The best microphone for vlogging and filmmaking in 2023

Man shooting with camera and the best microphone for vlogging and filmmaking
(Image credit: Rode)

The best microphone for vlogging will instantly lift the quality of your audio compared with your camera's on-board mic. That's okay for home movies, of course, but if you want to stream to an audience, you'll need a decent mic that provides the level of quality they expect. 

Nothing screams 'amateur' more than poor quality sound. So if you want to be taken seriously as a vlogger or filmmaking, you need a good mic. In this article, we gather together the top buys, covering a number of different styles. 

A shotgun mic is a good all-purpose option – it mounts to the camera's hotshoe, and records whatever you point it at. If you're shooting interviews, a wireless or lavalier mic could be a good choice, as these can be clipped to a person's clothing to capture their voice cleanly. Wired lavalier mics are also available if you don't trust a wireless connection. 

For recording group discussions like podcasts, a studio microphone is the best choice. These work in all directions, and tend to be easy to plug into a computer for simple setup. And if you're completely new to this and are already feeling overwhelmed with technical terms, don't worry – click to jump to our microphone jargon buster where we explain what all the key terms mean. 

The best microphone for vlogging & filmmaking

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Studio microphones

Editor's Choice

(Image credit: George Cairns)
The studio microphone we use ourselves

Specifications

Transducer type: Condenser
Form: Studio / desk
Polar pattern: Omnidirectional, cardioid, bi-directional, stereo
Frequency response: 15Hz-22KHz
Power source: USB
Supplied windscreen: None

Reasons to buy

+
Stunning sound quality
+
Four pickup patterns
+
Incredibly straightforward

Reasons to avoid

-
No multi-head support

The Blue Yeti microphone has become a near-ubiquitous sight in podcast studios and on streaming desks. It’s a plug-and-play microphone that anyone can figure out how to use, and its sound quality is excellent too. So whether you just need to record yourself or are aiming to capture an entire group conversation, it's a great choice.

This mic uses a three-capsule system to power four recording patterns, allowing you to contour the audio capture around the specifics of your studio or setup. Its controls are well laid out and easily accessible, making it straightforward to adjust volume or quickly toggle the cough/mute button. Plus, the design is chic as hell. 

The biggest compliment we can pay the Blue Yeti Studio microphone is this – it’s the mic the Digital Camera World team uses. For more details, see our Blue Yeti review.

(Image credit: George Cairns)
Professional sounding audio at a budget price

Specifications

USB Type: USB-C, USB-A
Mic Type: Condenser
Polar Pattern: Cardiod, Omni-directional
Sample Rate: 48kHz
Bit Depth: 24-bit
Extra Connections: 3.5mm jack (for headphones)

Reasons to buy

+
Cheaper than comparable quality mics
+
Captures broadcast quality audio

Reasons to avoid

-
Limited polar pattern choices 
-
Plastic build on body

This is a budget alternative to the similar but well-established Blue Yeti USB mic that’s already popular with podcasters and voice-over artists. It has fewer polar patterns than the Yeti but it will capture great sound if you’re podcasting via the front of the mic on the cardioid setting. 

A detachable orange pop shield adds a splash of colour (if you need to show off the mic via YouTube) and it helps soften audio bangs caused by plosive consonants.  A handy multi-function knob adjusts headphone volume or the strength of your input sound levels. Great value for money - see our full Joby Wavo POD review.

simorr Wave U1

(Image credit: George Cairns)
Budget choice for beginners

Specifications

USB Type: USB-C
Mic Type: Condenser
Polar Pattern: Cardiod
Sample Rate: 48kHz
Bit Depth: 24-bit
Extra Connections: 3.5mm jack (for headphones)

Reasons to buy

+
Small and portable
+
Built-in headphone monitor socket
+
Easy connection

Reasons to avoid

-
Only one polar pattern

The simorr Wave U1 stands out in a crowded market due to the combination of its low price, small size and large sound. As such, it's a great budget choice. At around half the height of a Blue Yeti, it won't take up much space. And there's a touch sensitive Mute button, physical input dial for sound levels, and a headphone jack for monitoring sound quality. 

