How to enable back button focus (Nikon cameras) – and why you should use it!

Watch video: How to back button focus (Nikon cameras)

Back-button focusing is mentioned quite often but, if you’re not familiar with it and how (or why) to make use of it, it can be a confusing subject. You might think there’s very little to explain – you simply use a button on the back of the camera to focus. However, that doesn’t tell the whole story. 

Plenty of cameras support back-button focusing, and here we're going to look at how to enable the function on the best Nikon cameras – though the principles are the same on any camera. For it to work effectively, you need to remove the shutter button’s ability to engage autofocus when half pressed and you need to switch to continuous-servo AF. 

There are several reasons why back-button focus is advantageous and they apply to a variety of shooting situations. For starters, you no longer have to spend time switching between AF-C and AF-S, because when you lock focus (by releasing the back button) you can fire the shutter without the camera hunting or refocusing. This also means that you don’t have to use AF-L or switch to manual focus to lock AF. This is particularly helpful when photographing sports or wildlife. 

A good example would be capturing a subject in tall grass. A slight breeze could cause blades to obscure your subject and confuse the camera’s AF system, making it hunt. With back-button focus you could simply lock onto your subject without switching from AF-C and fire the shutter at will. How you set up back-button focus will depend on your camera. Some Nikons have a dedicated AF-ON button, while others require you to customize the AE-L/AF-L button. Here’s how to do it…

How to enable back-button focus (Nikon)

(Image credit: Future)

1. Cameras with an AF-ON button

If your camera has an AF-ON button it will already be assigned to engage autofocus; you simply need to remove AF from the shutter button. Press the Menu button and select Custom Setting Menu (pencil icon), then select Autofocus > AF activation > AF-ON only.

(Image credit: Future)

2. Know your back button

The higher-end Nikon cameras tend to have the dedicated AF-ON button, including the Nikon Z6 and Z6 II, Nikon Z7 and Z7 II, Nikon D850 and Nikon D6. Cameras such as the Nikon D3500, Nikon D7500, Nikon D750 and Nikon Z50 need to have the similarly positioned AE-L/AF-L button reassigned to act as the AF-ON button.

(Image credit: Future)

3. Cameras with no AF-ON button

The first step is still to disable the shutter button’s ability to engage autofocus. On our Nikon D3400 this is done by accessing the menu and selecting the Setup Menu (wrench icon). Scroll down and select the Buttons menu, from here you can disable AF Activation.

(Image credit: Future)

4. Assign AE-L/AF-L

Still in the Buttons menu, select the Assign AE-L/AF-L button. This button will be set to AE/AF lock by default. To use it as your back button, scroll down and select the AF-ON option. You can now activate autofocus by pressing the AE-L/AF-L button.

(Image credit: Future)

5. Switch to AF-C

Perhaps the best thing about back-button focus is that you don’t have to keep switching between single-servo AF and continuous-servo AF. By removing AF from the shutter button, you are free to lock focus while in AF-C and activate the shutter without it refocusing, as if you were using AF-S. This is particularly helpful when performing the focus-and-recompose method.

TOP TIP

Firing the shutter without having to worry about hunting or refocusing is a major benefit of using back-button focus. But if you find yourself unable to activate the shutter without placing the AF point over the point of focus, we’d recommend setting up your AF-C and AF-S priority selection so the shutter overrides focus. We set this up on our D850 by heading to the Custom Setting Menu > Autofocus, and setting both AF-C and AF-S priority selection to Release.

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Mike Harris
How To Editor

Mike is Digital Camera World's How To Editor. He has over a decade of experience, writing for some of the biggest specialist publications including Digital Camera, Digital Photographer and PhotoPlus: The Canon Magazine. Prior to DCW, Mike was Deputy Editor of N-Photo: The Nikon Magazine and Production Editor at Wex Photo Video, where he sharpened his skills in both the stills and videography spheres. While he's an avid motorsport photographer, his skills extend to every genre of photography – making him one of Digital Camera World's top tutors for techniques on cameras, lenses, tripods, filters and other imaging equipment – as well as sharing his expertise on shooting everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...