The best photo editing software isn't necessarily from Adobe! There are plenty of Photoshop and Lightroom rivals that bring very different tools, styles, effects and possibilities for keen photographers.
Photoshop does have some claim to being the best photo editing software there is, simply because it's the tool most used by professionals and the best-known software tool by far.
But Photoshop is pretty limited in its approach, and Adobe's subscription-based software plans for Photoshop and Lightroom are not popular with everyone, even now. Photoshop might still be the best at what it does, but what it does may not be what you want!
Despite its mighty reputation, Photoshop is just a photo editor. That's all it does. If you need to open a raw file it has to go through Adobe Camera Raw first, and while that is included in the deal, it's a tiresome extra process that many other programs don't require. If you need to organise your photos (who doesn't?) you need a separate program like Lightroom (included in the same Adobe Creative Cloud Photography Plan).
But you want advanced black and white effects, retro/analog filters, HDR merging or one of dozen other specialised 'looks', you're often better off using a custom-made plug-in or a different application.
Remember that Photoshop is also for artists, designers, videographers and illustrators too. There's a lot in Photoshop you won't need, and there's only a finite amount of space inside Photoshop for photography-specific tools.
So Photoshop is great at what it does, but what it does is starting to look pretty limited. Which is why the other programs on our list all deserve a long, hard look. Many are cheaper, many are simpler, many are smarter.
Lightroom is so powerful you may not need Photoshop at all, Affinity Photo does everything that Photoshop does at a fraction of the price, Capture One Pro is like Lightroom for pros and DxO PhotoLab can make the results from ordinary cameras and lenses look better than you could ever have imagined.
If you're looking for cheaper all-in-one photo editors, get Adobe Photoshop Elements if you must, but first take a look at ON1 Photo RAW 2020, Exposure X5 and Skylum Luminar. Adobe might still be the big name in photo editing, but don't decide anything until you see what its rivals can do!
Adobe’s decision to make Photoshop CC a subscription-only product remains controversial. Nevertheless, Photoshop is slick, powerful and constantly improving. Its support for selections, masks and layers is unmatched, making it the tool of choice for complex composite images. Despite its reputation for complexity, Photoshop actually offers a very clean, slick interface. There are no ‘novice’ modes, but the tools panel does offer fly-out animations that show you how the tools work and what they do. There are no image browsing or cataloguing tools in Photoshop itself, but since Lightroom is included in the same Photography Plans as Photoshop, that’s not an issue. On its own, Photoshop is powerful but limited; with Adobe Lightroom it’s half of the world's most popular image editing double-act.
Lightroom is an all-in-one image cataloguing, raw-processing and editing program and the perfect partner for Photoshop. If your main work is photo enhancement rather than manipulation, you might not need Photoshop at all. HOWEVER, Adobe has made things more confusing by splitting off the ‘old’ Lightroom, now called Lightroom Classic for regular desktop storage, and introducing a new, slimmed-down Lightroom CC which stores all your photos online. You get both in the main Adobe Photography Plan, but for us the Classic version is by far the best. It lets you apply one-click presets in a fraction of the time it takes to apply manual edits in Photoshop, and there's a great range of free Lightroom presets out there too.
We complain that there's too much Photoshop doesn't do, but the fact is for many photographers this kind of old-school image-editor is exactly what they need. And Affinity Photo gives you exactly the same thing, but subscription-free, via a single extra-low payment. Affinity Photo is sold at a budget price point, but it has the tools and the features and the power to compete with Photoshop head-on. Serif has focused particularly heavily on the retouching market, with cloning, healing and retouching tools, an Inpainting tool for automatic object removal and a dedicated Liquify persona (workspace) for localized image distortion effects. Affinity Photo is an extremely powerful photo editor with more tools and features than there’s space to list here, from focus stacking to high-end frequency separation – and version 1.8 is a free update for existing users that brings another raft of improvements.
Read more: Affinity Photo 1.8 review
Capture One works both as tethered capture and editing tool for studio photographers with a 'sessions' based workflow and as a Lightroom-style image cataloguing, searching and non-destructive editing tool. It works in a single window rather than in Lightroom-style ‘modules’ and has a highly customizable set of ‘tool tabs’. One of the key differences is its layers-based local adjustment system which makes it much easier to see and edit your changes to your work, and this now includes 'parametric' linear and radial gradient masks which you can edit later. Capture One’s conversions look smoother and sharper than Lightroom's, and Phase One's new co-operative arrangement with Fujifilm means it can produce arguably the best Fujifilm processing you'll see and also recreate Fujifilm's Film Simulation modes. Version 20 brings improved color editing and high dynamic range tools.
