The Fujifilm X-T5 is one of the company’s most impressive cameras to date. It manages to combine just about all the most desirable features of Fujifilm’s X-mount cameras and roll them into one. So choosing the best lenses for the Fujifilm X-T5 is all the more important because they need to match what this camera can do and live up to the resolution of its 40MP sensor.
Of course, that 40MP sensor will show up the slightest optical weakness in the lenses you use. Fujifilm has indicated a list of 20 lenses that resolve all 40.2MP from the Fujifilm X-H2 (which has the same sensor). We’ve taken this into account when compiling our list.
So it’s not as simple as reeling off a list of the best Fujifilm lenses right now. We wanted to pick lenses with the optical quality to do the X-T5 justice, but which were also suited to this camera’s design and handling and its likely audience. We haven’t included a lot of Fujifilm’s more extreme telephotos, for example, because we think photographers who need these are more likely to gravitate towards the high-speed Fujifilm X-H2S.
What we have included is our pick of top-quality professional zooms and premium-quality primes. These are lenses that we think will appeal to the kind of buyer attracted to the X-T5 – the zooms geared towards all-round photography and the primes chosen to reflect the X-T5’s traditional exposure controls.
Rod Lawton
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews Editor. He has used practically every interchangeable-lens camera launched in the past 20 years, from entry-level DSLRs to medium-format cameras, so he has the expertise to select the best Fujifilm lenses for you.
This zoom hits the sweet spot for everyday shooting, with a versatile focal length range, a wide constant aperture for low light, and pro-level sharp. Although it is one of the priciest optics on this list.
This zoom gives the equivalent of the classic 70-200mm telephoto, handling everything from portraits to sports. However, this big lens pushes the grip comfort of the X-T5 to its limits.
This affordable telephoto has a generous reach that gets you close to wildlife and sports, it's compact for its focal length, with weather sealing to handle the elements. But, you can get slightly sharper results with shorter ranges.
This is a relatively big wide-angle that delivers big images, with an epic viewing angle and a wide aperture to handle the fading light. If you need the best quality wide lens for your X-T5, then this is it.
If you want an extremely wide lens that is both compact and affordable then this 8mm lens ticks all the right boxes. This lightweight prime lens still manages to squeeze in an aperture ring and focus ring.
On the X-T5, this prime has the feel of a classic 35mm street lens, with handling bonuses that include an aperture ring and weather sealing, as well as Fujifilm's quickest autofocus motors for on-the-go snaps.
If you are looking for the classic 50mm focal length, with the X-T5's crop this is your best option. With a wide aperture, a physical aperture ring, and a responsive autofocus system, what’s not to love about this prime lens?
This prime gives you the effective focal length of a classic portrait lens on the X-T5, with a super-wide aperture to achieve dreamy bokeh and classic background falloff. It can also survive use outdoors with weather sealing.
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The X-T5 is one of Fujifilm’s flagship cameras, so it makes sense to consider its flagship standard zoom. The XF 16-55mm f/2.8 R LM WR does the same job on the X-T5 as a 24-70mm f/2.8 would on a full frame camera, with slightly longer reach (82.5mm equivalent) at the longer end of the zoom range. It’s an excellent lens, though it’s also a big one, and while the cost is certainly lower than a full frame equivalent, you’re not really saving anything in weight and bulk.
This is one of Fujifilm’s highest performing ‘red badge’ lenses. Naturally, you get an aperture ring, though no in-built image stabilization. The X-T5, however, has its own in-body stabilization system.
With an equivalent focal range of 75-210mm, the XF 50-140mm f/2.8 R LM OIS WR is equivalent to the 70-200mm f/2.8 lenses favored by professionals. One of Fujifilm’s ‘red badge’ lenses, it’s perfect not just for short-medium range sports photography, but portrait and even photography too – though it doesn’t offer a particularly close minimum focus distance, so it’s not ideal for smaller wildlife subjects.
The XF 50-140mm f/2.8 delivers excellent optical performance at a very competitive price – although, as with Fujifilm’s other ‘trinity’ lenses, you don’t really save a lot of weight or bulk compared to a full frame equivalent.
If you’re into sports and wildlife photography, the XF 70-300mm f/4-5.6 R LM OIS WR offers good telephoto reach (up to 450mm equivalent) at an affordable price. There are better telephotos in the Fujifilm range, but at much higher prices, and we’d guess that while anyone really serious about sports and wildlife would gravitate towards these, they’d probably be more likely to go for the X-H2S than the X-T5.
The XF 70-300mm f/4-5.6 is not a small lens, but it handles nicely, it’s weather sealed, has in-built optical stabilization and is compatible with Fujifim’s teleconverters, so you can increase its range still further.
