Skip to main content

The best Nikon lenses in 2021: lenses to build up your Nikon DSLR and Z system

best Nikon lenses
(Image credit: Getty Images)

With so much choice, this guide will help you choose the best Nikon lens for your DSLR or Z series mirrorless camera. While it might seem obvious to pick a Nikon lens to partner your Nikon DSLR or Z series camera, third-party lens makers like Sigma and Tamron also make some great lenses to fit Nikon cameras, so we've included those too. Read on to find out more...

While you've come here to ready about the best Nikon lenses, you might be interested in our dedicated guide to the Nikon mirrorless camera system and lenses that includes all the latest kit, including the Z5, Z6 II and Z7 II.

But whether you're a Nikon DSLR user or mirrorless shooter, you're spoilt for choice with the array of lenses available for your camera to suit all budgets. The trouble is though that sheer number of lenses on the market can quickly get confusing, so how do you pick the best Nikon lens for you? First thing you need to decide on is what you want to shoot. Once you've done that you can focus in on a category of lens that will allow you to achieve this. Here's a quick guide to help you work out what kind of lens you might need.

1) Telephoto zoom: most people pick one of theses to go with the standard zoom that came with their camera. They are the obvious choice for anyone interested in sports and wildlife photography, or any other time when you can’t get close enough to your subject.
Read more: Best telephoto lenses for Nikon

2) Wide-angle zoom: for when you need to get more into the frame. Most people imagine a telephoto zoom to be the most useful extra lens you can have, but actually a wide-angle zoom can be equally useful, especially if you are interested in travel photography and capturing cramped interiors, big landmarks or narrow city streets.
Read more: Best wide-angle lenses for Nikon

3) Standard zoom: standard zooms offer a versatile focal range, allowing you to shoot anything from landscapes to portraits and chances are, you've already got one as these are after bundled with Nikon cameras to get you started. While these are good all-rounders that are designed to be compact and affordable before anything else, in time you might decide you need a replacement that offers a longer focal range, a constant maximum aperture or just better all-round picture quality.
Read more: Best standard zoom upgrades for Nikon

4) Macro lens: for subjects so close they're right under your nose. Regular lenses can focus quite close, but not close enough to fill the frame with tiny insects and other close-up subjects. But macro lenses are designed to get much closer, and are optically optimised to give crystal-clear close-ups.
Read more: Best macro lenses

5) Portrait lens: for flattering features and background blur. The best portrait shots combine an undistorted perspective with soft background blur. A regular zoom lens might give you the right perspective, but only a dedicated portrait lens with a wide maximum aperture can give those atmospheric blurred backgrounds.
Read more: Best portrait lenses

Lens compatibility: Nikon DX and FX cameras

Nikon makes smaller APS-C format (‘DX’) DSLRs like the Nikon D7500 and larger full-frame (‘FX’) models such as the Nikon D780. The same lenses will fit on both, but the smaller DX sensor gives a 'crop factor' which reduces the angle of view of the lens. It's not a fault, just a characteristic of different lenses and sensor sizes.

Some types of lenses can be used on both Nikon DX and FX cameras (telephotos, macro lenses, portrait lenses) because the angle of view is not critical. But with others (wide-angle lenses and standard zooms) you need to get a lens designed specifically for that sensor size or you won't get the full benefit. 

So just remember these two rules:

DX lenses can be used on a full frame Nikon FX body, but it will have switch to ‘crop’ mode, which only uses the central section of the sensor, so you don’t get the camera’s full resolution.

FX lenses can be used on DX bodies, but the angle of view will be smaller.

Best Nikon lenses in 2021

Telephoto zooms

Once you’ve got a Nikon camera and a kit lens, a telephoto zoom is a good first additional purchase. In fact, it's probably the best Nikon lens for beginners to get. With telephotos we’d always recommend getting a full frame (FX) lens even if you’ve got a smaller DX format Nikon DSLR. That’s because there’s no penalty in focal range and magnification – the ‘crop factor’ of the smaller sensor increases the effective focal length of the lens, which is just what you want from a telephoto! The other advantage is that if you do upgrade to a full frame Nikon in the future, you can carry on using your telephoto lens.

