Tip 71. Part of a team
Wedding and commercial photographer Kate Hopewell-Smith says: "Learning to direct and pose are key skills for any people photographer, but successful portraiture is down to teamwork.
"The photographer needs to give energy and enthusiasm – but so does the subject, or the results will not be as successful as they should be."
Tip 72. Speak out
Art photographer Cig Harvey says: "Bear in mind that your camera is a tool to help your creativity. I love the idea that our cameras are just expensive pencils – it is what we have to say that is important."
Tip 73. Be open
Street photographer Ryan Hardman says: "Don’t hide your camera when taking street images, because this often puts people on edge. Just have the camera around your neck and when you see someone exciting, bring the camera up to your eye and snap away.
"If the subject stops you and asks why you are taking images of them, just politely explain why you have done so and the intentions of your image – for yourself, competitions or magazines."
Tip 74. Shoot with a theme in mind
Ryan Hardman says: "Often street photography can be lacking a theme, making the image the photographer has taken become weak or uninteresting. My best advice would be to think about a theme and reason for the capture of street photography other than because the subject was interesting.
"This will in turn help when you’re confronted by a person who is outraged you have photographed them. Trust your gut – if the subject feels on edge and aggressive, don’t photograph them."
Tip 75. Be street-savvy and sensitive
Ryan Hardman says: "Street photography is not about proving we are in a better place than the subjects. My greatest advice would be to stay away from the homeless or disadvantaged, to make sure as photographers that we are not taking advantage or photographing subjects unethically."
Tip 76. Break the fourth wall
Street photographer Ryan Hardman says: “I used to ask for an image of the subject first, but now I take my images without asking – the reason for this is to create exciting subjects that break the fourth wall and look into the lens of the camera, which means the viewer will connect with the image.”
Tip 77. Have 'fill' light available
Wedding and commercial photographer Kate Hopewell-Smith says: “Location portraits come into their own when there is some beautiful back light to give separation and mood.
"However, this does leave your subject’s face in shade, so use a reflector or an on-camera flash (probably in high-speed sync mode due to fast shutter speeds outside)."
Tip 78. Aim for a response
Travel photographer Lottie Davies says: “When processing your files, think about the emotional response of your audience. Do you want people to feel positive about the subject of the image?
"If so you might tend towards warm, rich tones. If you’d like a sense of calm contemplation, consider a less punchy interpretation."
Tip 79. Follow your heart
Nature photographer Roeselien Raimond says: "I firmly believe that your photos reflect what you put into them. So if you choose a subject that you love and that truly fascinates you, this will show. Working from the heart will certainly improve your work."
Tip 80. Have a tale to tell
Documentary photographer Marc Wilson says: "The most important aspect of any photograph is the story behind it and whether it will be of interest to the viewer."