Fujifilm also makes an XF 10-24mm f/4 lens that’s a little cheaper and lighter than this one, but we’d still recommend the Fujinon XF 8-16mm f/2.8 R LM WR for all-round professional quality.
The XF 8-16mm isn’t just significantly wider than the 10-24mm lens, it’s a stop faster and has better optical quality too. With an effective focal range of 12-24mm, it fits in nicely with the XF 16-55mm lens if you have that too. Not only that, it’s half the price of equivalent lenses for full frame camera systems – it is not, however, half the size. This is a big lens.
The traditional styling and external exposure controls are amongst the key reasons why enthusiasts will choose the X-T5, so it makes sense to choose lenses that reflect this classic camera handling.
The Fujifilm Fujinon XF 8mm f/3.5 R WR lens is an excellent addition to your Fujifilm X-T5 kit if you are looking for an ultra-wide-angle lens with high performance. Its 8mm focal length provides a 120-degree field of view, making it perfect for dramatic landscape shots, architectural photography, and creative compositions.
The lens is lightweight, weather-resistant, and compact, making it a great travel companion. It delivers sharpness across the frame with minimal distortion and chromatic aberration, even in challenging lighting conditions. The robust build and reliable autofocus also offer great results for shooting video.
Fans of street photography should take a look at the XF 23mm f/1.4 R LM WR. It offers a fast maximum aperture, fast and silent AF and has an effective 35mm focal length. Like Fujifilm’s other new f/1.4 primes, it delivers superb optical performance, it has a neat, unfussy design and it’s weather sealed too. You get a physical aperture ring too, but these newer primes don’t have distance scales – although in MF mode the camera can display both the focus distance and depth of field indicators.
This is another terrific prime from Fujifilm at a competitive price. It’s fairly long in the body for a 23mm APS-C prime, but it is a lot smaller than a 35mm f/1.4 for a full frame camera.
The XF 33mm f/1.4 R LM WR has an effective focal length of 49.5mm in full frame camera terms or, as near as makes no difference, 50mm. You probably wouldn’t choose this lens and the XF 23mm as they are fairly close in their angles of view, but it could be a good lens to pair with the XF 18mm.
As usual with this crop of new f/1.4 LM lenses, the XF 33mm f/1.4 produces excellent image quality, with fast and quiet autofocus, weather sealing and a physical aperture ring. For X-T5 owners who are fans of the 50mm focal length, this is a no-brainer.
Every lens range needs a professional quality ‘portrait’ lens, and this is Fujifilm’s. The XF 56mm f/1.2 R WR effectively replaces the older APD and non-APD lenses – the APD lens used an apodization element to enhance bokeh, but Fujifilm has clearly decided its newer lens doesn’t need any help. The image quality is excellent, even wide open and right to the edges of the frame.
If you want a classic portrait lens for your X-T5, the XF 56mm f/1.2 is perfect, offering the equivalent of 84mm in full frame camera terms. Its super-fast f/1.2 maximum aperture also gives similar depth of field to an 85mm f/1.8 portrait lens on full frame.
The X-T5 uses the Fujifilm X-mount, which means it works with all lenses designed for X-series cameras. The model names of Fujifilm’s own X-mount lenses begin with XF or XC (as well as MKX for cine lenses). If you are buying a third-party lens for the X-T5, check that it is made for the Fujifilm X series.
The X-T5 has an APS-C image sensor, so it doesn’t capture the entire picture coming through the lens in the way a full-frame camera does. To get a sense of the type of photo a given lens should capture on the X-T5, multiply its focal length by 1.5.
For example, the Fujfilm XF 56mm lens has roughly the same field of view as an 84mm lens on a full-frame camera.
How do I know which lens to get for my X-T5?
The reason there are so many types of lens in the first place is that different scenes demand different lens designs, particularly when it comes to focal length and aperture rating.
Usually, you will decide what you want to photograph, then get a lens with the focal length that suits the situation. For example, to shoot landscapes you will need a wide-angle lens, while for sports and wildlife you will need a telephoto.
The lens experts in our testing lab run a range of tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.
We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the centre of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths.
There's more to it than just the technical side, though! Beyond the lab, our reviewers test lenses in real-world environments – and sometimes on professional shoots! We work with lenses both indoors and outdoors, in studio conditions and in natural light, with as many different subjects as is possible (or appropriate – there's no point testing a landscape lens' ability to shoot a portrait!).
We take into account everything from handling and ease of use to speed of autofocus and the overall quality of the images produced.
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com
