Panasonic Lumix S 20-60mm f/3.5-5.6: why has no-one ever made this lens before!

Panasonic Lumix S 20-60mm f/3.5-5.6
(Image credit: Panasonic)

Panasonic has announced a new Lumix S lens for its full frame mirrorless cameras and it has a focal range we’ve never seen before. It’s enough to make us buy a camera just so that we can use this lens!

The Panasonic Lumix S 20-60mm F3.5-5.6 has a modest-sounding 3x zoom range but one that does the work usually done by two separate optics. At its widest it offers a 20mm focal length you would normally only get from an ultra-wide-angle lens and at its longest it offers an angle of view just slightly longer than a standard lens.

Don't let the focal lengths fool you. This is not a Micro Four Thirds lens, but a full frame L-mount lens for the Panasonic Lumix S1 and Lumix S1R, and Lumix S1H. It will, of course, also fit other L-mount cameras, namely the Sigma fp and the Leica SL2.

Normally, you’d need two separate lenses to do both of these jobs, so Panasonic seems to have pulled off a masterstroke with a lens that is both modestly specced and modestly priced.

Why is 20-60mm such a great zoom range?

There are ultra-wide-angle zooms that go much wider than 20mm, but 20mm is quite wide enough for most scenes, and a good deal wider than the 24-28mm minimum than the average full frame standard zoom.

And while 60mm is a little shorter than the 70mm or longer of most kit lenses, we’re willing to be that most of the shots we take with a standard zoom are at a focal length of 60mm or less.

The main thing is, for wide-angle fans, that now you can walk around with one lens on your camera instead of having to carry two and keep swapping between them.

The Panasonic Lumix S 20-60mm f/3.5-5.6 looks a really neat fit on the Lumix S body, and has perhaps the most useful range of any kit lens ever. (Image credit: Panasonic)

Panasonic Lumix S 20-60mm F3.5-5.6: more details

The Panasonic Lumix S 20-60mm F3.5-5.6 is compact and lightweight, weighing just 350g. This is because it has a variable maximum aperture, from f/3.5 at 20mm to f/5.6 at 60mm. It’s not a premium constant aperture lens like many of the Panasonic Lumix S lenses, but that’s why it’s so compact, light and affordable.

It has a minimum focus distance of 0.15m to offer an impressive maximum magnification of 0.43x, so while it’s not a macro lens, it’s still going to be very good at close-ups.

The Panasonic Lumix S 20-60mm F3.5-5.6 is designed for video as well as stills, with suppressed focus breathing. It also has a rugged dust and splash-resistant design and has a fluorine-coated front element which is water and oil-repellent too. It. Takes 67mm filters and has a 9-blade circular aperture.

The optical construction consists of 11 elements in 9 groups, including two aspherical lenses and three ED lenses to suppress both axial and lateral chromatic aberration. There’s also a UHR (Ultra-High Refractive Index) lens to maintain image quality from the center to the edges of the image while keeping the lens compact.

Panasonic Lumix S 20-60mm f/3.5-5.6

The Panasonic Lumix S 20-60mm f/3.5-5.6 goes on sale at the end of July 2020. It's smaller and lighter than you might expect for an L-mount lens and will cost less than you might expect too. (Image credit: Panasonic)

Panasonic Lumix S 20-60mm F3.5-5.6 price and availability

The Panasonic Lumix S 20-60mm f/3.5-5.6 will go on sale at the end of July at just $599.99/£619/AU$1,099.

Pre-order the Panasonic Lumix S 20-60mm F3.5-5.6 at B&H Photo

• Pre-order the Panasonic Lumix S 20-60mm F3.5-5.6 at Wex Photo Video

Read more:

The best Panasonic cameras today
L-mount lens roadmap
Best professional cameras
Best 4K cameras for filmmaking

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Rod Lawton

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at but also writes about photo-editing applications and techniques at