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The best Nikon lenses in 2022: time to expand your camera system!

best Nikon lenses
(Image credit: Getty Images)

Choosing the best Nikon lenses means answering one easy question and one slightly harder one! First, which Nikon do you have – is it a Nikon Z mirrorless model or a Nikon DSLR. They use two different lens mounts and, on top of that, come in two sensor sizes – full frame (FX) and APS-C (DX) – which affects the lenses available. The second question is... what do you want to shoot?

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First, lens compatibility. You can fit Nikon DSLR lenses to Nikon Z cameras with Nikon's FTZ adapter, but it's not ideal as a long-term solution. You can't fit Nikon Z lenses to a Nikon DSLR.

Both Nikon Z and Nikon DSLR cameras come in two sizes: full frame or APS-C (DX). You can use any full frame lens on a DX camera, but there will be a 'crop factor' which makes the lens's angle of view look narrower. This doesn't matter much with telephoto, portrait or macro lenses, but with smaller DX format cameras you need ultra-wide lenses and standard zooms designed for the smaller format. You can use DX lenses on a full frame camera, but they will automatically crop to the smaller sensor size.

Now let's look at the second question more closely – which lenses to get. Some photographers have a very clear idea about their favorite subject matter and it's pretty easy to recommend lenses. Other photographers like to experiment with all kinds of subjects – so if that sounds like you, then you might need a few different lenses, not just one!

There are many, many types of lenses out there, but we've picked five key types that are universally popular:

1) Ultra-wide zoom: For when you need to get more into the frame. Most people imagine a telephoto zoom to be the most useful extra lens you can have, but actually a wide-angle zoom can be even more useful, especially if you are interested in travel photography and capturing cramped interiors, big landmarks or narrow city streets. Read more: Best wide-angle lenses for Nikon

2) Standard zoom: These offer a versatile focal range, allowing you to shoot anything from landscapes to portraits and chances are, you've already got one as these are after bundled with Nikon cameras to get you started. While these are good all-rounders that are designed to be compact and affordable before anything else, in time you might decide you need a replacement that offers a longer focal range, a constant maximum aperture or just better all-round picture quality. Read more: Best standard zoom upgrades for Nikon

3) Telephoto zoom: Most people pick one of these to go with the standard zoom that came with their camera. They are the obvious choice for anyone interested in sports and wildlife photography, or any other time when you can’t get close enough to your subject.
Read more: Best telephoto lenses for Nikon (opens in new tab)

4) Macro lens: For subjects so close they're right under your nose. Regular lenses can focus quite close, but not close enough to fill the frame with tiny insects and other close-up subjects. But macro lenses are designed to get much closer, and are optically optimised to give crystal-clear close-ups.
Read more: Best macro lenses (opens in new tab)

5) Portrait lens: For flattering features and background blur. The best portrait shots combine an undistorted perspective with soft background blur. A regular zoom lens might give you the right perspective, but only a dedicated portrait lens with a wide maximum aperture can give those atmospheric blurred backgrounds.
Read more: Best portrait lenses (opens in new tab)

Best Nikon lenses in 2022

Ultra-wide-angle zooms

For everyday photography, a standard zoom (or ‘kit’) lens offers excellent versatility but often won't go as 'wide' as you need for interior shots, tall buildings, and sweeping landscapes. For this, you’ll need a wide-angle zoom, typically kicking off with a 10mm focal length for DX-format lenses, or 14mm for full-frame FX lenses. Naturally, a wider viewing angle enables you to get more into the frame. With wide-angle zooms, you have to get the right one for your camera’s sensor size. You CAN fit full-frame wide-angles on a DX-format Nikon, but the 1.5x crop factor means you are paying for a more expensive lens and losing much of that wider angle of view, so it’s just not worth doing. Annoyingly, there are no ultra-wide lenses for DX-format Nikon Z cameras yet.

(Image credit: Nikon)
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A great ultra-wide lens for full frame Nikon Z cameras, and it's both compact and affordable too

Specifications

Mount: Nikon Z FX
Elements/groups: 14/12
Diaphragm blades: 7
Autofocus: Pulse (stepping motor)
Stabilizer: None
Minimum focus distance: 0.28mm
Maximum magnification: 0.16x
Filter thread: 82mm
Dimensions (WxL): 89x85mm
Weight: 485g

Reasons to buy

+
Small for a ultra-wide zoom
+
Superb corner-to-corner sharpness

Reasons to avoid

-
Still not cheap for an f/4 zoom
-
No focus distance scale

Ultra-wide-angle zooms for full-frame cameras tend to be big and heavy, as well as lack an attachment thread for easily fitting filters or filter holders. This Z-mount lens manages to shoehorn an epic maximum viewing angle into a relatively compact and lightweight build, thanks to a similar retractable design and modest f/4 aperture rating as its sibling Z 24-70mm f/4 S-line standard zoom. It also has a removable hood, enabling the inclusion of an 82mm filter thread. Sharpness across the whole image frame is superb, even when shooting wide-open at the shortest zoom setting, while color fringing and distortion are effectively eliminated in-camera. It’s a high-performance lens that’s a bit pricey for an f/4 zoom, but worth every cent. There is an even better Nikkor Z 14-24mm f/2.8 S, but that's a big, heavy, and expensive lens.

Read our full Nikkor Z 14-30mm f/4 S review

(Image credit: Nikon)
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Nikon's widest-angle F-mount rectilinear zoom lens for FX DSLR

Specifications

Mount: Nikon FX
Elements/groups: 14 elements in 11 groups
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.28m
Maximum magnification: 0.15x
Filter thread: none
Dimensions (WxL): 98x132mm
Weight: 1,000g

Reasons to buy

+
Extreme viewing angle
+
Fast, constant aperture
+
Solid build quality

Reasons to avoid

-
Performance could be better
-
Expensive to buy
-
No filter attachment thread

Own-brand Nikon lenses are often relatively expensive compared with third-party equivalents from the likes of Sigma and Tamron. That’s certainly the case with this lens, which is much pricier than the likes of the Sigma 14-24mm f/2.8 DG HSM Art  (opens in new tab)and the Tamron SP 15-30mm f/2.8 Di VC USD G2 (opens in new tab), the latter boasting the bonus of optical image stabilization. The Nikon is solidly built and delivers good all-round performance but loses out slightly to the Sigma for outright image quality..

