The best Panasonic cameras are known for being brilliant for video, with the Lumix range including some of the finest consumer video cameras ever made. But they're no slouch for stills either, and with various body and sensor sizes available, the Panasonic camera lineup offers something for all visual content creators across photography, video and both.
As a pioneer of the Micro Four Thirds sensors, Panasonic has one of the oldest mirrorless systems that's still going today. Its Lumix G cameras offer more portable bodies and lenses than other ranges, while the open nature of the Micro Four Thirds system allows interchangeability between top lenses from Panasonic and Olympus/OM System, as well as a slew of third-party options. This makes for an extensive and adaptable lens ecosystem.
Not to be outclassed at the high end, Panasonic introduced the Lumix S range of full-frame mirrorless cameras, which offer a superb balance of features, performance, and price, and are supported by the L-mount alliance with lenses from brands like Leica, Sigma, and Samyang.
Finally, Panasonic also offers fixed-lens compact cameras, catering to photographers who don't want the expense and complexities of interchangeable lenses. This guide includes all these different camera bodies and sensors to help you decide exactly which Panasonic camera is right for you!
Gareth Bevan
Gareth is a photographer based in London, working as a freelance photographer and videographer for the past several years, having the privilege to shoot for some household names. As our Reviews Editor he's an expert in the latest camera kit, and is ideally placed to lead our team picking the best Panasonic cameras.
Launched in 2023, the G9 II is one of the latest of Panasonic's Micro Four Third cameras and offers the best experience to date for both stills and video shooters.
The Lumix S5IIX is one of the best hybrid cameras for professional video that money can buy, with outstanding full-frame quality as well as codecs and features for high-end production.
Why you can trust Digital Camera World
Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.
Max continuous shooting speed: 30fps (electronic shutter)
Max video resolution: 6K (Full-sensor readout)/29.97/25/24/23.98p
Reasons to buy
+
Best-in-class stabilization
+
Better autofocus than S5
+
Unlimited video recording
Reasons to avoid
-
No tally lights
-
No CF Express slot
-
Flip-out screen blocked by cables
The Panasonic Lumix S5 II builds on the original Lumix S5, with a tough compact frame, class-leading 5-axis in-body image stabilization, and excellent color science. The most significant new addition is a Phase Hybrid autofocus system that combines PDAF with Contrast Detect AF to provide 779-area metering. This means it's better at detecting and tracking subjects, especially in low light and backlit scenarios.
The Lumix S5 II gives you truly unlimited 4K/60p 4:2:2 10-bit recording internally, S&Q 4K/60p (a high-speed 60fps) and FHD/180p, as well as up to 6K, full sensor readout video recording, making it a highly versatile camera for content creators.
Max continuous shooting speed: 30fps (electronic shutter)
Max video resolution: 6K (Full-sensor readout)/29.97/25/24/23.98p
Reasons to buy
+
Much improved autofocusing
+
User creatable in-camera LUTs
+
Build & ergonomics top-notch
+
Impressive stabilization
+
Increased focal reach of MTF sensor
Reasons to avoid
-
No significant size or weight reduction over larger sensor cameras
The Panasonic Lumix G9 II offers an all-in-one experience, catering to both photographers and videographers. Panasonic solidifies its position with the G9 II's exceptional video capabilities, while its in-body image stabilization and upgraded autofocus system make for stunning video quality that at long last competes neck-and-neck with other top brands.
In still photography, the Micro Four Thirds sensor shines in scenarios needing extended reach, perfect for capturing sports or wildlife, thanks to its 2x crop factor. Coupled with a faster processor, the camera now boasts rapid readout speeds. While it produces sharp, colorful images, the MTF sensor struggles a bit in low-light settings compared to larger sensors.
Overall, the Panasonic G9 II is a commendable successor to the original model, showcasing why Panasonic hasn't abandoned the MFT mount and why users shouldn't either. It's a versatile camera that excels in various shooting scenarios, making it a solid choice for both enthusiasts and professionals.
Max continuous shooting speed: 30fps (electronic shutter)
Max video resolution: 6K (Full-sensor readout)/29.97/25/24/23.98p
Reasons to buy
+
Cinematic video features and performance
+
Best-in-class stabilization
+
SSD recording
+
Phase Hybrid AF
+
Unique and award-winning design
Reasons to avoid
-
Grey button markings affect visibility for some
-
No tally lights
-
Articulated screen twists into HDMI cable path
There's fierce competition among cameras in this class, and within the $2000/£2000 price range, the Lumix S5II stands out as the top value pick. However, the S5II X introduces some fantastic possibilities for just a slightly higher cost.
