The best camera for street photography in 2023

best camera for street photography
(Image credit: Getty Images)

The best camera for street photography will deliver a superior in-the-moment photographic experience. Street shooting is all about being there, blending within your surroundings, and finding that split-second moment where the elements align. 

The best camera for street work is something we could debate about all day, but after some wrangling, we've managed to whittle the list down to a top ten, with a bonus eleventh camera for those to whom price is no object. (Yes, it's a Leica.)

First, let's define what we mean by street photography. Put simply, it's the practice of taking candid photos of unsuspecting individuals, usually, but not necessarily in urban settings. 

A street photographer is a keen observer, with an eye for documenting daily life. Anything from eye-catching outfits to ironic coincidences can be the purview of the street photographer. It's less about technical perfection, and more about capturing something raw and true.

Street photography has a rich history, with famous names in the genre including Bruce Gilden, Henri Cartier-Bresson, Diane Arbus, Vivian Maier, and Daido Moriyama. They rose to fame by capturing honest and not necessarily photos of people going about their day. There's a certain fearlessness to street photography, exemplified by these masters of the craft.

While the best mirrorless cameras and best compact cameras will have all sorts of great features, being a good street photography camera has some quite specific requirements.

A good street camera should be small and discreet, allowing you to slip through and observe your scenes unnoticed. Big bodies and bigger lenses do tend to draw attention, after all. Furthermore, a good street camera needs to be fast. Snappy autofocus and a good burst mode will allow you to make sure that when the decisive moment occurs, you won't miss it. Or at least, if you do, it won't be the camera's fault. 

Controls for a street camera should be intuitive, well laid-out, and tactile – hunting through menus is anathema to a good street shoot. Ideally, it also shouldn't weigh too much, as you'll be wearing it around your neck or on your shoulder for a good chunk of time. 

We've split our list into two major categories: fixed lens compacts and interchangeable lens mirrorless cameras. If you're purely street shooting, then a simple compact may be the way to go, while mirrorless cameras are more versatile, and a good choice if you might want to try other genres like wildlife, portrait, or landscape photography.

One more thing. Street photography has a rich history in the history of photography, and there's a certain style to it. So we've taken into consideration the cameras we think best suit the style of shooting street. It's not just about aesthetics; many of these more retro-styled cameras pack in features that complement the shoot-from-the-hip philosophy of street photography. 

So let’s get to the cameras!

Best cameras for street photography in 2023

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Compact cameras for street photography

When picking a compact camera for street photography, it pays to make sure the lens is somewhere around the mid-range, neither too long nor too wide. Whether this is zoom or a high-quality prime, it also pays for the lens to be fast (i.e. have a large maximum aperture) so that you can use high shutter speeds as much as possible.

(Image credit: Rod Lawton/Digital Camera World)
With a fixed 23mm lens this is a street photographer's dream

Specifications

Sensor: 26.1MP APS-C X-Trans CMOS 4
Lens: 23mm (equivalent) f/2
Burst rate: 11fps
AF points: 117-area hybrid phase/contrast AF
LCD: 3-inch, 1.62m-dot tilting touchscreen
Viewfinder: Hybrid OVF/OLED EVF, 3.69m dots
Dimensions: 128.0 x 74.8 x 53.3mm
Weight: 478g (including battery and memory card)

Reasons to buy

+
Sharp lens, great sensor
+
Tilting touchscreen

Reasons to avoid

-
No stabilisation
-
Fixed focal length (no zoom)

Bags of style backed up with serious imaging tech, the Fujifilm X100V has it all. The fifth in a line of prime-lens compacts, the X100V eschews zoom range in favor of a catch-it-all focal length and supreme image quality. 

In our review, we found it to be a supremely enjoyable camera to use,  in fact, we say it's one of the most purely enjoyable cameras that’s ever been made. 

The X100V has evidently been put together with street photographers in mind; its dial-based controls hark back to the old days of street photography, while its hybrid optical/electronic viewfinder is one of the best examples of its type on any mirrorless camera, full-stop. All of this does come at a price, but if you can justify the expense, it’s worth it.

Read our full Fujifilm X100V review

(Image credit: Future)
If you shoot a lot of street photography by night the APS-C sensor will be a big advantage

Specifications

Sensor: 24MP APS-C CMOS
Lens: 28mm (equivalent) f/2.8
Burst rate: 4fps
AF points: 9
LCD: 3-inch, 1.037M-dot fixed touchscreen
Viewfinder: Optical (optional)
Dimensions: 109 x 62 x 33 mm
Weight: 257g (including battery)

Reasons to buy

+
Small to hold
+
Big APS-C sensor

Reasons to avoid

-
Fixed screen
-
Viewfinder costs extra

Like four-hour board games and The Rocky Horror Picture Show, the Ricoh GR cameras have acquired something of a cult following. Their fans will extol, to anyone who’ll listen, the virtues of their slim build and large sensor, a feature combination that does make the most recent model, the GR III, a great option for street photography, so much so that it even comes in a dedicated "street edition" with a pop-on viewfinder and natty yellow stripe included. And with impressive features like three-axis image stabilization, a high maximum ISO of 102,400, and a lean start-up time of just 0.8sec, the GR III has the imaging cred to back up its looks.