(Image credit: Nikon)

1. Nikon AF-P 70-300mm f/4.5-5.6E ED VR

An ideal 70-300mm telephoto zoom for Nikon DX and FX DSLRs

Mount: Nikon FX | Elements/groups: 16/11 | Diaphragm blades: 8 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 1.2m | Maximum magnification: 0.21x | Filter thread: 67mm | Dimensions (WxL): 89x143mm | Weight: 1,050g

Super-fast, silent autofocus
Excellent image quality
No focus distance scale
A bit on the pricey side

This is the ideal focal range for a telephoto zoom, and there are lots of similar 70-300mm lenses on the market. But although this Nikon lens cost more, it’s well worth the extra outlay. It has an AF-P (Pulse motor) autofocus system that’s super-fast and basically inaudible in operation, along with an electromagnetically controlled diaphragm. New-generation VR (Vibration Reduction) gives enhanced 4.5-stop performance and adds a ‘Sport VR’ mode. This enables easier tracking of erratically moving objects in the viewfinder, as well as avoiding any slowdown in rapid continuous shooting. The lens has a tough, weather-resistant build although, as with the vast majority of stepping-motor lenses, there’s no focus distance scale. All-round performance is excellent and image quality is absolutely top-drawer. It might seem expensive right now, but this lens will prove its worth in the future.

(Image credit: Nikon)

2. Sigma 70-200mm f/2.8 DG OS HSM | S

A pro quality full frame DSLR constant aperture zoom for experts

Mount: Nikon FX | Elements/groups: 24/22 | Diaphragm blades: 11 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 1.2m | Maximum magnification: 0.21x | Filter thread: 82mm | Dimensions (WxL): 94x203mm | Weight: 1,805g

Spectacular image quality
Pro-grade features and handling
A little bigger and heavier than most
Tripod mount ring can’t be detached

This 70-200mm f/2.8 zoom category is also very popular. This lens doesn't have the zoom range of the 70-300mm lens above, but it does have a constant f/2.8 maximum aperture. This offers faster shutter speeds in low light and shallower depth of field to help isolate your subjects from their backgrounds. Nikon’s own AF-S 70-200mm f/2.8E FL ED VR is a great lens, but this Sigma Sports version matches it at pretty much every step of features and performance – and it’s much less expensive. Its pro-grade features include autofocus-hold/on buttons around the mid-section of the lens, the ability to switch autofocus to either auto-priority or manual-priority mode, and two switchable custom modes. You can assign these with Sigma’s optional USB Dock, for example to increase or decrease the effect of stabilization in the viewfinder image. You can also tailor the autofocus speed and change the autofocus range limiter distance. The only minus points is that the Sigma is a little bigger and heavier than most 70-200mm lenses, and its tripod ring can’t be fully removed to save space.

(Image credit: Sigma)

3. Sigma 150-600mm f/5-6.3 DG OS HSM | C

If you need to shoot at REALLY long range with your Nikon DSLR, get this!

Mount: Nikon FX | Elements/groups: 20/14 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 2.8m | Maximum magnification: 0.2x | Filter thread: 95mm | Dimensions (WxL): 105x260mm | Weight: 1,930g

Size and weight are manageable
Good image quality and features
Weather-seals are not fully comprehensive
Not quite as sharp as Sigma’s ‘Sports’ edition

For some subjects you need more magnification than a regular 70-200mm or 70-300mm lens can provide. This is where you need a super-telephoto of up to 600mm focal length, and this is where the new breed of 150-600mm zooms is ideal. This is the best Nikon lens for wildlife and long-range sports fans and could be especially good for aviation nuts. For outright image quality, the more expensive Sigma 150-600mm f/5-6.3 DG OS HSM | Sports lens is our top choice, but this ‘C’ lens offers a better cost and weight compromise for most people, while covering the same focal range. This ‘C’ (Contemporary) lens is almost a full kilogram lighter in weight than Sigma’s ’S’ (Sports) version. It’s not quite as extensively weather-sealed but still very well made, almost as sharp, and has the same range of up-market features and controls. Overall, it’s the more sensible buy if you need a lens like this occasionally rather than all the time. It’s designed for full frame FX Nikons, and on a DX format Nikon with the 1.5x ‘crop factor, it gives an amazing 225-900mm effective focal range.

(Image credit: Nikon)

4. Nikon 120-300mm f/2.8E AF-S FL ED SR VR

A near perfect performer, this is the perfect mid-range lens for pros

Mount: Nikon FX | Elements/groups: 25/19 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 2m | Maximum magnification: 0.16x | Filter thread: 95mm | Dimensions (WxL): 128x303.5mm | Weight: 3250g

Incredibly sharp
Outstanding consistency
Quality build
It's not cheap

Nikon’s amazing constant aperture telezoom isn't cheap, but you do get a lot of lens for your money. With a constant fast maximum aperture of f/2.8 all the way through the zoom range from 120-300mm, the 2.5x zoom range means you have the telescopic power of a 300mm f/2.8 prime, but with the ability to zoom back out if the action moves closer to the camera. If you shoot a lot of close quarters sport or wildlife, this versatility will prove incredibly handy. With 25 optical elements in 19 groups, including one SR (short wavelength spectrum) element and 1 ED element to minimise chromatic aberration, there's also Nikon’s Arneo and Nano coatings at work to control flare and internal reflections – two elements also have fluorine coatings. There's also a 4-stop VR (Vibration Reduction) system with ‘sports’ mode, SWM autofocus and an electromagnetic diaphragm for more consistent exposures during high-speed burst shooting. This is all backed up by a brilliant optical performance and rock-solid build. A cracking lens if you can justify the price.

