Looking for the best video editing monitor? With video resolution, color fidelity, bit rate and dynamic range constantly evolving, you need to make sure you're viewing and editing your footage on a monitor that can keep up with the recording quality of your camera. In this guide we rank the best 4K monitors, prioritizing key features like color accuracy, resolution and brightness uniformity, so you can be sure you're getting the very best view of your footage.
There are four key things to look out for when picking the best monitor for video editing:
With 4K now the resolution standard for cameras and even camera phones, the time has come when a 4K monitor is all but essential for viewing and editing footage. Just bear in mind you'll also need a pretty potent computer to drive a 4K screen.
2. Color accuracy
Resolution is only a small factor in picking a quality monitor. Color accuracy is also paramount - look for a display that has an advertised color accuracy, preferably a factory-calibrated model with an accuracy tolerance of less than Delta E 2. Built-in hardware color calibration is also desirable for ensuring that accuracy is maintained through the life of the monitor.
3. Color space coverage
High definition digital video is now recorded in two main color standards: Rec. 709, and DCI-P3. Ensure your chosen monitor can display as close to 100% of the colors in these recording standards as possible. DCI-P3 has the wider color gamut (more colors) and therefore you'll need to splash out on a higher quality display if you want near-full reproduction of this color space.
Retina-searing brightness isn't actually that desirable for prolonged editing stints - around 150cd/m2 is usually enough for most viewing environments. However, if you need to edit HDR footage, a monitor needs to be capable of displaying localized highlights very brightly. A minimum brightness rating of 400cd/m2 is required for basic HDR compatibility, and to be fully HDR-capable, a monitor needs to be as bright as 1000cd/m2.
The best video-editing monitors
Dell produces several excellent monitors for video editing, but the U3219Q offers the best value of them all. This 31.5-inch panel can display 99% of the sRGB color space, but more importantly for video, there's 99% Rec. 709 coverage and 95% DCI-P3 coverage - the latter being exceptional for a 4K screen at this price point.
Factory color calibration ensures a Delta-E accuracy of less than 2 and the monitor is capable of displaying HDR content as it just meets the 400cd/m2 brightness needed for HDR playback.
Add an excellent, highly adjustable stand, and a USB 3 hub and you really won't find a better quality monitor for video editing without spending considerably more.
A 27-inch version of this monitor is also available - the PremierColor UP2716D. Its color space coverage is just as impressive as the U3219Q, at it's significantly cheaper, but its QHD 2560 x 1440 native resolution means you'll have to sacrifice 4K resolution.
A rarity in the monitor sector, the Dreamcolor Z31x's native resolution isn't typical 'consumer' 4K (3840 x 2160), but rather the professional Cinema 4K standard of 4096 x 2160. Useful if you'll be editing commercial footage, and also for adding a little more lateral screen real estate to make room for extra software panels next to normal 4K video.
Color space coverage is very well catered for, thanks to 100% sRGB, 100% AdobeRGB, 100% Rec.709, 99% DCI-P3 and even 80% of the huge Rec.2020 color space. Further pro features include the ability to overlay variable opacity mattes for 1.85 (16:9) and 2.39 (21.9) cinema aspect ratios, as well as scope to show various on-screen framing markers.
The only drawback here, apart from the fairly hefty price tag, is the max 250 cd/m2 brightness, which is some way short of the minimum 400 cd/m2 figure needed to qualify as an HDR-capable display.
If you don't quite have enough desk space for a 30+ inch monitor, BenQ's latest premium 27-incher could be just the ticket. But don't go thinking a drop in screen size also means reduced specs - quite the reverse. For starters, like its larger stablemates, this is also a 4K screen, so you get an even sharper image thanks to those pixels being spread over a smaller area - 163ppi, to be precise.
Reproducible color spaces are also well covered, with 100% sRGB and 99% AdobeRGB, and more importantly 100% Rec.709 and a highly respectable 93% of DCI-P3.
BenQ hasn't skimped on extras, either. You get hardware color calibration, pre-calibrated at the factory. There's also BenQ's handy Hotkey Puck remote control for easier monitor settings adjustment, making it a cinch to switch color profiles. A built in USB 3.0 hub and card reader further enhance the appeal of this ultra-versatile yet well-priced display.
Not so long ago 4K was the next big thing and a 4K monitor would set you back an arm and a leg. Now 8K is taking centre stage, with an increasing number of cameras capable of shooting this gargantuan 7680 x 4320 resolution. 8K monitors are still a rarity, but this Dell display is actually quite well priced for such bleeding-edge tech.
Despite this being a large 31.5 inch display, containing the equivalent of 33.2 megapixels means you get an unusually high pixel density of 280 ppi, resulting in a near-Retina effect.
And it's not only that headline resolution figure that impresses. You also get first-class color space coverage, with 100% Rec. 709 capability and a hugely admirable 98% DCI-P3 coverage. Factory color calibration ensures a Delta-E color accuracy of less than 2, while a modern, slim bezel case design means this monitor looks the part even when it's switched off.
The only potential issue here is you'll need a real powerhouse of a computer fitted with a top-notch graphics card to pump this many pixels to the monitor without stuttering.
Eizo monitors never come cheap, and this 31.1-inch 4K beast commands a fittingly monstrous price tag. However, that buys you uncompromising build and performance quality from one of – if not the – most trusted name in the business, backed up by a 5-year on-site warranty in some markets.
Like HP's DreamColor Z31x, this is also a 17:9 inch panel with a native 4096 x 2160 resolution for displaying Cinema 4K footage. 99% AdobeRGB coverage and 98% DCI-P3 coverage ensure you're seeing a near-flawless color reproduction of your video and images, and there are preset modes for all common video color space standards.
Naturally, hardware color calibration is present, and the panel can display HDR footage thanks to being compatible with the Hybrid Log-Gamma standard. However it's maximum 350cd/m2 brightness isn't quite enough to qualify this as a true HDR monitor.
The 16:9 aspect ratio used to be considered wide in the monitor world, then we got 21:9, and now this, the widest ultrawide monitor on the market, with an eye-popping 32:9 ratio. This is a monitor targeted mainly at gamers, but it also makes sense for videographers.
Keen fans of mathematics may have worked out that the 32:9 ratio makes this screen twice as wide as a 16:9 panel, meaning you could display full width 16:9 footage in one half of the screen, while editing software comfortably on the other side.
Not all monitors really need to be curved, but being a whopping 49-inches wide, the CHG90 really benefits from its 1800R curvature. Video color space coverage isn't quoted, but 99% sRGB and 92% AdobeRGB from this wide-gamut 10-bit display are respectable figures. Less appealing is the monitor is based around a VA-type panel, which won't quite have the color and contrast uniformity of an IPS screen. But that's the trade-off for getting so much screen real estate.
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