The best lenses for bird photography and wildlife in 2024: get frame-filling shots

With the best lenses for bird photography, you can get closer to birds and capture incredibly sharp, beautiful images. If you're looking to capture images of wild birds in flight, you need a lens that can keep up as well as a capable camera – indeed, your lens choice is arguably even more important than your camera choice. So, we're here to help.

In this list, we've included some of the best telephoto lenses available right now. Including a mixture of zooms and primes, these are the lenses that bring distant subjects closer, filling the frame with birds and animals and making the most of your camera's sensor to capture them in all their gorgeous detail.

Our list covers all the major mounts and systems, with options for mirrorless and DSLR shooters, so whatever your system, we should have you covered. And if you can't get enough birdwatching, check out our best bird feeder camera guide as well!

Sebastian Oakley

For nearly two decades Sebastian's work has been published internationally. As an enthusiast photographer, he has been shooting since the film days using a Nikon F5. Here, he brings his seasoned expertise to picking out the best lenses for bird photography, with the help of our chief lens tester Matthew Richards.

The quick list

Best lenses for bird photography in 2024

Multi mount

We've tested the best lenses for bird photography to bring you options for a range of prices, from budget telephoto lenses to professional lenses.

Our guide is split up mainly by camera manufacturer or lens mount - but we start off with the highly-popular third-party lens options which are available in a number of different mounts…

Sigma 150-600mm Sports

It took a while, but Sigma's popular 150-600mm Sports lens finally got a mirrorless makeover. The Sigma 150-600mm f/5-6.3 DG DN OS Sports isn't just a quick reskin of the DSLR version (below); it's actually been retooled from the ground up with mirrorless cameras in mind, and it's an impressive 760g lighter. It's heavily weatherproofed, with oil-repellent coatings on the elements, and it's got 4-stop optical stabilization to help keep things sharp at the telephoto end. 

The autofocus takes a little setting up, and isn't quite as fast as that of rival lenses from Sony and Tamron, but this is still an impressive lens for birding. Sharpness is really impressive throughout the zoom range, so you can push it to 600mm with confidence that you're still going to get some great images. As well as being made for Sony E-mount cameras, it is also available for full-frame mirrorless cameras from Panasonic, Leica and Sigma that use the L-mount.

See our full Sigma 150-600mm f/5-6.3 DG DN OS Sports review

Tamron 150-600mm G2

The Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is about the same size and weight as Sigma’s competing Contemporary lens, but adds a more comprehensive set of weather seals, similar to those of Sigma’s more exotic Sports edition while splitting the difference in terms of price. Upgrades over the original Tamron lens include a revamped 4.5-stop optical stabilizer with three switchable options for static, panning and exposure-only modes, the last of which leaves the viewfinder image unadulterated, and makes it easier to track erratic movement. 

The uprated ring-type autofocus system is faster and more accurate, and a fluorine coating is added to the front element. Sharpness is very good at or near 600mm but less impressive towards the short end of the zoom range. For full compatibility with Canon EOS R and Nikon Z series mirrorless cameras, V2 or later firmware can be applied via Tamron’s optional USB-linked TAP-in Console.

See our full Tamron SP 150-600mm f/5-6.3 Di VC USD G2 review

Sigma 100-400mm

The Sigma 100-400mm f/5-6.3 DG OS HSM | Contemporary is half the weight of the larger 150-600mm Contemporary lens and just a third of the weight of the Sports edition. It’s more comfortable for long periods of handheld shooting and you can also use it with the camera body mounted on a tripod or monopod. The flip side is that no optional tripod mounting ring is available, which would have enabled a better balance, especially in portrait orientation shooting.

Sophisticated controls include switchable dual-mode autofocus options with priority given to autofocus or manual override, static/panning stabilization modes and dual custom setups. In addition to using the twist-action control ring, you can alter the zoom setting in a push-pull fashion. A specially shaped lens hood with a thumb and finger groove helps with this. 

Read the full Sigma 100-400mm f/5-6.3 DG OS HSM | C review

Canon

Here, we've picked out our favourite birding lenses for Canon systems, including RF-mount mirrorless cameras and good old EF-mount DSLRs. EF lenses can be mounted to RF mirrorless cameras, provided you have the EF-EOS R adapter.

RF 800mm

This Canon RF 800mm f/11 IS STM super-telephoto lens for Canon EOS R-series full-frame mirrorless cameras gives phenomenal reach but is much smaller and more lightweight than competing lenses for DSLRs. 

This lens has a fixed aperture of f/11, and many birders might consider that rather too narrow, while others might be unimpressed that you can’t alter the aperture. However, the modest f/11 rating enables a relatively compact and lightweight build with smaller-diameter lens elements

At 1,260g, it’s perfectly viable for long periods of handheld shooting, aided by a highly effective optical image stabilizer. It also has a retractable mechanism to cut down on stowage size, making it ideal for use anywhere and everywhere from local sporting events to wildlife shoots in far-flung corners of the world.