Read our full Nikon AF-S 14-24mm f/2.8 ED review (opens in new tab)

(Image credit: Nikon)
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a smart choice for landscapes

Specifications

Mount: Nikon FX
Elements/groups: 17 elements in 12 groups
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: Yes
Minimum focus distance: 0.29-0.28m
Maximum magnification: 0.25x
Filter thread: 77mm
Dimensions (WxL): 83x125mm
Weight: 680g

Reasons to buy

+
Generous maximum viewing angle
+
77mm filter attachment thread
+
Optical VR

Reasons to avoid

-
Less ‘wide-angle’ than some
-
f/4 rather than f/2.8 aperture

The mighty Nikon AF-S 14-24mm f/2.8G ED (opens in new tab)(seen above) might seem the most obvious contender for an ultra-wide landscape zoom for Nikon’s FX-format DSLRs, but we actually prefer the equivalent Sigma 14-24mm f/2.8 DG HSM Art (opens in new tab). Compared with both of those, Nikon’s 16-35mm lens naturally has a less generous maximum viewing angle and aperture rating, but is less expensive to buy and has the advantages of featuring a filter attachment thread and optical stabilization. For landscape photographers, it’s the most sensible option.

Read our full Nikon AF-S 16-35mm f/4G ED VR review (opens in new tab)

(Image credit: Sigma)
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An ultra-wide lens for full frame Nikon DSLRs, with incredible image quality

Specifications

Mount: Nikon FX
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.26m
Maximum magnification: 0.19x
Filter thread: None
Dimensions (WxL): 96x135mm
Weight: 1,150g

Reasons to buy

+
Epic image quality 
+
Excellent handling
+
Weather-sealed body

Reasons to avoid

-
There’s no filter thread

Nikon’s own-brand AF-S 14-24mm f/2.8G ED is legendary as a pro-grade ultra-wide zoom for FX-format cameras, but the Sigma 14-24mm delivers equally stellar sharpness and contrast. Better still, it beats the Nikon for control over color fringing and distortions, both being incredibly well controlled for a zoom lens as wide as this. In fact, this is probably the best Nikon lens for landscape and architecture fans. The top-performance optics are wrapped up in a superbly well-engineered and fully weather-sealed barrel. The maximum viewing angle isn’t quite as extreme as in Sigma’s 12-24mm Art lens, but the image quality is better. More importantly, the new Sigma 14-24mm outperforms the equivalent Nikon lens and is less expensive to buy.

Read our full Sigma 14-24mm f/2.8 DG HSM review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-P DX 10-20mm f/4.5-5.6G VR goes large on viewing angles

Specifications

Mount: Nikon DX
Elements/groups: 14 elements in 11 groups
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: Yes
Minimum focus distance: 0.22m
Maximum magnification: 0.17x
Filter thread: 72mm
Dimensions (WxL): 77x73mm
Weight: 230g

Reasons to buy

+
Compact, lightweight and affordable
+
Generous maximum viewing angle
+
Optical image stabilization

Reasons to avoid

-
Corner-sharpness could be better
-
No weather seals
-
Plastic mounting plate

There’s a lot to be said for the Nikon AF-P DX 10-20mm f/4.5-5.6G VR as a ‘landscape’ lens. When you’re clambering over tricky terrain in pursuit of landscape photo opportunities, the last thing you need is a bag of heavyweight camera kit. This remarkably compact ultra-wide zooms weighs just 230g, but it still packs in some useful features like 3.5-stop VR and stepping motor-based autofocus which gives quick performance for stills and smooth, near-silent transitions while shooting movies. Image sharpness is also good, though fringing and distortion are pronounced if you don't enable in-camera corrections. Even so, this is still a great value ultrawide zoom at the price.

Read our full Nikon AF-P DX 10-20mm f/4.5-5.6G VR review (opens in new tab)

(Image credit: Tamron)
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A great wide-angle zoom with stabilization for Nikon DX DSLRs

Specifications

Mount: Nikon DX
Elements/groups: 15/12
Diaphragm blades: 7
Autofocus: HLD (High/Low toque-modulated Drive)
Stabilizer: 4-stops
Minimum focus distance: 0.24m
Maximum magnification: 0.19x
Filter thread: 77mm
Dimensions (WxL): 84x85mm
Weight: 440g

Reasons to buy

+
Impressive performance 
+
4-stop image stabilizer
+
Weather-seals and fluorine coating

Reasons to avoid

-
Expensive compared to rivals

A major upgrade over Tamron’s original 10-24mm ultra-wide zoom for APS-C format cameras, this one has improved optics, 4-stop VC (Vibration Compensation) stabilization, and a new HLD (High/Low toque-modulated Drive) autofocus system. Weather-seals are also added, plus a fluorine coating on the front element to repel moisture and aid cleaning. The image quality is very good and, overall, it’s simply the best Nikon-fit DX format ultra-wide zoom. It beats Nikon’s long-standing AF-S DX 10-24mm f/3.5-4.5G ED lens for performance and image quality, and is much less expensive to buy, although it’s twice the price of Nikon’s budget 10-20mm VR zoom (which you also might like to consider if you’re on a budget). 

Read our full Tamron 10-24mm f/3.5-4.5 Di II VC HLD review (opens in new tab)

Standard zooms

Nikon’s ‘kit’ zooms supplied with its DX and FX format bodies offer pretty good performance and image quality, along with big savings when you buy the camera and lens as a complete package. However, they have limitations in zoom range, maximum aperture and overall quality, and since this is lens you’ll be using for much of your everyday photography, you might want to think about getting a better one. More up-market standard zooms may have a faster, constant aperture of f/2.8 to enable faster shutter speeds in poor light and better background separation (defocus). Alternatively you might want a standard zoom with a longer focal range than your kit lens to cope with a wider range of shooting situations. 

This is another time when you have to get a lens to match your camera’s sensor size – so get a DX size standard zoom if you have a DX format Nikon, or FX for a full frame Nikon. If you use a full frame FX standard zoom on a DX Nikon, the effective focal length will be too long and you won’t get a wide enough angle of view.

