The best camera for filmmaking in 2024

With the best camera for filmmaking, you can record cinematic footage, capture exciting music videos or even just document your own adventures. There are a lot of options available, but we've tested and picked all the best cameras for filmmaking available right now, rating them on their design, performance, and quality. We looked for things such as the ability to shoot in 4/6K, smooth in-body image stabilization, a range of video modes and an all-important flip-out screen so you can capture shots from any angle. 

Depending on your needs, you might be able to get away with using one of the best phones for video recording and vlogging, those at the top of their game should probably be looking at the best 8K and 6K cameras or the best cinema cameras. Interchangeable lens cameras not only offer more professional-looking results, but they're also a lot more versatile and you can attach accessories such as a shotgun mic, an on-camera monitor or a video light which will all make your shooting experience easier. 

While some cameras on the list are definitely video-focused, we've also included some excellent hybrid cameras that handle still photography just as well as videography. 

Sebastian Oakley
Sebastian Oakley

For nearly two decades Sebastian's work has been published internationally.
He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa, and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between.

Best camera for filmmaking: Quick list

The best filmmaking cameras in 2024

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

Best hybrid cameras for filmmaking

In this section, we list the best hybrid cameras – stills cameras that can also capture 4K video at a professional level. These are cameras that are split 50:50 between stills and video for photography and filmmaking – and content creators who need to capture both mediums with ease and speed.

Best overall

five star review

(Image credit: Jon Devo)
The best filmmaking camera overall

Specifications

Type: Mirrorless
Sensor: CMOS sensor without Low Pass Filter
Megapixels: 24.2
Lens mount: Leica L
Screen: 3-inch vari-angle touchscreen, 1.84m dots
Viewfinder: EVF, 3.68m dots
Max continuous shooting speed: 30fps (electronic shutter)
Max video resolution: 6K (Full-sensor readout)/29.97/25/24/23.98p

Reasons to buy

+
Value for money
+
Best-in-class stabilization
+
Professional video functionality
+
Unlimited recording

Reasons to avoid

-
No tally lights
-
No CF Express slot
-
Flip-out screen blocked by cables

The Panasonic Lumix S5 II builds on the original Lumix S5’s tough compact frame, class-leading 5-axis in-body image stabilization, and excellent color science.

 The most significant new addition is a Phase Hybrid autofocus system that combines PDAF with Contrast Detect AF to provide 779-area metering. This means it's better at detecting and tracking subjects, especially in low light and backlit scenarios.

The Lumix S5 II gives you truly unlimited 4K/60p 4:2:2 10-bit recording internally, S&Q 4K/60p (a high-speed 60fps) and FHD/180p, as well as up to 6K, full sensor readout video recording, making it a highly versatile camera for content production. And at $2500/£2000, the LUMIX S5 II is astonishingly good value for money.

Read our full Panasonic Lumix S5 II review

Best for action

(Image credit: Lauren Scott)
The best filmmaking camera for shooting wildlife and action

Specifications

Type: Mirrorless
Sensor: APS-C X-Trans 5 CMOS
Megapixels: 26.1
Lens mount: Fujifilm X
Screen: 3-inch articulating touchscreen, 1.62m dots
Viewfinder: EVF, 5.76m dots
Max continuous shooting speed: 40fps
Max video resolution: 6K

Reasons to buy

+
40fps continuous shooting
+
6K/4K 120p video
+
In-body stabilization

Reasons to avoid

-
The price reflects its power

The Fujifilm X-H2S is the fastest camera in the Fujifilm X-mount range and can capture 4k video at 120fps. With a chunky pro-spec body and handling, a top-mounted status panel, and a fifth-generation sensor, it offers four times the speed of its predecessor. 

The X-H2S can shoot at 40fps with minimal screen blackout, has in-body stabilization, a flip-out vari-angle screen, and a 5.76m dot electronic viewfinder. 

There's so much power here for professional photographers and filmmakers will need it – but it comes at a price. The X-H2S is the ultimate professional APS-C camera and is ideal for filming wildlife and sports – or anyone who wants to shoot fast.