(Image credit: Nikon)

5. Nikon Z DX 50-250mm f/4.5-6.3 VR

A small wonder of a telephoto zoom for the DX format Nikon Z 50

Mount: Nikon Z DX | Elements/groups: 16/12 | Diaphragm blades: 7 | Autofocus: Pulse (stepping motor) | Stabilizer: 5-stops | Minimum focus distance: 0.5-1.0m | Maximum magnification: 0.23x | Filter thread: 62mm | Dimensions (WxL): 74x110mm | Weight: 405g

5-stop optical VR
Compact and lightweight build
Not weather-sealed
Plastic mounting plate

Like its smaller sibling, the Z DX 16-50mm VR zoom, this is a compact and lightweight lens created for the Z 50. The small size is enabled by a retractable design and modest f/4.5-6.3 aperture rating, while a plastic rather than metal mounting plate helps to keep the weight off. Although small and light, build quality feels nice and solid, but the lens doesn’t feature any weather-seals. Highlights include an ED (Extra-low Dispersion) element in the optical path, a speedy and ultra-quiet stepping motor autofocus system, and highly effective 5-stop VR. Image quality is impressive although, as with most budget telephoto zooms, sharpness drops off a little at the long end of the zoom range.

(Image credit: Nikon)

6. Nikon Z 70-200mm f/2.8 VR S

A pro-grade constant-aperture telephoto for the Nikon Z 6 and Z 7

Mount: Nikon Z FX | Elements/groups: 21/18 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: 5-stops | Minimum focus distance: 0.5-1.0m | Maximum magnification: 0.2x | Filter thread: 77mm | Dimensions (WxL): 89x220mm | Weight: 1,440g

Performance and image quality
Customisable controls
Feels hefty on a Z body
Very expensive

70-200mm f/2.8 zooms are often the preferred telephoto choice for the most demanding photographers, and this new Nikon Z-mount optic is one of the very best. Optical finery includes two aspherical elements, a top-quality fluorite element, a short-wave refractive element and no less than six ED (Extra-low Dispersion) elements. ARNEO and Nano Crystal Coat are also on hand to minimize ghosting and flare. Advanced handling characteristics include two customisable Lens Function buttons, a customisable control ring and a multi-mode info display. Autofocus is super-fast and unerringly accurate, while VR has a mighty 5-stop effectiveness. Build quality is rock solid and image quality is simply stunning.

Wide-angle zooms

For everyday photography a standard zoom (or ‘kit’) lens offers excellent versatility, but often won't go as 'wide' as you need for interior shots, tall buildings and sweeping landscapes. For this, you’ll need a wide-angle zoom, typically kicking off with a 10mm focal length for DX format lenses, or 14mm for full frame FX lenses. Naturally, a wider viewing angle enables you get more into the frame. With wide-angle zooms you have to get the right one for your camera’s sensor size. You CAN fit full frame wide-angles on a DX format Nikon, but the 1.5x crop factor means you are paying for a more expensive lens and losing much of that wider angle of view, so it’s just not worth doing.

(Image credit: Tamron)

7. Tamron 10-24mm f/3.5-4.5 Di II VC HLD

A great wide-angle zoom with stabilization for Nikon DX DSLRs

Mount: Nikon DX | Elements/groups: 15/12 | Diaphragm blades: 7 | Autofocus: HLD (High/Low toque-modulated Drive) | Stabilizer: 4-stops | Minimum focus distance: 0.24m | Maximum magnification: 0.19x | Filter thread: 77mm | Dimensions (WxL): 84x85mm | Weight: 440g

Impressive performance 
4-stop image stabilizer
Weather-seals and fluorine coating
Expensive compared to rivals

A major upgrade over Tamron’s original 10-24mm ultra-wide zoom for APS-C format cameras, this one has improved optics, 4-stop VC (Vibration Compensation) stabilization, and a new HLD (High/Low toque-modulated Drive) autofocus system. Weather-seals are also added, plus a fluorine coating on the front element to repel moisture and aid cleaning. Image quality is very good and, overall, it’s simply the best Nikon-fit DX format ultra-wide zoom. It beats Nikon’s long-standing AF-S DX 10-24mm f/3.5-4.5G ED lens for performance and image quality, and is much less expensive to buy, although it’s twice the price of Nikon’s budget 10-20mm VR zoom (which you also might like to consider if you’re on a budget). 

