Digital cameras that look like film are trendy. I shoot both film and digital, and these are my top picks

Fujifilm X Half camera held in a hand
(Image credit: Future / Gareth Bevan)

I’ve come full circle as a photographer: After growing up with film, I went digital as a teenager, and now I’m a hybrid photographer who uses both digital and film. I’m not alone, and as retro tech resurges in trend, so too does the number of people searching for digital cameras that look like film.

I will be the first to say that even the most retro digital cameras don’t have the exact feel of film. You can’t 100 percent replicate film on digital. But just because a retro digital camera won’t have the exact feel as a true analog camera doesn’t mean that the search for a digital camera that looks like film is in vain. Retro digital cameras pull us out of our screen-saturated existence, force us to slow down, and create real images in the age of AI.

While nothing quite replicates a real film camera, I’ve tried a number of digital cameras that come close. These cameras feel old school, yet come without the recurring costs of buying and developing film.

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A cheap digital camera with a retro look and no screen

(Image credit: Future)

Retro cameras are trending, but I’ve found the cameras that feel the most like film don’t have screens at all. Without the ability to look at your shots, screen-free digital cameras have more of the surprise of film.

One of my favorite screen-free cameras is the Camp Snap CS-Pro. I first fell in love with the retro look and simple design, but the 16MP offers more resolution than the Camp Snap 2, and there’s a dial for switching between retro filters.

The CS-Pro isn’t just one of my favorites among the screen-free options – it’s also a fantastic budget pick. The CS-Pro typically sells for under $100 / £100 / AU$175 / CA$150.

A digital camera that actually spits out real film

Fujifilm Instax Mini Evo review

(Image credit: Gavin Stoker/Digital Camera World)

The Fujifilm Instax Mini Evo is the photography equivalent of having your cake and eating it, too. The Evo is a digital camera that still saves 4.9MP digital files that have some of the low-res nostalgia of early digicams. But, there’s a printer built in that spits out photos on real instant film. A true camera for those who can’t decide between digital and film, and it’s packed with a classic look and creative tools like double exposures and light leaks.

A quirky camera with the limits of film

Fujifilm X Half camera held in a hand

(Image credit: Future / Gareth Bevan)

One of the biggest changes in shooting digital is that I don’t need to limit how many photos I shoot to a single roll of film. The Fujifilm X Half is a compact digital camera that has a film mode that will lock you into a “roll” of film – you can’t review any images or change the film simulation until you finish a roll. Plus, it has Fujifilm’s longstanding film simulations and even that classic film wind lever – but my favorite option is probably the light leak mode.

The X Half notably has several features that cheaper film-like digital cameras don't offer. The lens isn't a fixed focus like the disposable camera dupes, so it can still snap close-ups, plus it still shoots video (just not in the film mode) as well as stills.

A disposable camera dupe with a fantastic app

(Image credit: Future)

The Flashback One35 V2 looks and feels like a disposable film camera – but it’s a digital camera that’s also easy to share thanks to a fantastic app. The Flashback limits the shots to one “roll” of 27 shots before the photos need to be transferred to the smartphone – and you can even choose to have the photos take a full 24-hours to develop. The film-inspired presets are fantastic and work with the basic, cheap lens to recreate the feel of a disposable film camera. Plus, the app means that it’s still easy to share the shots on social media.

A lens that makes nearly any mirrorless feel like retro film

The PolarPro LightLeak 28mm lens on a wood floor

(Image credit: Hillary K. Grigonis / Future)

The camera is only half of the equation – the lens is just as important. The PolarPro LightLeak 28mm brings one of my favorite happy accidents on film to digital: light leaks. There’s an adjustable window on the side of the lens that allows light to “leak” in, so it’s far closer to the real thing than adding a digital overlay in Photoshop. Plus, the f/11 aperture forces a high ISO, which helps create the grainy quality that many associate with film photos.

The LightLeak is available in the Canon RF, Sony E, Fujifilm X, Nikon Z, or L-Mounts to pair with a variety of mirrorless cameras.

A mirrorless that looks old, but shoots pro

Finally, there’s one key category for digital cameras that look like film: mirrorless cameras that look old, but have all the high-end image quality that you’d expect from a digital camera. The images don't necessarily look like film, but the design has that classic feel.

There are several mirrorless cameras and high-end compact cameras that fit the bill, which you can find in our guide to the best retro cameras, but I will highlight a few favorites here.

First, the Fujifilm X-T5. I personally shoot with the earlier version of this camera, the X-T4, and the reason that I bought it is that Fujifilm’s film simulations create lovely colors, and I save myself hours of time trying to edit the colors to look just right. The images are high-end enough for pros, but the old-school dials at the top and film simulations give it a classic feel.

The Nikon Zf is a full-frame camera that takes on an old-school look. The images from the 24.5MP full-frame sensor are fantastic – though that means they lack the imperfect retro feel – and there’s a shortcut to quickly switch into black-and-white. The body is inspired by Nikon’s F-series film cameras, which is to say that it looks and feels fantastic.

I haven’t yet come across a digital camera that has made me want to shelf my old Pentax K1000 film SLR indefinitely – but I have met more than a few that I would reach for when I don’t want to shell out the expense of developing film.

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Browse the best retro cameras. Or, for the real thing, take a look at the best film cameras.

Hillary K. Grigonis
US Editor

With more than a decade of experience writing about cameras and technology, Hillary K. Grigonis leads the US coverage for Digital Camera World. Her work has appeared in Business Insider, Digital Trends, Pocket-lint, Rangefinder, The Phoblographer, and more. Her wedding and portrait photography favors a journalistic style. She’s a former Nikon shooter and a current Fujifilm user, but has tested a wide range of cameras and lenses across multiple brands. Hillary is also a licensed drone pilot.

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