Landscape photography tips: 16 essential tips for great outdoor photography

Mountain valley during sunrise. Natural summer landscape
(Image credit: Getty Images / iStockphoto)
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My landscape photography tips are designed to help you capture your best outdoor pictures ever. Landscape photography is arguably the number one reason why most photographers pick up a camera in the first place. Who doesn’t love the idea of trekking into the hills and spending some quality time with Mother Nature? It’s also one of the most accessible forms of photography because you don’t need the best camera for landscapes or the best lenses for landscapes to capture beautiful vistas on your travels (even if it helps).

Almost any camera and any wide, standard, or telephoto lens combination are capable of capturing great landscape photographs. And with potentially subjects all around you, you don’t have to go to far-flung places to find stunning landscape subjects. But in many ways, the sheer volume of choice can make landscape photography a little overwhelming for newcomers. So, that’s why I’ve compiled this list of beginner-friendly landscape photography tips, so that when you head out on your next trek into the wilderness, you can do so with more conviction.

Just be aware that this is a starting point. You’ll find links to other articles that explain any complicated concepts in more detail to keep things light. Once you’ve gotten to grips with everything in this guide, you can take a look at more advanced tutorials such as: What makes beautiful landscape photography? As well as: Improve your landscape photographs by reaching new heights.

Landscape photography tips: Gear

The PGYTech OnePro Focux Backpack, hand reaching into the main compartment, which is full of camera gear

(Image credit: Future)

What I love about landscape photography is that you can capture stunning images with nothing more than the best camera for beginners and a kit lens. But shoot enough landscape photos and you’ll begin to yearn for more kit. The first piece of kit I recommend picking up is one of the best tripods. And while you can pick up an unbranded tripod for next to nothing, I do recommend buying a solid tripod from a reputable brand. There’s nothing more frustrating than a flimsy tripod.

Next up, I’d recommend picking up a set of the best neutral density filters: a 3-stop, 6-stop, and 10-stop is a good starting point. These will allow you to capture long exposures, and later, when you’re comfortable using filters, you can always invest in the best polarizing filter and the best ND grad to round off your collection. Once you’ve got a set of ND filters, you can then upgrade your kit lens and invest in some quality glass. Fast lenses are nice to have, but unless you're going to be shooting low-light landscapes, narrower apertures will be fine.

Standard, wide-angle, and telephoto lenses are all very useful indeed for landscape photography. A good starting point would be a 24-70mm or 14-24mm if you’re shooting full frame. If you’re using a crop sensor camera, then an 8-16mm or 16-50mm. And finally, make sure you protect your kit as you'll be out in all winds and weather. That means one of the best camera backpacks and one of the best rain covers.

What is landscape photography?

Landscape photography is about capturing the natural environment around us. It helps condense the biodiversity and indeed vastness of the world into digestible snapshots, providing an aspirational window into places we may not have immediate access to. As for what constitutes a landscape photograph, there’s no simple answer.

Some suggest that cityscapes are a subgenre of landscape photography, and while you do get urban landscapes, these can almost always be described as cityscapes, architecture, or urbex. As such, I believe a landscape is best thought of as an outdoor scene – not a close-up – predominantly composed of natural elements. This allows for the inclusion of some architecture, such as bridges, windmills, and cottages, but by and large, natural elements should dominate the scene.

How to plan a landscape shoot

A top-down photograph of a map, with a journal, mug of coffee and pens laid on top

Planning is the most essential aspect of any landscape shoot (Image credit: Future / Mike Harris)

The difference between a good landscape photographer and a great landscape photographer will almost always come down to planning. If you’ve ever wondered how the best in the business just happen to come across the most gorgeous sunsets and locations time and again, it’s because they’ve planned for it.

Planning encompasses everything from where you’re going, when you’re going to get there, what you’re going to pack, what weather you expect to encounter, and how you’re going to keep safe – an extremely important and often overlooked aspect of heading out into the wilds. Nowadays, photographers can take advantage of planning apps, such as The Photographer’s Ephemeris and PhotoPills, which provide a plethora of information on elements such as sun position, maps, and key timings such as golden hour and blue hour.