(Image credit: Nikon)
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A worthy upgrade to the full frame Z-mount 24-70mm f/4 kit lens

Specifications

Mount: Nikon Z FX
Elements/groups: 17/15
Diaphragm blades: 9
Autofocus: Pulse (stepping motor)
Stabilizer: None
Minimum focus distance: 0.38m
Maximum magnification: 0.22x
Filter thread: 82mm
Dimensions (WxL): 89x126mm
Weight: 805g

Reasons to buy

+
Fully pro-grade performance
+
Fast and constant f/2.8 aperture

Reasons to avoid

-
Quite large and weighty
-
Very expensive to buy

Nikon’s retractable 24-70mm f/4 Z is available separately or as part of a kit with Z 6 and Z 7 cameras. It’s such an excellent lens that you barely need to consider an upgrade. However, for those that demand a faster f/2.8 aperture rating for quicker shutter speeds and a tighter depth of field, this is the lens to go for. Like the Z 70-200mm f/2.8, it features a suitably high-grade optical path, this time including four aspherical elements and two ED (Extra-low Dispersion) elements, along with the same mix of ARNEO and Nano Crystal Coat. Further similarities include a customizable Lens Function button and info display. A notable difference is that this lens lacks the optical VR of its telephoto partner, but the shorter focal length range makes it unnecessary, taking the in-body stabilization of Z 6 and Z 7 cameras into account. All-round performance and image quality are absolutely top-drawer.

Read our full Nikkor Z 24-70mm f/2.8 S review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 24-70mm f/2.8E ED VR is a hulking brute of a standard zoom

Specifications

Mount: Nikon DX
Elements/groups: 14 elements in 11 groups
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: Yes
Minimum focus distance: 0.22m
Maximum magnification: 0.17x
Filter thread: 72mm
Dimensions (WxL): 77x73mm
Weight: 230g

Reasons to buy

+
Top-notch build quality
+
4-stop Vibration Reduction
+
Excellent sharpness

Reasons to avoid

-
Very big and pretty weighty
-
Image quality could be better
-
Expensive to buy

Nikon’s latest and greatest F-mount ‘trinity’ standard zoom for DSLRs is built like a tank and is relatively large for this class of lens. Image quality and overall performance are the key aspects of the design, with no concession to keeping the size and weight down. It’s certainly super-sharp but relatively uninspiring in terms of color fringing and distortions.

Read our full Nikon AF-S 24-70mm f/2.8E ED VR review (opens in new tab)

(Image credit: Nikon)
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A longer range alternative to the 16-50mm kit lens for Z30, Z50 and Z fc

Specifications

Mount: Nikon Z DX
Elements/groups: 17/13
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: 5 stops
Minimum focus distance: 0.2-0.4m
Maximum magnification: 0.33x
Filter thread: 62mm
Dimensions (WxL): 73x90mm
Weight: 315g

Reasons to buy

+
Useful zoom range
+
5-stop optical stabilization
+
Good overall performance

Reasons to avoid

-
Plastic build
-
Lens hood sold separately

Bridging the gap between standard zoom and ‘superzoom’, this is the Z DX mirrorless makeover of Nikon’s popular Nikkor AF-S DX 18-140mm VR (opens in new tab) lens, originally created for APS-C format DSLRs. As such, it features the same generous zoom range, equating to 27-210mm in full-frame terms, but is physically smaller and only about two-thirds of the weight. Part of the weight-saving is down to the mounting plate being made from plastic rather than metal, and there’s no weather-seal gasket. Even so, it makes a conveniently compact travel lens and is good for everyday shooting with a Nikon Z30 (opens in new tab), Z50 (opens in new tab) or Z fc (opens in new tab) body, with good image quality and nice handling, enhanced by a 5-stop optical stabilizer and customizable control ring. It’s decent value at the price, costing just a little more than a pair of Nikon Z DX 16-50mm f/3.5-6.3 VR and Z DX 50-250mm f/4.5-6.3 VR lenses.

Read our full Nikon AF-S DX Nikkor 18-140mm f/3.5-5.6G ED VR review (opens in new tab)

(Image credit: Nikon)
(opens in new tab)
A longer range alternative to the 16-50mm kit lens for the Z50 and Z fc

Specifications

Mount: Nikon DX
Elements/groups: 16/12
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: Yes
Minimum focus distance: 0.5m
Maximum magnification: 0.22x
Filter thread: 72mm
Dimensions (WxL): 77x97mm
Weight: 565g

Reasons to buy

+
Powerful zoom range
+
Compact, lightweight construction
+
Refined handling

Reasons to avoid

-
Chunkier than Sigma/Tamron equivalents
-
Lacks the reach of an 18-300mm zoom

we have to admit that this lens was our personal favorite ‘superzoom’ and go-lens for a walkabout and travel photography for many years, until Nikon’s Z system cameras came along, accompanied by the Z 24-200mm f/4-6.3 VR (opens in new tab). Built for DX-format DSLRs, the 18-200mm is more refined than the AF-S DX 18-300mm f/3.5-6.3G ED VR (opens in new tab) and more manageable than the oversized AF-S DX 18-300mm f/3.5-5.6 VR, while still giving a highly useful ‘effective’ zoom range of 27-300mm in full-frame terms.

Read our full Nikon AF-S DX 18-200mm f/3.5-5.6G ED VR II review (opens in new tab)

(Image credit: Sigma)
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Sigma’s top-drawer FX format standard zoom for DSLRs ticks all the boxes

Specifications

Mount: Nikon FX
Elements/groups: 19/14
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: 4-stops
Minimum focus distance: 0.37m
Maximum magnification: 0.21x
Filter thread: 82mm
Dimensions (WxL): 88x108mm
Weight: 1,020g

Reasons to buy

+
Fabulous image quality
+
Pro-grade build and handling

Reasons to avoid

-
Typically large 82mm filter thread
-
Heavy at just over a kilogram

Nikon’s latest AF-S 24-70mm f/2.8E ED VR might look like a top choice for full-frame Nikon DSLRs, but it’s a beast of a lens and hugely expensive to buy. This Sigma lens isn’t as fully weather-sealed as the Nikon, but it’s still immaculately well-engineered. It’s physically shorter and marginally lighter but matches the Nikon for all-around performance and image quality. Sharpness and contrast are spectacular, while bokeh is lusciously smooth. Colour fringing, distortions, and vignetting are very well controlled. Autofocus is very quick and extremely quiet, while the 4-stop stabilizer is just as effective as the Nikon lens’s VR system. At around half the price of the Nikon lens, the Sigma is vastly better value.

