ratio. It gets its name and dimensions from the defunct APS (Advanced Photo System) film format, used in its Classic (C) aspect ratio.
Flaws in an image caused by limitations in the recording or manipulation process. Examples include color and tonal banding, random blotches or a mottled, grainy appearance.
A method of measuring and specifying film speed, or a film’s sensitivity to light, as devised by the American Standards Association in 1943. It was replaced by
the ISO (International Organisation for Standardisation) film speed system in
AS and Asp
Abbreviations for aspherical. See aspherical lens.
The relationship between the width and height of a picture, which describe the proportions of an image format or a photograph. The aspect ratio of most D-SLRs is 3:2, while on most other digital cameras, it’s 4:3.
A lens element that has a surface that isn’t perfectly spherical. All camera lenses are made up of a number of individual lenses or elements. Many of these elements are spherical, as if cut from a sphere. Aspherical elements are less rounded and are used in wide-angle and wide-apertured lenses to help provide distortion-free images.
Photography achieved by attaching a camera to a telescope, and concerned with recording images of astronomical objects in the night sky such as stars, planets, comets, and the moon. Astrophotography can also be used to record astronomical objects invisible to the human eye by using long exposures.
Stands for Advanced Technology Extra – the branding used on Tokina lenses.
A feature on some cameras that enables you to automatically shoot a sequence of shots of the same scene at slightly different shutter speeds (or aperture settings) from the ‘correct exposure’. This feature can be used if there’s some doubt that the meter reading is accurate for a particular subject. It can also be used to shoot a sequence that’s combined into one high dynamic range image. See HDR. Other autobracketing features available on some cameras include automatic flash, ISO or white balance bracketing.
The name of the first color photography process, invented by French brothers Auguste and Louis Lumière, and patented in 1903. A glass plate was coated in microscopic grains of potato starch, colored red, green and blue, overlaid with a black-and-white silver halide emulsion. The process was widely used until Kodachrome and Agfacolor films were introduced in the 1930s.
See ambient light.
Avedon (1923-2004) was one of America’s most famous fashion and portrait photographers. He was the chief photographer for Harper’s Bazaar magazine in the 1940s and Vogue from the 1960s. His portraits are famous for their intimacy as well as their stark and minimalist quality.
Automatic white balance. This is a system that automatically adjusts the color balance of an image, according to the color temperature of the light source, to make it look as natural as possible to the human eye.
A shutter speed setting that enables you to keep the shutter open for as long as the shutter release is held down, usually with a remote release. It’s used for long exposures of up to several minutes.
An image is backlit when the light source is on the far side of the subject in relation to the camera. It means that there’s more light coming from behind the subject than is directly on the subject itself. It’s often used to separate the subject from the background to make a subject more dramatic, or to make a silhouette or rim-lighting effect.
A copy of a digital file that’s kept in case of damage to, or loss of, the original
A type of tripod head in which the head mount, which holds the camera, is attached to a ball-and-socket joint. When the socket is tightened using the ball lock knob, it locks the head in place.
Four hinged doors fixed on the front of studio lights. The doors are used to modify the shape and direction of the light.
Barnack (1879-1936), an optical engineer and industrial designer, is known as ‘the father of 35mm photography’ for his work as the head of development at the Leitz camera company. He designed the first Leica camera, which went on sale in 1925, and introduced the 24 x36mm format (now known as 35mm) for still photography.
Barrel distortion is a lens fault or aberration that causes straight, parallel lines in an image to bow outward, and is seen when shooting with wide-angle lenses. The wider the lens, the greater the distortion. The appearance is similar to the effect you’d see if an image was wrapped around a barrel. It can be corrected using post-capture software.
A studio lighting device used to give a flattering effect in portrait and fashion photography. It consists of a large circular dish-shaped reflector, usually around 40-50cm in diameter, with a light source in the centre. The light usually has an opaque cover so that only the diffused light reflected from the dish reaches the subject.
A concertinaed tube made of flexible, light-proof material that separates a lens from the camera body. Bellows were first used on very early cameras in the mid-19th century, and are still used on large-format equipment today. They allow the plane of focus to be adjusted via a swing and tilt mechanism. Bellows are also used instead of extension rings on SLR cameras for making more finely adjustable macro images.
The basic unit from which any digital piece of data is made. Each bit has a value of either 0 or 1. The sizes of digital files are usually counted in bytes, which are each made up of eight bits.
The number of bits used to record the color of a single pixel. Digital cameras usually use at least eight bits for each of the red, green, and blue channels, providing a 24-bit depth, and a possible 16,700,000 colors. Many digital SLRs offer higher bit depths when set to record in the raw shooting mode.
A derogatory name given by fashion and portrait photographer Norman Parkinson (1913-1990) to three photographers who emerged in the late 1950s and early 1960s: David Bailey (born 1938), Brian Duffy (1933-2010), and Terence Donovan (1936-1996). This trio worked in a more relaxed and spontaneous style, and became the leading fashion and portrait photographers of the period.
Blending modes determine how the pixels in a layer interact with the underlying pixels on other layers instead of simply covering them. Some blending modes are much more useful for photo editing than others. Multiply is used to darken an image, and Screen to lighten it; Overlay and Soft Light boost contrast.
Bright areas in a photo that are over-exposed are said to be blown out.
They don’t hold any detail and will be bleached white.
Derived from the Japanese word for ‘blur’, this term is used to describe the aesthetic quality of the blur in out-of-focus areas of a picture, or the lens creating them. Smooth, circular out-of-focus highlights are a feature of ‘good bokeh.’
Indirect flash-lighting technique, where the flashgun is angled to bounce off a wall, ceiling, or other reflector. This scatters the illumination, creating a softer lighting effect.
In Photoshop, a rectangular border around a selected part of an image that can be dragged to transform, rotate, scale or move a picture element.
A system for increasing the chances of getting the correct exposure by taking a sequence of pictures with a slightly different exposure setting for each. See autobracketing.
Mathew Brady (1822-1896) was a pioneering American photographer, famous for his photographs of the American Civil War and his portraits of prominent Americans, including Abraham Lincoln.
Bill Brandt (1904-1983) was an important British photographer who began his career documenting the British class system in the 1930s. He went on to photograph London in the war years before bringing his unique style to landscapes, portraiture and finally abstract nudes.
A camera that is claimed to bridge the gap between compacts and D-SLRs. They are similar in appearance and handling to small D-SLRs, but they have a fixed, usually ‘superzoom’ lens, with some models offering up to a 50x optical zoom. They are also usually a little smaller. Instead of a D-SLR’s optical viewfinder, they have an electronic viewfinder.
This is the difference between the brightness of the brightest part of the subject and the brightness of the darkest part of the subject. Also known as Subject Brightness Range (SBR).
A photographic process in which prints made on silver bromide paper are chemically bleached and hardened before an oil pigment is applied. It was popular among Pictorialist photographers from its invention in 1907 until the 1930s.
The name of a series of simple box cameras made by the Eastman Kodak company. The first Brownie went on sale in 1900, and was intended to make photography simpler and more affordable for everyone. The cameras were named after the cartoon characters created by illustrator Palmer Cox.
Temporary memory used by a digital SLR or mirrorless camera. The size of the buffer in a camera helps dictate the maximum burst rate, and the number of shots per burst. In general, the bigger the buffer, the longer the burst.
A tool that can be used to darken parts of an image selectively during digital image manipulation. The tool gets its name (and its hand-shaped icon) from ‘burning-in’, a traditional darkroom process in which parts of a print could be made darker by giving some areas of a print more exposure than others. Also, see Dodge tool.
The continuous shooting speed of a digital camera, which enables a sequence of images to be taken in rapid succession, measured in frames per second (fps). The rate can only be sustained for a certain number of shots.
A technique for lighting portraits achieved by pointing the flash down towards the front of the face and creating a distinctive butterfly-shaped shadow under the nose.
A reflector is used to soften the shadow. This technique is also known as ‘Paramount lighting’ after the movie studio’s glamorous portraits from the 1930s.
The standard unit for measuring the memory capacity of digital storage devices. Each byte can have one of 256 different values, and is equal to eight bits. Also, see bit and bit depth.
A mechanical or electronic device for firing a camera from a short distance away, without physically pressing the shutter release. It’s often used as a way to minimise vibration when using a slow shutter speed and a camera support, such as a tripod.
A device used to standardize the color and brightness of a computer monitor so that images can be accurately adjusted.
One of the earliest photographic processes, announced by William Henry Fox Talbot (1800-1877) in 1841, in which a negative image was recorded on a sheet of translucent paper coated with light-sensitive chemicals. The earliest surviving example is an image of a window at Lacock Abbey, made in 1835. Using the process, multiple positive images could subsequently be produced by contact-printing the negative.
Blurring of the image caused by movement of the camera during the exposure. Handheld cameras are prone to camera shake, and the fastest available shutter speed needs to be used to reduce or eliminate the problem.
A remotely activated camera used for documenting the behavior of wild animals in a natural environment without the photographer being present. The camera’s shutter is usually triggered when an animal’s movement is detected by an infrared or motion sensor.
Cameron, Julia Margaret
Julia Margaret Cameron (1815-1879) was a British photographer who made portraits of some of the major figures of the Victorian period as well as her relatives and friends. She was one of the first people to see photography as an artistic medium open to interpretation, rather than simply a mechanical process for recording reality. Her portraits often make a creative use of soft focus.
A Photoshop term for the overall dimensions of the image file you are using. Like the canvas used for a painting, the Canvas may be the same size as the actual size of the picture, or it may be larger.
The Canvas Size control enables you to increase the size of the canvas without affecting the pixels that make up the image itself. It can be used to add a border to a photo, for example, or to add a blank area into which more sky can be cloned.
Henri Cartier-Bresson (1908-2004) is regarded as one of the most influential reportage and street photographers. He was one of the co-founders of the Magnum Photos agency in 1947. He was one of the first to exploit the advantages of the Leica 35mm camera, and used it to capture brilliantly timed and composed images throughout his long career.
A type of photographic film housed in a plastic cassette. Because it’s light-tight, film can be loaded into a camera in daylight. 126 cartridge film was introduced by Kodak in 1963, followed by 110 film in 1972. Two later formats, Disc film and APS film, used their own specially designed cartridges.
A white highlight in the eye of the subject, which is a reflection of the light source. The shape, size and intensity of the highlight, as well as the number of highlights, will vary depending on the lighting setup.
CCD (Charge Coupled Device)
A type of imaging sensor commonly used in digital cameras, and an alternative to the CMOS sensor. See CMOS.
A type of built-in light metering system, provided as an option on some cameras. Centre-weighted meters measure light intensity across the entire image area,
but bias the average in favor of light measured towards the centre of the
frame. The system isn’t foolproof; it’s easier to predict when it will make an inappropriate reading than more sophisticated metering systems.
A feature in Photoshop that enables you to adjust the red, green and blue channels to increase or decrease color saturation, or to convert an image to monochrome.
A term that originated in Renaissance art.
It refers to a style of image that features a strong contrast between the light and dark areas of the picture.
This is a short form of ‘checking image preview’. It refers to the act of looking too frequently at your camera’s LCD, rather than concentrating on the subject.
A lens fault common in telephoto lenses in which different colors of white light are focused at slightly different distances, creating ugly colored haloes around the edges of a photographic subject. Software can remove or reduce the effect.
