DxO launches “most powerful RAW editor yet” with PhotoLab 10

DxO PhotoLab 10 screen shot of RAW editing photo of person with flowers
(Image credit: DxO Labs)

DxO PhotoLab 10 has launched with a raft of new updates, and it’s available right now. DxO Labs is calling this latest incarnation of its flagship photo-editing software “our most powerful RAW editor yet.” And with all-new tools, powerful upgrades and boosted functionality, that certainly looks to be the case.

The headline feature is Depth Masks. An all-new tool that uses AI to form a depth map of the image in question. As DxO Labs product director, Cyril Duchêne said: “It will emulate the depth of field as if you were moving it directly with your lens. So it will help you select – precisely – a zone on your photo to edit it as if, for example, a ray of sun was touching just a part of that picture, naturally.” The mask is controlled via a series of sliders and adjustable feathering handles to create the desired effect.

DxO PhotoLab 10 screen shot of portrait of model with lips masked

Face segmentation allows you to precisely mask facial features such as eyes and lips (Image credit: DxO Labs)

PhotoLab’s standard AI masking has been treated to an upgrade, enabling it to identify “every person” in a photo. This is designed to allow photographers to group multiple people under one mask or tackle individuals with separate masking.

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Portrait AI masking has also been enhanced with the introduction of face segmentation. A huge range of facial features, including eyebrows, eyes, facial hair, pupils and lips, are now selectable. This lives alongside existing selective masks for elements such as skies, subjects, animals and vehicles.

DxO PhotoLab 10 screenshots showing man and dog before and after images to showcase color grading tools

Color grading is now much more advanced and is performed on a single color wheel (Image credit: DxO Labs)

DxO’s U Point tech now features a Control Brush, allowing users to introduce hand-drawn custom shapes while maintaining the U Point workflow. New elliptical Control Points have also been added and AI Masks can now be combined with the U Point eyedropper, enabling users to select color and luminosity within the confines of an AI-generated mask.

That’s not the only color upgrade. DxO PhotoLab 10 brings with it a new “advanced” color grading tool. This exists within a single color wheel, with sliders for Hue, Saturation, Luminance and Balance. However, a neat little trick is the ability to move all plotted points on the color wheel in unison. As Cyril puts it: “That means you keep the balance you created at first (...) you can move all of them.”

DxO PhotoLab 10 screen shot showing Affinity button with photo of leopard on screen

For the first time, PhotoLab links seamlessly with Affinity for cross-platform editing (Image credit: DxO Labs)

DxO PhotoLab 10 also boasts a “seamless connection” with Canva’s free photo editor, Affinity. At the click of a button, you can open an image from PhotoLab directly in Affinity. And according to DxO, further enhancements are planned for releases in the future.

As you’d expect, there are also a range of quality-of-life upgrades. For example, the crop tool now features original as-shot ratios and you can make histogram adjustments within PhotoLibrary. DxO has also presided over improved folder management, database backup and restore tools. The software also boasts a new AI-powered RAW dust-removal tool.

DxO PhotoLab 10 is priced at $249.99 / £229.99 for a new perpetual license, while anyone upgrading from PhotoLab 8 or 9 can enjoy a discounted rate of $129.99 / £114.99. It's available for purchase now and can also be test-driven via a seven-day free trial.

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If you're looking for new photo editing software, you might also be interested in the best photo organizing software and the best MacBook for photo editing. Plus, Finally! Photoshop is giving light its own non-destructive layer – and the new tool looks a lot like well-loved Lightroom and Adobe Camera RAW sliders.

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Mike Harris
How To Editor

Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.

With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...

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