(Image credit: Sigma)

8. Sigma 14-24mm f/2.8 DG HSM | A

An ultra-wide lens for full frame Nikon DSLRs, with incredible image quality

Mount: Nikon FX | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.26m | Maximum magnification: 0.19x | Filter thread: None | Dimensions (WxL): 96x135mm | Weight: 1,150g

Epic image quality 
Excellent handling
Weather-sealed body
There’s no filter thread

Nikon’s own-brand AF-S 14-24mm f/2.8G ED is legendary as a pro-grade ultra-wide zoom for FX format cameras, but the Sigma 14-24mm delivers equally stellar sharpness and contrast. Better still, it beats the Nikon for control over colour fringing and distortions, both being incredibly well controlled for a zoom lens as wide as this. In fact, this is probably the best Nikon lens for landscape and architecture fans. The top-performance optics are wrapped up in a superbly well-engineered and fully weather-sealed barrel. The maximum viewing angle isn’t quite as extreme as in Sigma’s 12-24mm Art lens, but the image quality is better. More importantly, the new Sigma 14-24mm out-performs the equivalent Nikon lens and is less expensive to buy.

(Image credit: Nikon)

9. Nikon Z 14-30mm f/4 S

Go wide but stay light, with this premium lens for Nikon Z 6 and Z 7

Mount: Nikon Z FX | Elements/groups: 14/12 | Diaphragm blades: 7 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.28mm | Maximum magnification: 0.16x | Filter thread: 82mm | Dimensions (WxL): 89x85mm | Weight: 485g

Small for a ultra-wide zoom
Superb corner-to-corner sharpness
Quite pricey for an f/4 zoom
No focus distance scale

Ultra-wide-angle zooms for full-frame cameras tend to be big and heavy, as well as lacking an attachment thread for easily fitting filters or filter holders. This Z-mount lens manages to shoehorn an epic maximum viewing angle into a relatively compact and lightweight build, thanks to a similar retractable design and modest f/4 aperture rating as its sibling Z 24-70mm f/4 S-line standard zoom. It also has a removable hood, enabling the inclusion of an 82mm filter thread. Sharpness across the whole image frame is superb, even when shooting wide-open at the shortest zoom setting, while colour fringing and distortion are effectively eliminated in-camera. It’s a high-performance lens that’s a bit pricey for an f/4 zoom, but worth every cent.

(Image credit: Nikon)

10. Nikon Z 14-24mm f/2.8 S

The best money-no-object ultra-wide zoom for Nikon Z cameras

Mount: Nikon Z | Diaphragm blades: 9 | Autofocus: Yes | Stabilizer: None | Minimum focus distance: 0.28m | Maximum magnification: 0.13x | Filter thread: 112mm (via hood) | Dimensions (WxL): 89x125mm | Weight: 650g

Stunning image quality
Excellent build and handling
Screw-in filter attachment via hood
Very expensive to buy
Own-brand filters also expensive

Most of us wanting a wide-angle zoom for a Z-mount Nikon mirrorless camera should look no further than the deeply impressive NIKKOR 14-30mm f/4 S (above). But if you've got the extra cash, this 14-24mm f/2.8 has luxurious build quality, high-end handling and spectacular performance. For such a wide-angle lens, levels of sharpness are scintillating, from the centre of the image frame right out to the extreme edges and corners. Lateral and longitudinal elements of colour fringing are negligible and sagittal coma flare is also very minimal, making this lens a top performer for astrophotography. The Z 14-24mm f/2.8 is simply a fabulous lens for anyone who demands mighty viewing angles plus a fast and constant f/2.8 aperture.

Standard zooms

Nikon’s ‘kit’ zooms supplied with its DX and FX format bodies offer pretty good performance and image quality, along with big savings when you buy the camera and lens as a complete package. However, they have limitations in zoom range, maximum aperture and overall quality, and since this is lens you’ll be using for much of your everyday photography, you might want to think about getting a better one. More up-market standard zooms may have a faster, constant aperture of f/2.8 to enable faster shutter speeds in poor light and better background separation (defocus). Alternatively you might want a standard zoom with a longer focal range than your kit lens to cope with a wider range of shooting situations. 

