14 photo editing tips and tricks every landscape photographer must know

    | Landscape | Photography Tips | 12/06/2013 00:01am
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    Essential photo editing tricks for landscapes: 13 The key to editing in black and white

    Essential photo editing tricks for landscapes: 13 The key to editing in black and white

    Image by Paul Gallagher

    Pro photographer Paul Gallagher says

    When it comes to post-processing, I like to break up my images into individual components the same way you used to do when scanning negatives.

    I always have a plan of what I want to do before I start editing, and I calculate this by looking at each individual zone of an image – it might be the sky or a mountainside, or a stream in the foreground – and try to remember what it was like when I was stood on that mountainside and how the light fell.

    The goal of my post-processing is for each component of the image to blend into each other. I may want to bring whites down in the sky, or increase the contrast on the mountainside.

    The camera has done its job, but not even the histogram is perfect. Taking the picture isn’t the end of the journey.

    I went to print school for two years to learn how to print photos, and I’ve carried that knowledge over into Photoshop.

    One of the big problems I see with landscapes is an over-reliance on plug-ins and presets. I think people can get carried away with a program sometimes, particularly when using a plug-in that gives you a very specific look.

    What happens is that people can then identify a plug-in from your finished look, and stop seeing the image you intended to create.

    By dividing my images up into zones, I feel I get a better representation of tones.

    I start by pre-sharpening in Camera Raw because its controls are incredibly refined. I then add a little bit of clarity, looking at the blacks and whites to see if I can push these or bring them in, and try to get the histogram as nice as I can get it.

    I then open the image in Photoshop, where I’ll use simple selections and Curves adjustments. I prefer to use Curves over Levels to darken or lighten areas because it’s far more precise.

    It allows me to get finer tonal adjustments. I find Levels will pull the blacks and whites too much.

    I won’t try to reach my finished look in one go. I make adjustments in increments – most of my images have five or six Adjustment Layers.

    To help my image’s zones blend together I may darken one component’s nearest neighbour to make that component look brighter in contrast.

    This is why breaking the image down into pieces and studying their relationships is vital.

    See more of Paul’s work

    PAGE 01 Master HDR
    PAGE 02 Blend raw exposures
    PAGE 03 Combine several photos into panoramas
    PAGE 04 Reveal more detail with Layer Masks
    PAGE 05 Control the tonal range
    PAGE 06 How to make light rays
    PAGE 07 Use Lightroom’s Adjustment Brush
    PAGE 08 Use Selective Adjustments
    PAGE 09 How to use focus stacking
    PAGE 10 Make a ‘Dotscape’
    PAGE 11 Make a surreal scene
    PAGE 12 Light painting
    PAGE 13 The key to editing in black and white
    PAGE 14 Raw tonal control

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    Posted on Wednesday, June 12th, 2013 at 12:01 am under Landscape, Photography Tips.

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