A fine-grain photographic film that produces black-and-white images, but is processed using C41 color chemistry.
A type of polarizing filter. Circular polarizers can be used with modern cameras without interfering with the operation of exposure metering and autofocus systems, unlike older and cheaper linear polarizers.
Clipping occurs when the dark parts of an image become pure black or the light parts become pure white, so that image detail is lost in these areas. On a histogram, a clipped shadow or highlight is indicated by the graph being ‘cut off’ on the left-hand (shadows) or right-hand (highlights) side.
An image-editing tool that enables you to replace an area of the image with pixels taken from elsewhere in the image (or even another image). It’s commonly used for removing blemishes and other unwanted objects from a picture.
A filter-like accessory that fits on the front of the camera lens to magnify the image. This low-cost and lightweight macro accessory can be used on most types of cameras and lenses. Close-up lenses come in a variety of different strengths, usually measured in dioptres.
CMOS (Complementary Metal Oxide Semiconductor)
This is a type of imaging sensor used in digital cameras. Located at the focal plane, it converts the focused image into an electrical signal. It’s similar in function
to the CCD sensor.
Cyan, magenta, yellow and black (or ‘key’), the four primary inks used in commercial color printing. CMYK also refers to the printing process itself.
This is an early technique for making photographic prints, invented by Frederick Scott Archer (1813-1857) in 1851, which used collodion (cellulose nitrate) to stick light-sensitive chemicals on the surface of a glass plate. The plate was exposed, developed and fixed while still wet. The process produced good results and was used widely until around 1880.
Every color you see on a screen is created by a specific mix of red, green and blue light, and every printed color by a specific formula of ink colors. In Photoshop, the component colors can be represented and seen as separate color channels – RGB for most digital photos. See Channel mixer for more on this.
Color filter array (CFA)
The pattern for red, green, and blue filters used over the photo sites in an imaging sensor. Usually, half the photo sites in a digital camera (which define pixels) have green filters, a quarter have red filters, and quarter have blue filters.
An overall system that tries to ensure that the colors of an image are displayed and output in exactly the same way, whatever the device being used.
Description of how a camera, printer, monitor or other device displays or records color. It provides a universal way in which different devices can produce similar-looking results. This is sometimes known as an ICC profile, because the standards are set down by the ICC (International Color Consortium).
Color negative film
Film on which all original colors are recorded as their complementary colors. When the image is printed on photographic paper, the colors are again reversed to their original hue. Color negatives have an orange tint or mask, which helps to control contrast and improves the reproduction quality.
Color reversal film
Film processed to produce a color positive image on its transparent base. Traditionally, images are mounted in card or plastic mounts. Also commonly known as slide or transparency film.
The theoretical definition of the range of colors that can be displayed by a device.
All light sources have a characteristic color temperature: artificial (tungsten-filament) lights are warmer (more orange) than daylight, which is warm near dawn, turns cooler (more blue) during the day, then warms again at nightfall. Our eyes adjust for color temperature much of the time without our realizing it, so that color look pretty consistent. Digital cameras can make electronic adjustments using a white balance system to neutralize colors. When they get it wrong (or you use the wrong white balance setting on your camera), a color cast results.
The use of two or more negatives to make one print. The technique was first used
in the mid-19th century to overcome exposure limitations in early photographic processes, although photographers such as Oscar Gustave Rejlander (1813-1875) could use dozens of images to make one epic scene.
A type of camera with a shutter mechanism built in to the lens. Compact cameras are generally point-and-shoot designs that are easy to carry around. Most digital compacts have built-in zoom lenses.
This is a type of removable memory card used in older digital SLRs.
Also known as ‘opposite colors’, these are pairs of colors that create a strong contrast. On the traditional color wheel they are red/green, yellow/violet and blue/orange, while the CMYK and RGB models use red/cyan, green/magenta and blue/yellow.
The process of reducing the sizes of files such as digital images, so that they use less storage capacity and are faster to upload and download. See lossless compression and lossy compression.
Contact prints are photographic images made by laying one or more film negatives on a sheet of photographic paper, usually under a sheet of glass, and exposing it to light. In the traditional wet darkroom, a contact sheet is usually the first stage of printing an image.
This is an autofocus setting in which the focus is constantly adjusted until the shutter is actually fired. It’s especially useful for moving subjects such as in wildlife or sports/action photography, where it would be unhelpful for the focus distance to be locked as soon as it’s initially found.
Lighting that remains on throughout a photo shoot, as opposed to the brief burst of illumination given by flash or strobe lighting.
See passive autofocus.
A measurement of the difference in brightness between the very darkest
and lightest parts of an image. See brightness range.
In French, literally ‘against the light’. Another name for backlighting.
A term used to describe the effect of parallel lines getting closer together, particularly the two sides of a building, or a section of a building, when shooting from a low angle of view. The phenomena occurs when the camera is tilted up or down to fit the entire building in the picture.
To remove unwanted parts of an image.
Sensors of several different sizes are
used in digital SLRs, and this size affects the angle of view offered by a particular lens. The smaller the sensor, the narrower the angle of view. The ‘crop factor’ is to convert the actual focal length of a lens to the effective focal length . The crop factor for Micro Four Thirds models is 2x; the crop factor for most popular digital SLRs (DX and APS-C) is 1.5x or 1.6x. Full-frame digital SLRs need no focal length conversion, so they have a crop factor of 1x.
Sometimes called ‘X-Pro’, in film photography this refers to processing color negative film in reversal film (E6) chemicals, or color reversal film in negative film (C41) chemicals. The resulting color shifts gave images a distinctive look. The technique was once especially popular in fashion photography. A similar appearance can be created in Photoshop by boosting contrast and tweaking color channels.
CSC (Compact System Camera)
These are cameras with no mirror mechanism, and are therefore smaller and lighter than D-SLRs, but still offer similar controls, high-quality images and interchangeable lenses. Depending on the model, there’s either an electronic viewfinder or no viewfinder and only the LCD screen. CSCs are also referred to as mirrorless cameras.
This powerful Photoshop feature enables you to adjust the exposure and contrast of an image. By altering the shape of the curve, different areas of tone can be lightened or darkened by varying amounts. By altering the curves for each of the different color channels, the color balance of the image can also be altered to create special effects, or simply to correct for unwanted color casts. Elements’ version of Curves, called Adjust Color Curves, is more limited than Photoshop’s Curves.
A printing process that creates a distinctive cyan-blue print, discovered in 1842 by scientist Sir John Herschel (1792-1871). It was first used in photography by Anna Atkins (1799-1871), who produced a book of cyanotype photograms made using seaweed in 1843.
A type of Tokina lens that’s compatible with full-frame SLRs.
Stands for Digital Auto, which features on a range of Pentax lenses that (unlike some earlier ranges) don’t have a manual aperture ring. They have a ‘Quick Shift’ mechanism that enables you to override focus manually, even when the lens is set
The premium lens range from Pentax, which combines weatherproofing with
the advantages of the DA range.
A sheet of black material, mainly used in large-format photography. It covers the photographer’s head and the camera, and allows the relatively dim image on
the ground-glass screen to be seen more clearly when composing and focusing an image.
A light-tight room for processing and printing traditional photographs. Negatives are loaded into the processing tank in complete darkness, while a red/orange safe light can be used at the printing stage.
Louis Daguerre (1787-1851) was an artist and inventor who devised one of the earliest photographic processes, the daguerreotype, announced in 1839. It was made by coating a silver-plated copper sheet with light-sensitive silver iodide,
and exposing it in a camera to create a positive image.
This features on the range of Sigma lenses that are designed specifically for use with crop-factor SLRs, and which can’t be used with full-frame models.
The split-second when all the elements of a photograph simultaneously come together. The decisive moment is associated with Cartier-Bresson, who described photography as “the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
A type of flashgun that’s designed to provide direct one-way or two-way communication with the camera. The amount of dedication varies enormously depending on the flashgun and camera. Increased dedication tends to provide
a more accurate flash metering, as well as making the flash system easier to use successfully.
Depth of field
A measure of how much of a picture is in focus, from the nearest point in the scene
to the camera that looks sharp, to the furthermost point that looks sharp. Depth of field is dependent on the aperture used, the distance that the lens is focused at,
and the focal length of the lens.
Depth of field preview
A device, usually a button, found on some digital SLRs that enables you to see the viewfinder image at the actual aperture you’ll be using for the exposure. This gives a visual indication as to how much depth of field there is, and which parts of the resulting picture will be sharp or blurred. This is necessary because the viewfinder normally only shows the image as it would appear if the widest aperture available were used.
Depth of field scale
A scale found on some lens barrels that can be used to work out the depth of field for particular apertures, and that can be used for manual focus adjustments to maximize or minimize the depth of field.
A program exposure mode in which the aperture and shutter speed are set automatically in order to provide the maximum depth of field, while maintaining a shutter speed that’s fast enough for hand-held photography. With some cameras, the different subject distances measured by the multipoint autofocus system are also taken into account, and the focus is adjusted to suit.
A mixture of chemicals used to convert or amplify a latent image on a photographic film or print to make it visible. It’s made permanent using fixer.
This features on the range of Pentax lenses that will work with full-frame 35mm film cameras as well as crop-factor digital SLRs.
This refers to the Sigma lens range suitable for full-frame SLRs (but that can also be used on crop-factor models).
Tamron’s ‘Digitally Integrated’ lenses have a full-size image circle, so they are suitable for full-frame and crop-factor SLRs.
Tamron’s second-generation Digitally Integrated lenses are designed for use on popular crop-factor SLRs, and are not suitable for full-frame models.
Tamron’s third-generation Digitally Integrated lenses, designed for use on full-frame mirrorless cameras.
Another term for the aperture. These are the adjustable blades that regulate how much light enters the lens and reaches the sensor.
A window that pops open when you select certain commands, usually to give you the opportunity to configure settings or enter further preferences. In Photoshop and Photoshop Elements, menu commands that will open a dialog for further instructions before applying their effect are usually indicated by an ellipsis (…) after the name, such as File>Save As… Those without this, such as File>Save, will work immediately, with no dialog.
Controlling depth of field to ensure that one element in the picture is sharp, while others are as out of focus as possible.
Scattering of light caused by deflection at the edges of an opaque object. Diffraction causes slight fuzziness in the image when the narrowest apertures are used.
Any material that scatters the light as it passes through it, softening the illumination and making shadows less distinct. Diffusers are commonly used with artificial light sources such as strobes and flashguns. On sunny days, clouds act as natural diffusers.
Optical measurement used to describe the light-bending power of a lens. The dioptre value of a lens is equal to the number of times that its focal length will divide into 1000mm. Dioptres are used to measure the magnification of close-up lenses, and of viewfinder lenses.
The facility provided on some digital cameras for adjusting the viewfinder to suit the user’s eyesight. Limited adjustment is built-in, and some cameras permit further modification with the use of additional dioptre lenses.
An ill-fated film format introduced by Kodak in 1982. The disc-shaped film, housed in a plastic cartridge, contained 15 negatives measuring 11x8 mm. After each exposure, the disc rotated to the next frame. Poor image quality made it unpopular, and it
was discontinued in 1999.
DNG (Digital Negative)
DNG is a raw file format invented by Adobe and used by some camera manufacturers. An advantage of DNG is that, unlike other raw formats, it isn’t specific to just one camera manufacturer or model, and it isn’t just a read-only format – you can save your files in DNG format too. A free DNG converter application available from Adobe enables you to convert any raw file into a DNG.