This is another time when you have to get a lens to match your camera’s sensor size – so get a DX size standard zoom if you have a DX format Nikon, or FX for a full frame Nikon. If you use a full frame FX standard zoom on a DX Nikon, the effective focal length will be too long and you won’t get a wide enough angle of view.

(Image credit: Nikon)

11. Nikon AF-S DX 16-80mm f/2.8-4E ED VR

It’s Nikon’s latest and best standard zoom for its DX format DSLRs

Mount: Nikon DX | Elements/groups: 17/13 | Diaphragm blades: 7 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.35m | Maximum magnification: 0.22x | Filter thread: 72mm | Dimensions (WxL): 80x86mm | Weight: 480g

Generous zoom range
Premium build and image quality
No ‘constant’ f/2.8 aperture
Not that cheap

With class-leading wide-angle coverage and a generous zoom range, this lens is equivalent to using a 24-120mm lens in 35mm camera terms. The widest available aperture shrinks from f/2.8 to f/4 at longer zoom settings but the upside is that the lens is smaller and lighter than constant-aperture f/2.8 zooms and has a longer zoom range. High-tech attractions include an electromagnetically controlled diaphragm, ring-type ultrasonic autofocus, a focus distance scale beneath a viewing panel, four ED (Extra-low Dispersion) elements and Nano Crystal Coat. Keep-clean fluorine coatings are also applied to the front and rear elements. We think this is a better choice than Nikon’s old and unstabilized 17-55mm f/2.8 zoom and the best Nikon lens for anyone who wants to upgrade their standard zoom.

(Image credit: Sigma)

12. Sigma 24-70mm f/2.8 DG OS HSM | A

Sigma’s top-drawer FX format standard zoom for DSLRs ticks all the boxes

Mount: Nikon FX | Elements/groups: 19/14 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.37m | Maximum magnification: 0.21x | Filter thread: 82mm | Dimensions (WxL): 88x108mm | Weight: 1,020g

Fabulous image quality
Pro-grade build and handling
Typically large 82mm filter thread
Heavy at just over a kilogram

Nikon’s latest AF-S 24-70mm f/2.8E ED VR might look like a top choice for full frame Nikon DSLRs, but it’s a beast of a lens and hugely expensive to buy. This Sigma lens isn’t as fully weather-sealed as the Nikon, but it’s still immaculately well-engineered. It’s physically shorter and marginally lighter, but matches the Nikon for all-round performance and image quality. Sharpness and contrast are spectacular, while bokeh is lusciously smooth. Colour fringing, distortions and vignetting are very well controlled. Autofocus is very quick and extremely quiet, while the 4-stop stabilizer is just as effective as the Nikon lens’s VR system. At around half the price of the Nikon lens, the Sigma is vastly better value.

(Image credit: Nikon)

13. Nikon Z 24-70mm f/2.8 S

A worthy upgrade to the full frame Z-mount 24-70mm f/4 kit lens

Mount: Nikon Z FX | Elements/groups: 17/15 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.38m | Maximum magnification: 0.22x | Filter thread: 82mm | Dimensions (WxL): 89x126mm | Weight: 805g

Fully pro-grade performance
Fast and constant f/2.8 aperture
Quite large and weighty
Very expensive to buy

Nikon’s retractable 24-70mm f/4 Z is available separately or as part of a kit with Z 6 and Z 7 cameras. It’s such an excellent lens that you barely need to consider an upgrade. However, for those that demand a faster f/2.8 aperture rating for quicker shutter speeds and a tighter depth of field, this is the lens to go for. Like the Z 70-200mm f/2.8, it features a suitably high-grade optical path, this time including four aspherical elements and two ED (Extra-low Dispersion) elements, along with the same mix of ARNEO and Nano Crystal Coat. Further similarities include a customisable Lens Function button and info display. A notable difference is that this lens lacks the optical VR of its telephoto partner, but the shorter focal length range makes it unnecessary, taking the in-body stabilization of Z 6 and Z 7 cameras into account. All-round performance and image quality are absolutely top-drawer.

