Videographer uses 55-inch on-camera monitor – handheld. Wait, WHAT!?

GIF of Reel from @bbthedp, depicting Cinematographer Brian Beckwith using a 55-inch on-camera monitor to film people dancing
(Image credit: bbthedp)

A cinematographer has posted an Instagram Reel of himself recording a music video using a 55-inch on-camera monitor, handheld. That’s like walking around with your living-room TV on the hotshoe of your camera, for goodness sake!

The LA-based creative, Brian Beckwith (@bbthedp), appears to be courting some kind of world record, having tagged Guinness World Records in the Reel's description.

I can only assume that nobody else is crazy enough to have repeated this feat, but then again – why stop at 55 inches when you could go for 60 or 65? C'mon, Brian, at least commit to this!

Of course, I jest. I really don’t know what’s more impressive, the fact that Brian managed to rig this system up in the first place (I’d be wanting an Adamantium mount or something) or the fact that he’s strong enough to hold the camera and monitor aloft in the first place, let alone frame and film a video.

At one point, he even starts spinning around. Take a look at this wild feat:

As you’d expect, the comments are nearly as entertaining as the video, with one claiming: “That’s an on-monitor camera”, and another joking: “All right guys I know we only have 30 minutes for lunch but I need you to help me with a Instagram video [sic]”.

To put all of this into context, the best on-camera monitors for consumers tend to be around seven inches in size. These monitors are used by videographers to display a camera’s live view on a brighter and larger monitor than a typical rear LCD.

Because videographers don’t tend to use viewfinders, the boost in brightness is essential for daylight viewing, while the larger display allows for more accurate exposure and focusing. On-camera monitors also provide a better playback viewing experience, especially when footage is reviewed by multiple crew members at once.

So, as ridiculous as this exercise looks, in some ways it's also wildly practical – with a monitor that size, the entire crew can see it even if they're nowhere near the set!

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Mike Harris
How To Editor

Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.

With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...

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