Also consider: Want a closer perspective? Ricoh has come out with an alternative version of the GR III, the Ricoh GR IIIx. It's basically the same camera, but with one crucial difference – it swaps the 28mm equivalent lens for a 40mm equivalent. Neither of these is better necessarily for street photography; it's just about personal preference. If you like the sound of the Ricoh GR III but think you might prefer a closer, tighter perspective, consider the Ricoh GR IIIx!

Read our full Ricoh GR III review

(Image credit: Panasonic)
A compact Micro Four Thirds camera with an ideal zoom range for shooting subjects up close and far away

Specifications

Sensor: 22.1MP Four Thirds CMOS (17MP effective)
Lens: 24-75mm (equivalent) f/1.7-2.8
Burst rate: 11fps
AF points: 49-point contrast detect
LCD: 3-inch, 1.24m-dot fixed LCD
Viewfinder: 2.76m-dot fixed EVF
Dimensions: 115 x 66 x 64 mm
Weight: 392g (including battery)

Reasons to buy

+
Dial-based handling
+
Multi-aspect sensor

Reasons to avoid

-
Fixed LCD screen
-
Clunky wireless transfer

The Four Thirds sensor of the Panasonic Lumix LX100 II is interesting in a number of ways. For a start, it’s a multi-aspect sensor, allowing you to quickly switch between different aspect ratios of images.

 The camera’s controls also make this easy to do, which encourages experimentation with different types of composition. As we noted in our review, this is a great way to think about the aspect ratio of your images in the moment, rather than after capture, and being in the moment is really what street photography is all about. 

The Four Thirds sensor is larger than those you’d find in many comparable compacts, which makes it easier to produce images with a shallow depth of field – a task further aided by the maximum lens aperture of f/1.7. This makes the LX100 II a really great choice for street portraiture, allowing the user to capture dynamic images that really pop.

Read our full Panasonic Lumix LX100 II review

(Image credit: Digital Camera World)
Small enough to easily fit in your pocket but powerful enough to take stunning photos

Specifications

Sensor: 20.1MP 1-in stacked CMOS
Lens: 24-120mm (equivalent) f/1.8-2.8
Burst rate: 30fps (full auto)
AF points: 31-point contrast AF
LCD: 3-inch tilting touchscreen, 1.04m dots
Viewfinder: Pop-up EVF, 2.36million dots
Dimensions: 110.9 x 60.9 x 46mm
Weight: 340g (with battery and SD card)

Reasons to buy

+
Fast 5x zoom lens 
+
Customisable control dial

Reasons to avoid

-
Unexceptional pop-up EVF
-
Crude, blunt noise reduction

In Cartier-Bresson’s day, it was unthinkable that a powerful camera could be so small it’d slip into a jacket pocket, but so it is with the Canon PowerShot G5 X Mark II. An excellent all-around compact, the G5 X Mark II improves on its predecessor with a fast 5x zoom lens that covers an equivalent focal range of 24-120mm – perfectly pitched for street photography.


The customizable control ring on the lens can be set to the user’s preferred function, allowing you to fine-tune the handling to your preferences, making shooting with the G5 X II about as intuitive an experience as possible. We rated it highly in our review, only really docking it points for lacking a mic socket, which street photographers won't be bothered about anyway.

Read our full Canon PowerShot G5 X Mark II review

(Image credit: Rod Lawton/Digital Camera World)
This portable powerhouse is so good that lots of professionals choose to keep one on them at all times

Specifications

Sensor: 20.1MP 1-in Exmor RS CMOS
Lens: 24-200mm (equivalent) f/2.8-4.5
Burst rate: 20fps (90fps short burst mode)
AF points: 357-point phase AF, 425-point contrast AF
LCD: 3-inch tilting touchscreen, 921k dots
Viewfinder: Pop-up EVF, 2.36m dots
Dimensions: 101.6 x 58.1 x 42.8 mm
Weight: 302g (with battery and SD card)

Reasons to buy

+
Extremely high-speed shooting
+
With fast AF to match

Reasons to avoid

-
Small, cramped and fiddly
-
Pricey

A camera doesn’t get seven iterations unless the idea was good, to begin with, and the Sony RX100 VII is the latest in a line of terrific tiny compacts. Pairing a 24-200mm equivalent Zeiss-engineered lens with an extremely sophisticated autofocus system and enviably fast burst shooting is a winner in anyone’s book, and all this makes it right up the alley of any street photographer. 