Diffractive Optics is used on a handful of Canon telephoto lenses. The technology enables these long lenses to be made smaller and lighter than equivalents using conventional optical designs.
A way of lightening selected areas of the image during digital manipulation. The tool gets its name (and its spoon-shaped icon) from the traditional darkroom technique of ‘dodging’, where parts of a print are shielded from exposure and therefore given less light than other parts. See also Burn tool.
The name given to the ring-shaped bokeh created by the unique construction of a mirror lens.
Dots per inch. Strictly speaking, a measure of the density of dots of ink that a printer lays down on paper. Compare image resolution (density of pixels) of a print or on-screen image at a certain size, measured in pixels per inch.
(Digital Print Order Format)
A facility available on some digital cameras that enables users to mark the images from which they wish to have prints made.
(digital single lens reflex)
See single-lens reflex.
A Sony lens with a smaller image circle, designed for use on crop-factor cameras.
A duotone image is one made from two inks (usually black and another color),
and is often used in printed books to increase the tonal range of an image.
It’s also used by some fine-art photographers to add subtle color to black-and-white photographs. A similar appearance can be achieved in Photoshop by converting a color image to greyscale, then choosing Image>Mode>Duotone.
Tokina’s and Nikon’s way of marking lenses that are only suitable for crop-factor (or APS-C) digital SLRs.
A term used to describe the range between the lightest and darkest points in a photograph. The range that can be recorded by a digital camera is relatively small compared with the range that the human eye can perceive.
George Eastman (1854-1932) was an American entrepreneur and philanthropist. He patented the first paper negative roll film in 1884 before establishing Eastman Kodak in 1892, which went on to become one of the world’s largest photographic companies. The popular Kodak ‘Brownie’ series was launched in 1900, with the famous slogan, ‘You push the button, we do the rest’.
A lens featuring Extra-low Dispersion glass in one or more of its elements, to help correct chromatic aberration. This abbreviation is used by Nikon, Panasonic, Olympus and others.
Edgerton, Harold Eugene
Harold Eugene Edgerton (1903-1990) was a professor of electrical engineering at Massachusetts Institute of Technology, who conducted innovative experiments with high-speed flash photography. He developed a flash tube that fired for one-millionth of a second, recording for the first time subjects such as a bullet piercing an apple.
Stands for Electro Focus. This is the name of the lens mount Canon introduced on its first autofocus SLR cameras in 1987. EF lenses can be used on all Canon SLRs.
(effective focal length)
A measure for comparing the angle of view and magnification of different lenses and lens settings, whatever the size of imaging chip being used. The actual focal length is converted to the equivalent focal length that would give the same angle of view on
a camera using 35mm. See focal length.
Stands for Electro Focus Short back focus, a lens mount introduced by Canon in 2003. EF-S lenses have a small image circle so they are only suitable for use on crop-factor SLRs. A modified mount means that they can’t physically be fitted onto incompatible (i.e. full-frame) Canon models.
Sigma’s designation for its premium lens range.
An individual optical lens. Most photographic lenses are constructed using a number of lens elements, placed parallel to each other along a single axis. Some are placed together in groups.
A projector used in a traditional wet darkroom. Negatives are placed in the carrier, and a light inside the enlarger head projects the magnified image onto a sheet of photographic paper on the baseboard. When the exposure is complete, the photograph is developed and fixed.
A portrait shot in a subject’s home or work environment in such a way that it gives an insight into the subject’s character. The American photographer Arnold Newman (1918-2006) is considered the father of environmental portraiture.
EV (exposure value)
The scale used to denote the exposure required without the need to specify
either shutter speed or aperture.
A particular EV setting has its own set pairs of possible shutter speed and aperture. Exposure values are often quoted in combination with an ISO speed to denote
a specific light level.
A metering system used on many cameras, in which light readings are
taken from a number of different areas, or zones, across the image. These
readings are then compared to data programmed into the camera, so it can work out an appropriate exposure setting. Information from the multipoint autofocus system is also used, to ascertain the likely position of the subject. This ‘intelligent’ metering system can avoid many of the failings of simpler systems. However, it’s impossible to second-guess, so it can be difficult to predict the occasions where it will get the exposure wrong. It’s also known as matrix metering.
EVF (electronic viewfinder)
An eye-level LCD screen, as found on hybrid cameras, bridge cameras, camcorders, and some compacts. The image seen by the lens is electronically projected onto the screen.
(exchangeable image file)
Camera settings recorded by many digital cameras as part of the image file. This data automatically notes a wide range of information about the picture, including the date and time it was recorded, aperture, shutter speed, model of camera, whether flash was used, number of pixels used, metering mode, exposure mode, exposure compensation used and zoom setting. The information can then subsequently
be read by suitable software. To access this information in Photoshop and Photoshop Elements, go to File>File Info.
The total amount of light used to create an image. The term is also used to describe a single shutter cycle, that is, the process of the camera’s shutter opening, closing and resetting.
A control for manually overriding the built-in exposure meter of a camera to provide more or less light to the sensor.
An accessory used in macro and close-up photography that fits between the D-SLR body and the lens. The extra extension between the lens and sensor enables the lens to focus closer and to provide a higher image magnification than would otherwise be possible. Extension tubes are usually sold in sets of three, and are used singly or in combination to provide a total of seven different magnifications.
A Photoshop tool used to sample the color of an area, typically changing the foreground color to the same shade. It can also be used in some adjustment tools for setting exposure or color balance, by clicking a particular area of tone as a reference point.
A measurement of the optimum viewing distance between the photographer’s eye and the camera’s viewfinder.
See dioptric correction.
The aperture setting on a lens. The number is the focal length of the lens divided by the diameter of the aperture. As a result, larger f-stop numbers represent narrower aperture sizes. F-stop numbers are used so that exposure settings for a particular scene can be expressed without having to know the focal length of the lens used. The term, F-stop, comes from the Waterhouse stop (a series of circular holes in strips of metal that ‘stopped’ some of the light passing through the lens). The system was invented by John Waterhouse (1806-1879) in 1858, but the hole sizes don’t correspond with modern f-stop numbers.
The f-stop number is the size of the lens’s maximum aperture, measured as a fraction of the focal length of the lens. On some zoom lenses there may be two apertures quoted: f/4-5.6, for example. This means that the maximum aperture of the lens gets narrower as the lens is zoomed in. The maximum aperture on the lens barrel may also be expressed as a ratio, such as 1:4-5.6.
A Pentax lens that’s compatible with full-frame SLRs, and that features an old-fashioned aperture ring.
A color shown in a digital image that’s different from the actual subject color, and that often appears together with a moiré pattern. See moiré pattern.
Fast ISO setting
An ISO setting that makes the sensor more sensitive to light than usual, and thus requires less exposure than usual. Fast settings are useful in low-light situations where long shutter speeds are not suitable. A drawback is that grain-like noise within the image becomes more pronounced as the ISO speed is increased.
A lens that has a wider maximum aperture than is usual for that particular focal length or zoom range, allowing a shorter shutter speed. Fast lenses are not only useful in low light; they can be invaluable for throwing backgrounds out of focus to a greater extent than usual.
Fast shutter speed
Relative term for an exposure that is shorter than average, usually set to avoid the blur that would otherwise be created by movement of the subject.
A way of softening the edges of an area that you’ve selected to work on in Photoshop. It adds a transition zone of transparent pixels, which enables any background to partially show through (like with the edges of a feather). It’s used so that the join between manipulated and non-manipulated areas is rendered less obvious.
Roger Fenton (1819-1869) was a British photographic pioneer who took some of the earliest war photographs on the battlefields of the Crimean War in 1854.
He was also the founder and first secretary of The Photographic Society, later renamed to The Royal Photographic Society.
The way in which a digital image is stored. When you’ve finished editing your images, you usually get a choice of formats to use while saving. Common file types include JPEG, TIFF, PNG and PSD.
Flash used as a secondary light source. A fill-flash feature is an option on many cameras with a built-in flash unit. With it you can soften shadows on foreground subjects, helping to avoid problems with backlighting. Fill-in flash can also be used to enhance the colors and contrast of foreground subjects in dull lighting conditions.
In studio lighting, a fill light is used to give more detail to dark or shadow areas, and reduce contrast.
In photography, film is a transparent plastic perforated strip or sheet that acts as a base for microscopic, light-sensitive silver halide crystals coated on one side with a gelatin emulsion. Black-and-white film has a single layer of silver salts, while color film has a minimum of three layers of dye (blue, green and red), which sensitive the salts to different colors, as the scene being photographed dictates.
A general term used within Photoshop for a wide range of artistic effects and
other utilities. Many are special effects, such as those that add grain and texture
to an image. Others, such as the sharpening filters, are more utilitarian.
Also, see optical filter.
An ultra-wide-angle lens that distorts the image in order to maximize the field of view. On 35mm cameras, the term refers to lenses with focal lengths of around 8-15mm.
A method of transferring data such as digital images or video between devices. FireWire 400 was first introduced by Apple in the 1990s. The last widely-used version was FireWire 800. A FireWire 400 cable can be connected to a FireWire 800 socket using an additional adaptor.
Fixed focal length lens
A lens that doesn’t have a variable focal length, and that has a single angle of view.
A chemical mixture used in the wet darkroom to stabilise negatives and prints after development and make them insensitive to light.
Stray, non-image-forming light that reaches the sensor, creating unwanted highlights or softening the image. Lens coatings and hoods are designed to minimise flare. However, flare can still prove a problem when shooting towards a bright light source.
A burst of artificial light used to provide all or some of the illumination for an image. Most cameras have built-in flash units, while some allow a separate flash unit to be attached via the hotshoe, or used off-camera. In studio work, large standalone flash units or strobes use mains power, and are triggered by a flash sync cable or radio signal. Flash durations are usually between 1/200 sec to 1/4,0000 sec and have a color temperature of around 5,500-6,000K.
A process that ensures that the peak output from the flash tube coincides with the shutter being fully open. On digital SLRs with focal plane shutters, full synchronization is only possible at certain shutter speeds.
A Photoshop term for merging all the visible layers to the background layer, reducing the file size.
The lighting produced by strip light tubes. The color balance can vary enormously, depending on the type of tube, and manual white balance settings therefore often offer several fluorescent settings. Daylight-balanced fluorescent tubes are used in some studio lighting systems.
Stands for Focus-One-touch mechanism, on Tokina lenses. It enables you to switch between autofocus and manual focus by snapping the focus ring backwards and forwards.
Optical term describing the distance between the optical centre of a lens and its focal point. In practice, the focal length is a measure of the magnification and angle of view of a given lens or zoom setting. It’s usually measured in millimetres. However, its usefulness as a way of comparing different lenses is diminished by the fact that the exact focal length required to give a particular angle of view will depend on the size of the imaging chip used by the camera in question. See EFL.
The flat surface upon which the image is focused in a camera. This is the plane where the photo sites of the CCD or CMOS image sensor are positioned.
Focal plane shutter
A shutter mechanism that sits just in front of the image sensor, in the lens’s focal plane. It consists of two light-tight curtains that, when using fast shutter speeds, travel across the focal plane with a thin slit between them. Light passes through this slit to expose the image sensor or film. Using shutter speeds lower than the flash sync speed, one curtain crosses the focal plane to expose the whole sensor or frame of film, followed separately by the second curtain. This type of shutter is commonly used on DSLR cameras.
