Lenses News

Latest Lenses News

Close-up of an AstrHori 18mm F5.6 camera lens, featuring focus scale and glossy surface, set against a modern glass building background

A shift pancake lens for US$119? Yes, this optic really exists

By Kim Bunermann published

NEWS AstrHori announces the 18mm f/5.6 APS-C pancake shift lens for E, L, X and Z-mount

NEWS
Viltrox logo

An AI autofocus adapter that gives us expanded focusing capabilities? Viltrox makes headlines at IBC 2025

By Kim Bunermann published

NEWS Viltrox's AI-powered autofocus adapter could change how we shoot with lenses – here's what we know

NEWS
Two camera lenses silhouetted against a dark background, with a stylized "Pro" text design element integrated into the scene

Viltrox unveils IBC lineup: Four new lenses, a TTL flash and the first all-new Evo series optic

By Kim Bunermann published

NEWS Smart design, fresh optics and a flash with attitude – VIltrox brings serious updates to IBC 2025

NEWS
A collection of six silver camera lenses arranged artistically against a black background, showcasing their sleek designs and glass components

Leica launches beautiful Leitz Hektor cine primes starting at US$7,390 – and the sample videos are simply stunning

By Kim Bunermann published

NEWS The Leitz Hektor line features six T2.1 primes, designed for mirrorless, offering vintage inspired optics at a set price of US$42,490

NEWS
A close-up of a Samyang 24-60mm f/2.8 camera lens, featuring a textured grip and clear glass front, set against a dark background

Schneider-Kreuznach x LK Samyang AF 24-60mm F2.8 FE is here – and it's set to shake things up

By Kim Bunermann published

NEWS Schneider Kreuznach and LK Samyang are announcing their newest collaboration: the AF 24-60mm f/2.8 FE lens – fast, compact, and a promising optic for hybrid creators

NEWS

Sigma announces its first autofocus cine lens for Sony and L-mount shooters

By Ben Andrews published

Likely based in part on Sigma's sublime 28-45mm F1.8 DG DN Art lens, it looks like a videographer's dream

Lenses
The OM System 50-200mm f/2.8 Pro IS

The reason to shoot Micro Four Thirds isn’t the sensor – it’s the lenses. This new 100-400mm equivalent f/2.8 zoom is a prime example!

By Hillary K. Grigonis published

OPINION The OM System 50-200mm f/2.8 IS Pro brings telephoto reach with a bright aperture in a highly portable lens

OPINION
Canon CINE-SERVO 11-55mm T2.95-3.95 lens product shot on a white background

Canon’s new Cine-Servo lens is an 8K behemoth

By Gareth Bevan published

NEWS Canon launches its widest-ever Cine-Servo lens, the 11-55mm T2.95-3.95

NEWS
The OM System 50-200mm f/2.8 Pro IS

Game = Changed: OM System's 50-200mm f/2.8 is a first-of-its-kind lens that costs a third of some full-frame 400mm f/2.8 primes

By Hillary K. Grigonis published

NEWS This is the first ever 100-400mm equivalent lens with an f/2.8 aperture – and it's still smaller than full-frame 400mm f/2.8 primes

NEWS
The Tamron 25-200mm f/2.8-5.6 Di III VXD G2 on a blue and gray background

Tamron is working on an all-in-one 25-200mm zoom that's still has a bright f/2.8 at its widest angle

By Hillary K. Grigonis published

NEWS Tamron is about to launch a full-frame 25-200mm f/2.8-5.6 G2 that also does half macro in Sony E-Mount

NEWS
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