Overall, that quality isn't the highest, but it's certainly better than your PC's built-in mic would be, and at this price, it's a good options for beginners who are just getting started in vlogging or film-making. For more details, see our simorr Wave U1 review.

(Image credit: Shure/Digital Camera World)

4. Shure SM58

The Rolls Royce option if money's no object

Specifications

Type: Dynamic
Polar pattern: Cardioid
Pad: N/A
Max SPL: 180dB
Weight: 370g

Reasons to buy

+
Robust
+
Handles vibrations well

Reasons to avoid

-
Expensive
-
Doesn’t come with XLR lead

The Shure SM58 is an XLR microphone mainly used by musical artists and performers worldwide, but podcasters and vloggers have been known to use it too. Why? Well, often because they already own one for music use. But also because it's very rugged and can take a real battering. 

As a dynamic mic, it's a good choice if you're walking around a place and interviewing multiple people. It has an in-built pneumatic shock mount system to reduce handling vibrations during use. The cardioid (unidirectional) pickup pattern has a consistent frequency response throughout the axis and operates between 50-15,000Hz. It's expensive, and probably overkill for most vloggers but if you can afford one it will serve you well, especially if you're on the clumsy or careless side.

Wireless lavalier microphones

Transmitters for Rode Wireless GO II, one of the best microphones for vlogging

(Image credit: Rode)
Great for recording two or more people

Specifications

Transducer type: Pre-polarised pressure transducer
Form: Clip-on pack
Polar pattern: Omnidirectional
Frequency response: 50Hz-20KHz
Power source: Inbuilt Li-po battery rechargeable via USB
Supplied windscreen: Furry

Reasons to buy

+
Two microphone wireless system 
+
Compact design 
+
Rechargeable batteries

Reasons to avoid

-
More expensive than Rode Wireless Go

If you need to record sound from more than one person, the Rode Wireless GO II offers two transmitters, and a great range. It costs more than the simpler Rode Wireless GO (above), though, so there's a cost-benefit analysis to be made there.

For the extra money, you get a 200m by line of sight instead of 70m, two transmitters rather than one, and dual-channel recording that means you can capture two sides of a conversation.

You have the choice of recording audio from each of the transmitters to a separate channel, or ‘Merged’ mode, which combines them into a single output. Helpfully, the display on the receiver makes it obvious which mode is selected. For more details, see our Rode Wireless GO II review.

(Image credit: George Cairns / Digital Camera World)
Great quality sound from a distance and in noisy environments

Specifications

Form: Clip-on pack
Polar pattern: Omnidirectional
Frequency response: 20Hz-20KHz
Power source: Inbuilt battery rechargeable via USB case
Supplied windscreen: Furry

Reasons to buy

+
Charge all units simultaneously
+
Long distance transmission
+
Negligible latency
+
Effective noise reduction
+
No dropout

Reasons to avoid

-
Don't forget to remove blue tape from the mics

If you’re new to the wonderful world of wireless mics then we can highly recommend the Hollyland Lark M1 Duo Digital Wireless Microphone. There’s also a solo version available if you only need a transmitter instead two. Compared to similar mics this kit is reasonably priced and it even outperforms more expensive mics when it comes to broadcasting at a distance without losing the signal between the transmitter and the receiver. 

The Lark M1 stands out from the wireless mic crowd thanks to its ability to transmit and receive crystal clear 16-bit audio for a long duration at a distance without latency or signal dropout. The effective HearClear noise-canceling feature means that you won’t need to spend time reducing unwanted background noise in a post-production app such as Premiere Pro.

Read our full Hollyland Lark M1 Duo review.