An electronic visual aid in which the parts of an image in sharp focus are highlighted on a Live View screen, or electronic viewfinder.
The surface upon which the viewfinder image of a digital SLR is projected. Its textured surface is designed to accentuate the degree by which the image is sharp or not, thereby providing assistance when you’re focusing.
An ultra-high-resolution video format that delivers four times the amount of
detail as 1080p full HD. It means that individual video frames, which have eight million pixels, are of a high enough quality to be printed as still images.
Four Thirds system
A standard image sensor format introduced by Olympus and Kodak in 2002. It has a 4:3 aspect ratio (the sensor size is usually 18 x 13.5mm), while other DSLR and mirrorless systems use a larger sensor with a 3:2 aspect ratio.
In film photography, ‘format’ refers to a photographic film size and its associated camera systems. Miniature Format is 35mm or smaller, Medium Format is any film size higher than 35mm, but lower than 4x5, while Large Format is anything 4x5 inches or larger.
Fox Talbot, William Henry
An inventor and pioneer of photography, Fox Talbot (1800-1877) introduced the calotype or talbotype process in 1841. His book, The Pencil of Nature (published
in instalments from 1844-1846) was the first commercially published book
to be illustrated with photographs. One of his most famous photographs, made in 1844, showed Nelson’s Column in Trafalgar Square, London, still under construction.
Fps (frames per second)
Measurement of the continuous shooting rate of a camera.
A technique for highlighting a subject and giving depth to an image by using another feature within the image to form a frame around it. Examples include shooting a church tower through an archway, or a portrait of someone looking through a window frame or standing under the bough of a tree.
Lighting directed towards the subject, and therefore positioned behind, or level, with the camera.
Used to describe a digital SLR sensor that has a light-sensitive area the same size as a frame of 35mm film – around 24x36mm. See sensor size.
A Nikon (or Nikkor) lens that’s compatible with its full-frame SLRs, as well as crop-factor ones.
Stands for Gold – a designation found on top-class Sony lenses. It’s also used for current Panasonic Lumix compact system cameras and lenses.
Amplification of an electronic circuit. It’s used in digital cameras and camcorders as a way of electronically boosting the sensitivity of the imaging chip in low light. See ISO.
The range of colors that can be printed or displayed by a particular electronic device.
A thin coating on one side of a roll of photographic film, which contains microscopic light-sensitive silver halide particles.
A name for digital prints made on high-resolution large format inkjet
printers, coined by the printmaker Jack Duganne in 1991. It comes from ‘gicler’,
the French word meaning ‘to spray or squirt’. The name originally referred to prints made on a prepress Iris printer, but now also includes those made on
other large-format printers that use pigment-based inks and archival paper.
(graphic interchange format)
A digital file format that uses lossless compression. GIFs are sometimes used for graphics and images for use on the web. Its image palette is limited to 256 colors – much fewer than a TIFF, JPEG or raw file can contain – so its use to show photographs isn’t recommended.
Unit for measuring computer memory, roughly equivalent to 1,000 megabytes.
The nickname for the lens – the portrait photographer’s best friend. Always buy the best ‘glass’ you can afford. Fast 50mm or 85mm lenses with a constant wide aperture are ideal for portrait work.
Guide Number (GN)
A number on a flash unit that measures its capacity to light a subject at a particular distance and ISO setting. Usually, based on a setting of ISO100, the guide number is determined by multiplying the flash-to-subject distance by the f-stop setting needed to correctly expose the subject at that distance. A flash with a lower guide number produces a much weaker flash than one with a higher guide number.
A type of optical filter that has a dark section and a clear section. These filters – commonly known as ND grads – are used to balance the brightness in high-contrast scenes, usually landscapes, with the dark area placed over the bright sky and the clear section over the dark foreground.
Metallic silver particles, random in shape and distribution, particularly visible in images made with black-and-white photographic film. It’s present to a lesser degree in color film. Grain is more noticeable in higher ISO film, but it’s also visible in lower ISO film when making big enlargements.
A neutral grey card, usually with 18% reflectance, is used as a standard reference when determining consistent photographic exposure. It’s used by placing it in a scene to be photographed and taking a reading from it with a reflected light meter. This avoids problems of over-exposure and under-exposure.
A digital image in which all the color information has been removed, leaving only black, white and shades of grey.
Grip and rip
A slang phrase for setting the camera to its highest continuous drive mode and keeping the shutter button held down to shoot as many frames as possible in a short space of time. ‘Spray and pray’ has the same meaning.
Ground glass screen
A sheet of glass, ground to a matte finish, which is used to look at images on large-format cameras. The image from the lens is projected upside-down on the screen. The image is examined and focused more easily by blocking out all other light with a dark cloth.
A group of like-minded San Francisco-based photographers, formed in 1932, which was dedicated to making clear, sharply focused images of landscapes and other natural forms. The group included Ansel Adams, Edward Weston and Imogen Cunningham. The group’s name is a reference to its members’ preference for using a very narrow aperture for increased depth of field.
Although not necessarily an hour long, this is the period of time after sunrise or before sunset in which landscape photographers particularly enjoy working because of the favorable effect of the light on their images. The main reason for the term is the warm color of the sunlight, which, together with its reduced contrast, gives outdoor scenes an especially attractive appearance. The low angle of sunlight also creates longer shadows and reveals more texture in a landscape.
Stands for global positioning system. This geotagging feature is built into many more recently introduced camera models. Using satellite-based navigation, it records the camera’s position when an image is made. This information can then be embedded in the image’s metadata, allowing some software to show maps of where you took each photo.
A term used to describe the glow that’s created around the edges of objects when they’ve been over-sharpened in Photoshop or other similar photo-editing software. They are even more prevalent in high dynamic range images.
A tool for moving your image around when you’re zoomed in and can’t see all the image at once, by dragging on the image. Press the H key, or hold down the space bar, to switch to this tool quickly.
(high dynamic range)
A digital imaging technique where a series of identical pictures of a scene are taken at different exposures and then combined into one image. This brings out detail in shadow and highlight areas that usually can’t be captured in a single exposure, and is particularly useful for high-contrast subjects, such as brightly-lit landscapes, interiors and night scenes.
Healing Brush tool
An image-retouching tool that lays down copied pixels like the Clone Stamp tool, but in addition it analyses nearby color and tone and attempts to blend the cloned pixels in with the surrounding area. Sometimes it produces better results than the Clone Stamp, but not always, because its blending effect will tend to blur detail.
For seamless cloning, it’s often a good option to use both tools.
Stands for High Index Dispersion, a type of glass used in Tamron lenses that helps to minimize chromatic aberration.
An image in which the bright, white tones dominate the picture.
The brightest (whitest) areas of an image.
High speed sync (HSS)
Flash feature that allows the use of shutter speeds with flash, faster than the usual sync speed. The flash pulses at high frequency to ensure an even exposure, even though the shutter blinds are never fully open during the exposure. The facility is useful for freezing close-up action in daylight, and for allowing the widest apertures even in bright light.
A graph that provides an instant guide to the contrast and exposure of a picture. It maps the distribution of tones, from the darkest on the left to the brightest
on the right. The scale runs from 0 (solid black) to 255 (pure white), and the height of the graph at any point represents the relative number of pixels in the image with that brightness level. The overall shape of the histogram gives you an at-a-glance indication of the tonal range of the image and the presence of any clipping. You can use tools such as Levels to adjust the shape of the histogram and thereby improve the contrast and exposure of the image.
An accessory shoe with an electrical contact, for mounting and connecting
Sigma’s Hyper Sonic Motor is used in some of its lenses to provide faster and quieter AF operation.
Another term for color. It tells you where
a color lies on the color wheel without telling you how bright or dark it is.
The shortest distance at which a lens can be focused so that depth of field stretches to infinity for a given aperture and focal length. When focused at the hyperfocal length, the depth of field will stretch from exactly half the hyperfocal distance
Developed by Westcott and wedding photographer Jerry Ghionis, the Ice Light is a handheld LED daylight source which runs off rechargeable batteries. It offers a wrap-around light source that reduces the need for extra equipment (including off-camera flash) and can also be tripod mounted for extra flexibility. Particularly handy for outdoor portraits (though it does like a bit like a Star Wars light sabre)
Incident light meter
A hand-held light meter that measures the amount of light falling on a subject.
Stands for internal focusing, and is found on many lenses from many manufacturers. The lens is constructed so that it doesn’t change in length as the lens is focused.
It also means that the front element doesn’t rotate – which can help with
the use of some lens attachments, such as petal-shaped lens hoods and
Image file format
A standard way of encoding information
for storage in a computer file. File formats used in photography include JPEG, TIFF, PSD, DNG and GIF, all of which are suitable for particular uses. See the separate entries for those formats for details of how they differ.
An integrated circuit chip that converts an optical image into an electronic signal. In current digital cameras, most are either CCD (charged coupled device) or CMOS (complementary metal-oxide-semiconductor) sensors.
Optical term to describe objects that are so far away from the lens that light from them reaches the lens as parallel rays. In practice, it’s usually used to mean objects that are on or near the horizon. Represented on lenses by the mathematical symbol, ∞.
The name of a hugely popular series of low-cost, easy-to-use cameras made by Kodak. First sold in 1963, Instamatics used Kodak’s cartridge-based 126 film. In 1972, the company introduced the Pocket Instamatic, which used the smaller 110 film.
Inverse square law
This law particularly relates to the use of studio lights or flash, and says that if an object is twice a particular distance from a point source of light, it will receive a quarter of the illumination. For example, if your subject is two metres away, and you increase it to four metres, the resulting fall-off means you’ll need four times the amount of light to keep the same exposure settings. Alternatively, you’ll have to increase the exposure by two stops.
Another name for the diaphragm, or aperture, of a lens.
The abbreviation used for Image Stabilization – the optical camera shake-reduction system found in a wide range of Canon lenses.
Stands for International Organisation for Standardisation. In photography, it refers to a system for measuring and specifying the sensitivity of digital imaging systems and photographic films. The higher the ISO number, the greater the sensitivity to light. Cameras have an ISO range, enabling you to choose an ISO setting that suits the situation in which you’re shooting.
A socket into which a plug is inserted to make a connection, also known as a ‘female’ connector. A jack on a camera is used for connecting an accessory such as headphones or a remote shutter release unit. A 3.5mm mini-jack is used for connecting an external stereo mic or to connect to old TVs.
A term coined by the artist David Hockney (born 1937) to describe his photo-collage work in the 1980s. Hockney’s joiners combined overlapping prints, made at slightly different times and from multiple viewpoints, to make landscapes and portraits. His most elaborate joiners used hundreds of individual prints to make one collage. Other photographers creating joiners (also called ‘panographs’) have followed Hockney’s method of assembling prints, or have combined digital images on screen using photo-stitching software.
JPEG (Joint Photographic Experts Group)
A file format used for digital images. A variable amount of compression can be used to vary the amount of detail stored and the resulting file size. It’s the standard format used by digital cameras (although raw or TIFF formats may also be options). It’s a ‘lossy’ file format, which means it tends to degrade with each save.
Unit used for measuring the color temperature of light sources, named after the 19th century physicist and engineer William Thomson, first Lord Kelvin (1824-1907). Average noon daylight usually has a color temperature of around 5500K.