All this tech doesn’t come cheap, however, and one could argue, as we did in our review, that the RX100 VII is a wee bit aggressively priced for a camera of its size (and sensor size). 

The good news, though, is that if the asking price is too dear for you, the preceding RX100 models are still largely in production, so by all means have a look and see if one better suits you (our RX100 comparison guide will come in handy there).

Read our full Sony RX100 VII review

Mirrorless cameras for street photography

If you’re picking an interchangeable-lens camera for street photography, we’d recommend a mirrorless camera over a DSLR – they tend to be smaller and faster, both of which are a plus. If you want something with a decent range of fast lenses – we’ve got you covered with our five top picks.

(Image credit: Rod Lawton/Digital Camera World)
Making the case for Micro Four Thirds, with amazing in-body stabilisation

Specifications

Sensor: 20.4MP Micro Four Thirds Live MOS
Lens mount: Micro Four Thirds
Burst rate: 10fps mechanical shutter, 15/30fps Pro Capture
AF points: 127 phase detection AF points, all cross-type
LCD: 3-inch, articulated touchscreen, 1.04m dots
Viewfinder: EVF OLED, 2.36m dots
Dimensions: 125.3 x 85.2 x 49.7mm
Weight: 414g

Reasons to buy

+
Small but powerful
+
Exceptional stabilisation

Reasons to avoid

-
Poor battery life
-
Small sensor

The Micro Four Thirds lens system has its skeptics, with many photographers spurning the cameras for their small sensors (compared to APS-C), but the Olympus OM-D E-M5 Mark III is a triumph for the entire line. 

That mount gives you access to loads of lenses from Olympus, Panasonic, and more, and the camera itself is a lightweight but powerful tool with a huge range of features.

It’s got weather-sealed construction, super-fast Pro Capture mode, seriously impressive in-body stabilization, and plenty more. It’s the kind of camera that’s a lot of fun to delve into a get to know – it feels like you’re always discovering something new about it.

Read our full Olympus OM-D E-M5 Mark III review

(Image credit: Digital Camera World)
Fujifilm's rangefinder style camera is perfect for an authentic street photography experience

Specifications

Sensor: 26.1MP APS-C X-Trans CMOS 4
Lens mount: Fujifilm X
Burst rate: 11fps mechanical shutter, 20fps electronic (30fps with crop)
AF points: 91 Intelligent Hybrid (contrast and phase detection)
LCD: 3-inch tilting “fold-down” touchscreen LCD, 1.62m dots
Viewfinder: Hybrid OVF and OLED EVF (3.69m dots)
Dimensions: 140.5 x 82.8 x 46.1mm
Weight: 497g (including battery and memory card)

Reasons to buy

+
Unique, absorbing experience
+
Beautiful image quality

Reasons to avoid

-
Takes getting used to
-
Not cheap

Let’s be honest – shooting with modern, screen-equipped cameras is nothing like the street-photography experience of decades gone by. Fujifilm, in a stunning display of daring, used its X-Pro3 to push back at this a little, designing a modern digital camera designed to be used like a classic rangefinder.

Its “hidden” fold-down LCD is designed to discourage “chimping” and keep you in the moment, and while you have a choice between a modern EVF or an optical-style rangefinder, it’s clear which one Fujifilm would prefer you use. All this presents a pretty steep learning curve, but when you master its quirks, shooting on the X-Pro3 is a transcendental experience.

Read our full Fujifilm X-Pro3 review or Best Fujifilm lenses

(Image credit: Future)
A retro-styled entry in a good future investment system

Specifications

Sensor: 20.9MP APS-C CMOS
Lens mount: Nikon Z
Burst rate: 11fps
AF points: 209 phase detection points
LCD: 3-inch vari-angle touchscreen, 1.04m dots
Viewfinder: EVF, 2.36m dots
Dimensions: 126.5 x 93.5 x 60mm
Weight: 395g (body only)

Reasons to buy

+
Gorgeous style
+
Small and nippy

Reasons to avoid

-
One UHS-I slot
-
Below-average battery life

A perfect choice for those tempted by Nikon’s full-frame Z system, but want something that's cheaper and carries a little more style. The Nikon Z fc is a similar prospect to the Z50; it's an APS-C camera that's also stuffed with features. So, while you don’t get full-frame, you do get a whole lot else – a generous AF system, wide dynamic range, solid high-ISO performance, and more. 

Nikon tried a retro throwback a few years ago with the Df DSLR and missed the mark, but we were pleased to discover that the firm knocked it out of the park with the Z fc. While the Z system of lenses is relatively new, it promises to expand greatly in the future, and this makes the Nikon Z fc a smart investment with an eye on the future. By all means, get in on the ground floor.

