Nikon Z MC 105mm f/2.8 VR S review

A stunner of a macro lens, the MC 105mm boasts a feast of exotic features and top-drawer performance

5 Star Rating
Nikon Z MC 105mm f/2.8 VR S
(Image: © Future)

Digital Camera World Verdict

Nikon’s MC 105mm is something special. Sublime image quality for both general shooting and extreme close-ups is backed up by a super-fast and highly accurate autofocus system, along with highly effective optical VR (Vibration Reduction) that can work in tandem with the in-body stabilizers of Nikon’s full-frame Z-series cameras. Handling exotica includes a multi-function OLED display, a customizable Lens-function button and control ring, plus an autofocus range limiter, along with an electronically coupled focus ring that enables ultra-fine adjustments. Everything’s wrapped up in a tough, weather-sealed construction. Image quality, all-round performance and handling are simply sensational.


  • +

    Spectacular all-round performance

  • +

    Pro-grade build quality and handling

  • +

    4.5-stop optical VR


  • -

    Costs 50 per cent more to buy than Nikon’s Z MC 50mm lens, but well worth the extra outlay

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Building on the success of Nikon’s AF-S VR Micro 105mm f/2.8G macro lens for F-mount DSLRs, this new Z-mount lens takes everything to a new level. While it delivers the same full 1.0x macro magnification at its closest focus distance of 0.29m, it has an uprated optical VR system that boosts effectiveness from 3-stops to 4.5-stops. It also adds a feast of handling finery as well as delivering a mighty upgrade in image quality. 

The lens costs about 50 per cent more to buy than the Nikon Z MC 50mm f/2.8, which was launched at the same time, but the 105mm is a properly pro-grade lens, more than worthy of its place in the S-line stable, and a much more serious tool for macro photography.


Mount: Nikon Z
Full frame: Yes
Image stabilization: Yes
Autofocus: Yes
Lens construction: 16 elements in 11 groups
Angle of view: 23 degrees
Diaphragm blades: 9
Minimum aperture: f/32-51
Minimum focusing distance: 0.29m
Maximum magnification ratio: 1.0x
Filter size: 62mm
Dimensions: 85x140mm
Weight: 630g

Key features

(Image credit: Future)

Nikon has packed a wealth of features into this lens, which has a 105mm focal length that’s favored by most macro photographers. The lens certainly isn’t confined to extreme close-up shooting, however, and works equally well as a fast, short telephoto optic for portraiture and general shooting.

The optical path is top-notch, featuring one aspherical element and three ED (Extra-low Dispersion) elements, in a total line-up of 16 elements in 11 groups. Unlike in the Z MC 50mm lens, the focusing mechanism is fully internal, so the physical length remains fixed throughout the entire focus range, rather than extending at shorter focus distances. Autofocus is driven by a Dual-Motor Multi-Focus STM system, which is not only super-fast and virtually silent in operation, but also helps to minimize chromatic aberrations. Both Nano Crystal Coat and ARNEO coating are used to keep ghosting and flare to a minimum, while a fluorine coating on the front element repels moisture and grease.

The optical VR system is similarly impressive, driven by voice-coil motors and delivering 4.5-stop effectiveness, at least in general shooting. As with any optically stabilized macro lens, however, the effectiveness drops off at very close focus distances.

Build and handling

The lens is comprehensively weather-sealed and has a really pro-grade feel to it, matching the standard set by the Nikon’s top-end ‘trinity’ Z-mount zooms including the Z 14-24mm f/2.8 S, Z 24-70mm f/2.8 S and Z 70-200mm f/2.8 VR S. Further similarities with these lenses include a useful range of handling extras. There’s a customizable control ring which you can assign to the likes of aperture, exposure compensation and ISO. You also get a customizable Lens-function button and a multi-function OLED display, which can show focus distance, depth of field markers and aperture setting.

The electronically coupled focus ring enables ultra-fine adjustments which are often necessary in extreme close-up shooting. Another neat customization extra is that, when using the lens on a Z-mount camera launched after October 2020, you can reverse the operational direction of the focus ring if you feel the need. There’s a focus range limiter which can lock out the short section between 0.29m and 0.5m.

For shooting extreme close-up, the working distance between the front of the lens and the object you’re shooting is a useful 15cm or 6 inches. That’s a lot more practical than the 5cm or 2 inches of the Z MC 50mm lens.


Performance is simply stunning in all respects. The autofocus system is incredibly agile for a macro lens and unerringly accurate with excellent consistency for both macro and general shooting. The optical VR lives up to its 4.5-stop billing and the wealth of customizable controls helps to simply ‘get the shot’ every time.

Image quality is sumptuous. Not only is this lens razor-sharp, but the supreme levels of sharpness are maintained from the centre right out to the extreme edges and corners of the image frame. Both axial and lateral chromatic aberrations are virtually non-existent, while the merest hint of barrel distortion is practically undetectable, even without using in-camera corrections. The dual coatings help to ensure that ghosting and flare are kept to an absolute minimum.

Sample photos

Exif: Nikon Z 6II + Nikon Z MC 105mm (1/60th sec, f/11, ISO 200) At the closest focus distance, depth of field is minimal even at f/11. You’ll notice that even though the face of this wristwatch is pin-sharp, the minute and second hands are progressively defocused. (Image credit: Future)

Exif: Nikon Z 6II + Nikon Z MC 105mm (1/5th sec, f/16, ISO 200) Sharpness remains amazing even at a very narrow aperture of f/16, helping to reveal even the tiniest details in these colored pencils. (Image credit: Future)

Exif: Nikon Z 6II + Nikon Z MC 105mm (1/10th sec, f/11, ISO 200) For three-dimensional objects like this strawberry, only a small part will be rendered sharply when in full 1.0x macro mode, so you need to focus selectively. (Image credit: Future)

Exif: Nikon Z 6II + Nikon Z MC 105mm (1/1600th sec, f/3, ISO 200) Equally useful for portraiture and other occasions when you want to isolate the main subject by blurring the background, the lens delivers pleasantly smooth bokeh. (Image credit: Future)

Lab data

We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.

We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the centre of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing (chromatic aberration).


(Image credit: Future)

Sharpness is massively impressive, not only at the centre of the frame but right out to the extreme edges and corners. And that holds true throughout the entire aperture range.


(Image credit: Future)

Both axial and lateral chromatic aberrations are virtually non-existent, even with in-camera corrections switched off.

Distortion: -0.6

There’s only a barely perceptible amount of barrel distortion, which will practically always go unnoticed, and in-camera correction is available anyway.


A truly versatile lens, the MC 105mm works brilliantly for everything from sports and wildlife photography, through portraiture and landscape, to extreme close-ups, where its 1.0x magnification factor reveals near-microscopic levels of fine detail. It’s a tough, weather-sealed lens that has refined handling characteristics and a host of customizable extras. All in all, it’s one of the finest Nikon Z lenses that we’ve seen to date, and that’s really saying something.

Read more:

The best Nikon cameras
The best Nikon lenses
The best macro lenses
Best ringflash for macro photography
The best tripods

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Matthew Richards

Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! 

His expertise with equipment doesn’t end there, though. He is also an encyclopedia  when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. 

In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.