The main light on a subject used in studio photography.
Stands for Luxury, and is used to designate Canon’s best professional lenses, which have superior build quality and weatherproofing.
Dorothea Lange (1895-1965) was an American photojournalist and documentary photographer. Her most famous image was taken in the 1930s, when she recorded the plight of sharecroppers and migrant laborers during the Depression era for the American government’s Farm Security Administration. Her best-known picture, Migrant Mother (1936) has come to symbolize the era.
A pencil-like Photoshop tool that you can use to select an area you want to work on simply by drawing around it. It’s used to make very rough selections.
The digital counterpart of the cut-out pieces of paper in a collage or decoupage work. Layers containing cut-out objects can be stacked on top of an original
image or background layer in order to create a composite image. Adjustments and effects can also be applied in the form of adjustment layers, enabling you to alter the exposure, color, and so on, without actually altering the original. Layers can be opaque, translucent, or merged with layers in the stack below in a number of ways.
Formerly known as the Layers palette, this Photoshop feature enables you to manage and organize the layers in a multi-layered image, add new layers or adjustment layers, and change the way in which layers interact with each other (such as their opacity and blending mode).
(liquid crystal display)
Type of display panel used widely on cameras to provide information to the user. High-resolution color LCDs are capable of showing detailed images, and are used as viewing screens on digital cameras.
This features on Tamron lenses that use one or more Low Dispersion lens elements to help reduce chromatic aberration.
Also known as a diaphragm shutter, it uses overlapping ‘leaves’ of metal, which open and close to allow light to reach the image sensor or film. It’s usually located between lens elements, and is commonly found on large- and medium-format cameras.
LED (light emitting diode)
Colored indicator lamp used on many cameras.
A selective focus lens with a flexible bellows tube section used for creating special effects. It allows the photographer to keep part of the image in focus while the rest becomes increasingly blurred. The point of focus can be moved by pushing or pulling the lens.
Attaches to the front of the lens to prevent stray light from outside the image area entering the lens. The lens hood is important for preventing flare, and needs to be designed for a specific lens so as not to cause image falloff.
A tool used in digital image manipulation
to adjust exposure, contrast and color balance. Histograms are used as a guide
to the corrections that need to be made to the image.
Also known as a plenoptic camera, this device uses microlens-array technology to record images in a completely different way to a conventional camera. Uniquely, this allows images to be re-focused after they have been shot. The first light-field camera was introduced by Lytro in 2011.
A device used to measure the amount of light and determine the correct exposure. Most cameras have built-in light meters that measure the reflected light from a subject, as do hand-held reflected light meters. Incident light meters measure
the light falling on the subject, and readings are taken from the subject’s position with the light meter pointing back towards the camera.
Any one of a number of devices that alters the direction and intensity of light. See reflector, softbox, snoot, and barn doors.
Lines of light recorded in an image by a moving light source during the exposure. Examples are vehicle lights on a motorway at night, lights on a fairground Ferris wheel or someone moving a hand-held torch. They can also result from shooting images of still lights and moving the camera during the exposure.
A photographic style originally inspired by the images produced using the low-cost Russian-made 35mm Lomo LC-A camera, introduced in the 1980s. Lomography enthusiasts include lens blur, light leaks and other camera quirks as an important part of their images. These defects are often introduced into digital photos for stylistic effect.
An exposure in which the camera’s shutter is open for an extended time period. It may be used at night to capture movement, such as car lights on a motorway or star trails, or during daylight to blur water movement in a river running through a scene. Long exposures in daylight are usually made using a neutral density (ND) filter to prevent over-exposure.
A lens used to magnify distant subjects that has a focal length longer than the diagonal measurement of the image sensor or film being used. In 35mm terms, this is any lens with a focal length longer than the ‘normal’ 50mm.
A process whereby the size of a digital image file is made smaller without losing information. Lossless formats include TIFF and PNG.
A process in which information is lost from a digital image file to make the file size smaller. This reduces the image quality, although the result may not be noticeable. JPEG is the most common file format to use lossy compression.
An image that is dominated by dark tones.
Term generally used to describe equipment for taking pictures at a closer shooting distance than usual, to provide a bigger image of the subject. Historically speaking, the term ‘macro’ refers to when the recorded image is life-size or larger than life-size, with a magnification ratio that is 1:1 or greater, as with macro lenses.
Maddox, Dr Richard Leach
Maddox (1816-1902) was an English photographer and doctor who invented the first successful gelatin dry plate for photography in 1871. Until then, photographers used wet plates, which had to be coated, exposed and developed in hazardous chemicals while still wet. Leach’s invention made photography much less dangerous and complicated, and laid the basis for early film emulsions.
Magic Wand tool
A tool that selects pixels on the basis of their color. Click a pixel, and more pixels of a similar color or tone will be selected. The Tolerance setting will dictate how close in color other pixels must be in order to be included. A Contiguous option defines whether only adjacent pixels will be included in the selection.
The relationship between the size of the focused image and the size of the subject.
If the image is life-size, the magnification ratio is 1:1.
An exposure made after the photographer has selected a shutter speed and aperture of their choice, usually after taking a reading from a built-in or hand-held light meter.
Adjusting the camera’s focus by turning the focusing ring on the lens barrel by hand. It’s often used to choose a particular focus point in macro photography. It can also be essential in certain lighting situations, for example low light or mist, when autofocus can struggle to lock on to a subject.
The dotted lines that flicker around areas that have been selected with a Marquee tool in Photoshop.
The Marquee tools enable you to make regular-shaped selections such as ellipses or rectangles. The term ‘marquee’ is also used to refer to the animated dotted
outline that indicates the border of a selection, which is also often referred to as ‘marching ants’.
See evaluative metering.
Maxwell, James Clerk
James Clerk Maxwell (1831-1879) was a theoretical physicist who collaborated with photographer Thomas Sutton (1819-1875) to create the first color photographic image in 1861. They photographed a tartan ribbon through red, green and blue filters. Then, at a lecture at The Royal Institution of Great Britain in London, the three negatives were projected together on a screen, using the same colored filters, and combined to make one color image.
One of Britain’s finest documentary and news photographers, McCullin (born 1935) is famous for his hard-hitting portraits taken in the 20th century’s trouble spots. While not a studio portrait photographer, McCullin’s images of the victims of war and disasters reveal a unique power and empathy.
Any camera that uses film larger than 35mm, but smaller than 4x5 (large format) film. In digital photography, the term refers to cameras that use sensors larger than a 36 x 24mm image sensor. Current examples include the Fujifilm GFX 50S and Hasselblad X1D II 50C (both with a sensor size of 44 x 33mm)
A unit for measuring the size of computer memory and storage capacity in hard
disks. Largely outmoded by the larger gigabyte unit (roughly 1,000 megabytes) as technology has improved to offer larger sizes.
A measurement of the resolution of a digital camera, equal to 1,000,000 pixels.
Family of removable memory cards used by early digital cameras. Pioneered by Sony.
Text information that describes an image file, such as EXIF camera settings and user-added captions.
An exposure mode in which shutter speed and aperture are set manually by the user, although information as to their suitability is provided by the camera’s own light-metering system.
Micro Four Thirds system
A standard for mirrorless cameras created by Olympus and Panasonic in 2008. It uses the same sensor size as earlier Four Thirds system DSLR cameras, but doesn’t use the mirror box or pentaprism. This allows a smaller, lighter and more compact Micro Four Thirds lenses.
All the areas of an image that aren’t shadows or highlights. These are areas
of brightness that, if the image were converted to black and white, would be a shade of grey rather than black or white. In a histogram, they correspond with the main central parts of the histogram graph.
In photography, moiré occurs when a detailed or repetitive pattern in the subject is overlaid with the pattern of pixels on a digital sensor. The interaction of the two patterns produces a separate, often wavy, moiré pattern. The effect is reduced by the camera’s optical low pass filter.
Although the term applies to images made using only one color, or shades of one color, in photography it usually refers to black-and-white images. The ‘monochrome mode’ on digital cameras enables you to record directly in black and white, instead of converting color images at the post-capture stage.
A one-legged camera support. This doesn’t provide complete stability to the camera, but enables slower shutter speeds to be used than would otherwise be possible with a handheld camera. Used widely by sports photographers due to its maneuverability.
Out-of-focus streaking effect caused by the movement of the subject or camera during the exposure. Examples include a long exposure of a moving object passing through a static street scene at night, or panning the camera with a moving subject to create a background with blur.
Motor drive (or motorwind)
A camera facility for taking a number of pictures in rapid succession. The camera continues to take pictures as long as your finger keeps the release down, or until it runs out of memory.
A tool used for aligning a layer by moving it around the canvas.
Taken from ‘mug’, the established slang word for ‘face’, the term originally applied
to the stark police photographs of criminals, taken after arrest. It now refers
to any simple head-and-shoulders portrait such as those found on a driving license
An image created by two or more superimposed images.
See evaluative metering.
An approach put forward in the 1880s by the English photographer Peter Henry Emerson (1856-1936). He said that photographs should be direct and simple and reflect nature. He also said they should be produced from a single negative (as opposed to the use of multiple negatives in combination printing), without being staged or retouched.
An image made on a strip or sheet of film made of transparent plastic. Tones are reversed on black-and-white negative film, while on color negative film, colors are recorded as their complementary colors. Negatives are converted to positive images when printed on photographic paper. The first negative was recorded on paper by William Henry Fox Talbot in 1835, using his calotype process.
Neutral-density (ND) filter
An optical or electronic filter that reduces the amount of light reaching the image sensor equally across the entire field of view. It permits longer shutter speeds or wider apertures than would otherwise be possible in the lighting conditions.
Stands for near-field communication, a short range wireless technology that has been introduced on many new camera models. It enables devices to communicate by using interacting electromagnetic radio fields. Images can be transferred wirelessly between a camera and a smartphone with NFC, simply by placing
the devices close together.
Niépce, Joseph Nicéphore
Niépce (1765-1833) was a French inventor who made the earliest surviving permanent image from nature in 1826. He used a camera obscura to project an image onto a pewter plate coated with light- sensitive Bitumen of Judea. His groundbreaking ‘heliograph’, View from a Window at Le Gras, showed a courtyard and buildings at his house.
Unwanted interference in an electrical signal, which is seen as a grain-like pattern in dark areas of a digital image. Noise increases in digital photos when a higher ISO setting is used.
The diffuse, reflected light that comes through a north-facing window, which
is therefore not directly lit by sunlight. Its soft, flattering quality makes it popular
in portrait photography.
Optical image stabilization, the system used on Panasonic lenses to reduce
Stands for organic light-emitting diode. OLED screens use a thin film of organic compound between two conductors that emits a bright light when an electric current is applied. These screens make flexible, high-quality displays that are lighter, thinner and faster to respond than LCDs. They are becoming increasingly common on high-end cameras.
A format for recording full HD video with a resolution of 1920 x 1080 pixels, offered on many current digital cameras.
A glass or plastic accessory placed in a holder or attached to the front of the camera lens. They are used to alter the image being recorded by allowing light
of particular wavelengths to pass through while blocking others. Most of the traditional optical filters are only used in film photography, because their effects can be replicated by in-camera digital filters or by using post- processing techniques on a computer. The types of optical filters still used widely in digital camera capture include the polariser, UV filter, ND filter, ND grad and infrared filter.
