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All the new lenses of 2020: part 2, April 2020 to June 2020

Lenses of 2020
(Image credit: Digital Camera World)

After the avalanche of lens launches in the first part of the year, we thought things might quieten down a little in the spring. But no, as new lenses were rumored, announced or sent for testing practically every day. There were some really good ones, too.

The Canon RF 24-105mm f/4-7.1 IS STM (opens in new tab) might not set the world alight with its specs or its ambitions, but it's the perfect low-cost, long-zoom kit lens for the Canon EOS RP, Canon's entry-level full frame mirrorless camera. We got our first look at the unique and ultra-practical, ultra-wide Panasonic Lumix S 20-60mm f/3.5-5.6 (opens in new tab) standard zoom, and the Tamron 70-180mm f/2.8 Di III VXD (opens in new tab) showed us that you don't have to pay G Master prices, or anywhere near them, for premium constant aperture Sony FE mount lenses.

All the new lenses of 2020: part 1 (opens in new tab)
All the new lenses of 2020: part 3 (opens in new tab)
All the new lenses of 2020: part 4 (opens in new tab)

April 2020

Tamron 70-180mm f/2.8 Di III VXD

The Tamron 70-180mm f/2.8 Di III VXD is 20mm shorter in focal range than Sony's own 70-200mm lenses, but we can't get too worked up about that when it's so much lighter and cheaper. (Image credit: Matthew Richards)

Another month, another Canon RF lens rumor! This time it was a whiff of a new pro-spec Canon RF macro lens (opens in new tab) at or around the 100mm focal length and a cut above the existing cheap and cheerful RF 35mm f/1.8 Macro IS STM.

Much more concreate was the arrival of a Canon RF 24-105mm f/4-7.1 IS STM for review (opens in new tab) and we found it every bit as good as we hoped. The variable maximum aperture is a bit weedy, especially at full zoom, but the size and weight and handling are great – it's the perfect match for an EOS RP.

Irix 45mm f/1.4 Dragonfly

Irix doesn't produce new lenses often, but when it does we pay attention. The Irix 45mm f/1.4 Dragonfly is an intriguing fast prime lens – and it's for DSLRs (remember those?) not mirrorless cameras! (Image credit: Future)

There was plenty more lens news this month. The Lensbaby Velvet 28mm f/2.5 (opens in new tab) promised to offer a soft glow to your images wide open but sharpens up when you stop down, while Sony patented an E-mount 'Light Field' lens (opens in new tab) that could capture multiple images on the sensor and offer the same kind of post-capture focusing seen in cameras like the Light 16 and, before that, the Lytro. Venus Optics announced that the Laowa 100mm f/2.8 2x Macro APO lens would now come in Nikon Z and Canon RF (opens in new tab) mounts, and lighting firm Yongnuo showed off its Yongnuo 50mm f/1.8 (opens in new tab) thrifty fifty prime lens for APS-C Sony mirrorless cameras. It was maybe hard to get excited about this when Sony makes its own cheap 50mm lens that also works on its full frame cameras, but we were very excited to learn that you could make a working camera lens from a roll of toilet paper (opens in new tab).

OK, back to the serious stuff. This was the month when Tamron announced the Tamron 70-180mm f/2.8 Di III VXD (opens in new tab) for full frame Sony mirrorless cameras. The focal range might not sound that impressive, but this lens is WAY cheaper than Sony's own 70-200mm f/2.8, and smaller and lighter too. We also got to do an Irix 45mm f/1.4 Dragonfly review (opens in new tab) – this was the lens we reported on in March – and a review of the Sony FE 20mm f/1.8G (opens in new tab). Also this month, we reviewed the Samyang AF 75mm f/1.8 FE (opens in new tab) lens, also for Sony full frame mirrorless cameras.

Lens reviews in April 2020

Canon RF 24-105mm f/4-7.1 IS STM review (opens in new tab)
Irix 45mm f/1.4 Dragonfly review (opens in new tab)
Samyang AF 75mm f/1.8 FE review (opens in new tab)
Sony FE 20mm f/1.8 G review (opens in new tab)

May 2020

Panasonic Lumix S 20-60mm f/3.5-5.6

What kind of witchcraft was this? The Panasonic Lumix S 20-60mm f/3.5-5.6 is a standard zoom that goes WAY wider than any of its rivals. (Image credit: Future)

May 2020 was a good month for Pentax (hey, don't forget Pentax!). The HD Pentax-D FA★85mm F1.4ED SDM AW (opens in new tab), the company's new portrait prime, arrived early, and the Pentax lens roadmap (opens in new tab) got an update with three new lenses, and the promise of more to come.

We got a reminder that the remarkable Fujinon XF 50mm f/1.0 (opens in new tab) was still on schedule to arrive in 2020, and Samyang revealed plans for new versions of its 85mm f/1.4 and 14mm f/2.8 lenses (opens in new tab), with more aperture blades and de-clickable aperture rings.

And then Panasonic announced the Panasonic Lumix S 20-60mm f/3.5-5.6 (opens in new tab). It sounds like the focal range of an APS-C lens, but this is a full frame L-mount lens and it sounds brilliant, combining ultra-wide and standard angles of view. Like we said then, why has no-one ever made this lens before?