Read our full Sigma 24-70mm f/2.8 DG OS HSM | A review (opens in new tab)

(Image credit: Nikon)
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It’s Nikon’s latest and best standard zoom for its DX format DSLRs

Specifications

Mount: Nikon DX
Elements/groups: 17/13
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: 4-stops
Minimum focus distance: 0.35m
Maximum magnification: 0.22x
Filter thread: 72mm
Dimensions (WxL): 80x86mm
Weight: 480g

Reasons to buy

+
Generous zoom range
+
Premium build and image quality

Reasons to avoid

-
No ‘constant’ f/2.8 aperture
-
Not that cheap

With class-leading wide-angle coverage and a generous zoom range, this lens is equivalent to using a 24-120mm lens in 35mm camera terms. The widest available aperture shrinks from f/2.8 to f/4 at longer zoom settings but the upside is that the lens is smaller and lighter than constant-aperture f/2.8 zooms and has a longer zoom range. High-tech attractions include an electromagnetically controlled diaphragm, ring-type ultrasonic autofocus, a focus distance scale beneath a viewing panel, four ED (Extra-low Dispersion) elements, and Nano Crystal Coat. Keep-clean fluorine coatings are also applied to the front and rear elements. We think this is a better choice than Nikon’s old and unstabilized 17-55mm f/2.8 zoom and the best Nikon lens for anyone who wants to upgrade their standard zoom.

Read our full Nikon AF-S DX 16-80mm f/2.8-4E ED VR review (opens in new tab)

Telephoto zooms

Once you’ve got a Nikon camera and a kit lens, a telephoto zoom is a good first additional purchase. In fact, it's probably the best Nikon lens for beginners to get. With telephoto, we often recommend getting a full-frame (FX) lens even if you’ve got a smaller DX format Nikon DSLR. That’s because there’s no penalty in focal range and magnification – the ‘crop factor' of the smaller sensor increases the effective focal length of the lens, which is just what you want from a telephoto! The other advantage is that if you do upgrade to a full-frame Nikon in the future, you can carry on using your telephoto lens.

(Image credit: Future)
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A pro-grade constant-aperture telephoto for the Nikon Z 6 and Z 7

Specifications

Mount: Nikon Z FX
Elements/groups: 21/18
Diaphragm blades: 9
Autofocus: Pulse (stepping motor)
Stabilizer: 5-stops
Minimum focus distance: 0.5-1.0m
Maximum magnification: 0.2x
Filter thread: 77mm
Dimensions (WxL): 89x220mm
Weight: 1,440g

Reasons to buy

+
Performance and image quality
+
Customisable controls

Reasons to avoid

-
Feels hefty on a Z body
-
Very expensive

70-200mm f/2.8 zooms are often the preferred telephoto choice for the most demanding photographers, and this new Nikon Z-mount optic is one of the very best. Optical finery includes two aspherical elements, a top-quality fluorite element, a short-wave refractive element, and no less than six ED (Extra-low Dispersion) elements. ARNEO and Nano Crystal Coat are also on hand to minimize ghosting and flare. Advanced handling characteristics include two customizable Lens Function buttons, a customizable control ring, and a multi-mode info display. Autofocus is super-fast and unerringly accurate, while VR has mighty 5-stop effectiveness. Build quality is rock solid and image quality is simply stunning.

Read our full Nikon Z 70-200mm f/2.8 VR S review (opens in new tab)

(Image credit: Future)
(opens in new tab)
Nikon AF-S 70-200mm f/2.8E FL ED VR is a spectacular performer, but pricey

Specifications

Mount: Nikon Z FX
Elements/groups: 21/18
Diaphragm blades: 9
Autofocus: Pulse (stepping motor)
Stabilizer: yes
Minimum focus distance: 1.1m
Maximum magnification: 0.21x
Filter thread: 77mm
Dimensions (WxL): 89x203mm
Weight: 1,430g

Reasons to buy

+
Excellent handling characteristics
+
Tough magnesium alloy barrel
+
High-spec features

Reasons to avoid

-
Expensive to buy

With an epic feature set matched by the top-notch build quality, all-around performance, and image quality, this is a stunning 70-200mm f/2.8 zoom lens. It builds on the success of previous editions, bringing a raft of new features including fluorite glass, uprated optical stabilization, and an electromagnetically controlled aperture diaphragm, although the last of these makes it incompatible with some older Nikon DSLRs. The only catch is that the Sigma 70-200mm f/2.8 DG OS HSM Sports (opens in new tab) lens performs every bit as well and is much less expensive to buy.

Read our full Nikon AF-S 70-200mm f/2.8E FL ED VR review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 24-120mm f/4G ED VR offers a useful 5x zoom range

Specifications

Mount: Nikon FX
Elements/groups: 17/13
Diaphragm blades: 9
Autofocus: Silent Wave Motor
Stabilizer: yes
Minimum focus distance: 0.45m
Maximum magnification: 0.24x
Filter thread: 77mm
Dimensions (WxL): 84x104mm
Weight: 710g

Reasons to buy

+
Powerful 5x zoom range
+
Impressive image quality
+
Good handling

Reasons to avoid

-
VR only moderately effective
-
Quite pricey for an f/4 zoom

A perennially popular kit lens option with cameras like the Nikon D750 and D780, it’s also a wise buy in its own right. The generous 5x zoom range stretches from a wide maximum viewing angle to useful telephoto reach and image quality remains impressive throughout, boosted in handheld shooting by 3.5-stop optical stabilization. Considerably more compact and lightweight than the latest Nikon AF-S 24-70mm lens and at only half the purchase price, it’s a good choice if you don’t need the faster f/2.8 aperture

Read our full Nikon AF-S 24-120mm f/4G ED VR review (opens in new tab)

(Image credit: Nikon)
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A small wonder of a telephoto zoom for the DX format Nikon Z 50

