Save a MASSIVE $1,300 discount on the Canon C70 - a cine deal not to be missed

Canon EOS C70 deal — (Image credit: Future)

There are camera deals… and then there are statement deals. Right now, the Canon EOS C70 has dropped to $3,499, down from $4,799, saving you a massive $1,300 at Adorama. That’s not pocket change. That’s the kind of saving that makes serious filmmakers stop mid-scroll and start doing the math.

The Canon EOS C70 was already one of the most disruptive cinema cameras Canon has ever released. By bringing its Super 35mm DGO (Dual Gain Output) sensor and RF mount into a compact, mirrorless-style body, Canon effectively blurred the line between traditional cinema rigs and run-and-gun hybrids. It’s the sort of camera that feels equally at home on a gimbal, shoulder rig, or locked off in a studio environment.

What makes the C70 special isn’t just resolution or frame rates — although 4K up to 120fps with Canon’s renowned color science certainly doesn’t hurt. It’s the image. The DGO sensor delivers over 16 stops of dynamic range, producing footage that feels cinematic straight out of camera. Skin tones are rich, highlight roll-off is beautifully controlled, and shadows retain depth without turning to mush. This is a serious storytelling tool.

Ergonomically, it hits a sweet spot. Built-in ND filters, mini XLR inputs, dual SD card slots, and professional monitoring tools are all housed in a body that’s far more compact than traditional cinema cameras. For documentary filmmakers, commercial shooters, wedding cinematographers, and even indie narrative creators, it’s a powerhouse that doesn’t demand a truckload of support gear just to get rolling.

The RF mount opens even more creative flexibility. Pair it with Canon’s growing lineup of RF glass, or adapt EF lenses seamlessly, and you’ve got access to an enormous ecosystem. For many shooters already invested in Canon, the C70 feels like a natural step up — not a system reset.

At $3,499, the value proposition changes dramatically. This isn’t just a discount; it’s an opportunity to step into true cinema performance at a price that starts to encroach on high-end hybrid territory. You’re effectively getting a professional cinema body for the cost of some flagship mirrorless cameras.

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For nearly two decades Sebastian's work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.

He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon's D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers' Association.

He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

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