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The best lenses for astrophotography in 2022: fast ultra-wide lenses for the night sky

best lenses for astrophotography
(Image credit: Getty )

With the best lenses for astrophotography, you can bring the stars and night skies to life like never before. Astrophotography isn't as difficult as you might think, but it is a discipline that requires the right kit – as well as a tripod and a camera with a decent-sized sensor, you need a wide-angle lens with a wide maximum aperture. 

Why a wide-angle? You want to be able to capture as much of the sky as possible, and a wide focal length will ensure the broadest possible perspective. You can use a zoom or a prime; a focal range of about 14-20mm is best (in full-frame terms, so that's about 10-14mm on APS-C or 7-10mm on Micro Four Thirds). 

A wide aperture is also necessary to allow the sensor to drink in as much light as possible, so that you can keep the ISO low and the shots clean. Using slow shutter speeds is also necessary for this, which is why you need that tripod we mentioned. We could say more, but check out our astrophotography tips (opens in new tab) and how-to guides (opens in new tab) if you need more tips.

We've split our guide into sections. First up we run through our favourite astrophotography lenses for multiple mounts, then we have specific sections for Canon, Nikon, Sony and Fujifilm shooters. But whatever system you're using, chances are good you'll be able to find a good astrophotography lens on this list.  

Now let's get to the best lenses for astrophotography!

Best lenses for astrophotography

Best multi mount lenses for astrophotography

(Image credit: Samyang)
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The best prime lens for astrophotography on Canon and Nikon DSLRs

Specifications

Mount: Canon EF, Nikon F
Full-frame compatible: Yes
Autofocus: No
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 114 degrees (Full-frame)
Dimensions (WxL): 87x106mm
Weight: 791g

Reasons to buy

+
Generous viewing angle
+
Superb image quality
+
Good build and handling

Reasons to avoid

-
Only for Canon and Nikon DSLRs 

From Korean manufacturer Samyang’s XP stable of premium manual-focus prime lenses for Canon and Nikon full-frame cameras, this 14mm f/2.4 is the most ideal for astrophotography. The lens is sold as the Rokinon SP 14mm f/2.4 (opens in new tab) in North America. The high-quality glass is neatly wrapped in a really solid casing. The rubberized manual focus ring gives a very assured grip and has a long rotational travel with a fluid feel. There’s no weather-seal ring on the mounting plate to guard against the ingress of dust and moisture. To be fair, though, if you’re photographing the Milky Way, you’ll need clear, dry and dust-free conditions.

In our review, we were hugely impressed by how well this lens maintained its image quality when wide open, which is hugely important for astrophotography. It's markedly better than Irix's rival 15mm f/2.4 Blackstone lens or a Sigma 14mm f/1.8 DG HSM Art. Sharpness is both very good and extremely consistent across the image frame. Chromatic aberrations are negligible, while coma and astigmatism are very minimal. Barrel distortion can be visible at close focus distances, but that's not an issue for astrophotography.

Maintaining excellent image quality a lens' widest aperture for astrophotography is a real challenge in an ultra-wide-angle optic, but this Samyang does exactly that – an admirable achievement.

(Image credit: Future)
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The best zoom lens for astrophotography with a DSLR

Specifications

Mount: Canon EF, Nikon F, Sigma
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 114 degrees (Full-frame)
Dimensions (WxL): 95x126mm
Weight: 1,150g

Reasons to buy

+
Focal length flexibility
+
Superb all-round image quality
+
Superb, weather-sealed build

Reasons to avoid

-
Price higher than most

Available in Canon EF and Nikon F mounts, this Sigma lens is up against own-brand legends like the Canon EF 16-35mm f/2.8L USM III and the Nikkor AF-S 14-24mm f/2.8G ED. It beats both of them for image quality and price. Build quality and handling are excellent, with a full set of weather-seals and a fluorine coating on the front element. The lens is also compatible with Sigma’s optional USB Dock for customisation and firmware updates.

