As we find ourselves in further lockdown, mini projects like this one from my Art of Seeing series can be great boredom breakers and can provide you with ways to hone your skills.
Whenever you take a photograph, you make a conscious decision about what to leave in and what to leave out of the frame. And what you leave in, where you choose to stand, and which angle you choose... all have an influence on the way an image will be seen and interpreted.
This image was made in Glacier Bay in Alaska last summer. Most folks, including me, were jockeying for position against the railing to get ‘The Shot’ of the glacier in all its magnificent glory, maybe even capture it calving – it is a sight to behold. However, for me, the far more interesting image – and the one I’m pretty sure would have been overlooked by most – was revealed by taking a few steps back and making a conscious decision to include a human element into the scene.
I like the way the composition is roughly divided into thirds: the top third, occupied by the glacier; the middle section, a swathe of tourists; and the foreground, revealing the wet deck of the ship. The deck also reflects the humans from the middle of the frame. It’s a tableau that perhaps speaks to the human relationship with the natural world. I think it’s reasonable to assert that this photograph has something to say, in
a way that a pretty picture of the glacier taken from the sought-after vantage point of the railing could not. As a metaphor, the image could suggest that the glacier is melting through the humans in the middle to form a wet puddle. I find this fascinating.
I think it is interesting to see how we can use photography to not only capture stunning vistas, but also as a means of communication, a way to ask questions. I’ve come to realize that much of my work is concerned with the human relationship with the land and the environment. When I look back at the images I have made, especially over the last couple of years, I see this relationship as a recurring theme, a theme that will inform and underpin my subsequent work, wherever I happen to be in the world.
• Other articles in the Art of Seeing series