Read our full Fujifilm X-H2S review

Best value

(Image credit: Jon Devo)
The best affordable camera for filmmakers

Specifications

Type: CSC
Sensor: Micro Four Thirds
Megapixels: 25.2MP
Screen: 3-inch vari-angle touchscreen, 1.84m dots
Viewfinder: 3.86m dot OLED, 100% coverage
Lens: Micro Four Thirds
Continuous shooting speed: 14fps with AFS, 8fps with AFC + Live View
Max video resolution: 5.7K

Reasons to buy

+
Shoots 5.7K at 60p
+
Impressive choice of codecs
+
25MP stills

Reasons to avoid

-
Can only shoot Raw video with external recorder
-
Big for a micro four thirds camera

The Panasonic Lumix GH6 had pretty big boots to fill following the popular Panasonic Lumix GH5, which still is regarded as one of the best value options for shooting video. However, the GH6 is an improvement in just about every way. It has a brand new 25.2MP sensor, it can shoot 4K at 120p or a staggering 5.7K at 60p.

For those looking to shoot stills, Panasonic decided to stick with its DFD (Depth From Defocus) contrast AF system which is super fast and effective. From what we've seen so far, the image quality is very good, it can shoot up to 75fps in burst mode (when using the electronic shutter and AFS) although this is reduced to 8fps when shooting with continuous AF. 

The body is very big for a Micro Four Thirds camera – it's even bigger than some of the Sony A7 bodies however, the lenses are still much more compact and there are loads to choose from.

Best Sony 4K

(Image credit: Rod Lawton/Digital Camera World)
The best 4K camera from Sony

Specifications

Sensor: 33MP Full-frame
4K frame rates: 30p full width
4K sensor crop factor: 4K 60p Super35 crop
ISO range: 100 to 51,200 (exp. 204,800 stills, 102,400 video)
Memory cards: 1x CFexpress Type A/SD UHS-II, 1x SD UHS-II

Reasons to buy

+
Unprecedented buffer capacity
+
10-bit 4:2:2 video and 4K 60p
+
Super-responsive AF
+
Extensive external controls

Reasons to avoid

-
Priced for semi-pros, not beginners
-
Needs a fast card to record best quality video
-
Cropped timelapse/ slow-motion mode

The Sony A7 IV is more than a successor to the A7 III, it’s an altogether more advanced camera that targets a higher-level audience. Stills photographers can revel in its 33MP resolution and incredible burst mode, while filmmakers get a camera that leaves the previous A7 III far behind. 

Its 10-bit 4:2:2 capture makes the Sony S-Log3 mode much more useful for color grading later, and while the 4K 60p capture does mean switching to Super35 crop mode, the A7 III couldn’t do 4K 60p at all (come to that, 4K 30p comes with a 1.2x crop factor on that camera, and only 25/24p 4K is full width).

See our full Sony A7 IV review and lab tests

Best for 8K video

(Image credit: James Artaius / Digital Camera World)
The best 8K camera for filmmakers

Specifications

Type: Mirrorless
Sensor: Full frame
Megapixels: 45
Lens mount: Canon RF
Monitor: 3.15-inch vari-angle touchscreen, 2,100k dots
Viewfinder: OLED EVF, 5,690k dots, 100% coverage, 0.76x magnification
Max continuous shooting speed: 12fps mechanical shutter, 20fps electronic
Max video resolution: 8K
User level: Professional

Reasons to buy

+
Best AF on the market
+
Best full-frame IBIS
+
8K video is astounding

Reasons to avoid

-
Video recording limitations
-
Standard 4K is just okay

The Canon EOS R5 has paved the way for the future of Canon cameras. With a 45MP sensor, 20fps burst shooting, and super-fast autofocus, as far as a stills camera goes it's hard to beat. Its video capabilities are equally impressive. Despite the bad rep it has received for overheating when recording 8K video the Canon EOS R5 is still a landmark camera.

If you're recording lots of short clips you shouldn't experience overheating issues. If it wasn't for the high price point, we would have given the Canon EOS R5 the top spot on our list. When you also factor in how expensive some of the best Canon RF lenses you're looking at spending thousands to get a complete video set up.

See our full Canon EOS R5 review

Best APS-C hybrid

Canon EOS R7 being held at eye level

(Image credit: James Artaius)
This APS-C camera combines unparalleled speed and resolution

Specifications

Sensor: 32.5MP APS-C
Image processor: Digic X
Mount: Canon RF
AF zones: 651 Dual Pixel CMOS AF II divisions
ISO range: 100 to 32,000 (exp to 51,200)
Image stabilization: 5-axis IBIS up to 8 stops
Max image size: 6.960 x 4,640
Max video resolution: 4K 60p, 4K 30p (oversampled 7K), 1080p 120p

Reasons to buy

+
32.5MP resolution
+
Up to 30fps bursts
+
7K oversampling
+
Accepts RF lenses

Reasons to avoid

-
Not the biggest buffer so could be slow to process video
-
Unusual control wheel

In terms of video the Canon EOS R7 is quite the powerhouse, capable of un-cropped 4K 60p, 4K 30p oversampled from 7K, and 1080p up to 120p – and Canon tells us that you can record around 60 minutes of video before overheating and record limits come into play. The camera features Canon Log-3, clean HDMI out, as well as a microphone input and headphone jack.

