Tip 61. Give yourself assignments
Fine-art photographer James Stanford says: "Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go.
"I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter.
"But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment.
"By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more."
Tip 62. Research your subject
Nature photographer Roeselien Raimond says: "No matter whether it’s an animal you are trying to photograph or some kind of phenomenon, the more you know about your subject, the better you will be able to anticipate what’s to come.
"Learn to know when animals breed, hunt and sleep. Find out when mist or thunder is likely to occur. It might cost some time, but it’s an investment that will pay off."
Tip 63. Explore!
Travel and urban photographer Nico Goodden says: "If you want to succeed as a photographer while always learning and never being bored, do not fear exploring other genres.
"Instead, be wary of people who tell you to stick to a single genre or niche – it may not be the very best advice if you look at life as an opportunity to discover new things.
"I have found that instead of hindering my development, shooting a multitude of genres has taught me many transferable skills and brought exciting new clients and commissions through the variety of what I shoot, eventually snowballing into even more unexpected commissions."
Tip 64. Choose your moments
Architectural and travel photographer Denys Nevozhai says: "The main thing I’ve learned about photography is to not be obsessed with photography, and shoot only the most worthwhile moments or scenes.
"The realisation that you need to verify and edit too many photos will make you postpone the process, lose excitement and eventually pile all the set."
Tip 65. Think about light
Reportage and travel photographer Stuart Freedman says: "Light is key to photography. Learn to visualise the final image and move if it looks like it’s not going to work."
Tip 66. Relax and talk to people
Reportage and travel photographer Stuart Freedman says: "Great pictures aren’t usually luck. Often they’re the result of a negotiation between the photographer and subject. A smile goes a long way. Relax and, crucially, be honest. Explain what you’re doing: if people trust you, it’ll show."
Tip 67. Dreamy portraits
Fine-art photographer Lorna Yabsley says: "For dreamy portraits, open up your lens to the widest aperture, and shoot your subject into the light. Use exposure compensation to push your exposure and to expose for shadows."
Tip 68. Use a tripod
Natural history and wildlife photographer Adrian Davies says: "I always try to use a good solid tripod for my natural history work, particularly when I’m shooting subjects such as plants.
"Not only do they hold the camera nice and still, enabling slow shutter speeds, but they also slow you down, making you look carefully at all parts of the frame for distracting items, and deciding on the correct aperture before releasing the shutter."
Read more: The best tripods for travel
Tip 69. Buy some smoked salmon!
Adrian Davies says: "I use a wide range of reflectors for bouncing light into shadow areas of subjects such as plants and fungi. One I use a lot with fungi in particular on dull autumn days are the pieces of card that come in smoked salmon packs, gold on one side. They give the subject a nice warm tone."
Tip 70. Visual missionary
Art photographer Paul Hill says: "The power of the medium to inform and reveal, whether publicly or privately, cannot be overestimated. Most of us see hundreds of photographs every day, but do we even look at one to find out what it ‘says’?
"Photography is an essential part of modern life, with millions made every day, and thousands of manufacturers and service industries dependent on it. The effect on our civilisation is enormous.
"Practitioners should feel uncomfortable regurgitating clichés. They should be visual missionaries, converting the public to the importance of the medium with the power of their images.
"Photography can be fun, of course, but its makers have to take it seriously. As well as being attracted to the unusual and unexpected, I am mindful of three things when making a photograph: frame, light and vantage point."