• Read more: How to plan the perfect landscape shoot

Landscape photography tips: Exposure

(Image credit: Future / Mike Harris)

If you’re not familiar with the exposure triangle, you may find this tip a little difficult to get your head around, so make sure you familiarize yourself with it first. Landscape photographers favor low ISOs so they can retain as much detail as possible and middling to narrow apertures so they can capture a large depth of field without unwanted diffraction.

As such, I’d recommend using your camera’s base ISO (usually ISO64 or ISO100) – if you’re shooting on a tripod – and setting your aperture from f/8 to f/11. The only reason you’ll need to worry about your shutter speed is if you’re trying to freeze motion blur, such as swaying branches in windy weather. If that’s the case, increase your ISO accordingly.

• Learn the technique: This is how I learned the exposure triangle

Landscape photography tips: Wide-angle lenses

(Image credit: Future / Mike Harris)

The best wide-angle lenses are synonymous with landscape photography, and for good reason, but the temptation is often to go too wide. Wide-angle lenses exhibit barrel distortion and this can diminish even large objects positioned near the centre of the frame. Unless you are very close to your subject, you can end up with loads of sky and loads of foreground, while that lone tree only occupies a very small portion of the image. Rather than reaching for an ultra-wide-angle lens, try a 24mm lens (35mm equivalent) or tighter and don’t be afraid to stray into standard focal lengths such as 35mm and 50mm.

• Learn the technique: xxxxxxxxxxx

Landscape photography tips: Telephoto lenses

(Image credit: Future)

You might not associate the best telephoto lenses with landscape photography, but they’re a kitbag essential for most outdoor photographers. A long lens allows you to essentially ‘crop’ into the scene without losing any pixels. This is extremely useful if you want to isolate a faraway subject. As mentioned in the previous landscape photography tip, wide lenses exhibit barrel distortion.

If your wider lenses are diminishing the impact of your intended subject and you cannot find a composition that works, try using a telephoto lens to crop into the scene. This will allow the subject to dominate more of the frame and potentially provide a composition you’re happy with. A telephoto lens can also be used to pick out and isolate natural patterns within the landscape. This might be a patchwork of fields or a perfectly aligned row of trees.

• Learn the technique: How to shoot landscapes with a telephoto lens

Landscape photography tips: Tripods

(Image credit: Future)

The best tripods allow you to keep your camera steady so you can use longer focal lengths without experiencing camera shake. They also provide you with the freedom to spend as much time as you like perfecting your compositions. I always use live view when composing landscapes on a tripod. This means I can see the scene on my camera’s rear LCD, adjusting the tripod head so that I can set up the perfect composition. Using live view also allows you to take advantage of the rule of thirds grid, which helps you to line up this often-used compositional rule.

• Learn the technique: 11 tripod mistakes you could be making

Landscape photography tips: Rule of thirds

(Image credit: Future / Mike Harris)

The rule of thirds is a landscape photography staple. You simply position the horizon line on either of the two horizontal lines and position your subject roughly over one of the four points where the two horizontal lines and two vertical lines intersect. Another great compositional technique for beginner landscape photographers is foreground interest. This is where you use an object in the foreground to provide additional interest and lead the viewer’s eye towards the subject. Think of a rocky outcrop in the foreground and a mountain behind. You can also use elements within your scene such as paths, hedgerows, and treelines as leading lines that point towards your subject.

• Read more: Learn the rule of thirds

Landscape photography tips: Golden hour

(Image credit: Future / Mike Harris)

Unless the sun is softened by cloud cover or filtered through the canopy of a forest, landscape photographers tend to avoid taking photographs in the middle of the day. This is when the sun is high in the sky, casting high-contrast light across the land, which forms hard shadows. If you want to know the best time to go out and shoot landscape photos, it's much better to shoot early in the morning or later in the evening when the sun is lower in the sky and the lighting is softer. I think the golden hours are the best time to shoot – the hour that follows sunrise and precedes sunset. Providing it’s not too cloudy, you’ll find the landscape bathed in beautiful, soft golden, producing equally soft shadows. This also means you’re up for sunrise and sunset, as well as blue hour, which are also great times to capture landscapes.