In a lot of ways, shooting with the R7 really does feel like shooting with a mirrorless (read: sleeker and smaller) Canon EOS 90D – but with more bells and whistles. For now, we're very impressed with what the Canon EOS R7 can do. 

There's plenty of play in the files, giving you lots of leeway for post-production, and the video quality is crisp and clear in both 4K and 1080p, with autofocus performance that won't let you down.

See our full Canon EOS R7 review

Video first cameras

This section contains cameras that are designed for video first and stills second (or, in the case of the EOS C70, video only). The Sony A7S III is a classic example; a stellar 4K camera that can also capture 12MP stills. 

The Lumix S1H is another; a big, heavy beast that does have a 24MP sensor but leans so far towards the video that the capability of the still is more of a bonus. The Canon EOS C70 looks like a mirrorless camera, but it's really a cinema camera. We include it as an example of one of the best cinema cameras for handheld video, vlogging, and one-person filming.

Best box camera

(Image credit: Sebastian Oakley / Digital Camera World)
The BS1H is a full-frame version of Panasonic's original box camera

Specifications

Sensor size: 35mm full-frame
Sensor resolution: 24.2 megapixels
Card slots: 2 x UHS II SD
Lens mount: Leica L
Max shooting resolution: 6K
Display size: None
EVF: No

Reasons to buy

+
12-bit raw video when using an external recorder 
+
Excellent low light performance
+
Live streaming capabilities 

Reasons to avoid

-
No screen
-
Doesn't come with a battery

For serious video shooters, the Panasonic Lumix BSH1 boxcam can make a lot of sense as it can be rigged up for a multitude of different uses. It has a 24.2-megapixel full-frame sensor with Dual Native ISO technology, 14+ stops of dynamic range and an OLPH (Optical Low Pass Filter) which helps to suppress moire and false colors and make it excellent in low light. 

It's capable of recording 6K 24p or 4K 60p 10 bit when using an image area equivalent to Super 35mm. If you're using the entire 35mm sensor area, it can shoot 4K 30p 10-bit 4.2.2 in H.264.

With live streaming growing increasingly popular, the BS1H is capable of transmitting high-quality footage to social streaming platforms over a wired LAN collection. It can stream 4K 60p video in H.265 which means the bit rate is halved and the image quality is kept the same. 

The lack of a screen may be off-putting but its modular system means you can easily attach an external recorder such as the Atmos Ninja V which will also make it capable of outputting 12-bit raw video.

Best for unlimited recording

(Image credit: Adam Duckworth)
If you're after a camera strictly for video, the A7S III is astonishingly good

Specifications

Type: Mirrorless
Sensor: Full frame
Megapixels: 12.1
Lens mount: Sony FE
Monitor: 3-inch vari-angle touchscreen, Fully articulating 3-inch touchscreen 1,440K dots
Viewfinder: OLED EVF, 9,437K dots
Max continuous shooting speed: 10fps
Max video resolution: 4K
User level: Professional

Reasons to buy

+
Incredible low light performance
+
Stunning AF, even for video

Reasons to avoid

-
No 6K or 8K video
-
Still images only 12MP

The Sony A7S III might not boast the 6K or 8K video resolution of some of its rivals, and with only 12.1MP it’s not a powerhouse super-stills machine either. But apart from a big and expensive cinema camera, it’s the only camera that can shoot 4K at 60p full frame with no crop, recorded internally, in 10-bit 4:2:2 with no limitations on recording time and with all the advanced AF functions still working. 

The 12MP resolution means the A7S III is pretty poor as a stills camera, but an absolute natural at 4K, so it is tilted more towards video than stills. However, sports fans should note it can shoot stills at 10fps and has an incredible 1,000-shot raw buffer (using the newer CFexpress Type A cards).