(Image credit: Nikon)

14. Nikon Z 24-50mm f/4-6.3

Certainly compact, but zoom and max aperture are compromised

Mount: Nikon Z FX | Elements/groups: 11/10 | Diaphragm blades: 7 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.35m | Maximum magnification: 0.17x | Filter thread: 52mm | Dimensions (WxL): 73.5x51mm | Weight: 195g

Very compact for a full frame lens
Quite good optical performance
Very limiting 2x zoom range
Not fast, especially at 50mm

The trade off with the improved image quality of full frame cameras is that lenses tend to be that bit larger. But Nikon's incredibly compact Z 24-50mm f/4-6.3 goes against the grain. Weighing under 200g and just 51mm in length, this 2.1x zoom has to be one of the smallest full-frame standard zooms out there. This travel-friendly size though does come with its compromises though. First up, the zoom range - 24mm is fine, but it only hits 50mm which is a bit too short in our books to make it a versatile standard zoom. The other downside is the maximum aperture - at 24mm, f/4 isn't too bad, but the drop to f/6.3 at 50mm is a struggle to accept. Image quality is pretty solid though, but whether you're prepared to compromise on the zoom range and maximum aperture available will be down to your needs.  

Macro lenses

The ‘macro’ badge is plastered over many zoom lenses but they only tend to offer a maximum magnification ratio of 0.2x to 0.5x at best, which isn’t ‘real’ macro photography at all. Most dedicated macro prime lenses, however, deliver a full 1.0x magnification. Basically, an object will be reproduced at full life size on the camera’s image sensor so, on a DX format body, a standard postage stamp would practically fill the entire frame. Just like with telephoto lenses, it can pay to buy an FX format macro lens, even if you’re shooting with a DX format body. The 1.5x crop factor won’t hurt, and you’ll have a lens that will work on a full frame camera too if you decide to upgrade in the future.

(Image credit: Nikon)

15. Nikon AF-S DX 40mm f/2.8G Micro

A small but mighty lens for Nikon DX format DSLRs

Mount: Nikon DX | Elements/groups: 9/7 | Diaphragm blades: 7 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.16m | Maximum magnification: 1.0x | Filter thread: 52mm | Dimensions (WxL): 69x65mm | Weight: 235g

Small and lightweight
Good general-purpose prime
Short working distance 
No stabilization

This little lens is only about half the length and a third of the weight of a 'pro' lens like Nikon’s 105mm macro lens for FX format cameras, so it’s easy to squeeze into a spare corner of your camera bag. With an ‘effective’ focal length of 60mm, it’s ideal as a standard prime lens for general shooting too, combining a fairly fast aperture rating with excellent optical performance. Sharpness is excellent across the entire image frame, from f/2.8 all the way to f/16. Colour fringing is absolutely negligible and there’s virtually zero distortion. The only catch is that, for full 1.0x magnification, the minimum focus distance from the focal plane is a mere 16cm and, because the inner barrel extends, the working distance from the front of the lens to the subject shrinks to just 35mm, which is a bit close for comfort. Nevertheless, if you own a DX Nikon and shoot macros only occasionally, this is the best Nikon lens for the job.

(Image credit: Tamron)

16. Tamron SP 90mm f/2.8 Di VC USD Macro

The best full frame macro lens for Nikon DSLRs, both DX and FX format

Mount: Nikon FX | Elements/groups: 14/11 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.3m | Maximum magnification: 1.0x | Filter thread: 62mm | Dimensions (WxL): 79x117mm | Weight: 610g

Hybrid image stabilizer
Full 1.0x magnification
Weather-seals and fluorine coating
Easy to confuse with the previous edition

Like Tamron’s other recent ‘G2’ lenses, this is the second generation of the company’s 90mm VC USD macro lens. This means it features a host of upgrades including improved optical performance, nano-structure coatings, weather-seals and a fluorine coating on the front element. It also adds a new ‘hybrid’ image stabilizer that counteracts horizontal and vertical shift, as well as the more usual angular vibration or ‘wobble’. This makes stabilization much more effective in close-up shooting, especially compared with the regular stabilizer in Nikon’s competing 105mm VR macro lens. It matches the Nikon for build quality and image quality as well, making the Tamron the best Nikon-fit lens for extreme close-ups.

(Image credit: Sigma)

17. Sigma Macro 105mm f/2.8 EX DG OS HSM

A low-cost, high-performance macro lens for Nikon DSLRs

Mount: Nikon F FX | Elements/groups: 16/11 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.31m | Maximum magnification: 1.0x | Filter thread: 62mm | Dimensions (WxL): 78x126mm | Weight: 725g

Full 1.0x macro magnification
Great image quality and versatility
Not weather-sealed
Standard rather than ‘hybrid’ stabilizer

This Sigma lens is brilliant for extreme close-ups, delivering full 1.0x magnification at its shortest focus distance. It works equally well as a fast, short telephoto lens for shooting anything from portraiture to action sports and wildlife photography. The ring-type ultrasonic autofocus system is fast and whisper-quiet, and the optical stabilizer is worth around 4-stops, complete with switchable static and panning modes. However, unlike in Tamron’s competing lens, stabilization is conventional rather than ‘hybrid’ so it can’t correct for x-y shift, only angular vibration or ‘wobble’. That makes stabilization less effective for macro shooting but, to be honest, you’re better off using a tripod anyway. Also unlike Tamron’s 90mm lens, the Sigma works fine with Z-series cameras, via an FTZ mount adapter, whereas Tamron is working on a forthcoming firmware update to enable compatibility.