In our review, we found we could produce images with this lens that were nothing short of outstanding. Even at the shortest focal length with the widest aperture, sharpness is excellent across the entire frame, and the lens does very well to retain excellent corner sharpness at wide apertures. Vignetting is remarkably minimal and though barrel distortion is prominent at close range, it's negligible for astrophotography. Lateral and spherical aberrations are also very well controlled.

For full-frame Canon and Nikon DSLRs, this is simply the best ultra-wide, fast-aperture zoom lens on the market, and not just for astrophotography.

(Image credit: Sigma)
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It's big and heavy, but a very classy ultra-wide with an extra-large max aperture

Specifications

Mount: Canon EF, Nikon F, Sony FE, Sigma
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 114 degrees (Full-frame)
Dimensions (WxL): 95x109mm
Weight: 1,170g

Reasons to buy

+
Fast AF
+
Fab sharpness, contrast and colour
+
Luxury build

Reasons to avoid

-
Big and heavy

This recently launched full-frame compatible prime lens for Canon and Nikon DSLRs, as well as Sony E-mount cameras is a full f/stop faster than most other lenses on this list, and it includes super-speedy ring-type ultrasonic autofocus. The wide aperture comes at a price, however: the large-diameter elements required are not only more expensive to make, they also result in a comparatively big and heavy build.

At least this lens is also big on performance. When we reviewed the lens we found the image quality to be fabulous, with exceptional sharpness for such a fast-aperture lens with an ultra-wide viewing angle. Equally impressive are contrast, colour rendition, and the absence of spherical and lateral chromatic aberrations. There is very noticeable coma and astigmatism towards the corners of the image frame, but go down one stop and these virtually disappear, making overall image quality for astrophotography altogether excellent.

(Image credit: Tamron)
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It's the best stabilized lens for Canon and Nikon DSLRs

Specifications

Mount: Canon EF, Nikon F
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: Yes
Diaphragm blades: 9
Max angle of view (diagonal): 110.5 degrees (Full-frame)
Dimensions (WxL): 96x135mm
Weight: 1,100g

Reasons to buy

+
Constant f/2.8 aperture
+
Fast, high-torque autofocus
+
Handles with smooth precision

Reasons to avoid

-
Mediocre off-centre sharpness

Unusually for a wide-angle zoom lens designed for Canon or Nikon DSLRs, this Tamron includes an optical stabiliser, with 4.5-stop effectiveness. That’s useful at dusk or indoors, but of zero benefit for long exposures in astrophotography, where it’s best switched off. Though there’s little change in the optical line-up, this updated G2 lens revision gains an additional anti-glare coating and a more durable fluorine coating on the front element. Unlike some similar zoom lenses, this Tamron has a large zoom ring at the front and a relatively small focus ring at the rear.

The lens delivers impressively little barrel distortion and vignetting at its shortest focal length. At 15mm from f/2.8 to f/4, sharpness is lacklustre outside the central region, but otherwise excellent. There's also a little more coma and astigmatism towards the corners of frame, while barrel distortion is average at close range and minimal for astro shooting.

Having given the lens a thorough testing in our review, we feel comfortable saying that the Tamron SP 15-30mm f/2.8 Di VC USD G2 is a solid performer and an improvement over the original. Its image stabilisation system works well for general use, though it isn’t of any benefit for astrophotography.

Sigma 20mm F2 DG DN | C lens mounted to Sony A7 camera, on tripod

(Image credit: Matthew Richards)
A Sony and L-mount lens with an impressive optical path

Specifications

Mount: Sony E, Leica L
Full-frame compatible: Yes
Autofocus: Stepping motor AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 95.5 degrees
Dimensions (WxL): 70x72mm
Weight: 370g

Reasons to buy

+
Metal-barrel construction
+
Excellent internal quality

Reasons to avoid

-
Distortion requires correcting
-
Vignetting at wide apertures

This is the widest lens in Sigma's growing range of I-series primes for Sony E-mount and Leica L-mount, and it's a solid choice for astro work. The optical path of the lens is particularly impressive, especially considering how small the lens is – 13 elements are somehow crammed in there, including three high-precision glass-molded aspherical elements, one SLD (Special Low Dispersion) element and one  FLD (Fluorite Low Dispersion) element. Then there's also Sigma's Super Multi-Layer Coating and Nano Porous Coating.