(Image credit: George Cairns / Digital Camera World)
Record from distance with this versatile mic

Specifications

Polar pattern: Omnidirectional
Frequency response: 50Hz -18KHz
Weight: 33g
Range: 200m
Connection: 3.5mm jack
Mic sensitivity: -32dB±2dB
Battery life: Approx 13h

Reasons to buy

+
Long range
+
No drop out
+
Onboard recording via micro SD
+
Works straight from the box

Reasons to avoid

-
Lack of 3.5mm jack to lightning adaptor for iPhone users 

We were extremely impressed with the Virso M2 from Godox. Its audio quality is second to none, and was comfortably able to broadcast clear full-bodied sound from a long distance and even through thick walls. You also get a charging carry case to keep transmitters and receivers equally charged. 

If you’re new to using wireless mics then the Godox Virso M2 kit is well worth considering as it works straight from the box, so there is no complicated setup or specialist know-how. Both transmitters and the receiver are already paired! If you own a Sony camera then it’s worth considering the Godox Virso S as its receiver’s hot shoe adaptor is designed to slot into a Sony Multi-Interface shoe to provide a better signal than you’d get using a traditional 3.5 mm connection. However, for any other systems, the standard Virso M2 kit is the one to get.

Read our full Godox Virso / Virso S review for more details.

DJI Mic review

(Image credit: Jon Stapley/Future)
A lightweight, flexible two-mic system with a handy charging case

Specifications

Transducer type: Pre-polarised pressure transducer
Form: Clip-on pack with charging case
Polar pattern: Omnidirectional
Frequency response: 50Hz-20KHz
Power source: Inbuilt LiPo 1S battery rechargeable via USB
Supplied windscreen: Furry

Reasons to buy

+
Hugely useful charging case
+
Easy to use
+
250m transmission range

Reasons to avoid

-
Cheaper options available

The DJI Mic is a really solid piece of kit. A wireless two-mic lavalier system, it features magnetic clips that make it easy to attach one of the transmitters to a person's clothing, or to an object. Audio quality is great, with a generous 250m transmission range, however the real selling point of the system is, surprisingly enough, its charging case.

It may not sound all that exciting, but having a simple and compact charging case that you can pop the transmitters and receiver into whenever you're not using them is such a useful feature. It radically extends the amount of time you can shoot with the mics, and the fact that the case re-pairs the transmitters with the receiver every time they're put in there is a handy time-saver. It's more expensive than Rode's Wireless Go (below), but if you don't mind the cost, the DJI Mic is well worth it. For more details, see our DJI Mic review.

(Image credit: Rod Lawton)
The simplest and most versatile wireless mic setup

Specifications

Transducer type: Pre-polarised pressure transducer
Form: Clip-on pack
Polar pattern: Omnidirectional
Frequency response: 20 Hz – 20 kHz
Power source: Inbuilt battery rechargeable via USB
Supplied windscreen: Furry

Reasons to buy

+
Paired straight out of the box
+
Cables and wind shields included
+
Multi-device support
+
Optional lav mic connection

Reasons to avoid

-
GainAssist can be confusing
-
No direct level control on Mac

The RODE Wireless Me is a brilliant little dual-mic kit that’s simple enough for first-timers but also very useful for serious filmmakers or content creators. Putting a mic into the receiver is such a clever move and could be a real boon to solo shooters and interviewers.

Having all the mic controls in the RODE Central app mostly works well, but not all the settings are clear and intuitive, though there is a mobile version for doing this on the move.

There are probably cheaper alternatives to the RODE Wireless Me out there, but this is a premium product from an audio specialist, and so simple and effective to use that it does feel like good value too.

Read our full RODE Wireless ME review.

(Image credit: Hollyland)

10. Hollyland Lark 150

Smaller, cheap and has physical dials

Specifications

Form: Clip-on pack
Polar pattern: Omnidirectional
Frequency response: 20Hz-20KHz
Power source: Inbuilt battery rechargeable via USB case
Supplied windscreen: Furry

Reasons to buy

+
Physical control dials!
+
Smaller and lighter than Rode Wireless Go 
+
AirPod-style charging / storage case
+
Safety Track will save the day

While the Rode Wireless Go was a revolution, the Hollyland Lark 150 is a revelation. There's lots to love about this ultra-small, smart-pairing microphone system, but for us the biggest fawn factor is the inclusion of physical dials. No more stabbing at buttons, navigating menus or having to use preamps – just turn the knob, making level management brilliantly intuitive. 