Optical low-pass filter
A filter built into many digital cameras and located in front of the image sensor. It reduces the combined effect of moiré and false color in digital images.
A sensor used in some cameras that detects when you turn the camera to take a vertical shot. It stores this information so that it displays the image correctly when played back on the camera LCD or computer screen.
Stands for optical stabilization, the system used on some Sigma lenses to reduce camera shake.
Exposing an image for too long to suit the subject in given lighting conditions. As a result, details in highlight areas are lost or ‘blown out’. Some photographers choose to over-expose when creating a particular effect. They may also use over-exposure to compensate when the camera’s light meter gives an incorrect reading – when shooting snow scenes, for example.
A short form for ‘packaging shot’, this is a photograph of a product with labelling clearly displayed, and is usually taken for advertising or other commercial reasons. Studio setups for pack shots can vary from the simple to the elaborate.
Paint Bucket tool
A Photoshop tool that fills a complete area with a particular color. As with the Magic Wand tool, you can adjust the Tolerance to change the effect. It can be useful for creating masks.
Painting with light
Creating images with a mobile light source. One way of painting with light is
to shoot a scene in the dark, whether indoors or outdoors, with the camera on the B (bulb) setting. While the shutter is open, objects in the scene can be ‘painted’ with light from a hand-held flash or other light source. The other technique also involves shooting in the dark with the shutter open, but in this case the light source is moved while being pointed towards the camera, often to create a ‘light trail’ shape in the final image.
Palette Bin / Panel Bin
Area on the right of the interface for keeping various dialogs and information displays in Photoshop and Photoshop Elements. Later versions tend to use the term ‘panel’ instead of ‘palette’. The feature can be minimized to buttons or hidden completely.
A tripod attachment that provides independent movement of the camera in both horizontal and vertical planes, giving the photographer greater flexibility.
Moving the camera along a horizontal plane during the exposure to follow a moving subject.
An elongated image in which the width is at least twice the height. Panoramas are made by cropping one image, made using a specially designed panoramic camera, or by combining several images together using ‘stitching software’. Aspect ratios for panoramic images can be 4:1 or higher.
A type of metering system where the exposure reading is taken from a small area in the centre of the field of view. It’s similar to spot metering, but the reading is taken from a larger area of the image.
An autofocus system that adjusts the focus of the lens by analyzing the image itself, rather than actively measuring the subject distance. Passive autofocus is used by most digital cameras, and is also known as phase-detection or contrast-detection autofocus.
An effect in which the image seen through a camera’s lens is not the same as that seen through the viewfinder, resulting in parts of the scene missing in the photograph. It’s found in any camera in which the viewfinder and lens are separate, such as Leica rangefinder and twin-lens reflex cameras.
Stands for perspective control-electronic. It’s used to designate Nikon’s range of tilt-shift lenses, which enable you to move the front elements on the lens to avoid or exaggerate lens distortion. These lenses are commonly used in architectural photography to ensure vertical lines remain parallel in the picture.
Stands for perspective-control lens, another name for a shift lens.
A simple electrical connection socket found on some D-SLRs for connecting a flash to a camera to enable synchronization. It’s widely used for connecting studio flash.
A lightweight, thin, translucent mirror used in Sony’s Single Lens Translucent (SLT) cameras. In this design, part of the light coming through the lens is diverted to an autofocus unit, and part goes to the digital sensor. This allows the photographer to see a continuous image through the viewfinder during exposure. It also avoids vibration and noise from the movement of a mirror.
A low-cost alternative to the pentaprism (see next entry) used in the construction of some D-SLRs. They offer the same functionality, but use mirrors for the viewfinder construction rather than a prism.
The five-sided prism used in the eye-level viewfinder of SLR and D-SLR cameras. It ensures that the image appears the right way up and the right way around in the viewfinder, correcting the effects of the mirror and the lens.
Perspective is used to translate
a three-dimensional scene into a two-dimensional image. It gives the viewer
a sense of depth in the image, for example, through the use of converging lines in a landscape. Perspective allows us to interpret the size and distance between objects, relative to the camera’s viewpoint.
See passive autofocus.
To appear in the background of an informal portrait and upstage the person being photographed, without them being aware.
A book largely consisting of photographs. It’s a means by which photographers have displayed their work since the earliest days of the medium. Landmark photo books of the past have included Robert Frank’s The Americans and Cartier-Bresson’s The Decisive Moment. More recently, the ability to create a personalized photobook has come within everyone’s reach via online companies such as Mixbook, Snapfish and Photobox.
A photographic image created by placing an object on a sheet of light-sensitive paper and exposing it to light. When the paper is developed, parts of the object that light rays cannot pass through are recorded as pure white, while translucent parts
might be recorded as shades of grey. The technique goes back to photography’s earliest days. The artist and photographer Man Ray (1890-1976) later produced many such images, which he called ‘Rayographs’ or ‘Rayograms’.
News journalism using a camera to record events. The ‘golden age’ of photojournalism’s lasted from the 1930s
to the 1950s, before television took over
as the main source of news, but it still plays an important role in the media.
A group of ‘automated’ features designed for combining a number of similar or related shots together, including Photomerge Panorama for combining an overlapping sequence to create a panoramic view. Elements includes additional Photomerge tools not included in Photoshop, such as Photomerge Group Shot (for combining the best features from a series of near-identical group portraits).
Photographic images of things invisible to the naked eye, created using a microscope. DSLR cameras are connected to a microscope using an adaptor, and the degree of magnification is determined by the power of the microscope.
Industry-standard software program produced by Adobe that enables photographers to edit digital images on screen and save them as a JPEG, TIFF,
PNG or GIF. It was initially named Display, and was created by Thomas and John
Knoll in 1988.
A system for printing directly from a camera to a compatible photo printer
without the need for first uploading images to a computer.
An artistic approach to photography, dominant during the late 19th and early 20th century. Instead of being straightforward documents of reality, photographs were given a more painterly, soft-focus appearance. Processes such as bromoil, gum bichromate and platinum printing, which involved manipulating a photograph’s tones and texture using brushes, pigments and inks, were popular among Pictorialists.
A lens fault or aberration that causes parallel lines in an image to bow inwards towards the centre, and is seen when shooting with telephoto lenses. The effect is similar to one you’d see if an image was printed on a pincushion. It can be
corrected using post-capture software such as Photoshop.
A camera that uses a small hole instead of a lens to project an inverted image on to photographic film or a digital sensor. Exposures are usually manually operated and can range from several seconds to hours in duration. DSLRs can be converted to pinhole cameras by replacing the lens with a piece of plastic drilled with a hole of around 0.3mm in diameter. Alternative pinhole cameras have been made with anything from wheelie-bins to shoe boxes.
A digital image in which individual pixels can be clearly seen, either due to very low resolution or high magnification of a small part of an image. Pictures are sometimes deliberately pixelated, for example when someone’s face is obscured in a newspaper for legal reasons.
Every digital photograph is made up of millions of square-shaped dots called pixels (the term derives from “picture elements”). Like the tiles in a mosaic, they blend together to create a photorealistic image. Zooming into your images using the Zoom tool in Photoshop/ Elements enables you to see, and then edit, each of these building blocks if you choose.
A piece of software that adds functionality to an existing computer program. Plugins are available for many digital image- manipulation programs, including Photoshop, Photoshop Elements and Lightroom, providing an increased range
of effects and transformations. One such plugin is Adobe Camera Raw.
A filter that only transmits light vibrating in one plane. It can be used to deepen the color of part of a picture, such as the sky. It can also be used to eliminate or reduce reflections on non-metallic surfaces, such as water or glass. It must be rotated in front of the lens until you achieve the desired effect.
An image that gives an accurate representation of the composition, tones and colors of the original subject being photographed, as opposed to a negative in which the subject’s composition, tones and colors are reversed.
Pixels per inch. A measure of the resolution (density of pixels) in a photo print or on-screen image.
A sophisticated autofocus setting on cameras where the focus is not only adjusted until the shutter is actually fired, but continues to be adjusted during the delay between pressing the shutter and the picture actually being taken. This enables the camera to focus more accurately on moving subjects.
A manual focusing technique used for photographing moving subjects. The lens is focused on a point or at a distance, which you anticipate the subject is going to move through. The shutter is released when this point is reached.
A term first introduced by pioneering photographer Ansel Adams, which he defined in his book The Camera (1980) as “the ability to anticipate a finished image before making the exposure”.
A non-zoom lens, that is, a lens with a single and fixed focal length.
Any exposure mode where the camera defines both the aperture and the
A program exposure mode in which the camera sets the shutter speed and aperture automatically, but the photographer has the option of altering the bias between the two readings to set a preferred shutter speed or aperture without changing the overall exposure.
Photoshop’s (and Photoshop Elements’) own file format, which preserves components such as layers and transparency that aren’t supported by some formats (including JPEG). It’s worth saving an edited photo as a PSD if you might want the option to revisit layers or adjustment layers at a later time.
Puppet Warp tool
First introduced in Photoshop CS5, this tool allows you to adjust or radically change the shape of parts of an image. Subjects can be selected and altered without affecting the background.
In film photography, push processing means increasing the film’s speed by shooting with shorter exposures than recommended and increasing the development time proportionately. This allows photographers to work in lower light conditions, but increases the grain size. Pull processing means using longer exposures than recommended and reducing development times, to give a negative with reduced contrast and grain.
Stands for power zoom, a servo-assisted zoom facility found on some Panasonic compact system camera lenses.
Stands for piezo drive, a type of ultrasonic motor used in Tamron lenses to provide fast, quiet AF.
Le Querrec, Guy
Guy Le Querrec (born 1941) is a French photographer best known for his documentary work with jazz musicians. He joined Magnum Photos in 1976 and began experimenting with film shortly after. He won the Grand Prix de la Ville
de Paris in 1998.
A facility for attaching and removing a camera from a tripod. A plate attaches to the camera using the traditional screw-in arrangement, then the plate slots into a recess on the tripod.
A camera with a separate lens and viewfinder, linked by a rangefinder mechanism. When looking through the viewfinder, two separate images are shown, one of which moves when the focus ring is turned. When the two superimposed images are perfectly aligned, the image is in focus. Still used in the M range of Leica cameras.
A file format option provided by digital SLRs, mirrorless cameras and some other top-end digital cameras. Image data is stored in a semi-processed state and needs to be fully processed on a computer. Raw files enable exposure compensation, image contrast, color balance and other settings to be altered after the initial exposure, while still retaining maximum image quality. Raw images also offer a greater tonal range than the alternative JPEG recording quality options. Raw isn’t an abbreviation, or even a single file type like JPEG; the format varies from manufacturer to manufacturer, and sometimes from camera to camera. Most current Canon models use CR2, and Nikon models use NEF.
Flash feature found on some D-SLRs and flashguns that synchronizes the flash output when the second shutter curtain is about to close. Usually, the flash fires at the point where the first shutter is fully open. The facility gives more natural-looking images when using flash in conjunction with slow shutter speeds.
The reciprocity law states that the density of a photographic image is in direct proportion to the intensity of light (aperture setting) and the duration (shutter speed). For example, if the correct exposure for a subject is 1/125 sec at f/4 and the aperture is increased by one stop to f/2.8, the shutter speed must be correspondingly decreased by one stop to 1/60 sec to maintain the same image quality, and vice versa.