Therefore, as you might expect, the Sigma 20mm F2 DG DN | C performed very well in our testing, delivering excellent sharpness. We found that vignetting was a little severe when used at wider apertures than f/5.6, and there is some distortion that will require cleanup in software, but nothing ruinous. 

The 'C' or 'Contemporary' designator means it's a lightweight and portable lens – though this doesn't matter as much for astrophotography as it does for other disciplines, as you're always going to be tethered to your tripod. Still, the metal construction is pleasingly solid, and the addition of an aperture ring is welcome. 

(Image credit: Samyang)
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Using a crop-sensor camera? This is the lens for you, and it's awesome value

Specifications

Mount: Canon EF-S, Canon EF-M, Nikon DX, Sony E, Sony A, Fujifilm X, MFT, Pentax K, Samsung NX
Full-frame compatible: No
Autofocus: No
Stabiliser: No
Diaphragm blades: 6
Max angle of view (diagonal): 106 degrees (APS-C)
Dimensions (WxL): 76x98mm
Weight: 590g

Reasons to buy

+
Precise manual focusing
+
Solid build quality
+
Great value

Reasons to avoid

-
Average sharpness

This manual-focus Samyang has an astro-friendly ‘effective’ focal length on crop-sensor cameras, ranging from 15-16mm on APS-C format bodies to 20mm on Micro Four Thirds. It’s available in many mount options, but only the Nikon fit has built-in electronics. This enables the aperture to be set from the camera. Compared with most prime lenses for crop-sensor cameras, this one is unusual in combining a wide viewing angle with a fairly fast f/2.8 aperture.

Manual focusing is precise and assured. Build quality feels solid, but there are no weather-seals. Performance is good in terms of coma, spherical aberration and vignetting, helping stars to retain their natural shape across the image frame, even when shooting wide-open at f/2.8. Sharpness isn’t fabulous, however, but it doesn’t drop off much towards the edges of frame. Colour fringing can be more noticeable than usual towards the image corners, and there's a fairly typical amount of barrel distortion for this type of wide-angle prime.

This lens works well for Micro Four Thirds and APS-C format astrophotography, where the lack of autofocus isn’t really a drawback. It’s great value at the price. See our full Samyang 10mm f/2.8 ED AS NCS CS review (opens in new tab).

(Image credit: Irix)
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A great wide-angle prime for general shooting, but there are drawbacks for astrophotography

Specifications

Mount: Canon EF, Nikon F, Pentax K
Full-frame compatible: Yes
Autofocus: No
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 110 degrees (Full-frame)
Dimensions (WxL): 100x114mm
Weight: 685g

Reasons to buy

+
Solid build with florescent markings
+
Well-priced
+
Excellent centre-frame sharpness

Reasons to avoid

-
Lacklustre corner sharpness

Designed in Switzerland and built in Korea, the full-frame compatible Irix 15mm is available in Firefly and Blackstone options. They’re optically identical, but the Blackstone has a magnesium alloy rather than plastic casing, four weather-seals instead of three, and fluorescent engraved markings for easy reading. 

The lens is satisfying to operate, as we noted in our review. As a manual-focus lens, the focus ring has a smooth, precise operation and feels absolutely impeccable. A secondary ring enables you to lock the focus ring at any position. Another nice touch is that you can fine-tune the focus ring so that the distance scale is calibrated to your camera body.

Image quality is excellent, with minimal aberrations. Sharpness is excellent across most of the frame, even at the widest aperture. Vignetting isn’t too bad at f/2.4, but coma and astigmatism are pronounced, giving an irregular shape to stars. Both factors are improved by narrowing the aperture by an f/stop though.

This is a great wide-angle prime for general shooting, and comes at a very attractive price. Coma and astigmatism at the widest aperture are the only spoilers for astrophotography.