Specifications

Mount: Nikon Z DX
Elements/groups: 16/12
Diaphragm blades: 7
Autofocus: Pulse (stepping motor)
Stabilizer: 5-stops
Minimum focus distance: 0.5-1.0m
Maximum magnification: 0.23x
Filter thread: 62mm
Dimensions (WxL): 74x110mm
Weight: 405g

Reasons to buy

+
5-stop optical VR
+
Compact and lightweight build

Reasons to avoid

-
Not weather-sealed
-
Plastic mounting plate

Like its smaller sibling, the Z DX 16-50mm VR zoom, this is a compact and lightweight lens created for the Z 50. The small size is enabled by a retractable design and modest f/4.5-6.3 aperture rating, while a plastic rather than metal mounting plate helps to keep the weight off. Although small and light, the build quality feels nice and solid, but the lens doesn’t feature any weather seals. Highlights include an ED (Extra-low Dispersion) element in the optical path, a speedy and ultra-quiet stepping motor autofocus system, and a highly effective 5-stop VR. Image quality is impressive although, as with most budget telephoto zooms, sharpness drops off a little at the long end of the zoom range.

Read our full Nikon Z DX 50-250mm f/4.5-6.3 VR review (opens in new tab)

(Image credit: Nikon)
(opens in new tab)
An ideal 70-300mm telephoto zoom for Nikon DX and FX DSLRs

Specifications

Mount: Nikon FX
Elements/groups: 16/11
Diaphragm blades: 8
Autofocus: Ultrasonic (ring-type)
Stabilizer: 4-stops
Minimum focus distance: 1.2m
Maximum magnification: 0.21x
Filter thread: 67mm
Dimensions (WxL): 89x143mm
Weight: 1,050g

Reasons to buy

+
Super-fast, silent autofocus
+
Excellent image quality

Reasons to avoid

-
No focus distance scale
-
A bit on the pricey side

This is the ideal focal range for a telephoto zoom, and there are lots of similar 70-300mm lenses on the market. But although this Nikon lens costs more, it’s well worth the extra outlay. It has an AF-P (Pulse motor) autofocus system that’s super-fast and basically inaudible in operation, along with an electromagnetically controlled diaphragm. New-generation VR (Vibration Reduction) gives enhanced 4.5-stop performance and adds a ‘Sport VR’ mode. This enables easier tracking of erratically moving objects in the viewfinder, as well as avoiding any slowdown in rapid continuous shooting. The lens has a tough, weather-resistant build although, as with the vast majority of stepping-motor lenses, there’s no focus distance scale. All-round performance is excellent and image quality is absolutely top-drawer. It might seem expensive right now, but this lens will prove its worth in the future.

Read our full Nikon AF-P 70-300mm f/4.5-5.6E ED VR review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 80-400mm f/4.5-5.6G ED VR is much mightier than its predecessor

Specifications

Mount: Nikon FX
Elements/groups: 20/12
Diaphragm blades: 9
Autofocus: Silent Wave Motor
Stabilizer: yes
Minimum focus distance: 1.75m AF, 1.5m MF
Maximum magnification: 0.2x
Filter thread: 77mm
Dimensions (WxL): 96x203mm
Weight: 1,570g

Reasons to buy

+
Solid build quality
+
Not overly weighty
+
Very good performance

Reasons to avoid

-
Not a constant-aperture zoom
-
A little lacking in reach
-
Pricey to buy

This pro-grade Nikon super-telephoto zoom is massively improved over the original ‘AF’ lens which had dreadfully slow autofocus and relatively ineffective optical stabilization. The ‘AF-S’ edition puts that to rights with speedy ring-type ultrasonic autofocus and 4-stop VR. However, its telephoto reach is a little limited by the latest standards and it’s very pricey to buy. On balance, we prefer the much less expensive Nikon AF-S 200-500mm f/5.6E ED VR (opens in new tab).

Read our full Nikon AF-S 80-400mm f/4.5-5.6G ED VR review (opens in new tab)

(Image credit: Sigma)
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If you need to shoot at REALLY long range with your Nikon DSLR, get this!

Specifications

Mount: Nikon FX
Elements/groups: 20/14
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: 4-stops
Minimum focus distance: 2.8m
Maximum magnification: 0.2x
Filter thread: 95mm
Dimensions (WxL): 105x260mm
Weight: 1,930g

Reasons to buy

+
Size and weight are manageable
+
Good image quality and features

Reasons to avoid

-
Weather-seals are not fully comprehensive
-
Not quite as sharp as Sigma’s ‘Sports’ edition

For some subjects, you need more magnification than a regular 70-200mm or 70-300mm lens can provide. This is where you need a super-telephoto of up to 600mm focal length, and this is where the new breed of 150-600mm zooms is ideal. This is the best Nikon lens for wildlife and long-range sports fans and could be especially good for aviation nuts. For outright image quality, the more expensive Sigma 150-600mm f/5-6.3 DG OS HSM | Sports lens is our top choice, but this ‘C’ lens offers a better cost and weight compromise for most people while covering the same focal range. This ‘C’ (Contemporary) lens is almost a full kilogram lighter in weight than Sigma’s ’S’ (Sports) version. It’s not quite as extensively weather-sealed but still very well made, almost as sharp, and has the same range of up-market features and controls. Overall, it’s the more sensible buy if you need a lens like this occasionally rather than all the time. It’s designed for full-frame FX Nikons, and on a DX-format Nikon with the 1.5x ‘crop factor, it gives an amazing 225-900mm effective focal range.

Read our full Sigma 150-600mm f/5-6.3 DG OS HSM | C review (opens in new tab)

Macro lenses

The ‘macro’ badge is plastered over many zoom lenses but they only tend to offer a maximum magnification ratio of 0.2x to 0.5x at best, which isn’t ‘real’ macro photography at all. Most dedicated macro prime lenses, however, deliver a full 1.0x magnification. Basically, an object will be reproduced at full life size on the camera’s image sensor so, on a DX format body, a standard postage stamp would practically fill the entire frame. Just like with telephoto lenses, it can pay to buy an FX format macro lens, even if you’re shooting with a DX format body. The 1.5x crop factor won’t hurt, and you’ll have a lens that will work on a full frame camera too if you decide to upgrade in the future.