The DxO Nik Collection is the latest version of the celebrated Nik suite, and thoroughly updated here to include a new workflow and a new tool. The Nik Collection includes three quite superb and individually powerful tools: Analog Efex Pro is brilliant at analog/darkroom effects, Color Efex Pro is a hugely powerful suite of filters for individual use or combined into 'recipes', and Silver Efex Pro remains the best digital black and white plug-in ever. Viveza is quite good for 'dodging and burning' color images, HDR Efex Pro is pretty handy as an HDR merging/effects tool, and while Sharpener Pro and Dfine feel pretty dated now, they can still be useful for output sharpening and noise reduction respectively. The big news, however, is the arrival of Perspective Efex, which offers powerful lens and perspective corrections, tilt-shift effects and advanced wide-angle distortion correction.
Read more: DxO Nik Collection 3 review
DxO PhotoLab is the replacement for the old DxO Optics Pro, adding local adjustment tools from DxO's acquisition of the Nik Collection software to make it a more powerful all-round photo-editing solution. You use the new PhotoLibrary window to browse your image folders, create Projects and carry out basic filtering and housekeeping tasks, but PhotoLab's real strength is its superb raw processing, amazingly effective PRIME denoise tool (Elite edition only), excellent local image adjustments and highly effective (and automatic) lens corrections. The image quality produced by PhotoLab is second to none. On the downside, you’ll need the more expensive Elite edition to get the PRIME denoise and DxO’s ClearView Plus feature, and if you want to apply perspective corrections (once built into Optics Pro) you’ll need the DxO ViewPoint plug-in.
Skylum Luminar is a relative newcomer to the photo-editing scene but it's made a big splash already. If you like the idea of an all-in-one photo-editor that can both organise your images and edit them with a fully non-destructive workflow, then you're in the right place! It even supports image layers, masks and montages. The
all-new Luminar 4 is more than just an upgrade, and more like a 'new beginning'. Luminar 4's new AI Sky Replacement filter is quite exceptional, and its portrait enhancement tools are more subtle and effective than ever you'd expect in an all-round image editor. Luminar 4 also rolls the regular Luminar and the Luminar Flex plug-in into a single purchase – so it can be used as a standalone program, or as a plugin with Photoshop CC, Lightroom, Photoshop Elements or Apple Photos.
Like ON1 Photo RAW 2020, Exposure X5 is a relatively little-known program that deserves a lot more recognition than it gets. It’s a subtle, powerful and efficient all-in-one photo editing and browsing tool that specializes in analog film effects and comes with a huge library of simple one-click preset effects. It doesn't offer image layers, so you can't combine photos, but for many photographers that won't matter. Exposure X5's strengths are its neat, simpler interface, some beautiful effects and presets and straightforward and effective tools. Like ON1 Photo RAW 2020, it also offers non-destructive adjustments and 'virtual copies' to try out lots of different looks for a single image without having to save additional files.
ON1 Photo RAW is perhaps the single most complete solution of all the programs here, and the 2020 version brings a host of improvements, including AI auto adjustment and AI match options, four new 'weather' filter effects, new effects presets and – coming over the next few months – cloud sync and a mobile app. ON1 Photo RAW 2020 has a built-in hybrid browsing and cataloguing module that gives you fuss-free exploring of your image folders but more powerful search tools if you need them. It has an Edit module with Develop, Effects, Portrait and Local (adjustment) panels, and the Effects module alone has a vast array of filters that can be adjusted, masked and combined in an infinite array of permutations. It pulls off a particularly amazing trick, incorporating layers, masking and compositing tools into its fully non-destructive workflow. ON1 Photo RAW 2020 might not be as well-known as some rivals, but it's worth any keen photographer taking a look, especially with its fresh, crisp and modern new interface, though its upcoming optional ON1 360 cloud service, disappointingly, will need a subscription.
So far, every program in this list has been a stellar performer perfect for its own particular audience. Photoshop Elements, however, is much harder to recommend. It is very much the ‘amateur’ version of Photoshop, with a simplified, family-orientated interface and an increasingly heavy emphasis on family 'memory keepers'. Photoshop Elements 2020 is actually two programs, not one. It consists of the Elements Organizer and the Elements Editor, which do work together but can also work as standalone programs. The Organizer can browse your photos folder by folder, but it also offers albums for bringing your photos together ‘virtually’ and Smart Tags which identify common subjects automatically, saving on time. From the Organizer, you can open images directly in the Editor, which has an eLive mode for inspiration and tutorials, a Quick mode for fast and simple effects, a Guided mode with an ever-expanding list of effects walkthroughs, and an Expert mode with the full range of tools. The Guided mode is a good idea and the 2020 version adds to the list of effects, but many of these effects look crude and dated, while the Expert mode has hardly moved on at all. It feels like Elements is just treading water these days, as it's overtaken by fresher, faster and trendier rivals.
Read more: Photoshop Elements 2020 review
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