Also worthy of love is that the Lark 150 records a Safety Track at -6db, to prevent accidental clipping if you get your levels wrong or forget to check them. This will save your bacon one day! Plus there's the AirPods-style charging case, which not only lets you charge all the units simultaneously, but also has a battery so you can keep them juiced up even without mains power. 

With the transmitters being even smaller than those of the Wireless Go, and the whole system being even more affordable, this is a fantastic alternative that actually offers better value.  

(Image credit: Saramonic/B&H)
A budget-friendly option that's perfect for interviews

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 50Hz-18KHz
Power source: Built-in Li-ion or USB-C
Supplied wind screen: Foam windscreen

Reasons to buy

+
Twin microphone system
+
Tiny, portable system
+
Value for money

Reasons to avoid

-
Non-replaceable batteries

This value-for-money system offers an open door into working with dual transmitters without the expensive price-tag. Operating with the widely used license-free 2.4GHz frequency and offering a line of sight distance up to 50 metres, the 500 B2 system offers a battery life of four hours on a single charge and can be powered up by (or run off) a powerbank thanks to the USB-C input. 

The antennas are internal, enabling the build of the units to be rounded and compact, with the transmitters weighing just 34g each.  The clip on the receiver fits into your hotshoe mount and, if you prefer, you can choose to connect the receiver to a smartphone instead via the TRS cable, though most will prefer to record directly to the camera. 

The transmitters have a built-in microphone so you can literally clip them on your interview subject and press record, but in addition, they also have inputs so you can plug in a standard lav mic (the SR-M1 model ships with the kit) if you choose. Units are paired by pressing down buttons and then they are good to go from that point forward which, again, will speed up operation and set-up time. 

The big appeal of this kit is the dual-channel receivers, enabling two people to be mic’d up for recording interviews. For more details, see our Saramonic Blink500 B2 review

(Image credit: Digital Photographer)
Expensive, high-end wireless mic

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 35Hz - 22kHz
Power source: 2 X AA Battery or MicroUSB
Supplied windscreen: pop shield

Reasons to buy

+
Wireless mic system
+
100 meter range

Reasons to avoid

-
Expensive option

This is a high-quality wireless mic system – and has a price to match. It has three main components: the receiver, which connects to your camera via a supplied cable; the transmitter, which can be clipped onto a belt or slipped in a pocket; and a broadcast-quality lavalier microphone. 

The Filmmaker Kit can operate across eight channels, each with 1,000 transmission frequencies, which means that two kits can use the same channel without interfering with each other. It uses 2.4GHz digital transmission with 128-bit encryption, which can be used anywhere in the world without a license.     

(Image credit: George Cairns)
Premium wireless lav system with chargeable case

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 50Hz-18KHz
Power source: Built-in Li-ion or USB-C
Supplied wind screen: Foam windscreen

Reasons to buy

+
8 hours battery life
+
AirPods-style charging case
+
Clean OLED displays on TX and RX

Reasons to avoid

-
Same price as Rode Wireless Go II
-
Slight latency

We're big fans of the original Saramonic Blink 500 system (number 8 on our list), so the arrival of the Blink 500 Pro got us very excited. The new units possess the same size, but boast a number of suped-up specs – namely a 60% improvement in battery life, a 100% improvement in operating range, superior signal-to-noise ratio, OLED screens, dedicated 3.5mm main and headphone receivers, improved built-in microphone sensitivity, included furry shields, and most significantly the addition of an AirPods-style 3000mAh charging case.

The original Blink 500 is an entry level choice that's ideal for beginners, while the Blink 500 Pro offers significantly more bang for buck. It also suffers from a small amount of latency in the audio, which is slight enough to not be noticed by most, but enough to create micro-sync issues that might make audiophiles twitch. For more details, see our Saramonic Blink500 Pro B2 review.

