Working photographer regularly uses TEN cameras – including old pro DSLR and 35mm film cameras alongside his cutting-edge full-frame mirrorless!
A Nikon Z8, five DSLR cameras, and four film cameras ensure that this pro has backup bodies for backup bodies and more
A professional photographer who goes by the name u/wildyouth116 on Reddit has posted their setup, with many surprised to find that they regularly use a whopping 10 bodies. But what’s even more curious is the cameras in question.
Despite having a cutting-edge Nikon Z8, the photographer also uses five DSLR cameras: two Nikon D850s, two Nikon D780s and a Nikon D200. As well as four film cameras: Nikon FM2, Nikon F100, Nikon F6, and what appears to be a blacked-out Nikon N80.
One commenter suggested that a second Nikon Z8 would replace the four DSLRs, but the professional photographer explains that they use two bodies at a time for events and commercial shoots, so they like to have backups if the worst should happen.
Interestingly, the pro mentions that they “prefer DSLRs for lowlight events, and most every day work [sic].” Presumably the Nikon D780 wins out here, but only because of its lower-resolution sensor. The Nikon Z8 is still a monster camera in low-light situations.
One commenter mentions gear acquisition syndrome (GAS), but the pro explains that they have completed 700 jobs in three years. That certainly takes its toll on kit, and indeed, the original poster says that during a seven-year career, they “have burned through at least 5 camera bodies,” continuing, “It's more of an expensive insurance policy in case one breaks, I have to send it in for maintenance, etc”.
Having at least one backup body is essential for professional photographers, and many do have more. If you’re shooting a wedding and your primary camera breaks, you’re expected to have a backup. And while 10 cameras might seem like overkill, four are film cameras. The meat of the setup is a pair of D850s and D780s and a Nikon Z8. A sensible collection of cameras, if you ask me.
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Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.
With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...
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