Best Canon lenses for astrophotography

(Image credit: Canon)
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A top quality - if rather pricey - wide-angle zoom for Canon DSLRs

Specifications

Mount: Canon EF
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 108 degrees (Full-frame)
Dimensions (WxL): 89x128mm
Weight: 790g

Reasons to buy

+
Top build quality
+
Fast, accurate AF
+
Weather-resistant

Reasons to avoid

-
Corner sharpness nothing special

If you own a full-frame Canon DSLR, this is Canon’s most ideal zoom lens for astrophotography. It may not be as wide-angle as the company's EF 11-24mm f/4L USM, but it's an all-important f-stop faster. The maximum viewing angle is admittedly slightly less than the 14mm and 15mm full-frame on this list, equating to 108 degrees compared with 114 or 110 degrees.

This lens gains a large and complex double-surface GMO (Glass Moulded) aspherical element at the front, adding to two UD (Ultra-low Dispersion) elements and a ground aspherical element at the rear. Upgraded, high-tech coatings include both SWC (SubWavelength Coating) and ASC (Air Sphere Coating) for greater resistance to ghosting and flare. Weather-resistant attributes are extended to include moisture- and grease-repellent fluorine coatings on the front and rear elements. The lens is quite long at 128mm, considering that it doesn’t have a built-in fixed hood. Unlike with some rival lenses, the separate bayonet-fit hood enables the easy attachment of filters, via an 82mm thread. Build quality is up to Canon’s usual robust L-series standards.

We tested the Canon EF 16-35mm f/2.8L USM III in our lab, and found sharpness and contrast to be exceptionally impressive across the zoom range. The Mk III has much-improved corner sharpness compared with the previous edition, but still lags behind the competing Sigma 14-24mm zoom. There’s very little spherical aberration at f/2.8, but coma and astigmatism can be quite visible near the extreme corners of the frame.

(Image credit: Future)
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A pro-spec constant-aperture f/2.8 ultra-wide zoom for EOS R cameras

Specifications

Mount: Canon RF
Full-frame compatible: Yes
Autofocus: Nano USM
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 110 degrees (Full-frame)
Dimensions (WxL): 88.5x127mm
Weight: 840g

Reasons to buy

+
5-stop Image Stabilizer
+
Smaller than EF equivalent
+
No apparent distortion

Reasons to avoid

-
Edge definition average

If you've got an EOS R5 or R6 and want to do astrophotography, this is the dedicated lens for you. It's no surprise when you look at the focal range and maximum aperture available to find out that this is a big and heavy lens. It just about balances okay on one of Canon's mirrorless cameras, but should be less of an issue for astrophotographers. A nice touch is the separate hood that means it's possible to attach filters if desired via an 82mm filter thread, while there's also built-in IS. 

We found the focusing performance of the Canon RF 15-35mm f/2.8L IS USM to be brilliant in testing, with the lens enjoying a Nano Ultrasonic AF system for virtually silent focusing. Oh, and did we mention that stellar image quality? A brilliant lens, but it does come with a hefty price tag.

Best Nikon lenses for astrophotography

(Image credit: Nikon)
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It may be over a decade old, but this is still the best own-brand Nikon ultra-wide

Specifications

Mount: Nikon F
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 114 degrees (Full-frame)
Dimensions (WxL): 98x132mm
Weight: 1,000g

Reasons to buy

+
Wide viewing angle and fast aperture
+
Useful zoom range
+
Great build

Reasons to avoid

-
Vignetting and distortion at 14mm

With its ultra-wide zoom range and fast, constant-aperture design, this Nikon FX-format lens was a world-first when it was launched back in 2008. It’s become something of a legend in its own lifetime, but struggles to retain its crown against new Sigma 14-24mm and Tamron 15-30mm pretenders to the throne. The Nikon matches the Sigma zoom lens for maximum viewing angle and is slightly wider than the Tamron.

Optical highlights include two ED (Extra-low Dispersion) elements and Nano Crystal Coat. A rubber weather-seal is featured on the mounting plate but the lens lacks a comprehensive set of weather-seals or a keep-clean fluorine coating on the front element, as featured on the Sigma and Tamron lenses.