What's really remarkable about the S5II X is that it doesn't compromise the S5II's existing features to incorporate additional video capabilities. In fact, it comes equipped with some features right out of the box, like improved autofocus and the Live View Composite mode, previously available on the S5II only through a firmware update.
For creators or filmmakers seeking a high-end hybrid camera that's both compact and capable of seamlessly integrating into professional workflows without sacrificing image quality, the Lumix S5II X presents a strong argument for itself. Even if RAW video capabilities aren't an immediate priority, features like ALL-I compression, direct shooting to SSDs, and streaming functionality alone would be enough to tip the scales in its favor over its counterpart and competitors priced similarly.
Vloggers and creative enthusiasts will appreciate the user-friendly design of the Lumix camera G100. It simplifies the process of capturing high-quality stills and videos with its easy-to-use button layout. Even those with no technical expertise in videography can achieve good results with this camera.
Creating a camera for social media creatives comes with the risk of overly simplifying the device, but Panasonic has managed to avoid this pitfall with the Lumix G100. Our full review showed that the camera boasts a decent viewfinder and ergonomics similar to a proper camera, giving it a competitive edge in the market.
The G100D is the updated version of the G100. It has only minor changes, such as replacing the Micro-USB port with a USB-C one, and the LCD EVF with an OLED EVF. Therefore, it is not worth upgrading from the previous model. If you come across a cheap G100, it might be a better option. Regardless, the G100D or G100 are ideal cameras for vlogging or regular photography enthusiasts.
Panasonic's GH lineup of mirrorless Micro Four Thirds cameras has long been considered some of the best options around for affordable filmmaking. If you don't mind the smaller sensor, you get unlimited recording and an incredibly flexible range of video formats. Also, in this latest release, the Lumix GH7 joins the Lumix S5 II and Lumix G9 II in adding the feature that enthusiasts have been crying out for — yes, it's phase-detect autofocus.
The new hybrid system makes such a difference, putting the GH7 light years ahead of the GH6 in terms of its subject-tracking, face-detection and more. And while this autofocus isn't quite up to the level of Canon's or Sony's, Panasonic has its own tricks in the bag, and the Lumix GH7 once again has some of the most effective in-body stabilisation in the industry. Pair this with a sensible ergonomic control layout that feels natural and intuitive to use, and you have a highly capable filmmaking camera on your hands.
Then there's the video performance itself, with a frankly dizzying array of video options put at your fingertips. There's ProRes RAW HQ at 5.7K 30p or 4K 60p; there's open-gate 10-bit 4:2:0 recording in 5.8K 30p or 5.7K 60p; there's C4K 120p 10-bit 4:2:0; there's... well, we could go on (and in our review, we did). Suffice to say, the Lumix GH7 is a hugely flexible video machine, especially given the fact that its built-in fan that makes recording times unlimited.
The original Panasonic Lumix GH5 was pretty widely regarded as one of the best consumer video cameras you could buy at the time, so it makes sense that the Panasonic Lumix GH5 Mark II wouldn't mess too much with that formula. In fact, this is a very minor refresh all around, but the video features it does add make it definitely worth considering for those who produce video content. It's cheaper than the newer Lumix GH6 and GH7, and is an ideal choice for budget-conscious filmmakers.
The stabilization system provides up to 6.5EV steps of compensation, which is hugely handy (while not everyone likes the smaller Four Thirds sensors, they are easier to stabilize). It also has live-streaming capabilities, and the video autofocus functions very well. Still widely available at a good price if you're looking for a new mirrorless filmmaking camera, this is a fantastic buy that we reckon offers better value for money than the Lumix GH6, as the real game-changing phase-detection autofocus didn't arrive until the GH7. It's also no slouch with stills either!
This is the oldest camera on this list, having made its debut all the way back in 2015. As such, you're not going to get up-to-date features on the Lumix G7 — there's no in-body image stabilisation, the sensor has a resolution of just 16MP, and the autofocus is a fairly dated contrast-detect system without flashy modes like automatic subject-recognition.
However, the fundamentals of the Lumix G7 are still really solid, and the continual price drops that have occurred over the years mean that it offers really good value for money for a new camera. For a minimal outlay, you can get started in the Micro Four Thirds system, which offers a huge array of options when it comes time to upgrade, including the brilliant Lumix G9 II.
While the resolution of 16MP is definitely lower than the average today, it is still a decent number of pixels for printing, and more than adequate for sharing online. The lightweight frame of the Lumix G7 means it's handy for travel photography, while the EVF and vari-angle screen give you flexible composition options. It shoots 4K video, too!
