When picking the best lenses for the Nikon Zf we wanted to keep in mind its price, its size, its retro styling and the kind of photographers who might be drawn to it. If you’re interested in sports of wildlife, you would probably choose the Nikon Z6 II, Z8 or Z9 instead, while if you’re more concerned with practicality, versatility and value, the Nikon Z5 might be a better bet.
The Nikon Zf is a different kind of camera, and one that you will probably choose with your heart as much as your head. It does have some of Nikon’s latest autofocus and video technologies, and is one of the best Nikon cameras to buy right now, but if you’re just as interested in how a camera looks and feels, then you’ll be interested in the best retro cameras too.
So we’re not simply repeating a list of the best Nikon Z lenses all round. Instead, we’re picking out the ones that we think go particularly well with the Nikon Zf, its design and its price point. And these are the lenses we think best fit the bill.
Rod Lawton
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews Editor. He has used practically every interchangeable-lens camera launched in the past 20 years, from entry-level DSLRs to medium-format cameras, so he has the expertise to select the best Nikon lenses for you.
Get close to tiny subjects and shoot them at life size with this macro prime. It’s a handy everyday lens too. Read more below…
Best lenses for the Nikon Zf in 2024
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The Z 24-70mm f/4 S is one of the first lenses Nikon released for the full-frame Z system, and it’s still one of the best. Its retracting design makes it very compact for a lens of this focal range, and a good match for the Nikon Zf body.
The constant f/4 maximum aperture is one stop slower than Nikon’s pro-spec 24-70mm f/2.8, but that is a massively larger lens that costs a lot more money, and a lot of the time f/4 is going to be fine. Besides, the Zf has an excellent in-body stabilization system to handle slower shutter speeds.
There are other kit lens options for the Nikon Zf. The Nikon Z 24-50mm is even smaller, while the Nikon Z 24-120mm and Nikon Z 24-200mm have longer zoom ranges – but the 24-70mm f/4 still gets our vote.
Here’s an early Z-mount Nikkor lens that we really rate. It’s a constant f/4 lens rather than Nikon’s later f/2.8 pro lens, but it’s far smaller, far less expensive and a much better match for the Nikon Zf body.
The 14mm minimum focal length is very wide indeed on a full frame camera, while the 30mm maximum focal length makes this a practical walkaround lens too, especially for travel photography where you’re often photographing narrow streets, tall buildings and spectacular interiors. Like the Nikkor Z 24-70mm, this lens has a retracting mechanism to make it extra-portable. It also has excellent optical performance.
The Z 28mm f/2.8 first made an appearance with the launch of the APS-C Nikon Z fc, where it acted as a 42mm ‘standard’ prime thanks to the smaller sensor’s crop factor. However, it is a full-frame lens, so it works perfectly well on the Nikon Zf.
It comes in two versions – a ‘plain’ version, which is a little cheaper, and this ‘SE’ version, which mirrors the retro styling of the Nikon Zf. This costs just a little more, but it’s the one we’d go for, even though it’s optically identical.
The 28mm focal length isn’t the widest, and the f/2.8 maximum aperture isn’t the fastest, but this is a very attractive, very compact and very affordable lens for any Nikon Zf owners who want to dabble in street photography with a light and inconspicuous setup. This lens doesn’t have a VR (Vibration Reduction) system, but while that might be a drawback on the smaller Z fc, the Nikon Zf has in-body stabilization.
Here’s another compact Nikon Z-mount prime lens available in two versions. We reviewed the regular ‘vanilla’ model, and this is the one that’s being sold as a bundle with the Zf by many retailers, but there’s also an ‘SE’ version which has the same retro styling as the Z 28mm f/2.8 SE.
The 40mm focal length of this lens is a little wider than the 50mm most consider ‘standard’, but it’s only a little longer than semi-wide 35mm lenses, which are equally popular – 40mm is a surprisingly useful focal length. The f/2 maximum aperture might seem modest compared to the f/1.8 or f/1.4 of many rival lenses, but it’s plenty for everyday use, and helps create this lens’s appeal – its small size and its low cost.
There’s nothing to stop you taking portraits with any lens, but ‘portrait’ lenses like the Z 85mm f/1.8 S are specially made for the job. The 85mm focal length means you stand slightly further away from your subject, which reduces the effects of perspective and is much more flattering, while a fast maximum aperture means you can blur backgrounds more effectively and get better subject separation.
Nikon does also make a Z 85mm f/1.2, but it’s not just massively more expensive, but massive all round, and we reckon the f/1.8 version is much more practical for use on the Nikon Zf.
Choosing the best telephoto zoom for the Nikon Zf is slightly trickier than some of the other recommendations in this list. The Z 100-400mm f/4.5-5.6 VR S is a superb lens which offers a very flexible range of focal lengths and extra stabilization from its own VR mechanism, which works in tandem with the in-body stabilization of the Nikon Zf itself. It is, however, a big and expensive lens, so it’s definitely a premium purchase.
You might also want to look at the Nikon Z 180-600mm, which has a longer range and costs rather less. However, as sports and wildlife fans already know, high-quality telephoto zooms don’t come cheap.
If you’re into close-ups, you’re going to need a macro lens, as regular lenses just won’t focus close enough. A ‘macro’ lens, however, can focus so close that objects are reproduced at their actual size on the image sensor, so if you find an insect 36mm long, for example (eek!) it will completely fill the width of the frame. The only disadvantage with this lens is that its focal length of 50mm means you do have to get quite close to your subjects at maximum magnification.
Nikon does make a larger Nikon Z MC 105mm f/2.8 macro lens that lets you shoot from further away, but the 50mm version is smaller, lighter and a lot less expensive – and you can even use it as a ‘standard’ 50mm prime for everyday photography.
The Zf uses the Nikon Z mount and is compatible with all lenses designed for that mount. Nikon’s own Z-mount lenses all have Z at the start of their model names.
Some Z-mount lenses are designed for use with APS-C format cameras rather than full-frame cameras such as the Zf. Nikon lenses that fall into this category have DX as part of their model names. While they physically fit on the Zf, these lenses produce a cropped image, so they’re not ideal. None of the lenses in this guide is a DX-format lens.
If you are buying a third-party lens for the Zf, always check that it is designed for full-frame (or FX) Nikon Z cameras, rather than APS-C (or DX) Nikons.
The Z5 is also able to use F-mount lenses, which are made for use with Nikon’s DSLR cameras. For this, you need an adaptor such as the Nikon Mount Adapter FTZ II. The idea is that owners of older DLSR cameras can buy a Z camera and still use their old lenses.
How do I know which lens to get for my Zf?
The reason there are so many types of lens in the first place is that different scenes demand different lens designs, particularly when it comes to focal length and aperture rating.
Usually, you will decide what you want to photograph, then get a lens with the focal length that suits the situation. For example, to shoot landscapes you will need a wide-angle lens, while for sports and wildlife you will need a telephoto.
The lens experts in our testing lab run a range of tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.
We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the centre of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths.
There's more to it than just the technical side, though! Beyond the lab, our reviewers test lenses in real-world environments – and sometimes on professional shoots! We work with lenses both indoors and outdoors, in studio conditions and in natural light, with as many different subjects as is possible (or appropriate – there's no point testing a landscape lens' ability to shoot a portrait!).
We take into account everything from handling and ease of use to speed of autofocus and the overall quality of the images produced.
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com