Centre-sharpness is excellent but corner-sharpness at the shortest focal length and widest aperture lags behind that of the Sigma zoom, more on a par with the Tamron. Vignetting and barrel distortion are rather worse than in both other lenses. Coma and astigmatism are controlled very well, again similar to the Tamron lens but not quite equaling the performance of the Sigma.

(Image credit: Future)
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No-compromise wide-angle zoom for Z5, Z6, Z7 & Z9

Specifications

Mount: Z FX
Autofocus: Pulse (stepping motor)
Stabilizer: None
Min focus distance: 0.28m
Max magnification: 0.13x
Filter thread: 112mm (plus rear filter slot)
Dimensions (WxL): 88x124.5mm
Weight: 650g

Reasons to buy

+
Uncompromising optics and coatings
+
Fast constant aperture
+
Fully weather sealed

Reasons to avoid

-
Twice the price of Z 14-30mm f/4 S
-
No VR

The Nikkor Z 14-24mm f/2.8 S is Nikon's latest effort to attract pros to the Z mount system. Completing the holy trinity of fast f/2.8 S-line zooms, it slots in neatly next to the Nikkor Z 24-70mm f/2.8 S and promises uncompromising wide-angle image quality. The 16-element optical stack includes 3 aspherical elements, along with Nikon’s Nano Crystal and ARNEO Coat for reducing ghosting and flare. 

As you might expect, Nikon went all guns blazing with the design of this lens to try and sway photographers to the Z mount. As such, the build, handling and image quality of this lens are all absolutely top-tier. Copiously weather-sealed, with scintillating sharpness, this is a lens for those who demand the best (and it comes with the kind of price tag you might expect).

The front element gets a smear-resistant fluorine coating, and the lens is fully weather sealed. Add the included HB-98 lens hood and huge 112mm filters can be used - Nikon offers Neutral Color and Circular Polarizer options.

Best Sony lenses for astrophotography

(Image credit: Sony)
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A stunning lens for astrophotography, but it comes at a price

Specifications

Mount: Sony FE
Full-frame compatible: Yes
Autofocus: Linear motor AF
Stabiliser: No
Diaphragm blades: 9
Max angle of view (diagonal): 122-84 degrees (Full-frame)
Dimensions (WxL): 98x137mm
Weight: 847g

Reasons to buy

+
Impressive image quality
+
Impeccable handling
+
Ultra-wide maximum viewing angle

Reasons to avoid

-
Expensive option

Only until recently, the FE 12-24mm f/4 G (opens in new tab) has been Sony’s most wide-angle zoom. However, with a constant maximum aperture of f/4, it isn't suited to astrophotography. Step forward the Sony FE 12-24mm f/2.8 G Master. We tested out this lens both in our lab and out in the field, and completely fell in love. Its impeccable image quality and ultra-wide viewing angle makes it an outstanding choice for astrophotography.

Boasting a diagonal coverage up to an incredible 122 degrees, while also delivering a fast and constant f/2.8 aperture, this combination makes it the world’s fastest lens in its class. There's no getting away from the hefty price, but this is a lens that delivers supreme image quality, while the AF system is quick, smooth and quiet. Factor in the lovely handling and rock-solid build quality and this is a stunning lens.

(Image credit: Tokina)
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An astrophotography lens exclusively for Sony E-mount cameras

Specifications

Mount: Sony FE
Full-frame compatible: Yes
Autofocus: Ring-type ultrasonic AF
Stabiliser: yes
Diaphragm blades: 9
Max angle of view (diagonal): 92 degrees (Full-frame)
Dimensions (WxL): 89x92mm
Weight: 464g

Reasons to buy

+
Fast AF useful for general shooting
+
Great centre sharpness
+
Minimal distortion

Reasons to avoid

-
Focal length relatively restrictive

Designed for full-frame Sony E-mount cameras, the Firin 20mm is available in two versions, either with or without autofocus. This 'AF' autofocus version looks clean, simple and in-keeping with Sony mirrorless cameras. Autofocus is reasonably quick and generally very accurate. It’s definitely worth having for general shooting. When focusing manually, the large focus ring operates with smooth precision. Compared with the other lenses on this list, the Firin has a reduced viewing angle of 92 degrees, but its f/2 aperture rating is faster than average.