Wired lavalier microphones

(Image credit: Digital Camera World)

14. Boya BY-M1

Amazing value and impressive sound quality

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 65Hz-18KHz
Power source: LR44 battery
Supplied windscreen: Foam

Reasons to buy

+
Great sound quality 
+
Very low noise

Reasons to avoid

-
A bit oversized 
-
Easy to break

The Boya BY-M1 is a wired lavalier mic with a switchable power source. It runs on an LR44 button cell, and needs to be switched on if using a 'passive' source, or off if recording via a device with plug-in power. 

It comes with a lapel clip, and includes a foam windscreen to help dampen wind noise and plosives. It offers an omnidirectional polar pattern, and the frequency response stretches from 65Hz to 18KHz. 

While not as wide-ranging as some tie-clip mics here, this is still great for voice recording. The plastic construction of the capsule is a little bulkier than professional lavs, but the 6m lead is long enough to mic up your presenter and keep things tidy in the frame. 

Considering the low price, the BY-M1 delivers audio quality way beyond expectations. It does have a hotter output than others here, and there's no attenuator to dip the volume, so it's possible it the signal could distort on some equipment. 

But on our Canon EOS 5D Mk III, the result was an extremely low noise floor, giving excellent, hiss-free recordings. Although the build quality means it needs to be treated with care, this is an outstanding little mic. 

(Image credit: Digital Photographer)

15. Rode Lavalier Go

Use this tie-clip mic on its own, or with the Wireless Go

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 20Hz – 20kHz
Power source: via mic socket
Supplied windscreen: pop shield

Reasons to buy

+
Great sound quality 
+
Easy to use
+
Available in black or white

Reasons to avoid

-
Price
-
Wind muffler is extra

Although it’s designed to pair with the RØDE Wireless GO wireless microphone, the RØDE Lavalier GO is actually compatible with most cameras and recording devices, with a 3.5mm TRS mic input. 

It’s a professional-grade lavalier mic with an omnidirectional condenser capsule and a Kevlar-reinforced cable. It comes supplied with a foam pop shield, a metal clip and a soft bag for storage. 

The RØDE Lavalier GO delivers great sound when used with the Wireless GO or when connected directly to a camera. However, the pop shield doesn’t provide much protection from wind, and it’s advisable to purchase a windshield (such as the RØDE Minifur-Lav), if you plan to shoot outdoors regularly. That also lets you conceal the mic under clothing if you want it to be really discreet. 

(Image credit: George Cairns)
Clear and discreet mini lavalier mic

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 20Hz - 20kHz
Supplied windscreen: Foam

Reasons to buy

+
Refined build makes it easy to use

Reasons to avoid

-
Mic hiss reduces quality of recordings

The wireless Wavo AIR’s bright red microphones (with their large, fluffy wind shields) are designed to draw attention on social media feeds, making them attractive to Vloggers and influencers. The Wavo Lav PRO lies at the other end of the film making spectrum. Due to its ultra small size it is much more discrete and can easily be hidden on an interviewee so that we can concentrate on what they’re saying rather than being distracted by flashy bits of on-screen audio kit.

The Joby Wavo Lav PRO lavalier mic enables you to capture cleaner, louder and more professional sounding audio on your digital camera, and it’s easy to conceal thanks to an ultra small capsule. The 2.5 meter cable enables you transport sound from an interviewee’s hard-wired mic straight to the camera, while giving you the distance to frame up a classic ‘talking head’ composition. 

Read our full Joby Wavo Lav Pro review.

(Image credit: Audio-Technica)

17. Audio-Technica ATR 3350

Well made budget-level microphone

Specifications

Transducer type: Condenser
Form: Lavalier
Polar pattern: Omnidirectional
Frequency response: 50Hz-18KHz
Power source: LR44 battery
Supplied windscreen: Foam

Reasons to buy

+
Refined build makes it easy to use

Reasons to avoid

-
Mic hiss reduces quality of recordings

Like the Boya BY-M1, the ATR 3350 is a lavalier mic that runs on a switchable power unit fuelled by an LR44 button cell, but offers a broader frequency response that runs from 50Hz to 18Khz. 