In film photography, when shooting with very long or very short exposures, the reciprocity law (see above) can break down, leading to reciprocity failure. In these cases, extra exposure might be needed to compensate, as specified by the film manufacturer. Reciprocity failure doesn’t occur with digitally captured images.
An effect often caused by a camera’s built-in flash. The flash light reflects from the retina of a subjects’ eyes and gives them a bright red color. It can be reduced or corrected in-camera, or at the post-processing stage.
Reflected light reading
The most frequently used type of exposure meter reading, which measures the amount of light reflecting from a subject. An alternative approach is to use an incident light meter, which measures the amount of light falling on a subject.
A piece of card or other flat material that reflects and increases the amount of illumination from a light source. Reflectors can be white, silver or gold, and are often used to ‘bounce’ light into shadow areas and make them brighter. An umbrella-shaped reflector on a studio light is used to create softer and more diffuse illumination.
A studio portrait lighting technique named after the Dutch painter Rembrandt van
Rijn (1606-1669), who often used it. It refers to lighting one side of the face so that it creates a triangle of light on the opposite cheek. A reflector is sometimes used to bounce light on to the side of the face in shadow.
The act or technique of news reporting. In photography, the term refers to the art of telling a news story through pictures. Many wedding photographers offer ‘reportage style’ pictures. This simply means that the day’s events are approached as if it were a news event, and recorded in an informal and unobtrusive way. See photojournalism.
To create a new copy of an image with a different file size or resolution (pixel count).
A measure of the density of pixels in a printed or on-screen image, usually expressed in terms of pixels per inch (ppi). A resolution of 300ppi is widely regarded as the optimum for professional-quality printing. Monitors typically display images at between 72 and 96ppi, although this can vary with monitor size and other factors. Changing a photo’s resolution in the Image Size dialog in Photoshop won’t change how big it looks on-screen, only in print.
The rear focus feature is found on super telephoto lenses. With rear focus, the group of elements nearest the camera are used to determine the point of focus, providing faster autofocus.
Stands for red, green and blue. These are the three primary colors used by a digital camera to record a picture. Some tools can access and edit each of the three color channels separately.
Light from behind or to the side of a subject that gives a thin line of light around some or all of the subject’s edge, which sets it clearly apart from the background.
A flash lighting system that uses a circular flash tube attached to the front of the lens to provide even, shadowless lighting. Ring flash is often used in macro photography, but is sometimes used in other kinds of photography including portraiture. Oversized ring flashes are available for studio use, providing doughnut-shaped catch lights when used for portraits.
Rule of thirds
One of the best-known compositional ‘rules’, in which an image is divided, horizontally and vertically, into three parts, using two equally spaced lines. Important elements of the picture are then placed on one or more of these lines, which creates a stronger and more visually appealing composition than simply centering the subject. The term has its origins in painting, and was first written down by the artist John Thomas Smith in 1797.
A photographic film wound on a spool and protected from light with paper backing.
The most commonly used type is 120 roll film. It’s used in cameras shooting 6x4.5, 6x6, 6x7 and 6x9 negative sizes, plus panoramic cameras.
A wet darkroom effect in which an image is processed so that it’s partly a normal positive image and partly a negative. It was first described in the 1860s, but became well-known in the work of Man Ray (1890-1976). His assistant, Lee Miller (1907-1977) accidentally turned on a light while developing a print, but Ray liked the effect and consciously used it in his work. He called it ‘solarization’. The Sabattier effect is easily recreated using Photoshop, and looks best applied to a black-and-white image.
A red/orange lamp used to light a traditional wet darkroom when printing black-and-white photographs. It’s safe to use at the printing stage because photographic paper isn’t sensitive to red/orange light.
Stands for smooth autofocus motor, which has been used in recent Sony Alpha lenses.
The strength of a color or hue. An increase in saturation gives a more intense color.
Too much saturation, and the image will look unreal. An image with no saturation whatsoever will be black and white.
Scale gives us a sense of the size of an object or environment in an image, by
using another object in the scene as
a frame of reference. For example, by including a person in a landscape, the
viewer is given a strong idea of the relative size of that landscape.
Theodor Scheimpflug (1865-1911) stated: “If the lens plane is tilted down, when the extended lines from the lens plane, the object plane and the film plane intersect at the same point, the entire subject plane is in focus.” This principle comes into play when using tilt-shift lenses or tilt-and-swing movements on view cameras. In practice, it means that if you’re photographing a landscape, the lens can be tilted forwards until the plane of focus runs parallel to the ground. As a result, depth of field is vastly increased, even when shooting with the lens wide open.
Hard disk space used by Photoshop while processing an image to temporarily store information and make the process faster. It’s used, for example, to store the history states that are essential for using the History panel.
Also called a screen shot or screen capture, this is an image of all or part of a computer monitor display that can be saved as a graphics file.
Super-low dispersion, the glass used in Tokina lenses to reduce chromatic aberration.
SD (Secure Digital) card
A type of removable memory card used in some digital cameras.
SDHC (Secure Digital High Capacity)
A type of SD card that has a higher maximum capacity than standard SD
cards (up to 32GB).
Supersonic drive motor, Pentax’s fast, quiet focus motor.
SDXC (Secure Digital Extended Capacity)
A type of SD memory card that has an even higher maximum capacity than SDHC cards (up to 2TB).
Second curtain sync
An alternative term for rear-curtain sync.
A mirror used in digital SLRs to project some of the light passing through the lens to exposure and autofocus sensors.
A chemical treatment applied to a silver-based black-and-white print in a wet darkroom that changes some of the metallic silver to silver selenide. Depending on dilution and the type of printing paper, tones may range from red-brown to purple-brown. The appearance of the effect can now be simulated in post-capture software on a computer. Photoshop CS6 and CC includes selenium toning among
its range of toning presets.
A modern term for self-portrait, a genre becoming increasingly popular in the age of the smartphone camera.
A camera facility that incorporates a delay between the pressing of the trigger and
the beginning of the exposure. It has traditionally been used to enable the photographer to appear in the shot. It can also be used as a way of minimizing the vibration caused by pressing the camera shutter, when shooting a long exposure with the camera mounted on a monopod
The dimensions of the CCD or CMOS sensor in a digital camera vary greatly according to the type of camera. This has a major impact on image quality. Larger sensors collect more light and produce images with greater dynamic range and less noise than smaller sensors. Smartphone camera sensors measure around 4.5 x 3.4mm; compact camera sensors are around 6.1 x 4.5mm; D-SLR sensors are around 23.5 x 15.6mm, while a ‘full frame’ 35mm sensor measures around 36 x 24mm. A medium-format sensor (such as in the Fujifilm GFX 50R) measures around 44 x 33mm.
A chemical treatment used in traditional photography that converts metallic silver
in a black-and-white photograph to silver sulphide. It has the effect of changing shades of grey into shades of reddish-brown. The appearance can easily be created in digital images, either in-camera or using Photoshop.
A high-definition video recording format with a resolution of 1,280 x 720 pixels, offered as option on many digital cameras.
Sharpening boosts the contrast around the edges of objects to increase definition, which helps counter the inherent softening effect of digital capture. Inkjet printing has a further softening effect, so if you’re going to print your image, it will need more sharpening than it would need for on-screen viewing. Over-sharpening can be a problem, leading to undesirable haloes.
Film used in large-format cameras, including 5x4 and 10x8 equipment, which is supplied in boxes of individual sheets.
An interchangeable lens available for a small number of D-SLRs and medium-format cameras. The lens provides a limited range of camera movements, including a facility for the lens to be shifted upwards to avoid converging verticals when photographing tall subjects, especially buildings. Also known as a PC lens.
A device for allowing light to pass through a camera lens to the digital sensor or film, usually for a precise period of time. See also leaf shutter and focal plane shutter.
The delay between the photographer physically pressing the shutter and the exposure actually being made.
A semi-automatic exposure mode in which the shutter speed is set by the photographer. The aperture is then set by the camera to suit the metered light readings taken by the camera.
Also called exposure time, this is the length of time the camera’s shutter is open to allow light coming through the lens to reach the image sensor or film.
This is illuminating a subject from one side across the camera axis, either using natural or artificial light, while the other side remains in shadow. It’s often used in portraiture to give texture and depth to a subject. It can give a dramatic look, especially against a dark background. If desired, shadow areas can be lightened
by using a reflector.
The light-sensitive chemical compound that, when coated on photographic film or paper, enables images to be recorded.
Single lens reflex (SLR)
A camera that uses a pentaprism and mirror to show the exact image being seen through the lens. When the shutter is released, the mirror flips up to allow the image to pass through to the sensor or film.
Device that triggers a flash unit automatically when another flash is fired. The slave uses a light-sensitive photoelectric cell, and cuts down on the number of cables needed in a studio.
Stands for super-low dispersion – lens elements in Sigma lenses that reduce chromatic aberration.
A lens with a narrower than average maximum aperture for the focal length.
As a result, shutter speeds at the maximum aperture are longer than with ‘faster’ lenses.
Slow sync flash
Technique in which a slow shutter speed is used in conjunction with flash. The flash usually provides the main source of illumination, but the ambient light creates
a secondary exposure that can be useful in suggesting movement, or for providing detail in a background that would otherwise have looked unnaturally dark.
Stands for Single Lens Translucent. This is a proprietary name for Sony A-mount cameras that use a pellicle (fixed, translucent) mirror, electronic viewfinder and phase-detection autofocus system.
Stands for super multi coating, a seven-layer coating used on Pentax lenses to reduce light reflected by the lens itself.
A style of fine-art photography that uses a seemingly casual, snapshot appearance, and focuses on everyday subject matter. Photographers using this approach have included William Eggleston (born 1939), Nan Goldin (born 1953) and Wolfgang Tillmans (born 1968). It was particularly popular in 1990s fashion photography.
A tube-like attachment in the shape of a cone or cylinder, which fits on the front of a flash unit or studio light. A snoot enables the photographer to control the direction and width of the light so that it concentrates on, or isolates, a subject.
Photographic genre that concentrates on recording the everyday lives of people
from different nationalities, cultures and social classes. Social documentary projects often have a particular purpose, such as the photographs of Lewis Hine (1874-1940) highlighting child labor in the early part of the 20th century, or Sebastião Salgado’s 1993 project on the conditions endured by workers in different countries around the world.
An enclosure around a flash or continuous light. The insides are lined with reflective material while the square or round front screen is made of a white opaque material that diffuses and softens the light. Softboxes can measure anything from 40cm to 2m across the front, and are often used instead of umbrellas for diffusing harsh flash light.
Slightly blurred and lacking in sharp definition. Images can be ‘soft’ due to a lens flaw, or made deliberately so to give a romantic ‘glow’ to an image. It can be achieved in-camera by attaching a soft-focus or diffuser filter to the lens, or by shooting through a piece of translucent material (for example, a section cut out from a pair of tights). It can also easily be added using post-capture software on a computer.
See Sabattier effect.
Susan Sontag (1933-2004) was an American writer, filmmaker and prominent activist, whose series of essays collected in the book, On Photography (1977), was a groundbreaking critique of the photographic medium.
Slang term for developer.
Stands for super performance, a long-standing tag found on top-of-the-range Tamron lenses.
Exposure metering system in which a meter reading is taken from a very small area in the centre of the frame.
RGB color space frequently used by digital cameras, but providing a narrower range of colors, or ‘gamut’, than the
Adobe RGB space.