See our full Canon RF 800mm f/11 IS STM review

EF 100-400mm

Canon’s original EF 100-400mm zoom was something of a classic, but wasn’t to everybody’s taste, especially in regard to its trombone-style push-pull zoom mechanism. The second edition of the lens has a more typical twist-action zoom ring and a host of upgrades. These include a refined optical path with fluorite and Super UD (Ultra-low Dispersion) elements and high-tech Air Sphere coating. 

There’s a more effective, triple-mode image stabilizer and the Mark II also gains weather-seals and fluorine coatings on the front and rear elements. It’s a very good lens but rather expensive for a 100-400mm, and lacks the outright telephoto reach of more recent 150-600mm independent designs.

See our full Canon EF 100-400mm f/4.5-5.6L IS II USM review

RF 100-500mm

As we've touched on, Canon's EF 100-400mm zoom has been an incredibly popular lens for Canon DSLR shooters, so it's no surprize to see something arrive for the brand's EOS R range of full-frame mirrorless cameras. 

Canon felt that it would be hard to improve on the image quality of the EF 100-400mm f/4.5-5.6L IS II USM so opted to extend the focal range even further with the RF 100-500mm f/4.5-7.1L IS USM. Extending the focal length gives it even more reach, though the trade-off is a pretty modest maximum aperture of f/7.1 at the long end. 

That said, pair it with the EOS R5 or R6 and the combined image stabilisation delivers up to 6 stops compensation (5 stops on the EOS R or RP). Focusing is very swift on Canon's two new mirrorless cameras, but could be quicker on the R and RP. Combined with Canon's legendary L-series build quality and stunning optical performance,  it's up there with the very best Canon zoom lenses we've tested.  

See our Canon RF 100-500mm f/4.5-7.1L IS USM review

RF 600mm

The Canon RF 600mm f/11 IS STM (and the Canon RF 800mm f/11 IS STM) is designed for EOS R-series mirrorless cameras and offers a very different experience to a typical prime telephoto lens. Sporting a clever retractable design, this lens collapses down to 200mm. 

Using DO (Diffractive Optics) and a relatively narrow f/11 fixed aperture rating, it's also pretty light at 930g. A fixed f/11 aperture isn't quite as limiting as it might first appear as thanks to the Dual Pixel AF sensor-based autofocus systems of EOS R-series cameras. Image quality is impressive, while the size of the lens makes it excellent for handheld shooting and, overall, it’s a great choice for bird photography.

See our full Canon RF 600mm f/11 IS STM review

Nikon

When picking the best Nikon lenses, we've picked out our favourite Z-mount mirrorless lenses, as well as older F-mount DSLR lenses. Once again, remember that F-mount lenses can easily be adapted to fit Nikon mirrorless cameras. 

AF-S 200-500mm

Compared with Sigma and Tamron 150-600mm zooms for Nikon DSLR cameras, this own-brand competitor comes up slightly short in maximum reach. Even so, the difference isn’t particularly noticeable in practical terms and the Nikon lens has the advantage of a constant-aperture design, so f/5.6 remains available throughout the zoom range, rather than dropping to f/6.3 at the long end. 

Fancy features include a dual-mode, 4.5-stop VR (Vibration System) system and an electromagnetically controlled diaphragm for adjusting the aperture. As in the Sigma and Tamron lenses, this enables more consistency in rapid-fire exposures but, with older Nikon bodies, you’ll only be able to shoot at the widest aperture. Autofocus is fast and image quality is impressive in all respects, making this lens great value for an own-brand Nikon.

Read our full Nikon AF-S 200-500mm f/5.6E ED VR review

AF-S 600mm

The Nikon 600mm f/4E FL ED VR is one of the company's longest focal length lenses available, and with a price tag that's nudging five figures, it's squarely aimed at the professional sports and wildlife photographer. This latest generation optic is significantly lighter than its predecessor thanks to the Flourite lens elements used. This has seen a weight saving of some 25%, though it still tips the scales at an arm-wobbling 3,810g. 

This is a lens you'll want to partner with a sturdy monopod for long periods of shooting. Optical quality is first-rate as you'd expect for a high-end Nikon prime, while the autofocus performance doesn't disappoint either. A stunning lens if you can justify the price - see our full Nikon 600mm f/4E FL ED VR review.

Z 800mm

This lens gives you telephoto superpowers in a relatively lightweight package. The downsized build has been achieved by a modest f/6.3 aperture rating and a Phase Fresnel optical element, a technology that’s commonly used to focus the beam in a lighthouse. The addition of highly effective optical VR that works in tandem with IBIS in Z system full-frame cameras should ensure exceptionally sharp avian images. 