Nikon 120-300mm f/2.8E AF-S FL ED SR VR

Sometimes we get lenses that are so expensive they make us nervous. The Nikon 120-300mm f/2.8E AF-S FL ED SR VR is spectacular but probably costs more than your car. (Image credit: James Artaius / Digital Camera World)

There was bad news and good news from Nikon. We learned that the Nikon Z 24-200mm f/4-6.3 VR (opens in new tab) superzoom lens for Nikon Z mirrorless cameras had been delayed... but then we managed to land a sample and publish our Nikon 120-300mm f/2.8E AF-S FL ED SR VR review (opens in new tab). What a brilliant lens! (And expensive. Brilliant and expensive.)

It was a good month for loan samples. We published a Lensbaby Velvet 28 (opens in new tab) review just a month after it was first announced, and a review of the Laowa 100mm f/2.8 2x Ultra Macro APO (opens in new tab), also announced in April.

Lens reviews in May 2020

Laowa 100mm f/2.8 2x Ultra Macro APO review (opens in new tab)
Lensbaby Velvet 28 review (opens in new tab)
Nikon 120-300mm f/2.8E AF-S FL ED SR VR review (opens in new tab)

June 2020

Canon RF 800mm f/11 IS STM

An 800mm telephoto with a fixed f/11 aperture? Canon was kidding, right? Apparently not. And we stopped laughing soon enough when we tried it. (Image credit: Matthew Richards/Digital Camera World)

So, back to the Canon RF lens rumors! This month we learned that there would be no fewer than six new Canon RF lenses this year (opens in new tab) including a monster RF 800mm f/11 that left us scratching our heads and rubbing our chins, and that's not easy. The leaked list included a Canon RF 50mm F1.8 STM, RF 85mm F2 Macro IS STM, RF 70-200mm F4 L IS USM, RF 100-500mm F4.5-7.1 L IS USM, and RF 600mm F11 IS and RF800mm F11 IS STM.

Much more definite was the new Sigma 100-400mm f/5-6.3 DG DN OS (opens in new tab) due to arrive in July in both Sony E and L-mounts. Sigma also announced a trio of fast f/1.4 primes for L-mount cameras, including the Sigma 16mm f/1.4 DC DN, Sigma 30mm f/1.4 DC DN and Sigma 56mm f/1.4 DC DN. Our excitement diminished somewhat when we realised these were APS-C lenses already available in other mounts, and not full frame lenses.

We did learn, however, that Tamron RF and Z mount lenses (opens in new tab) were on their way, and the company also announced the Tamron 28-200mm f/2.8-5.6 Di III RXD (opens in new tab) all-in-one superzoom for full frame Sony mirrorless cameras.

Talking of Sony cameras, we caught up with some homework. We had seen, used and tested the Sony FE 12-24mm f/4 G (opens in new tab) and Sony FE 16-35mm f/2.8 GM (opens in new tab) a while back, but now we had lab data, so we published reviews of Sony's two ultra-wide full frame zoom lenses. We also got our hands on the new Tamron 70-180mm f/2.8 Di III VXD (opens in new tab) for a full review.

Panasonic Lumix S 24-70mm f/2.8

Panasonic had a pretty productive year, launching its Lumix S 24-70mm f/2.8 and 70-200mm f/2.8 lenses, as well as getting lots of third party lens support from the likes of Sigma. (Image credit: Panasonic)

So, a busy month for Sony, but there was plenty going on for Panasonic Lumix S fans too, as we published a Panasonic LUMIX S PRO 24-70mm f/2.8 review (opens in new tab) and a Panasonic Lumix S Pro 70-200mm f/2.8 OIS review (opens in new tab). It took a while for the pro lenses to start coming through, but the Lumix S is now looking like a proper professional system, albeit with prices to match.

We had some lens news for Nikon fans too, including a review of the Nikkor Z 20mm f/1.7 S (opens in new tab) and the revelation that the Nikkor Z 58mm f/0.95 S Noct could have been EVEN BIGGER (opens in new tab). Adding autofocus would have made the lens unimaginably huge, apparently, which, er, is kind of what it is already.

June wasn't all about mirrorless cameras, though. This month, Tokina announced the atx-i 11-20mm f/2.8 CF (opens in new tab), a revised version of its APS-C DSLR ultra-wide lens, and the new Meyer Optik Görlitz Trioplan 100mm f/2.8 II (opens in new tab) close-up/telephoto lens became available.

Lens reviews in June 2020

Nikon Z 20mm f/1.8 S review (opens in new tab)
Panasonic LUMIX S PRO 24-70mm f/2.8 review (opens in new tab)
Panasonic Lumix S Pro 70-200mm f/2.8 OIS review (opens in new tab)
Sony FE 12-24mm f/4 G review (opens in new tab)
Sony FE 16-35mm f/2.8 GM review (opens in new tab)
Tamron 70-180mm f/2.8 Di III VXD review (opens in new tab)

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Rod Lawton
Contributor

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com (opens in new tab) but also writes about photo-editing applications and techniques at lifeafterphotoshop.com (opens in new tab)