A long, 6m cable ensures that the wire can be tucked away out of shot, and it's quite possible for presenters to walk in or out of frame while wearing it. A foam windshield is supplied, but it's worth investing in a small furry windmuff (cheap online) if you intend to use it outdoors. 

When recording voices, the quality is reasonable, and the omnidirectional polar pattern means it picks up sound from any direction. Although it gives a tad more bottom end in recordings, it outputs at a lower level than the BY-M1, and is also noisier, with more high frequency hiss. 

The build is a little more refined and the capsule is slightly smaller. And were it not for the fact that the BY-M1 is cheaper, the ATR 3350 would be worthwhile. Overall, it's not a bad mic at all, but the BY-M1's lower noise and lower price pips it to the post.

Shotgun microphones

Editor's Choice

(Image credit: Rod Lawton/Digital Camera World)
A good choice for budget-conscious shooters

Specifications

Transducer type: Condenser
Form: Shotgun
Polar pattern: Supercardioid
Frequency response: 100Hz-16KHz
Power source: None (plug-in power)
Supplied windscreen: Foam

Reasons to buy

+
Great value for money
+
Fuss free mic that's well made
+
Audio monitoring in USB mode

Reasons to avoid

-
USB cables not included

Rode make a vast range of video specific audio kit, from enthusiast-level all the way to high-end broadcast equipment. The VideoMic Go II is at the more affordable end of the spectrum and mounts onto a hotshoe, with an effective shockmount to reduce handling noise. 

It's fuelled by plug-in power from the camera's mic socket, so doesn't need a battery, and there are no switches on board to attenuate the output or change polar patterns. 

This means you just plug it in, set your recording level, and start shooting. It comes with a foam windscreen to reduce wind noise, but there's an optional "dead cat" WS12 windjammer for breezy conditions that costs another £20/$25. Frequency response stretches from 20Hz-20KHz, but recordings were rich and full, so we didn't find it lacking in bass. Overall this is a well made, good-sounding mic that's very easy to use. For more details, see our RØDE VideoMic GO II review.

(Image credit: Rode)

19. Rode VideoMic Pro

A good choice for those prepared to invest in audio

Specifications

Transducer type: Condenser
Form: Shotgun
Polar pattern: Supercardioid
Frequency response: 40Hz-20KHz
Power source: 1 x 9v battery
Supplied windscreen: Foam

Reasons to buy

+
Great sound 
+
Feature set for top recordings

Reasons to avoid

-
Windjammer is needed, but costs extra

A little bulkier and heavier than the Rode VideoMic Go is Rode's VideoMic Pro. This hotshoe shotgun mic shares a similar size and design, but adds extra features for those seeking more flexibility and higher quality recordings. Although it's suspended on a similar shockmount as the Go, it incorporates a chamber for a 9V battery (not supplied), which serves as the power source for around 70 hours. 

On the back, there are two switches to tailor performance, and these alter the output gain (-10, 0 or +20 dB) or offer the choice between a flat response or one with a low frequency cut. The sound quality is excellent, with rich tonality throughout the 40Hz-20KHz range and a flat response all the way through the speech frequencies. Impressively, there's a very low noise floor that's comparable to the Boya BY-M1 lav mic, so only the hypercritical will be concerned about the trace of mic-generated hiss that's present. 

The supplied foam windscreen serves to protect the mic, but outdoors, a furry windjammer is needed to prevent wind noise, and the dedicated Rode model costs another £30/$38. 

This aside, The VideoMic Pro is an excellent mic, and more than justifies its price with its features and performance.