(Image credit: Nikon)
A stunner of a macro lens for Nikon Z cameras

Specifications

Mount: Nikon Z FX
Elements/groups: 16/11
Diaphragm blades: 9
Autofocus: Yes
Stabilizer: 4.5-stops
Minimum focus distance: 0.29m
Maximum magnification: 1.0x
Filter thread: 62mm
Dimensions (WxL): 85x140mm
Weight: 630g

Reasons to buy

+
Spectacular all-round performance
+
Pro-grade build and handling
+
4.5-stop optical VR

Reasons to avoid

-
Costs 50 per cent more to buy than Nikon’s Z MC 50mm lens, but well worth the extra outlay

Nikon’s MC 105mm is one of two new Z-mount macro lenses. There's also the cheaper Z MC 50mm f/2.8 (opens in new tab) which is a good lens and a more affordable choice for the DX format Nikon Z50 and Z fc, but this MC 105mm has a more practical focal length for macro photography and is a properly pro-grade lens – it's well worth the extra cost. Sublime image quality for both general shooting and extreme close-ups is backed up by a super-fast and highly accurate autofocus system, along with highly effective optical VR (Vibration Reduction) that can work in tandem with the in-body stabilizers of Nikon’s full-frame Z-series cameras. Handling exotica includes a multi-function OLED display, a customizable Lens-function button and control ring, plus an autofocus range limiter, along with an electronically coupled focus ring that enables ultra-fine adjustments. Everything’s wrapped up in a tough, weather-sealed construction. Image quality, all-round performance, and handling are simply sensational.

Read our full Nikkor Z MC 105mm f/2.8 VR S review (opens in new tab)

(Image credit: Tamron)
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21. Tamron SP 90mm f/2.8 Di VC USD Macro

The best full frame macro lens for Nikon DSLRs, both DX and FX format

Specifications

Mount: Nikon FX
Elements/groups: 14/11
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: 4-stops
Minimum focus distance: 0.3m
Maximum magnification: 1.0x
Filter thread: 62mm
Dimensions (WxL): 79x117mm
Weight: 610g

Reasons to buy

+
Hybrid image stabilizer
+
Full 1.0x magnification
+
Weather-seals and fluorine coating

Reasons to avoid

-
Easy to confuse with the previous edition

Like Tamron’s other recent ‘G2’ lenses, this is the second generation of the company’s 90mm VC USD macro lens. This means it features a host of upgrades including improved optical performance, nano-structure coatings, weather-seals, and a fluorine coating on the front element. It also adds a new ‘hybrid’ image stabilizer that counteracts horizontal and vertical shift, as well as the more usual angular vibration or ‘wobble’. This makes stabilization much more effective in close-up shooting, especially compared with the regular stabilizer in Nikon’s competing 105mm VR macro lens. It matches the Nikon for build quality and image quality as well, making the Tamron the best Nikon-fit lens for extreme close-ups.

Read our full Tamron SP 90mm f/2.8 Di VC USD Macro review (opens in new tab)

(Image credit: Nikon)
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22. Nikon AF-S DX 40mm f/2.8G Micro

A small but mighty macro lens for Nikon DX format DSLRs

Specifications

Mount: Nikon DX
Elements/groups: 9/7
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.16m
Maximum magnification: 1.0x
Filter thread: 52mm
Dimensions (WxL): 69x65mm
Weight: 235g

Reasons to buy

+
Small and lightweight
+
Good general-purpose prime

Reasons to avoid

-
Short working distance 
-
No stabilization

This little lens is only about half the length and a third of the weight of a 'pro' lens like Nikon’s 105mm macro lens for FX-format cameras, so it’s easy to squeeze into a spare corner of your camera bag. With an ‘effective’ focal length of 60mm, it’s ideal as a standard prime lens for general shooting too, combining a fairly fast aperture rating with the excellent optical performance. Sharpness is excellent across the entire image frame, from f/2.8 all the way to f/16. Colour fringing is absolutely negligible and there’s virtually zero distortion. The only catch is that, for full 1.0x magnification, the minimum focus distance from the focal plane is a mere 16cm and, because the inner barrel extends, the working distance from the front of the lens to the subject shrinks to just 35mm, which is a bit close for comfort. Nevertheless, if you own a DX Nikon and shoot macros only occasionally, this is the best Nikon lens for the job.

Read our full Nikon AF-S DX 40mm f/2.8G Micro review (opens in new tab)

Prime lenses

(Image credit: Matthew Richards)
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Great for portraiture, the Nikon AF-S 105mm f/1.4E ED is all about beautiful bokeh

Specifications

Mount: Nikon Z
Elements/groups: 21/14
Diaphragm blades: 9
Autofocus: ring type
Stabilizer: yes
Minimum focus distance: 5m
Maximum magnification: 0.16x
Filter thread: Rear, 43mm drop-in
Dimensions (WxL): 140x385mm
Weight: 2,385g

Reasons to buy

+
Super-fast autofocus
+
Pro-grade build and handling
+
Excellent image quality

Reasons to avoid

-
Modest f/6.3 aperture
-
Necessarily big build
-
Pricey (but great value)

This lens gives you telephoto superpowers in a relatively lightweight package. The downsized build comes courtesy of a modest f/6.3 aperture rating and a Phase Fresnel optical element, a technology that’s commonly used to focus the beam in a lighthouse. The addition of highly effective optical VR that works in tandem with IBIS in Z system full-frame cameras, plus a useful range of handling extras, ensure top-quality results time after time, with excellent consistency even in handheld shooting. When you need to nail the definitive moment in action, sports, and wildlife photography, this is a lens you can count on, and for less than half the price of the Nikon Z 400mm f/2.8 TC VR S.