A new Panasonic compact camera for beginners and enthusiasts
Specifications
Type: Compact
Sensor: 1/2.3-type
Megapixels: 18MP
Screen: 3.0-inch, 1,840k touch
Viewfinder: EVF, 2,360k
Lens: 20-1200mm f/2.8-5.9 (effective)
Continuous shooting speed: 10
Max video resolution: 4K
User level: Beginner to enthusiast
Reasons to buy
+
Generous 60x zoom range
+
New and plentifully available
Reasons to avoid
-
Small 1/2.3-inch sensor
-
Fixed rear screen
You don't see many new bridge cameras nowadays, so it was a delight to find Panasonic taking the wraps off the Lumix FZ80D / 82D in the middle of 2024. A minor update to a fairly old camera, one of the key assets this model has is quite simply availability — decent bridge cameras are getting harder and harder to find nowadays. And, with a 60x zoom lens, this Lumix bridge camera offers some serious shooting versatility. The sensor is a small 1/2.3-inch type, which does have an impact on image quality, particularly in low light. However, this camera offers brilliant range and flexibility, especially for novice photographers.
Finding the perfect Panasonic camera involves considering your specific needs. To begin, ask yourself, what am I going to use my camera for? – Whether it's photography, videography, vlogging, or a mix of these. This is a great first step to narrowing down the body and sensor size that will work best for you.
If you are primarily a stills photographer then focus on image quality imagery, starting with resolution (measured in megapixels) and sensor size. Larger sensors often offer better image quality, particularly in low-light conditions, and higher megapixels mean bigger photos and more room to crop images without losing quality.
Smaller sensors however offer more optical reach. A Micro Four Thirds sensor has a 2x crop rate, which means that a 100mm lens is really a 200mm lens, which is great if you shoot a lot of sports or wildlife where you want to get close to the action.
If video is a priority, features like 4K recording, frame rates, and supported video formats are key. Built-in image stabilization is invaluable for smoother video, particularly when shooting handheld. Additionally, a reliable and swift autofocus system is essential that can keep up with tracking moving subjects.
Budget also plays a crucial role. Panasonic offers a range of cameras across different price points. There will be some compromise on features, with more expensive cameras having newer and more powerful specs. It is good to begin with what you can afford, and then, if you feel constrained by that camera you can work out if you need a more expensive or different model down the line.
Finally, consider lenses. If you choose an interchangeable lens camera – L lenses, and MTF lenses are not interchangeable, so if you are thinking of buying into both full frame and MFT systems, then be aware you will need to buy two sets of unique lenses. If you prefer to not deal with changing lenses, then a compact camera with a fixed lens is the way to go.
Before making a decision, dive into the reviews featured in this guide which offer some expert recommendations and real-world insights into the performance and reliability of all the cameras on this list.
(Image credit: Gareth Bevan / Digital Camera World)
Which Panasonic camera is best for photography?
This depends on if you are looking for a full frame or a Micro Four Thirds camera. The current best full frame camera from Panasonic for stills is the Panasonic Lumic S5II, while the best Micro Four Thirds camera in Panasonic's lineup is the Panasonic Lumix G9 II.
Are Panasonic cameras the same as Leica cameras?
An interesting question. There is not a clear answer to this – however, the two companies have a good working relationship, partnering on many technologies including Micro Four Thirds and the L-Mount Alliance. So it would be unsurprising if other technologies were shared in both systems that have not been publically disclosed.
How we test Panasonic cameras
We put Panasonic cameras through rigorous evaluations encompassing real-world shooting conditions as well as meticulously controlled laboratory settings. Our comprehensive tests delve into key aspects such as resolution, dynamic range, and signal-to-noise ratio, vital in gauging camera performance.
To evaluate resolution, we employ ISO resolution charts, meticulously assessing the camera's ability to capture fine details. The dynamic range, a pivotal metric, is determined using specialized DxO Analyzer test equipment. Additionally, our analysis includes a meticulous examination of noise levels across the camera's ISO range, performed using DxO Analyzer.
These in-depth real-world assessments and lab-generated data serve as the cornerstone for our insights and recommendations featured in our buying guides. For a deeper understanding of our testing and reviewing methodologies, explore the detailed breakdown of how we test cameras at Digital Camera World.
Gareth is a photographer based in London, working as a freelance photographer and videographer for the past several years, having the privilege to shoot for some household names. With work focusing on fashion, portrait and lifestyle content creation, he has developed a range of skills covering everything from editorial shoots to social media videos. Outside of work, he has a personal passion for travel and nature photography, with a devotion to sustainability and environmental causes.