RØDE VideoMicro II

(Image credit: Rod Lawton)
A small and light option

Specifications

Transducer type: Condenser
Form: Shotgun
Polar pattern: Supercardioid
Frequency response: 20Hz-20kHz
Power source: None (plug-in power)
Supplied windscreen: Foam, furry

Reasons to buy

+
Very light and compact
+
Easy to use
+
Great value

Reasons to avoid

-
3.5mm analog output only
-
No headphone monitoring

Looking for an on-camera shotgun mic that's as small, compact and light as possible? The VideoMicro II is the tiniest in the RODE line-up and its price, size and simplicity make ideal for video and vlogging beginners, as well as those who need a small spare in the kitbag for emergency backup.

You don’t need a battery, and the mic comes with a new ‘Helix’ isolation mount to suppress any vibration from the camera. It's nice and easy to use, and despite its low weight and price, still delivers professional quality audio. Plus you get both furry and foam windshields and two patch cables. For more details, see our RODE VideoMicro II review.

(Image credit: Sennheiser)
Premium performance at a palatable price

Specifications

Transducer type: Condenser
Form: Unidirectional
Polar pattern: Super-cardioid
Frequency response: 40Hz ~ 20KHz
Power source: Camera / phone
Supplied windscreen: Deadcat

Reasons to buy

+
Clean, crisp audio capture
+
Integrated, internal shock protection
+
Camera and phone jacks supplied

Reasons to avoid

-
Pricey, compared to Røde VideoMicro

With a Sennheiser product you know that you're going to get premium audio performance – and in spite of its affordable price point, the Sennheiser MKE 200 is absolutely true to form. Whether you're using a camera or a smartphone (cables are provided for both) this mic records rich, robust audio even in challenging conditions (thanks to the built-in windshield with optional dead cat if you need it). 

The build and design are premium in both form and function. The integral shock protection works very well, and the lack of an external shock mount bouncing around makes this look more professional than rivals like the Røde VideoMicro. However, the MKE 200 does come in more expensive than the Røde – with sound performance about on par, the VideoMicro might be more appealing if you aren't preoccupied with looks. 

At the same time, the MKE 200 feels more pocketable (and more robust for slinging in your camera bag). This, combined with its general ergonomics, make it a better choice in our book. For more details, see our Sennheiser MKE 200 review.

22. Sennheiser MKE 400 (2nd Generation)

A smart choice for smartphone shooters

Specifications

Transducer type: Condenser
Form: Shotgun
Polar pattern: Supercardioid
Frequency response: 50Hz-20KHz
Power source: 2 x AAA battery
Supplied windscreen: Internal (furry also provided)

Reasons to buy

+
Broad compatibility
+
Compact and portable

Reasons to avoid

-
Fairly basic features
-
Limits to internal wind shield

The original Sennheiser MKE400 was a popular mic among starting-out vloggers and filmmakers, so it makes sense that the firm saw fit to give it a little 2021 refresh. There's actually quite a lot different about this latest version; it's a redesign from the ground up. 

There's a clear emphasis on making it appeal to a new generation of vloggers who may be shooting on a smartphone, as the new MKE400 is very easy to set up and use with a smartphone. It's supplied with with 3.5mm TRS and TRRS locking cables, and can also be purchased as part of a Mobile Kit with a GorillaPod tripod and smartphone clamp. Representing a very significant step up in audio quality from any smartphone's internal mic, this is definitely a smart purchase for any smartphone shooter.

It works with cameras as well of course, and vloggers of any stripe will find it does a commendable job in most conditions. The wind shield is now internal, though a furry extra is supplied for super-blustery days. A headphone jack on the side is useful if you're using a camera that doesn't have one, and the controls, while not the most sophisticated, do allow you to cut-out unwanted low frequency noise with ease.