Read our full Nikon Z 800mm f/6.3 VR S review (opens in new tab)

(Image credit: Matthew Richards)
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Professional sports and wildlife lens with built-in teleconverter

Specifications

Mount: Nikon Z
Elements/groups: 25/19
Diaphragm blades: 9
Autofocus: ring type
Stabilizer: yes
Minimum focus distance: 2.5m
Maximum magnification: 0.17x
Filter thread: Rear, drop-in
Dimensions (WxL): 156x380mm
Weight: 2,950g

Reasons to buy

+
Jaw-dropping performance
+
Fast aperture
+
Built-in tele-converter

Reasons to avoid

-
Heavyweight build
-
Super-heavyweight price tag

Not many of us would dream of spending around $14,000 / £13,500 on a lens. But we’re still curious, in the same way, that car buffs like to check out a Ferrari. The million-dollar question, so to speak, is whether this Nikkor justifies its price tag. In one word… Absolutely. With its built-in 1.4x teleconverter, it’s like two lenses in one – a 400mm f/2.8 and a 560mm f/4. It delivers spectacular overall performance and stunning image quality in both configurations has all the handling extras you could wish for and is built to last a lifetime.

Read our full Nikon Z 400mm f/2.8 TC VR S review (opens in new tab)

(Image credit: Nikon)
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Great for portraiture, the Nikon AF-S 105mm f/1.4E ED is all about beautiful bokeh

Specifications

Mount: Nikon FX
Elements/groups: 14/9
Diaphragm blades: 9
Autofocus: ring type
Stabilizer: None
Minimum focus distance: 1.0m
Maximum magnification: 0.13x
Filter thread: 82mm
Dimensions (WxL): 95x106mm
Weight: 985g

Reasons to buy

+
Super-tight depth of field
+
Lovely bokeh
+
Excellent build quality

Reasons to avoid

-
Quite heavy at almost a kilo
-
Expensive to buy

Shorter, slimmer and less than two-thirds the weight of the directly competing Sigma 105mm f/1.4 DG HSM Art, the Nikon has an identical focal length and aperture rating. It’s more manageable for handheld shooting although the purchase price is more difficult to swallow. It’s a more high-tech affair than the Nikon AF-S 85mm f/1.8G and Nikon AF-S 85mm f/1.4G but the Sigma 105mm still has the edge for beautiful bokeh.

Read our full Nikon AF-S 105mm f/1.4E ED review (opens in new tab)

(Image credit: Nikon)
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Great for portraiture and still life with Z-mount cameras

Specifications

Mount: Nikon Z FX
Elements/groups: 12/8
Diaphragm blades: 9
Autofocus: Pulse (stepping motor)
Stabilizer: None
Minimum focus distance: 0.8m
Maximum magnification: 0.12x
Filter thread: 67mm
Dimensions (WxL): 73x99mm
Weight: 470g

Reasons to buy

+
Excellent image quality
+
Impressive sharpness

Reasons to avoid

-
Could be lighter
-
Could be cheaper

Only a little larger and heavier than Nikon’s Z 50mm f/1.8 S lens, this 85mm optic is better suited to portraiture on full-frame cameras. The focal length is ideal for head-and-shoulders and half-length shots from a natural shooting distance. 85mm f/1.4 lenses are often preferred for their tighter depth of field, which can blur the background a little more effectively and make the main subject really stand out. Based on our tests, however, the bokeh (pictorial quality of defocused areas) produced by this lens is easily on par with f/1.4 lenses, and better than some. As with other Z-mount f/1.8 S-line primes, build quality is very good and features weather-seals. A drawback of unstabilized 85mm telephoto lenses is that camera shake can degrade sharpness in handheld shooting, but the in-body stabilization of Z 6 and Z 7 cameras helps to deliver consistently sharp shots.

Read our full Nikon Z 85mm f/1.8 S review (opens in new tab)

(Image credit: Sigma)
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A great third-party portrait lens for full frame Nikon DSLRs

Specifications

Mount: Nikon FX
Elements/groups: 14/12
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.85m
Maximum magnification: 0.12x
Filter thread: 86mm
Dimensions (WxL): 95x126mm
Weight: 1,130g

Reasons to buy

+
Beautiful image quality
+
Sophisticated design

Reasons to avoid

-
Comparatively huge
-
Heavy compared to Nikon

The combination of an 85mm focal length and f/1.4 aperture is perfect for portraiture on a full-frame camera. It enables a comfortable shooting distance and a tight depth of field, so you can make the main subject really stand out against a blurred background. Typical of Sigma’s ‘Art’ line of prime lenses, this one has a relatively large build with a complex optical design. Indeed, it’s about 50 percent longer than the competing Nikon lens and nearly twice the weight. The pro-grade construction includes weather seals and the overall finish is immaculate. Sharpness is exceptional across the entire image frame, even at the widest aperture of f/1.4. It outperforms the pricier Nikon 85mm f/1.4G lens in this respect, while also beating it for minimizing color fringing and distortion. It’s the best portrait lens for full-frame portraiture on Nikon DSLRs – if you can live with the weight!

Read our full Sigma 85mm f/1.4 DG HSM | A review (opens in new tab)

(Image credit: Nikon)
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A standard lens for the Z6 and Z7 but a great portrait lens for the Z50 and Z fc

Specifications

Mount: Nikon Z FX
Elements/groups: 12/9
Diaphragm blades: 9
Autofocus: Pulse (stepping motor)
Stabilizer: None
Minimum focus distance: 0.4m
Filter thread: 62mm
Dimensions (WxL): 76x87mm
Weight: 415g

Reasons to buy

+
Razor-sharp image quality
+
Dreamy bokeh for a 50mm f/1.8 lens

Reasons to avoid

-
Quite pricey for a 50mm f/1.8 prime
-
No focus distance scale

50mm f/1.8 lenses are often regarded as the poor relations of f/1.4 standard primes. But despite its modest aperture rating, this Z-mount lens delivers sumptuous image quality, with amazing levels of sharpness across the whole image frame and negligible distortion or color fringing. The f/1.8 aperture also enables a reasonably compact and lightweight build, in keeping with slim-line mirrorless camera bodies. Even more impressively, the quality of the bokeh is remarkably good for a 50mm f/1.8 lens, with a particularly smooth rendition of defocused areas. Autofocus is very fast and virtually silent, and the lens is well-built with a weather-sealed construction. It’s pretty pricey for a 50mm f/1.8 prime but well worth the money.