Shooting wide-open, coma and astigmatism are apparent towards the corners of frame, but narrowing the aperture by an f/stop cures the problem. However there's no cure for the disappointing corner sharpness, which is especially poor until you stop down to f/4. There’s remarkably little colour fringing, even at the extreme corners of the frame, and distortion is practically non-existent.

Overall the Firin is a fine lens, although its viewing angle can feel a little restrictive for astrophotography. See our full Tokina Firin 20mm f2 AF review (opens in new tab).

Best Fujifilm lenses for astrophotography

(Image credit: Digital Camera World)
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The widest lens in Fujifilm's X line-up (or anyone else's) but pricey

Specifications

Mount: Fujifilm X-mount
Elements/groups: 20/13
Diaphragm blades: 9
Autofocus: Linear motors
Stabilizer: No
Min focus distance: 0.25m
Max magnification: 0.1x
Filter thread: n/a
Dimensions (WxL): 88x121.5mm
Weight: 805g

Reasons to buy

+
Amazing wide field of view
+
Fully weather sealed

Reasons to avoid

-
Big and hefty
-
Can't take screw-in filters

In 2019, Fujifilm debuted its widest lens yet, the Fujifilm 8-16mm f2.8 XF R LM WR Fujinon Lens. Its size and price tag put it firmly in the same camp as the pro optics; weighing more than 800g, when it's paired with one of the larger cameras like the X-T3, this lens makes for a setup that calls the mirrorless reputation for lightness into question. Don't get us wrong though, this is a fantastic lens, as we noted in our full review. 

A sophisticated optical construction ensures pin-sharp image quality, while it also has an extra f-stop over its nearest comparison point in the X stable, the 10-24mm (see below). It's worth being aware that the lens lacks optical image stabilisation of any kind, and its wide front makes it incompatible with screw-in filters. Nevertheless, this is as wide as ultra-wide zooms get, with a full frame equivalent focal length of just 12mm at its widest setting!

(Image credit: Rod Lawton/Digital Camera World)
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This ultra-fast wideangle is optically brilliant

Specifications

Mount: Fujifilm X-mount
Elements/groups: 15/9
Diaphragm blades: 9
Stabilizer: No
Min focus distance: 0.2m
Max magnification: 0.15x
Filter thread: 62mm
Dimensions (WxL): 68.8x75.6mm
Weight: 370g

Reasons to buy

+
Fast f/1.4 maximum aperture
+
Physical aperture ring
+
Powerful linear AF motor

Reasons to avoid

-
Very close in spec to the XF16mmF1.4
-
Internal 'clonking' when powered down

This is a pretty compact and lightweight lens for a wide-angle f/1.4, and boasts a really neat design and an everyday 62mm filter mount. The optical performance is stellar, even wide open, though there is already a 16mm f/1.4 in the Fujinon lens range, so it feels as if this lens is squeezing into a gap that isn't quite there. 

There's no image stabilization, which we wouldn't expect in a fast prime anyway, but when we tested the lens we did find that there is an annoying 'clonking' sound from what we think is the AF actuator when the lens is removed from the camera and its AF system is not being powered.

How we test lenses

We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.

Read more:

How to improve your astrophotography: tips, tricks and techniques (opens in new tab)
Astrophotography tools: the best camera, lenses and gear for shooting the night sky (opens in new tab)
The best fisheye lenses (opens in new tab)
The best binoculars (opens in new tab)
The best telescopes for astrophotography (opens in new tab)
The best CCD cameras for astrophotography (opens in new tab)
The best star trackers for astrophotography (opens in new tab)
Best head torch (opens in new tab)

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Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! 


His expertise with equipment doesn’t end there, though. He is also an encyclopedia  when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. 


In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.