Read our full Nikon Z fc review or read Best Nikon Z lenses

(Image credit: Rod Lawton/Digital Camera World)
Compact and lightweight Fujifilm mirrorless

Specifications

Type: Mirrorless
Sensor: APS-C CMOS
Megapixels: 26.1MP
Screen: 3-inch, vari-angle touch screen, 1.04M dot resolution
Viewfinder: 2360k dots
Lens mount: Fujifilm X mount
Autofocus: 117 selectable AF points
Maximum stills burst speed: 8fps
Video resolution: 4K at up to 30fps
User level: Beginner - intermediate

Reasons to buy

+
Great image quality
+
Large high resolution LCD
+
Great for vlogging

Reasons to avoid

-
No eye level viewfinder
-
No body integral anti shake

There might not be as many external controls on the X-S10 as there are on the Fujifilm X-T3 or X-T4, but it's so small and lightweight it'll still make a great camera for street photography.

It also has in-body stabilization which will help capture sharp images plus a fully-articulated screen making it easy to shoot discretely from the hip. Paired with the Fujifilm XF 35mm f/2 or the Fujifilm XF 23mm f/2 depending on whether you want a 50mm or 35mm equivalent in full-frame, it makes for a perfect street photography setup. 

The Fujifilm X-S10 might just be the best APS-C camera on the market right now in terms of performance, build quality, and price point. There are also plenty of official Fujifilm lenses and third-party lenses to choose from in case you want to experiment with other styles of photography. 

Read our full Fujifilm X-S10 review

(Image credit: Alistair Campbell/Digital Camera World)
Fast and responsive, this is Canon's latest EOS-M model

Specifications

Sensor: 32.5MP APS-C CMOS
Lens mount: Canon EF-M
Burst rate: 14fps continuous, 30fps RAW burst mode
AF points: Dual Pixel CMOS phase detect, 143 / 99 points (depending on lens)
LCD: 3-inch tilting touchscreen, 1.04m dots
Viewfinder: No
Dimensions: 119.6 x 70.0 x 49.2 mm
Weight: 398g (body only, with battery and SD card)

Reasons to buy

+
Impressive 32.5MP APS-C sensor
+
Formidable burst shooting

Reasons to avoid

-
No in-body stabilisation
-
Limited native lenses

If you’ll pardon our French for a moment, the EOS M6 II represented the kick-up le derrière that the EOS M series desperately needed, and for its price, it’s one of the best Canon cameras and mirrorless cameras around. 

Pairing a seriously impressive APS-C sensor with super-fast burst shooting and a beast of an autofocus system, this pocketable camera is more than just suited for street shooting, it excels at it. And given that it’s packing more megapixels than the majority of Canon bodies, it’s also a great choice if you’ve one eye on printing your images big.

Read more: Canon EOS M6 Mark II review or read our Best Canon EF-M lenses

(Image credit: Rod Lawton)
If money is no object the Leica M11 is a beautiful camera that takes stunning photos

Specifications

Sensor: 60.3MP full frame CMOS
Lens mount: Leica M
Burst rate: 4.5fps
AF points: None
LCD: 2.95-inch fixed LCD touchscreen, 2.33m dots
Viewfinder: Optical (rangefinder)
Dimensions: 139 x 38.5 x 80mm
Weight: 530g (including battery)

Reasons to buy

+
Exquisitely engineered
+
'Triple resolution' sensor

Reasons to avoid

-
Only one card slot
-
Inevitably expensive

This is going to be completely out of the question for most people, hence why it appears as the eleventh extra on a top ten list. However, we couldn't finish off a guide to the best street photography cameras without a hat-tip to the Leica M11, which delivers one of the most sublime contemporary shooting experiences out of any camera we've reviewed. 

Its 60MP full-frame sensor is actually a clever 'triple-resolution' sensor, which allows you to dial down the pixels when you don't need them to save on card space and processing power. The rangefinder-focusing experience takes some getting used to, but if you invest some time into it, you'll come to appreciate its immediacy. There's no better way to be completely in the moment. 

Read our full Leica M11 review or read our Best Leica M lenses

How we test cameras

We test DSLR and mirrorless cameras in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests measure resolution, dynamic range, and signal-to-noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera's ISO range. For compact cameras, we use real-world results and handling alone in compiling our guides.

Read more:

The cheapest full-frame cameras
Best compact cameras
The best DSLRs
Best Leica cameras
The best cameras for vlogging

Sebastian Oakley
Ecommerce Editor

For nearly two decades Sebastian's work has been published internationally. Originally specialising in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound and many more for various advertising campaigns, books and pre/post-event highlights.


He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing.  He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. 


He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. His work covers the genres of Equestrian, Landscape, Abstract or Nature and combines nearly two decades of experience to offer exclusive limited-edition prints to the international stage from his film & digital photography.