The best video lights are among the best things to get to increase the production value of your video content. Natural light is a fickle beast, and it's vital to be able to create a pleasing light for your subject no matter what discipline you're working in. And that's where video lights come in. You may have an image of expensive studio lamps on stands, but a video light can be something as simple as an LED panel that fixes to the hotshoe of a camera.
Using light effectively will make a huge difference, no matter whether you're shooting full-length features or straightforward TikToks. A good light allows you to balance exposure levels in a scene, retaining more detail in shadows and highlights. Also, once you get comfortable with your lights, you can start creating effects, using different colours to evoke different moods or even to simulate things like a flickering TV or the blue flashing light of an emergency vehicle. Lights can help you tell a story.
The fact that video lights are much cheaper than they used to be has democratised the skill, and more people than ever can start to learn the basics. So, in our guide to the best video lights, we've tried to select affordable but capable units that pretty much any videographer can make use of, whether you're working with a DSLR setup or shooting on your iPhone.
We've picked lights at a range of price points, so there should be something here for every user. So let's get started!
The Rotolight NEO 3 builds on the success of the preceding NEO 2, adding a raft of impressive new features. Both models deliver flash output as well as constant lighting, but the NEO 3 delivers a full range of color in both modes, with full RGBWW options. It comes in various configurations and kits and accessories will vary according to which you choose.
Small but powerful and extremely versatile as a constant LED light, the NEO 3 is a quantum leap forward from the NEO 2. It delivers a full color range in both constant and flash modes, with a huge range of electronic color filters and special effects, all available via a simple and intuitive color touchscreen menu. Maximum flash output is disappointing compared to a ‘proper’ flashgun but, even so, the NEO 3 is a brilliant solution for anyone who needs to shed a little extra light on both stills and video capture.
Read more: Rotolight NEO 3 full review (opens in new tab)
For content creators and videographers who regularly shoot on the move, the Aputure MC RGBWW LED Light offers a versatile lighting solution that won't weigh you down. It's only slightly bigger than a credit card and not much thicker than a phone so can be used no matter how small the space you're shooting in. It can be controlled with the Sidus Link app which is available for iOS and Android. Attach it to any metal surface using the built-in magnets or alternatively or mount it to a 1/4-inch cold shoe to attach directly to your camera. On maximum brightness, it'll work for up to 100 minutes on a single charge or up to 15 hours when used on its minimum power setting. Batteries are included and take just 1.5 hours to charge when connected via USB-C. This is the latest light in the Aputure M-series and has been designed to give you ultimate control.(opens in new tab)
This powerful, hugely versatile yet lightweight portable LED lighting panel is a radical redesign compared with the original AEOS. It gives you 16.7 million colors of light to play with, instead of just various degrees of white. And that goes for both constant lighting and flash, the latter with a high-speed sync option. The interface is also completely overhauled, with the addition of a color touchscreen that makes it quick and easy to access a huge range of lighting options, digital filters and special effects.
The AEOS 2 is available in several kit configurations: the cheapest 'Basic' kit only includes a mains power adaptor and no battery, although the light does come complete with a good-quality diffuser dome. The Explorer Kit adds a battery and charger, plus a padded soft case. Next up the price ladder, the Masters Kit doubles up on lamps and diffusion domes while also adding light stands and a padded soft case, but this time batteries aren’t included. Top of the range is the Ultimate Kit, which is essentially the same as the Masters Kit with the addition of two batteries and chargers.
Even the cheapest AEOS 2 Basic kit is still a hefty investment, but it’s a joy to use and a top performer, making it worth the money.(opens in new tab)
It was a long wait, but we finally got a proper successor to the charming Lume Cube, the little mountable light. The Lume Cube 2.0 is pretty much everything you could want – a brighter light compared to its predecessor with a larger beam angle and overall better quality. Weighing just 99g, it's small enough (and affordable enough) that you could quite easily construct a setup with three or four of them. The battery life is good, and USB-C compatibility is a welcome addition to this version. The only real downside is that the waterproofing has been scaled back a little on this iteration – possibly due to the new construction, it's only rated down to 30ft. And if you're not a deep-sea diver, do you really care?(opens in new tab)
Not everybody uses a DSLR to shoot video and with the latest advances in technology, more and more vloggers are choosing to shoot footage using their smartphones. Why not, when they can capture impressive 4K footage? Profoto has the perfect LED for this crowd in the shape of the C1 Plus, which is suitable for both stills photography and video. A built-in rechargeable Li-Polymer battery helps the unit deliver over 40 minutes of continuous light at full power, which is impressive, given the tiny size of the C1 Plus. This also means it can deliver more than 2000 flashes on a single charge too.
The continuous light is flicker-free to ensure smoothly-light footage and the battery takes just two hours to recharge via a USB-C connection, which means you can power up while you’re on the go. Compatible with Profoto’s AirTTL remotes, the C1 Plus can be paired with a number of accessories, including grids to modify the light or a selection of different coloured gel filters to shift the colour temperature of the scene. The accessors connect via a magnetic mount, resulting in a speeded up operating time and no more messing about with awkward screw-on fittings.
The C1 Plus is small enough to be handheld, but there is also a 1/4"-20 mount so it can be secured to a light stand if you prefer. Profoto explains that the C1 Plus returns a CRI (Colour Rendering Index) of above 90, which is impressive and means the quality of the light is good.
Videographers should remember that there is another product in the range called the C1, but only the C1 Plus features the ability to connect up with accessories so sits at the top of the series, making it better suited for video work.
Evidently pitched at streamers, influencers and TikTokers, the Godox CL10 is a simple and affordable LED light that provides an impressive amount of versatility for the price. With its 10W power output it is quite simply never going to function as a key light for pro video, but as a general accent or ambient light it'll work very well indeed. With 36,000 selectable colours, you can also fine-tune it to pretty much exactly what you want, and there are also some fun special effects to play with like broken bulb or police car. With a great deal of flexibility and control for an extremely generous price, we wouldn't be surprised if you see a lot of online influencers picking up a Godox CL10 in the months and years to come.
If your budget is tight but you're in need of some extra lighting, the Nanlite Pavobulb is a ready-to-go solution that doesn't even require a stand. So long as you have a lamp with a screw fixture you'll be able to replace your standard bulb with this color-changing, app-controlled light. It can also be powered via USB and a separate battery pack can be purchased for it should you want to use it on location. Even just one light by itself makes a huge difference to your image but when used in conjunction with more than one you can start to create some really interesting scenes with different colors and brightness. A dedicated NanLink app enables you to select different colors, control the brightness and also save your color settings so they're ready to go next time you shoot.
What to look for in a video light
Power supply: Can the LED be used by both a mains plug and a battery? This will enable a more versatile set-up and enable you to film both indoors and outdoors
Colour temperature: Look out for the LED’s colour temperature range; a wide range is preferable as this will give you both warm and cool light options to match the ambient light you are shooting in or the effect you’re trying to create.
Modifiers: Check to see if the LED comes with any modifiers in the box. These could be diffusers to soften the light or filters to change the light’s color temperature.
Flicker-free: Some LEDs show a fluctuation in brightness, known as flicker. The best lights are flicker free to provide a constant level of brightness.
Bluetooth technology: The inclusion of Bluetooth technology in your LED light will allow you to connect to a smartphone and control adjustments like brightness and colour temperature remotely.
• Best LED panels for photography (opens in new tab)
• Best lighting kits (opens in new tab)
• Best reflectors for photography (opens in new tab)
• Best light tents for close ups (opens in new tab)
• Best teleprompters (opens in new tab)