Stop wasting time photo editing – use this one-click trick

Before and after image of a mill house edited using a macro
(Image credit: Future)

There are some things you always tweak when editing landscape photos. Sure, you’ve straightened the horizon and cropped that dodgy looking bloke out of the corner of the photo, but the color, contrast and sharpening adjustments tend to be very similar, making them ideal to implement as macros. 

A macro is simply a series of commands, keystrokes, and mouse actions that are recorded and can be played back to automate repetitive tasks. On a Mac, macros are known as Actions.

Basic image adjustments are just the start though, because whatever ideas you can come up with, you can create and save a macro of it to use later. That’s what we’re doing here, starting with those basic landscape edits, which are all created as adjustment layers so they can be tweaked for each individual image. 

I'm using Affinity Photo 2 - but macros will work with whatever photo editing software you use.

This is the original image of a watermill before we created and ran the macro (Image credit: Wendy Evans)

The final image, after using the recorded macro (Image credit: Future)

1. Work it out

Rather than loading a photo, correcting things and then deciding you want to create a macro halfway through, it’s best to have a clear plan of what filters or adjustment layers you’re going to use and write down the settings used. Then go to Window> Macro and move it from the left side to a more useful size.

Set up the Macro recording window (Image credit: Future)

2. Begin recording

Click on the red button in the Macro panel to start recording then go to Layer> New Live Filter Layer> Sharpen> Unsharp Mask. Enter values of Radius: 30px, Factor: 0.5, Threshold: 1%. Then click on the X in the corner of the palette to close. Next is color so go to Layer> New Adjustment Layer> Vibrance.

Start adjusting the colors (Image credit: Future)

3. Finish the edits

Enter value of Vibrance: 40% and Saturation: 20%. Close and then go to Layer> New Adjustment Layer> Curves. Put in three control points and create an S-shape to boost the contrast. You should now have three basic adjustments that can be edited later. Click on the Stop Recording icon.

The contrast being adjusted with an S-Curve (Image credit: Future)

4. Save your macro

In the Macro palette, click on the Add to Library icon. Enter a name for the action that reflects what it does then click on OK. It will now appear in the Library where it can be activated with one click. The adjustment layers can all have their parameters tweaked so if something causes highlight clipping you can reduce the effect.

Finish up the editing then save the Macro (Image credit: Future)

5. Loading and saving Macros

Save your Macros into a logical folder so you know where they are (Image credit: Future)

To export the Macro that you’ve created, click on the Export Macro icon which is next to the Add to Library icon. In the file browser that appears, give the Macro a descriptive name and save in a notable location. Next to this is the Load Macro icon. Click on this, navigate to the Macro you want to load and click on it and then on Open.

Now your Macros will appear in the Macro palette (Image credit: Future)
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Wendy Evans
Technique Editor, Digital Camera magazine

Wendy was the Editor of Digital Photo User for nearly five years, charting the rise of digital cameras and photography from expensive fad to mass market technology. She is a member of the Royal Photographic Society (LRPS) and while originally a Canon film user in the '80s and '90s, went over to the dark side and Nikon with the digital revolution. A second stint in the photography market was at ePHOTOzine, the online photography magazine, and now she's back again as Technique Editor of Digital Camera magazine, the UK's best-selling photography title. She is the author of 13 photography/CGI/Photoshop books, across a range of genres.

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