A useful range of handling extras ensure top-quality results time after time, with excellent consistency even in handheld shooting. When you need to nail the definitive moment in wildlife photography, this is a lens you can surely count on. It's not cheap, but less than half the price of the Nikon Z 400mm f/2.8 TC VR S.

See our full Nikon Z 800mm f/6.3 VR S review

Sony

Sony's E-mount mirrorless system offers a number of fast-focusing, fast-shooting cameras – perfect for birding! Here are, for our money, the best lenses to use with them. 

FE 200-600mm

This recent addition to Sony’s E-mount line-up has the same 600mm maximum focal length as Sigma and Tamron 150-600mm zooms for Canon and Nikon SLRs. The Sony’s size and weight are fairly typical but feel a little more imposing on comparatively lightweight Sony Alpha mirrorless bodies. 

The maximum ‘effective’ focal length stretches from 600mm to around 900mm when shooting on an APS-C camera. Triple-mode image stabilization is switchable for static and panning shots, with an additional option for applying stabilization only during exposures. This makes it easier to track the erratic movement of birds in flight. DDSSM (Direct Drive Super Sonic Motor) autofocus is super-fast and comes complete with customizable focus-hold buttons mounted around the barrel. 

The optical image stabilizer is effective on its own and even better when coupled with in-body stabilization, featured in later Sony Alpha A7 and A9 mirrorless cameras. Sharpness, contrast and other image attributes are excellent and very consistent throughout the entire zoom range.

See our full Sony FE 200-600mm f/5.6-6.3 G OSS review

Tamron 100-500mm

The Tamron 150-500mm f/5-6.7 Di III VC VXD is a lens designed exclusively for Sony E-mount; it's made for full-frame bodies, but will work with APS-C, delivering an effective focal length of 225-750mm (though it will produce a pretty unbalanced setup). Going up to 500mm, while not the longest lens on this list or even in the Sony section, is pretty handy, and it's helped by the Tamron lens's real ace in the hole: it's super-fast autofocus system. The linear stepping motor is blisteringly speedy and practically silent – in other words, exactly what you want for birding. 

The narrower aperture range of f/5-6.7 is going to restrict you a little in terms of how much light you need, which is simply something to be aware of and factor in. Still, weighing just 1,725g without the tripod collar, the Tamron 150-500mm is perfectly useable hand-held. Its three-mode stabilisation system helps out here too – birders will probably get the most use out of Mode 3, which only applies the stabilisation effect during actual exposures, making it easier to track erratically moving subjects.

See our full Tamron 150-500mm f/5-6.7 Di III VC VXD review

Sony FE 100-400mm

The Sony FE 100-400mm f/4.5-5.6 G Master OSS is not a small lens, but surprisingly, it’s barely any bigger than the Sony 70-200mm f/2.8, slightly less heavy and no more expensive. It has less reach than some lenses in this guide, but on A6000 series cameras,  it would give an effective maximum focal length of 600mm. Up-market build and handling characteristics are very similar to those of the 70-200mm f/2.8 G Master lens, but this one adds a variable torque adjustment for the zoom ring. Again, the Optical SteadyShot is very effective and the autofocus system is super-fast, this time based on a combination of double linear motor and DDSSM (Direct Drive SSM) systems.

See our full Sony FE 100-400mm f/4.5-5.6 G Master OSS review

Fujifilm

Fujifilm has added some compelling telephoto zooms to its X-mount line-up, making the mirrorless X series a more viable choice than it used to be when it comes to bird photography. Here are our top picks. 

XF100-400mm

Impeccably turned out, the XF100-400mm looks and feels a high-quality item... Looks aren’t deceiving either, as the internals include a super-fast autofocus system based on dual linear stepping motors, and a high-performance 5-stop optical stabilizer. The optical path is top drawer too, featuring no less than five ED (Extra-low Dispersion) elements plus a Super ED element. 

A full set of weather seals is incorporated, and a fluorine coating on the front element helps to repel moisture and fingerprints. Built from the ground up as an APS-C format lens, it only needs to produce a relatively small image circle, compared with a full-frame compatible lens, but is still pretty weighty for a 100-400mm zoom. Overall performance and image quality are excellent, although outright sharpness drops off a bit at the long end of the zoom range.

XF150-600mm

The XF150-600mmF5.6-8 R LM OIS WR covers the focal length of 229mm – 914mm in equivalent 35mm film terms and also supports Fujifilm's 1.4x and 2x teleconverters. It's an easy-to-carry, (relatively) affordable, and fast-focusing long lens, which makes it ideal for photographing birds in the field. 

