Venus Optics brings trio of exotic f/2.8 primes to Canon RF and Nikon Z

Venus Optics brings trio of exotic f/2.8 primes to Canon RF and Nikon Z
(Image credit: Venus Optics)

Venus Optics has announced three of its f/2.8 performance prime lenses for the Canon RF and Nikon Z full-frame mirrorless mounts. And, as you'd expect from the manufacturer, the optics are equal parts quirky and cool. 

The trio comprises the Laowa 12mm f/2.8 Zero-D, the Laowa 25mm f/2.8 2.5-5X Ultra Macro and the Laowa 100mm f/2.8 2x Ultra Macro APO. The former will be the widest native lens for the Canon EOS R / RP, while the latter two will be the first native macro lenses for the and Nikon Z7 / Z6

Laowa 12mm f/2.8 Zero-D

Laowa 12mm f/2.8 Zero-D

(Image credit: Venus Optics)

Hailed as the world's widest f/2.8 rectilinear lens, it also benefits from almost distortion-free rendering thanks to the Zero-D (for zero-distortion, natch) design. As noted, it's the widest optic on both the Canon RF lens roadmap and Nikon Z lens roadmap.  

With a 122° angle of view – the widest you'll find on an f/2.8 lens – the Laowa 12mm is the ideal optic for everything from landscapes and travel photography to interiors and astrophotography. 

Venus has also added its Frog Eye Coating to the front element, to repel water and dust, making it well suited to challenging outdoor conditions. The lens is available now for RF and Z (as well as the existing Canon EF, Nikon F, Pentax K, Sony A and FE mounts) for an SRP of $849 (£653 / AU$1,241).

Laowa 25mm f/2.8 2.5-5x Ultra Macro

Laowa 25mm f/2.8 2.5-5X Ultra Macro

(Image credit: Venus Optics)

This magnificent macro lens offers between 2.5 and 5 times magnification – and does so at a price far lower than macro lenses from other manufacturers. Canon, for example, makes a 65mm f/2.8 with up to 5x macro, and it costs more than double what Laowa's does. 

We were very fond of this optic in our Laowa 25mm f/2.8 2.5-5x lens review, though it should be noted that it has no focus mechanism and as such can't be used for 'regular' photography; it is a pure macro lens and requires a focusing rail. 

It is designed with an extended working distance to facilitate easier shooting as well as accommodate lighting on the subject. Optional LED ring lights and tripod collars are also available. Again the lens is available for the RF and Z mounts now (complementing the EF, F, K, and FE version) for $399 (£307 / AU$583).

Laowa 100mm f/2.8 2x Ultra Macro APO

Laowa 100mm f/2.8 2x Ultra Macro APO

(Image credit: Venus Optics)

Unlike the 25mm, Laowa's second macro lens functions as a traditional optic – meaning that it can focus to infinity and, with its 100mm focal length, makes a fantastic portrait lens in addition to its 2:1 magnification.

Like the other two lenses it is a manual focus optic, which is actually preferable for macro work – and perfectly manageable when shooting portraits at f/2.8. Laowa is high on its apochromatic characteristic (the APO in the title) which it claims makes both lateral and longitudinal aberration "invisible". 

While the other two optics are already available for order, the Laowa 100mm f/2.8 2x Ultra Macro APO won't start shipping until around March 2020. It will be priced – like the current Canon EF, Nikon AI and Sony FE versions – at $499 (£384 / AU$729).

For more information on all three lenses, visit the Venus Optics website

Read more: 

Laowa 17mm f/1.8 MFT hits the streets
Hyper-wide 210° fisheye – Laowa 4mm f/2.8 Circular Fisheye will blow your mind
Laowa launches ultra-wide lenses for Nikon Z and Canon RF cameras

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

James Artaius

The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera MagazinePhotoPlus: The Canon MagazineN-Photo: The Nikon MagazineDigital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.