The 10 best pro video accessories in 2023

Sony FX3 with Atomos monitor/recorder
(Image credit: Atomos)

Whether you’re new to filmmaking or a seasoned professional, here are ten key products that will bolster your filmmaking arsenal without breaking the bank (too much).

From tripods to microphones, from filters to external recorders, here is the rundown of the best pro video accessories to use on your productions…

1. RODE VideoMic Pro+ microphone

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

(opens in new tab)

The VideoMic Pro+ is Rode’s latest shotgun microphone that’s designed to pretty much live on top of your DSLR or mirrorless camera. Building on the success of its popular predecessor, this version has some welcome improvements. Its battery door – a pain on the older version – now makes switching batteries a breeze, and a rechargeable lithium-ion battery is now included as standard. To help prolong battery life when you’re not filming, the microphone will automatically turn on and off with the camera, so long as plug-in power is available. Other new features include a two-stage high-pass filter, a three-stage gain control and a safety channel that's useful when recording in unpredictable environments. 

2. RODE NTG2 condenser shotgun microphone

(opens in new tab)

If you want to up your audio game, you really do need to get that microphone closer to your subject. Whether you’re recording a person speaking or the ambience of a trickling stream, most situations will involve using a microphone that isn’t fixed on top of the camera. The Rode NTG-2 isn’t a new microphone – it’s been out for years – but as the old adage goes: ‘If it ain’t broke, don’t fix it.’ This extremely versatile microphone can be used for film, broadcast, music production and voiceover work, all thanks to its wide bandwidth, controlled polar response and low-noise electronics. One thing to note is that if you’re coming from a DSLR or CSC camera, you’ll either need to use an adapter or an external recorder that can accept the professional 3-pin XLR connection. 

The best microphones for vlogging and filmmaking (opens in new tab)

3. Sennheiser AVX ME2

If you’re filming a person talking, the easiest way to ensure you capture clean audio is by attaching a lavalier microphone to them (ideally a wireless one). The compact receiver on the AVX ME2 system mounts directly into the XLR socket, which saves valuable space and shoe mounts on your camera rig. It also switches itself on and off automatically whenever it detects phantom power from the camera, meaning that once plugged in you can just leave it be. The AVX system also intelligently manages its operating frequencies, always finding two clear frequencies to operate on at any one time, just in case one becomes compromised. 

The best audio recorders (opens in new tab) for filmmaking

4. Sennheiser HD 300 PRO headphones

(Image credit: Sennheiser)
(opens in new tab)

Why invest in audio gear if you’re not going to hear it properly? The last of the audio products on this list is, of course, a decent set of headphones. The closed, circumaural design of the Sennheiser HD 300 PRO provides great passive attenuation of ambient noise (up to 32dB), so you can really isolate the audio you’re recording without introducing any active noise cancellation. Comfort is key when filming for prolonged periods of time, and these headphones are designed with that in mind. 

• The best headphones for video editing (opens in new tab)

5. Atomos Shogun 7 recorder

(opens in new tab)

External recorders are extremely versatile bits of kit to have in your filmmaking locker, and the Shogun 7 is high up there when it comes to widespread adoption. It revolves around a 7in, 3000nit screen, which means it’s easily viewed during daylight and capable of showing HDR video – something the little screen on the back of your camera simply cannot contend with. If your camera is restricted to compressed 8bit 4:2:0 recording, outputting and recording on the Inferno is going to get you back up to glorious 10bit 4:2:2 – four times the amount of color information per RGB channel. Depending on what your camera is, you can currently go up to recording in 12bit CinemaDNG. Truth be told, this recorder will most likely outlive your camera body. 

The best on-camera monitors and video recorders  (opens in new tab)

6. Sachtler Flowtech 75 MS Carbon Fibre Tripod

Video tripods (opens in new tab)don’t tend to change that much. Sure, new models might be slightly lighter or stronger than their predecessors, but it’s rarely something that’s technologically groundbreaking. Cue the Sachtler Flowtech 75 carbon fibre tripod, saving our future filmmakers from the dreaded backache we all currently seem to face. This set of sticks has been dubbed “the world’s fastest tripod legs,” thanks to a rapid deployment system where all three legs extend simultaneously. Locking mechanisms at the very top of the tripod save your back, while the carbon fibre design means it’s lightweight but strong enough to have an impressive payload of up to 20kg. 

The best video tripods  (opens in new tab)

7. Rhino Essentials Slider Bundle

There are so many sliders out there, but when it comes to quality and versatility, the Rhino slider really is the option that springs to mind. This entry-level bundle comes with 24in rails, but those who find they need to travel further can swap in 42in rails (available separately). The Rhino Motion, which allows you to program precise and accurate motion-controlled movements from one end to the other, is also included in this bundle. It’s built-in battery is good to go for up to seven hours, which makes it suitable for most shooting days, although you can top it up by connecting a power source to the USB connection if you need to. 

Best camera sliders (opens in new tab)

8. Hoya Variable Density II filter (opens in new tab)

(Image credit: Hoya Filters)

To get a shot with a shallow depth of field, perhaps in a bid to aid your storytelling by focusing the viewer’s attention on something in the frame, you need to open up your aperture. ND filters allow you to do so without altering the ISO or shutter speed to compensate for overexposure. Opting for the largest size of 82mm means that you shouldn’t need to buy any others when you change lenses – instead, just purchase cheap and cost-effective step-up rings for use with smaller-diameter lenses. One ND filter to rule them all! 

• The best variable ND filters (opens in new tab)

9. Zhiyun Weebill 3 gimbal

(Image credit: George Cairns)

Thanks to falling prices and the dexterity of the shots that you can create with them, gimbals have had a huge surge in uptake over the past few years. The Zhiyun Weebill 3 is one of the more recent models, but it's great value for money. A gimbal is an essential add-on if you are to do smooth handheld tracking shots with your camera - and this model can offer support to most professional DSLRs and mirrorless camera set-ups.

The best gimbal stabilizers (opens in new tab)

10. Lowepro Whistler Backpack 350 AW II (opens in new tab) 

(Image credit: Lowepro)
(opens in new tab)

Finally, you need to be able to carry all of this gear. Although this camera backpack (opens in new tab) is marketed towards photographers, it’s more than capable of serving a variety of filmmaking needs. As an example, it will hold a Sony FS5 Mk II and A7S III bodies, plus three lenses, batteries, cards, microphones, and a laptop. Thanks to the generous amount of padding on the straps, it’s extremely comfortable once on the shoulders. You can also attach a lightweight tripod to the front of the bag so, apart from lighting, you’ve got everything you need for a shoot in one backpack. The Lowepro Whistler Backpack 350 AW II is also designed for rugged, outdoor use - protecting your gear even in the most inclement climates.

The best camera backpacks (opens in new tab)

Read more:
Best cinema cameras (opens in new tab)

The best microphones for vlogging (opens in new tab)

The best 4K cameras for filmmaking (opens in new tab)

The best cameras for streaming (opens in new tab)

The best video editing monitor (opens in new tab)

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Rod Lawton
Contributor

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com (opens in new tab) but also writes about photo-editing applications and techniques at lifeafterphotoshop.com (opens in new tab)



With contributions from