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Landscape photography tips: ND filters

(Image credit: Future / Mike Harris)

The best neutral density filters are light-blocking lens attachments that allow you to shoot at longer shutter speeds. This is useful if you want to capture long exposures, introducing motion blur to moving objects such as waterfalls, lapping waves, or a spinning windmill. There are different strengths of ND filter, but the most popular block out three, six, and 10 stops of light. You can use various apps to calculate what shutter speed to use to achieve the correct exposure (or this handy photography cheat sheet), but the best mirrorless cameras have made ND filters incredibly simple to use, since you can often eyeball the exposure via live view or the electronic viewfinder. Make sure you learn how to use ND filters properly before heading out with them on a shoot.

• Read more: How to photograph a moody seaside sunset using an ND filter

Landscape photography tips: Focus

(Image credit: Future / Mike Harris)

Landscape photographers often aim to capture as much of the scene in focus as possible. A neat trick when using wider lenses is to simply focus a third of the way into the scene to approximate the hyperfocal distance. An alternative is double-distance focusing, whereby you locate the closest object that you want in focus, this might be a rock in the foreground for example. You then approximate the distance between your camera and the rock and focus roughly double that distance into the frame. If you’re using a telephoto lens then the depth of field will be inherently shallower and you’ll likely want to focus in and around your intended subject to make sure it’s sharp. I always zoom into live view to check that my image is sharp, where intended, so I don’t get any nasty surprises when I blow the images up to 100% on my monitor at home.

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Landscape photography tips: Shoot RAW

I always recommend shooting Raw no matter what you’re shooting, but it’s particularly important when capturing landscapes. This is because you’re often working with high-contrast scenes thanks to the bright sky and dark ground. Unless it’s an overcast day or you’re using the best ND grad filter, you’ll struggle to balance your exposure in a single shot. That’s why many landscape photographers will underexpose their images slightly so they retain more detail in the highlights. They will then lift the shadows in post-production to bring back detail. By shooting Raw you’ll preserve more image data allowing you to lift the shadows, while retaining more detail. Another trick to retain as much image data as possible is to shoot an exposure bracket.

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Landscape photography tips: Shoot a bracket

(Image credit: Future)

If you have a great difference between the highlights, midtones and shadows in your landscape scene, then you need to use exposure bracketing. It's a simple technique that's used by professional photographers to ensure correct exposure, especially in challenging lighting condition. 

Take the first shot with the meter underexposing by a stop or two, the second in the middle of the light meter, and the third a stop or two over, depending on the circumstances. 

You can then blend the exposures together at the editing stage. Many cameras have a bracket exposing setting that enables you to fire off multiple exposures. At the editing stage you can blend your exposures together for the perfect result.   

• Read more: Understanding the exposure triangle

Landscape photography tips: Bad weather

(Image credit: Future)

Don’t use the bad weather as an excuse... It may not be a pleasant shooting experience taking photographs in the pouring rain (plus you’ll need to protect your kit), however, there are many wonderful landscape images you can produce from grey stormy skies, misty gloom, to dramatic seas at the coast.  

• Read more: 12 fantastic home photo projects to try

How to practice landscape photography

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Claire Gillo

Claire is a professional photographer and writer, and lives by the the sea with her two young children, husband and cat in the southwest of the UK.

After graduating from The Bournemouth Arts Institute with a first-class degree in photography, Claire worked for a number of years in the publishing industry, including as Technique Editor for Digital Camera magazine.

She loves anything and everything to do with photography, from creating magazine articles to photographing ballerinas on the beach and newborn babies (but not at the same time). She mainly shoots with digital DSLRs, but does dust off her beloved Hasselblad medium-format film camera once in a while…