The fixed zoom mechanism feels smooth throughout the entire range and is near silent, which is exactly what you want if you're stalking skittish wildlife and don't want to alert it to your presence. The 5-axis stabilization mechanism will keep shots sharper towards the far end of the zoom range, and while the f/5.6-8 is limiting in low light conditions, you can't argue with the lens's performance overall – especially given its price. It's one of the best 150-600mm lenses overall.

L-mount

While the Sigma 150-600mm f/5-6.3 DG DN OS Sports lens in our top spot is a great choice for L-mount users, there are other options to consider. Here is a lens that impressed us and would make an excellent choice for bird photography. 

Lumix S 70-200mm

One of the professional standard lenses for L-mount, the Lumix S Pro 70-200mm f/2.8 OIS is durably built with extensive weather-seals – perfect for wild birding. It focuses quickly, boasts an advanced stabilising system with multiple modes, and has plenty of customisable function buttons allowing you to get it set up the way you want it. While there's not as much raw telephoto reach here as other options on this list, many fantastic bird photographs have been taken on 70-200mm lenses, and many more will be in the future.

The Lumix S Pro 70-200mm f/2.8 OIS is quite a bit heavier than Panasonic's 70-200mm f/4 – which we also liked – but the larger aperture gives you more latitude for faster shutter speeds, which is hugely useful for bird photography. Autofocus is also a big tick – it's speedy and silent, just as we like. 

Micro Four Thirds

The Micro Four Thirds lenses are suitable for Olympus, OM System, and Panasonic G-Series mirrorless cameras that use the MFT sensor.

Panasonic 100-400mm

A finely-crafted lens, the Panasonic 100-400mm is relatively large for a Micro Four Thirds format zoom and weighs almost a kilogram. With its MFT mount, it will work on Olympus mirrorless cameras, as well as compatible Panasonic Lumix models. It's pretty much the same weight as the Sigma and Tamron 100-400mm lenses for full-frame cameras. Even so, the 2x crop factor of MFT cameras gives the Panasonic a maximum ‘effective’ focal length of 800mm, much like using a 150-600mm lens on an APS-C format body. 

As always, this makes it a challenge to keep everything steady while shooting, but the Panasonic has excellent build quality and comes complete with a zoom lock ring, tripod mounting collar and optical image stabilizer, to help beat the shakes. It all works together very well, except that stabilization can be relatively ineffective for panning. Autofocus is very quick and highly accurate and image quality is excellent overall, although sharpness drops off a little at the longest zoom setting.

Olympus 300mm

You need a pretty good reason to trade up from Panasonic’s 100-400mm zoom lens for Micro Four Thirds cameras and it might just be this Olympus prime. It has fully professional-grade build quality with comprehensive weather-seals and a dust-, freeze- and splash-proof construction. Naturally, it has a fixed focal length, equivalent to 600mm in full-frame terms, and lacks the versatility of a zoom. Even so, that’s rarely a disadvantage for birding, as you’re likely to use a zoom lens at its longest available focal length anyway. 

A major plus point is that the aperture rating of f/4 is relatively fast, compared with most zoom lenses that drop to f/5.6 or f/6.3 at a similar focal length. Handling highlights include a customizable Lens-function button, a four-stop image stabilizer that gives up to a six-stop benefit when combined with in-camera stabilization, and an autofocus range limiter that can lock out either short or long focus distances. Autofocus itself is very fast and image quality is fabulous.

How to choose a lens for bird photography

Birds are tricky subjects for even the most experienced wildlife photographers; they move quickly, don't stay still for long, and they generally won't let you get very close without flying off. Therefore, the best lenses for bird photography need to provide you with enough magnification to fill the frame with a feathery subject, while also offering fast enough autofocus to track it as it moves. This realistically means a telephoto lens – either a zoom or a prime. Both have their advantages, with zooms offering greater versatility and primes generally providing superior image quality.

When looking at lenses, consider how they'll interact with your camera sensor. Should you use a full frame or cropped sensor camera for bird photography? For sensors smaller than full-frame, there is a trade-off in terms of image quality but you'll get the advantage of a crop factor that amplifies the telephoto reach of the lens. For example, the best 100-400mm lenses on a full-frame sensor will cover 150-600mm on APS-C and 200-800mm on Micro Four Thirds!

While telephoto lenses used to be prohibitively heavy and expensive, these days the best telephoto lenses are getting lighter and in some cases more affordable. Plus, the proliferation of optical image stabilization systems make it possible to capture sharp images at the outer edge of a telephoto zoom, without having to use a tripod. That makes it easier to capture sharp, frame-filling images of birds. 

How we test lenses

We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.

Bird photography lens FAQs

If you like birds, you might also like to see the best camera for wildlife, as well as the best bird feeder cameras. If you're looking for affordable options, these are the best budget telephoto lenses. Looking to turn pro? We check out the best cameras for professionals.