(Image credit: Comica)

23. Comica Traxshot

This transforming mic is super-versatile

Specifications

Transducer type: Condenser
Form: Mono / stereo / bi-directional shotgun
Polar pattern: Cardioid
Frequency response: 20Hz ~ 20KHz
Power source: Rechargeable battery (USB-C)
Supplied windscreen: Deadcat

Reasons to buy

+
Three configurations
+
Rear OLED screen
+
Premium build quality

Reasons to avoid

-
Can be charged while in use

Unquestionably the most versatile microphone around, the Comica Traxshot is a transforming shotgun mic that enables you to record in four different configurations thanks to its dual capsule arm system. By pivoting the arms it can capture mono (both arms facing forward), two-level stereo (with the arms positioned at either 30° or 90°) and bi-directional (one arm forward, one back, to record subjects both in front of and behind the camera) audio patterns. 

The Traxshot is impeccably built, with solid metal construction that feels reliable and robust. The rear illuminated OLED panel gives useful feedback and enables you to easily set up the desired recording configuration, while the built-in Air-float Shock Mount delivers impressive stabilization. Best of all, it features a USB-C rechargeable battery – and you can charge the device while it's in use if the power runs dry.

(Image credit: Joby)

24. Joby Wavo

A lightweight microphone that isolates voices brilliantly

Specifications

Transducer type: Electret condenser
Form: Clip-on with Rycote Duo-Lyre and Hytrel shock mount
Polar pattern: Cardiod
Frequency response: 35Hz-18KHz
Power source: None (plug-in power from phone/camera)
Supplied windscreen: Deadcat

Reasons to buy

+
Good value
+
Small and compact

Reasons to avoid

-
Delicate shock mount

Bad audio is the smartphone vlogger’s enemy #1, and even a small microphone like Joby’s Wavo Mobile can massively improve a video’s watch-ability. Measuring a palm-sized 81x22x22 mm and weighing a mere 50g, this compact and well-made mic is designed specifically for vloggers using a smartphone. 

A directional cardioid polar pattern for bringing-out and isolating voice, Wavo Mobile comes on a Rycote Duo-Lyre and Hytrel shock mount. Its cold shoe attaches directly to any camera, the top of Joby’s mobile smartphone mount, or to any or 1/4-inch tripod thread. It also comes with cables to attach it to any phone or camera, as well a windshield that makes a big difference when out and about. 
Also see: Best microphones for iPhone

Comica CVM-VM20, one of the best microphones for vlogging

(Image credit: Comica)

25. Comica CVM-VM20

A solid run-and-gun mic with a useful OLED screen

Specifications

Transducer type: Super-caridoid condenser
Form: Shotgun
Polar pattern: Super-cardioid
Frequency response: 20Hz-20KHz
Power source: Lithium-ion battery
Supplied windscreen: Foam

Reasons to buy

+
Lightweight and durable
+
Good battery life
+
Well priced

Reasons to avoid

-
Battery not replaceable

Designed as a kind of do-it-all mic, the Comica CVM-VM20 is useful for DSLR and mirrorless video shooting where you may be encountering lots of different situations. The life of its lithium-ion battery is particularly impressive; it's rated to 60 hours, and practically you'll get at least a couple of days of recording out of it before needing to recharge. 

Solidly built, the Comica CVM-VM20 provides reliably high-quality sound, with two low-cut frequency modes to cut out noise in different situations. This gives you even more shooting versatility, while the stepless gain control lets you make quick and seamless adjustments if the situation changes.

The useful OLED screen helps you monitor battery levels, while the slim profile of the mic makes it an especially good companion for mirrorless systems. It lacks some of the more advanced features of other mics, like the ability to record multiple tracks at different levels simultaneously. But, well, that's why those mics cost more!

(Image credit: George Cairns)
Better quality sound than your camera’s built-in mic

Specifications

Transducer type: Electret condenser
Form: Clip-on with Rycote Duo-Lyre and Hytrel shock mount
Polar pattern: Cardiod
Frequency response: 35Hz-18KHz
Power source: None (plug-in power from phone/camera)
Supplied windscreen: Deadcat

Reasons to buy

+
Safe channel helps a distortion-free track
+
External mic socket for additional sound input
+
Long battery life keeps you on the go
+
ANR takes the edge off handling noise 
+
Wind-jammer keeps noise at bay

Reasons