Stands for supersonic motor, used for high-speed autofocus in top-of-the-range Sony lenses.
A focal length of lens roughly equal to the diagonal of the image sensor area. Typically, standard lenses have an effective focal length of around 50mm.
Edward Steichen (1879-1973) was an American fashion and portrait photographer. As Chief Photographer at Condé Nast publications in the 1920s and 1930s, he was the most famous (and reputedly the highest paid) photographer in the world. He was Director of Photography at the Museum of Modern Art in New York from 1947-1962 and in 1955 organized the Family of Man exhibition, seen by over nine million people.
Following in the centuries-old tradition of still-life painting, still-life photographs focus on single or small groups of objects. They can be shot indoors or outdoors, using daylight or artificial light, and are usually carefully arranged by the photographer. Notable still-life photographers include Edward Weston (1886-1958) and Irving Penn (1917-2009).
Photographs taken in public places that record human behavior or interaction in
a way that comments on society or life in general. Street photographers aim to capture life as it happens and usually take pictures when people are unaware. Those who have worked in this broad genre include Henri Cartier-Bresson (1908-2004), Robert Frank (born 1924) and Garry Winogrand (1928-1884).
An important advocate for photography as an artistic medium, Stieglitz (1864-1946) formed the Camera Club of New York in 1896 and edited the magazine Camera Notes. He formed the Photo-Secession in 1902, a group of leading photographers that argued that artistic expression was the most important thing about photography. His ideas influenced a generation of photographers.
Combining two or more overlapping images of a subject to create one seamless panoramic or high-resolution image. It can be achieved via dedicated software programs such as Autostitch or Canon’s Photostitch, or using the Photomerge feature in Photoshop.
A unit of exposure. Changing exposure by a single stop is equivalent to doubling or halving the amount of light reaching the image sensor. The distance between each
of the standard aperture settings (f/2.8, f/4, f/5.6, f/8, f/16 etc.) is a full stop. Digital SLRs usually provide a number of intermediate half-stop or third-stop settings.
Close down the camera’s aperture. The opposite term is ‘open up’.
Also called a stroboscopic lamp, this light source produces flashes of light (usually around 200 microseconds in length) at regular intervals. In photography, it’s been used to make high-speed images of subjects that move too fast for the eye to see, such as a bullet zipping through the air. Strobe lights have also been used to capture multiple images of a moving subject in one image, for example in the photographs of dancers by Gjon Mili (1904-1984).
A lens with an unusually large focal length range. Current superzoom examples available for D-SLR cameras include the Tamron 18-200mm f/3.5-6.3 Di III VC and the Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM. Some of the largest superzooms are found on bridge cameras; the Nikon Coolpix P1000 has a 125x optical zoom, for example, which is equivalent to 24-3000mm. Bridge cameras themselves are sometimes called ‘superzooms’ or ‘ultrazooms’.
A name used on some of the affordable and easy-to-use range of instant cameras produced by the Polaroid Corporation in the 1960s and 1970s.
Silent wave motor, the high-speed quiet autofocus motor used on Nikon’s AF-S lenses.
The fastest shutter speed that can be set on a camera that enables synchronization with the flash. See flash synchronization.
Images of small objects or a miniature scene, arranged on a table top.
A supplementary lens used between a primary lens and the camera body to increase the focal length range of the primary lens. For example, a 1.4 teleconverter on a 200mm lens will increase the focal length to 280mm, but causes a corresponding one-stop reduction in the maximum aperture size.
A term generally used to describe any long-focus lens (in full-frame photography, a lens with a focal length of 85mm upwards). However, telephoto technically refers to a long-focus lens in which the physical length of the lens is shorter than its focal length, a design feat achieved by its internal lens assembly.
Unit for measuring computer memory or disk storage capacity, which is roughly equivalent to 1,000 gigabytes.
TFT (thin film transistor)
High-quality color LCD technology, widely used for rear displays on digital cameras.
A small, low-resolution version of a larger image. It’s often used in image management applications such as Adobe Bridge and Organizer to make it easier and faster to search through and preview your photo collection. The small representations of each layer in the Layers panel in
Photoshop and similar software are also referred to as thumbnails.
Used in portraiture, this style of lighting is created by placing a light at approximately 45 degrees from each side of the centre line of the face. It lights three quarters of the face, leaving a shadow area along the side opposite to the light that gives the face depth and volume.
TIFF (Tagged Image File Format)
Digital image format used to record files with maximum available detail. Files can be large, although this can be reduced using lossless compression.
See long exposure.
Technique where pictures are taken
of the same subject at regular intervals, then combined into moving video footage. Some time-lapse photographers record
an event that takes place over a long
period of time, such as a butterfly emerging from a chrysalis or a flower opening its petals.
Stands for twin-lens reflex. A TLR film camera has two lenses of the same focal length; one is used for taking the picture while the other provides the image for the waist-level viewfinder, seen via a 45-degree mirror. The two lenses are connected so that focusing is the same on both lenses.
Short form for ‘photographer’.
An inexpensive and easy-to-use film camera, such as the Holga, Lubitel, Lomo LC-A and Diana. Their lens quality and general build leads to vignetting, image blur, distortion and light leaks, but many photographers enjoy incorporating these flaws into their images for artistic effect.
A technique used in image processing to reduce the range of tonal values in a high dynamic range image, so it looks more natural when shown on a computer monitor or in print.
Changing the color of a black-and-white print or digital image. In traditional photography, black-and-white prints are usually toned using chemicals to change the metallic silver in the print emulsion to a silver compound. This happens in sepia and selenium toning. Other processes, such as platinum and gold toning, are known as metal-replacement toners. Similar effects can be produced in digital images using post-processing techniques.
A Photoshop tool used to scale, rotate, reduce, enlarge, distort or change the perspective of a layer, selection or shape.
A genre of photography that concentrates on documenting the landscape, people, culture and customs of a country.
A three-legged camera support.
Threaded socket found on the base of cameras, used for attaching tripods and other accessories.
Tilt-shift electronic – Canon’s range of perspective control shift lenses.
(through the lens) metering
An exposure metering system in which the intensity of light is measured through the camera lens.
A type of bulb lighting that has a warm color temperature of between 2,600 and 3,500K.
Tv (time value)
Abbreviation used for shutter priority on some cameras.
Stands for ultra-low dispersion, a type of glass used in Canon lenses to reduce chromatic aberration in the image.
An umbrella is used in a studio to reflect and diffuse light from a flash unit,
creating a softer and more even light. The most common types are the white shoot-through umbrella, which is used between the flash and the subject, or the black umbrella with a reflective silver or white underside that bounces flash light back on to the subject.
An insufficient exposure for the subject to retain all the shadow details, so that darker areas become black or almost black. The greater the under-exposure, the darker the image. This may be a conscious choice for artistic reasons.
Underwater housing / waterproof housing
A sealed container specifically made to protect particular cameras from damage
in underwater photography, and that allow controls to be accessed and operated as normal.
One of the most popular Photoshop tools for increasing sharpness in a digital image. It gets its curious name from a traditional print process, where a soft focus negative
is sandwiched with the sharp original in order to increase edge contrast.
The third version of the Universal Serial
Bus standard for connection and communication between computer peripherals (including digital cameras and printers) and personal computers. It was released in 2008 and was further updated to USB 3.1 in 2013.
Stands for ultrasonic silent drive, Tamron’s fast, quiet AF motor.
Stands for ultrasonic motor, a fast, low-noise autofocus motor used by some Canon lenses.
An optical filter that absorbs ultraviolet (UV) radiation. It can be used to improve visibility and quality in mountain and maritime landscapes. Many use them to protect the front of the lens.
A type of photographic printing paper that, in the wet darkroom, allows a range
of contrast grades to be produced by changing the color of the filter in the enlarger head.
Stands for vibration compensation,
the name of the optical camera shake-reduction system fitted on some Tamron lenses.
A slider available in Adobe Camera Raw and Photoshop that enables you to increase the saturation of colors. It doesn’t increase saturation universally – it concentrates on colors that are not saturated already, with a more limited effect on colors that are already intense. This often leads to a more visually pleasing result.
A large-format film camera that uses sheet film. Depending on the camera design, film sizes can range from 5x4 inches to 20x24 inches. All view cameras have a front standard with a lens mount and a rear standard with a film holder and ground glass screen for focusing. Both standards can be moved backwards and forwards and at different angles to alter perspective, focus and depth of field. They are connected by a flexible and extendable bellows. View cameras can be used with digital backs instead of film.
Darkening of the corners of an image.
This appearance is often deliberately created to highlight a subject in the centre of the image, and can be applied by digitally burning in corners in Photoshop. It’s also commonly seen in images taken with toy cameras such as the Holga. If vignetting is unintended, it’s usually due to lens fall-off, and can be corrected using post-processing software.
Stands for vibration reduction, Nikon’s name for its image-stabilization system.
An abbreviation for white balance. See white balance.
An element embedded in a digital image, such as the photographer’s name or a symbol, to show ownership and prevent images being used without the copyright owner’s permission.
Edward Weston (1886-1958) was one of the major American fine-art photographers of the 20th century. His aim was, he said, to “make the commonplace unusual.” His photographs were clear and detailed representations of landscapes, portraits, nudes, and, most famously, still-life subjects such as seashells and peppers.
Digital camera system that sets the color temperature for the scene being photographed. This can be set automatically, with the system attempting to set the color so that it looks normal to the human eye. Most DSLRs also offer a wide selection of manual white balance settings – where the WB can be set from a reference source (such as a piece of white card), or to a particular Kelvin value, or to a lighting type (such as sunny daylight or tungsten bulb lighting).
A lens with a focal length shorter than the ‘normal’ lens (that is, the lens that gives the most true-to-life field of view) for a given format. In the 35mm format, focal lengths from 35mm to 24mm are considered wide-angle, while lenses from 21mm to 12mm are generally described as ultra wide-angle.
Weather resistant – a term found on certain Pentax lenses.
A code for labelling optical filters, named after the inventor Frederick Wratten (1840-1926). Each separate color has a number (orange filters, for example, have the number 81) and some have letters to indicate the strength of the filter (an 81EF is much stronger than an 81A, for example).
Stands for extra low dispersion, the glass used in some Tamron lenses to reduce chromatic aberration.
Stands for extensible metadata platform. A labelling technology used by a number of image-editing programs, including the Photoshop family. It records information about a file, and is usually embedded within the file itself. With raw files, the XMP information is recorded separately.
Stands for extra refractive, a type of glass used in Tamron lenses. It can bend light at wider angles than normal glass, helping to make the overall size of the
In film photography, yellow filters were often used by black-and-white landscape photographers to darken a blue sky and brighten the landscape.
Madame Yevonde (1893-1975) popularized the use of color in portrait photography
in the early 1930s. She’s most famous for her studio portraits of the mid-1930s that made creative use of and props.
Stands for Zeiss Alpha – a range of Sony lenses designed by Carl Zeiss.
The Zone system is a systematic technique for calculating the best possible film exposure and development. It was formulated in around 1940 by photographers Ansel Adams (1902-84) and Fred Archer (1889-1963).
A lens with a variable angle of view. On a zoom lens, the focal length can be changed while the focus remains the same.
The relationship between the shortest and longest focal length setting of a zoom lens. For example, a 14-42mm lens has a zoom ratio of 3:1, or 3x; a 50–500mm lens has a zoom ratio of 10:1, or 10x.