(Image credit: Nikon)

18. Nikon Z MC 105mm f/2.8 VR S

A stunner of a macro lens for Nikon Z cameras

Mount: Nikon Z FX | Elements/groups: 16/11 | Diaphragm blades: 9 | Autofocus: Yes | Stabilizer: 4.5-stops | Minimum focus distance: 0.29m | Maximum magnification: 1.0x | Filter thread: 62mm | Dimensions (WxL): 85x140mm | Weight: 630g

Spectacular all-round performance
Pro-grade build and handling
4.5-stop optical VR
Costs 50 per cent more to buy than Nikon’s Z MC 50mm lens, but well worth the extra outlay

Nikon’s MC 105mm is one of two new Z-mount macro lenses. There's also the cheaper Z MC 50mm f/2.8 which is a good lens, but this MC 105mm has a more practical focal length for macro photograhy and is a properly pro-grade lens - it's well worth the extra cost. Sublime image quality for both general shooting and extreme close-ups is backed up by a super-fast and highly accurate autofocus system, along with highly effective optical VR (Vibration Reduction) that can work in tandem with the in-body stabilizers of Nikon’s full-frame Z-series cameras. Handling exotica includes a multi-function OLED display, a customizable Lens-function button and control ring, plus an autofocus range limiter, along with an electronically coupled focus ring that enables ultra-fine adjustments. Everything’s wrapped up in a tough, weather-sealed construction. Image quality, all-round performance and handling are simply sensational.

Portrait lenses

Like with a macro lens, there can be advantages in shooting with an FX format lens on a DX format body. The crop factor and narrower angle of view is unlikely to matter. However, a 50mm DX format lens will give a comparable angle of view of 75mm equivalent, which is near enough to the classic 85mm focal length not to matter, and will be a cheaper option for Nikon DX camera owners.

For portraiture, you’ll often want to make people stand out from their surroundings, so that they’re the centre of attention. A cluttered or highly detailed background can be a nuisance but, with a long focal length and ‘fast’ aperture of around f/1.4 to f/1.8, you can solve the problem. The resulting tight depth of field will effectively throw the background out of focus, and make the person you’re photographing the centre of attention. The longer focal length of ‘portrait’ lenses also helps render faces more naturally, as you shoot from further away. You’ll be close enough to engage with and give directions to the portrait sitter, without invading their personal space.

(Image credit: Nikon)

19. Nikon AF-S 50mm f/1.8G

This low-cost Nikon lens is great for low-cost portraits on a DX DSLR

Mount: Nikon FX | Elements/groups: 7/6 | Diaphragm blades: 7 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.45m | Maximum magnification: 0.15x | Filter thread: 58mm | Dimensions (WxL): 72x52mm | Weight: 185g

Good all-round quality
Affordable to buy
Some distortion
7-blade aperture

The Sigma 50mm f/1.4 is a great lens, but heavy and expensive and perhaps a bit too much for many Nikon DX camera owners. For budget portraiture on a DX format body, look no further than this Nikon 50mm f/1.8. It’s two-thirds of a stop slower but performs very well and is cheap to buy. Considering the downmarket price, build quality feels pretty good, right down to the weather-sealed metal mounting plate. The lens comes complete with a hood, despite the front element being deeply recessed within the barrel. You get ring-type ultrasonic autofocus complete with full-time manual override and a focus distance scale positioned beneath a viewing panel. One final advantage is that this is actually an FX full frame lens, so if you move up to a full frame Nikon in the future, you can use it as a compact standard lens.