Best for ProRes video

(Image credit: Digital Camera World)
Ideal for anyone wanting to shoot with pro codecs like ProRes and Raw

Specifications

Sensor: Micro Four Thirds
Dynamic Range: 13 Stops
Lens Mount: Micro Four Thirds
Monitor: 5-inch LCD touchscreen
Max video resolution: 4K
Standard ISO range : Dual native ISO 400 and 3200

Reasons to buy

+
Excellent range of ports
+
5-inch LCD screen
+
Shoots RAW video
+
Great value

Reasons to avoid

-
No flip-out screen
-
No built-in ND filter
-
No Continuous AF

If you're primarily a filmmaker or videographer and looking for a camera strictly for video, the Blackmagic Pocket Cinema 4K is a cine camera without the high price tag. Even though it was launched back in 2018, it's still a popular choice among filmmakers who need Pro-Res and Raw recording.

 It has a Micro Four Thirds sensor which means there are a huge number of Olympus, Panasonic, and third-party lenses available both brand new and secondhand.

It can shoot up to 4K 60p with no crop factor and has 13 stops of dynamic range. With a Canon LP-E6 battery, you could argue it's a bit of a mix-match of a camera and although it only has 60 minutes of battery life you can plug it into the mains for continuous recording.

 It features one SDXC card slot and one CFast 2.0 card slot which supports 4K Raw. The one downside to the camera is it doesn't have a flip-out screen but if you're a serious filmmaker you'd probably want to invest in one of the best on-camera monitors anyway.

Best dynamic range

(Image credit: James Artaius / Digital Camera World)
Canon's RF mount cinema camera boasts an incredible 16 stop dynamic range

Specifications

Sensor size: 26.2 x 13.8 mm (Super35)
Sensor resolution: 4096 x 2160 (8.85 MP)
Card slots: SDXC x 2
Lens mount: RF
Max shooting resolution: 4K
Display size: 3.5-inch
EVF: No

Reasons to buy

+
4K up to 120fps, 2K up to 180fps
+
Dual Gain with 16 stops dynamic range

Reasons to avoid

-
No RAW output
-
Cannot use PL lenses

The Canon EOS C70 is Canon's first RF-mount cinema camera offering powerful video capabilities. It features Canon's Super35 sensor, Dual Gain Output, a massive 16 stops of dynamic range, and 4K 120fps / 2k 180fps. 

It also includes a game-changing touchscreen which makes accurately focusing quicker and easier. The C70 boasts the deep learning iTR AFX system from the Canon EOS-1D X Mark II which offers head detection and extremely accurate autofocus.

If you don't want to invest in expensive RF lenses we suggest you use an adapter to mount EF lenses onto them. Canon's new speed booster will also enable you to use them with an extra f-stop and a full-frame angle of view. Where the C70 falls down is that it doesn't record RAW and you can't use PL glass on it - for that, you'll have to step up to the Canon C300 Mark III.

See our full Canon EOS C70 review

How we test the best filmmaking cameras

We test the best filmmaking cameras both in real-world shooting scenarios and in carefully controlled conditions. In our tests, we look at the resolution, dynamic range in real-world use cases and make our judgement on years of expertise in the field of filmmaking and photography.
Find out how we test and review on Digital Camera World

What other equipment can you use for filming? 


There are lots of devices you can use for recording video these days such as action cameras, camera phones or 360 cameras. While something like the Sony A1 might be the best option for a pro at the top of the game (and with a massive budget), for someone wanting to film a first person perspective of downhill skiing it wouldn't be the best choice! , The perfect camera for you all comes down to what and how you shoot and everyone is different. 

Other things you need for filmmaking

When investing in a camera for filmmaking, you'll also have to think about the accessories you might need such as a video tripod for capturing still shots and dynamic panning motions, choosing the best video editing software such as Adobe Premiere Pro or Blackmagic DaVinci Resolve Studio 18, and video lights  so you can shoot no matter how dark the environment is. 

There are hundreds of video accessories out there including gimbals, microphones and camera rigs and if you're starting to get really serious it might also be worth investing in a dedicated video editing monitor. Not only will it make your job a lot easier, but it will accurately reproduce colors and be high res so you can really appreciate the 4K video.  

Confused by bitrates and codecs? Check out Video jargon explained

Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.


He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science, and is a Master of Arts in Publishing.  He is a member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected into BEWA, The British Equestrian Writers' Association. 


He is familiar with and shows great interest in street, medium, and large format photography with products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from the likes of Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2 shooting Street photography or general life as he sees it, usually in Black and White.