Read our full Nikon Z 50mm f/1.8 S review (opens in new tab)

(Image credit: Nikon)
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This low-cost Nikon lens is great for low-cost portraits on a DX DSLR

Specifications

Mount: Nikon FX
Elements/groups: 7/6
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.45m
Maximum magnification: 0.15x
Filter thread: 58mm
Dimensions (WxL): 72x52mm
Weight: 185g

Reasons to buy

+
Good all-round quality
+
Affordable to buy

Reasons to avoid

-
Some distortion
-
7-blade aperture

The Sigma 50mm f/1.4 is a great lens, but heavy and expensive and perhaps a bit too much for many Nikon DX camera owners. For budget portraiture on a DX-format body, look no further than this Nikon 50mm f/1.8. It’s two-thirds of a stop slower but performs very well and is cheap to buy. Considering the downmarket price, the build quality feels pretty good, right down to the weather-sealed metal mounting plate. The lens comes complete with a hood, despite the front element being deeply recessed within the barrel. You get ring-type ultrasonic autofocus complete with full-time manual override and a focus distance scale positioned beneath a viewing panel. One final advantage is that this is actually an FX full-frame lens, so if you move up to a full frame Nikon in the future, you can use it as a compact standard lens.

Read our full Nikon AF-S 50mm f/1.8G review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 20mm f/1.8G ED is fast and wide yet compact and lightweight

Specifications

Mount: Nikon FX
Elements/groups: 7/6
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.45m
Maximum magnification: 0.15x
Filter thread: 58mm
Dimensions (WxL): 72x52mm
Weight: 185g

Reasons to buy

+
Compact and lightweight
+
Fast f/1.8 aperture
+
Solid construction

Reasons to avoid

-
Pricey for an f/1.8 prime
-
Not fully weather-sealed
-
Poor autofocus for movie capture

Only about half the weight and little more than a third of the price of Nikon’s faster AF-S 28mm f/1.4E ED, the f/1.8G is a much better buy for most photographers. The generous but not overly extreme wide-angle field of view makes it very versatile for street photography and general walkabout shooting, while the fast aperture rating enables handheld shooting even under low lighting conditions, both indoors and out. Image quality and all-round performance make it a very attractive prime proposition.

Read our full Nikon AF-S 28mm f/1.8G review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 24mm f/1.8G ED combines a classic field of view with a fast aperture

Specifications

Mount: Nikon FX
Elements/groups: 12/9
Diaphragm blades: 7
Autofocus: ring type
Stabilizer: None
Minimum focus distance: 0.23m
Maximum magnification: 0.2x
Filter thread: 72mm
Dimensions (WxL): 78x83mm
Weight: 335g

Reasons to buy

+
Fast f/1.8 aperture
+
Impressive image quality
+
Solid but lightweight build

Reasons to avoid

-
Less speedy than an f/1.4 lens
-
Noticeable vignetting at f/1.8
-
Quite expensive to buy

Sometimes we all feel the need for speed, and an f/2.8 zoom just won’t cut it. This prime lens gives the same generous viewing angle as a Nikon 24-70mm f/2.8 or 24-120mm f/4 at their shortest zoom setting while being more than one or two f/stops faster respectively. It’s therefore great for freezing action under low lighting conditions, enabling a faster shutter speed without needing to bump up your camera’s ISO setting.

Read our full Nikon AF-S 24mm f/1.8G ED review (opens in new tab)

(Image credit: Matthew Richards)
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One of a trio of fast primes for mirrorless Nikon cameras

Specifications

Mount: Nikon FX
Elements/groups: 15/11
Diaphragm blades: 11
Autofocus: no
Stabilizer: None
Minimum focus distance: 0.3m
Dimensions (WxL): 99x95mm
Weight: 816g

Reasons to buy

+
Solid build and performance
+
Fast f/1.4 aperture
+
Aperture control ring

Reasons to avoid

-
No aperture ring locking switch
-
Lacks any weather-seals

If you’re in the market for a DX (APS-C) format fast prime built exclusively for your Nikon Z 50 or Z fc, you won’t find many own-brand options. This is one of a trio of compact, affordable yet high-quality f/1.4 autofocus prime lenses from Viltrox, its companions having focal lengths of 33mm and 56mm. Already available in other mount options, they’re strong performers that are great value for money and give you prime time that you simply can’t get from Nikon.

Read our full Viltrox AF 23mm F1.4 Z review (opens in new tab)

(Image credit: Future)
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A great third-party portrait lens for full frame Nikon DSLRs

Specifications

Mount: Nikon FX
Elements/groups: 15/11
Diaphragm blades: 11
Autofocus: no
Stabilizer: None
Minimum focus distance: 0.3m
Dimensions (WxL): 99x95mm
Weight: 816g

Reasons to buy

+
Solid build and handling
+
Bright max aperture
+
Superb bokeh quality
+
Top sharpness

Reasons to avoid

-
Manual focus only
-
No filter thread

With a great combination of wide perspective and shallow depth-of-field, the Irix 21mm f/1.4 Dragonfly is a superb option for portrait and travel photographers. The manual focus is always going to be a challenge at such wide apertures, but with practice, this can be a powerful tool in your arsenal.

Read our full Irix 21mm f/1.4 Dragonfly review (opens in new tab)

(Image credit: Nikon)
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Nikon AF-S 20mm f/1.8G ED is fast and wide yet compact and lightweight

Specifications

Mount: Nikon FX
Elements/groups: 7/6
Diaphragm blades: 7
Autofocus: Ultrasonic (ring-type)
Stabilizer: None
Minimum focus distance: 0.2m
Maximum magnification: 0.23x
Filter thread: 77mm
Dimensions (WxL): 83x81mm
Weight: 355g

Reasons to buy

+
Ultra-wide viewing angle
+
Fast f/1.8 aperture
+
Strong optical performance

Reasons to avoid

-
Heavy vignetting at f/1.8
-
Lackluster corner-sharpness wide-open
-
Pretty pricey

This Nikkor offers a wider viewing angle than a standard zoom lens, along with a faster f/1.8 aperture. It’s great for shooting everything from architectural interiors to expansive landscapes and cityscapes, and the night sky. Sharpness is mostly excellent, apart from at the edges of the frame when using very wide apertures, and build quality is very good even though the lens is refreshingly compact and lightweight. It’s quite pricey to buy but good value nonetheless.

Read our full Nikon AF-S 20mm f/1.8G ED review (opens in new tab)

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