Best Nikon lens: Sigma 85mm f/1.4 DG HSM | A

(Image credit: Sigma)

20. Sigma 85mm f/1.4 DG HSM | A

Betters Nikon’s own 85mm f/1.4 DSLR lens for image quality and value

Mount: Nikon FX | Elements/groups: 14/12 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.85m | Maximum magnification: 0.12x | Filter thread: 86mm | Dimensions (WxL): 95x126mm | Weight: 1,130g

Beautiful image quality
Sophisticated design
Comparatively huge
Heavy compared to Nikon

The combination of an 85mm focal length and f/1.4 aperture is perfect for portraiture on a full-frame camera. It enables a comfortable shooting distance and a tight depth of field, so you can make the main subject really stand out against a blurred background. Typical of Sigma’s ‘Art’ line of prime lenses, this one has a relatively large build with a complex optical design. Indeed, it’s about 50 per cent longer than the competing Nikon lens and nearly twice the weight. The pro-grade construction includes weather-seals and the overall finish is immaculate. Sharpness is exceptional across the entire image frame, even at the widest aperture of f/1.4. It outperforms the pricier Nikon 85mm f/1.4G lens in this respect, while also beating it for minimizing colour fringing and distortion. It’s the best portrait lens for full-frame portraiture on Nikon DSLRs – if you can live with the weight!

(Image credit: Nikon)

21. Nikon Z 50mm f/1.8 S

A standard lens for the Z 6 and Z 7 but a great portrait lens for the Z 50

Mount: Nikon Z FX | Elements/groups: 12/9 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.4m | Filter thread: 62mm | Dimensions (WxL): 76x87mm | Weight: 415g

Razor-sharp image quality
Dreamy bokeh for a 50mm f/1.8 lens
Quite pricey for a 50mm f/1.8 prime
No focus distance scale

50mm f/1.8 lenses are often regarded as the poor relations of f/1.4 standard primes. But despite its modest aperture rating, this Z-mount lens delivers sumptuous image quality, with amazing levels of sharpness across the whole image frame and negligible distortion or colour fringing. The f/1.8 aperture also enables a reasonably compact and lightweight build, in keeping with slim-line mirrorless camera bodies. Even more impressively, the quality of bokeh is remarkably good for a 50mm f/1.8 lens, with particularly smooth rendition of defocused areas. Autofocus is very fast and virtually silent, and the lens is well-built with a weather-sealed construction. It’s pretty pricey for a 50mm f/1.8 prime but well worth the money.

(Image credit: Nikon)

22. Nikon Z 85mm f/1.8 S

Great for portraiture and still life with Z-mount cameras

Mount: Nikon Z FX | Elements/groups: 12/8 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.8m | Maximum magnification: 0.12x | Filter thread: 67mm | Dimensions (WxL): 73x99mm | Weight: 470g

Excellent image quality
Impressive sharpness
Could be lighter
Could be cheaper

Only a little larger and heavier than Nikon’s Z 50mm f/1.8 S lens, this 85mm optic is better suited to portraiture on full-frame cameras. The focal length is ideal for head-and-shoulders and half-length shots from a natural shooting distance. 85mm f/1.4 lenses are often preferred for their tighter depth of field, which can blur the background a little more effectively and make the main subject really stand out. Based on our tests, however, the bokeh (pictorial quality of defocused areas) produced by this lens is easily on a par with f/1.4 lenses, and better than some. As with other Z-mount f/1.8 S-line primes, build quality is very good and features weather-seals. A drawback of unstabilized 85mm telephoto lenses is that camera-shake can degrade sharpness in handheld shooting, but the in-body stabilization of Z 6 and Z 7 cameras helps to deliver consistently sharp shots.

(Image credit: Nikon)

23. Nikon Z 50mm f/1.2 S

A properly fast standard prime for Nikon Z cameras

Mount: Nikon Z FX | Elements/groups: 17/15 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.45m | Maximum magnification: 0.15x | Filter thread: 82mm | Dimensions (WxL): 90x150mm | Weight: 1,090g

Fast aperture rating
Premium build and handling
Mostly gorgeous image quality
Chunkier and pricier than the Z 50mm f/1.8
Bokeh discs have a noticeable 9-sided shape when stopping down a little

There are two reasons you might want a Nikon Z 50mm f/1.2 S - faster shutter speeds, and a tighter depth of field. Shooting at a distance of 2m with a 50mm lens on a full frame camera, an increase in aperture width from f/1.8 to f/1.2 gives a reduction in the overall depth of field from 17cm down to 11cm. If you feel that tighter depth of field and the ability to gain 1.33 stops in shutter speed under low lighting conditions are ‘must have’ features, you’ll be able to justify the extra expensive of this lens over the excellent Nikon Z 50mm f/1.8 S, which is much more compact and lightweight as well as being far less expensive to buy. The OLED display, L-Fn button and additional customisable control ring are also nice additions. Ultimately, the f/1.2 is a fully pro-grade lens that works brilliantly for both stills and movie capture but, for most of us, Nikon’s Z 50mm f/1.8 will be the more sensible buy.

Read more Nikkor Z 50mm f/1.2 S review

More buying guides