Thanks in part to its modest aperture rating, it’s a very compact and lightweight lens that’s ideal for trekking off into the wilds for landscape photography. You needn’t worry about lugging a tripod along either, as the lens features 5.5-stop optical image stabilization, boosted to 7-stops with later EOS R system cameras that feature in-body stabilization.
Wide-angle fans were sure to be drawn to the new Canon RF 24mm F1.8 MACRO IS STM and RF 15-30mm F4.5-6.3 IS STM. They’re both high-quality items and the prime lens gives the additional bonus of 0.5x macro magnification. (Image credit: Canon)
For its part, Tamron announced that it was putting the finishing touches to a new 50-400mm f/4.5-6.3 Di III VC VXD (Model A067) ultra-telephoto zoom lens for Sony E-mount full-frame mirrorless cameras. Surprisingly compact and weighing in at just over a kilogram, it stretches all the way from an entirely standard field of view to a powerful 400mm super-telephoto reach, complete with optical VC (Vibration Compensation).
Getting back to the wide-angle end of the scale, Laowa launched a compact and affordable 12-24mm f/5.6 zoom lens in a variety of mount options to suit Canon EOS R, Nikon Z and Sony E system cameras. It’s a particularly travel-friendly option, weighing just 497g but, typical of most Laowa lenses, it’s a fully manual optic with no built-in electronics.
Jumping over into super-telephoto territory, we also reviewed the new Nikon Z 400mm f/4.5 VR S. We had very high hopes for this lens and it surpassed our expectations as a relatively lightweight but super-high-quality super-telephoto prime.
The Nikon Z 400mm f/4.5 VR S is a stunning super-telephoto prime with refined handling, a manageable weight and exceptional performance and image quality. (Image credit: Matthew Richards)
The Samyang AF 35mm F1.4 FE II is a fabulous prime lens that takes the fight to Sony’s own-brand G Master counterpart. (Image credit: Matthew Richards)
Viltrox’s compact yet high-performance and well-built autofocus primes for mirrorless cameras have found a place in our heart, the 33mm and 56mm picking up the baton from the wider 23mm lens that we reviewed previously. Overall, the three lenses give a classic range of ‘effective’ focal lengths equating to around 35mm, 50mm and 85mm, all with fast f/1.4 apertures. (Image credit: Matthew Richards)
Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners!
His expertise with equipment doesn’t end there, though. He is also an encyclopedia when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related.
In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.
