Skip to main content

The best LED light panels in 2022: portable lighting for photography and video

Included in this guide:

best LED light panels

The best LED light panels are the most powerful and versatile means of controlling the light in your photos and videos. Flash is all well and good for many applications, but the continuous light of an LED light panel gives you much more ability to fine-tune the particulars of your light, including intensity and colour temperature. For video, mean while, LED panels are essential, allowing you to lift shadows, illuminate subjects and control the feel of your shots. 

There are lots of different types of LED panels, and it's worth being aware of the differences so you can suss out which is right for you. 

Hotshoe LED panels are the most straightforward types of LED panel; they literally mount onto a camera's hotshoe and provide a simple, point-and-shoot light source. You can take them off-camera and mount them to a stand if you want, just like a flashgun, and for simple DSLR or mirrorless setups, they're an ideal choice. 

Smartphone LED lights are also gaining popularity, as loads of high-quality video content is now being shot on smartphones! While these tend to be small and pocketable, they can often put out a great deal of power, so don't underestimate them. 

However, if you're working in the studio or another professional, then you'll need a full-size panel. These come in different sizes, and at different prices, but they tend to give you much more power and versatility than the other types of LED light panel. 

So who are the top brands of LED light panels? Right now, Rotolight is arguably top of the heap, with its fantastic NEO and AEOS ranges of hotshoe lights and pro light panels. In fact, Rotolight just concluded a successful Kickstarter campaign for the latest iterations of these lights, and we suspect once we can get them in for review, they'll find a place on this list. 

We've split this guide up into sections for hotshoe panels, smartphone LEDs and full-size professional panels, to make it easier for you to find the light that's right for you. 

To make it easier to find the LED panel you need, we've split our guide up into hotshoe panels, smartphone LEDs and full size professional light panels. You can click the individual headings to jump straight to the section of your choice, or just scroll down to get started!

The best LED light panels in 2022

Hotshoe LED panels

These LED lights mount to your camera's hot shoe where you'd otherwise attach a flashgun. They're ideal for on-the-go shoots where portability is paramount.

1. Rotolight NEO 2

A gamechanging LED light and the best around – though the sequel is coming

Color temperature: 3150-6300K
Lux (at 1m): 1840
Power source: 6x AA batteries, D-Tap port, AC adapter
Dimensions: 150x45mm
Weight: 1,293g (boxed)
Reasons to buy
+Simple but powerful controls+Customisable effects
Reasons to avoid
-Brightness drops at some settings-Pricey

The Rotolight NEO 2 is rated for a whopping 2,000 lux maximum brightness at three feet (91.5cm). We couldn’t quite match this, measuring a peak 1,840 lux at 4,000K, but that’s still noticeably brighter than most competitors. Brightness does drop to around 1,100 lumens at each end of the 3,150-6,300K temperature range, but this is the only issue we found. The dual control dials adjust a plethora of easy-to-set options. Six AA batteries sustain 90 minutes of full-power continuous illumination, or there’s a mains input. You can even use the NEO 2 as a flash, with up to 500% more brightness than in continuous mode.

Update: As we've already discussed, Rotolight has recently finished its Kickstarter campaign for the Rotolight NEO 3, and it's already available for pre-order in some territories. While we'll have to reserve judgement until we can get it in for testing, Rotolight is describing it as the “brightest on-camera LED ever produced”, offering flash in any one of 16.7 million colours. Its release will likely cause the price of the NEO 2 to drop, so even if you don't feel you need the latest and greatest tech, it's worth keeping an eye on. 

(Image credit: B&H)

2. LituFoto R18

Pocket sized and packs a punch… plus a power bank!

Color temperature: 3200 - 5600K
Lux (at 0.5m): 1100
Power source: Li-ion battery
Dimensions: 149x80mm
Weight: 205g
Reasons to buy
+Very compact+Bicolor light, with effects+Doubles as power bank
Reasons to avoid
-Battery power only

Packing 198 LEDs and featuring bicolor temperature from 3200-5600K, the LituFoto R18 already has a lot going for it. Its 10W power output can be boosted to 13W, too, giving more bite to its light. And it even boasts some of Rotolight's special effects lighting, with nine simulations including lightning and emergency service vehicles, making it a great way to add impact to your video content. And not only does its meaty 4040mAh battery give you an hour and a half of use at full power, it also doubles as a power bank to charge mobile devices! A brilliant all-round performer and a camera bag essential. 

(Image credit: Neewer)

3. Neewer 176 LED Panel

Working on a tight budget? This LED panel is a solid pick

Color temperature: 5600K
Lux (at 1m): 1320
Power source: DC / Li-ion battery
Dimensions: 145x100mm
Weight: 320g (boxed)
Reasons to buy
+Extremely affordable+Bright, powerful light
Reasons to avoid
-Fixed colour temperature-Batteries/power supply not included

At a price like this, you aren't going to get professional studio quality. That's a given. So let's talk about what the Neewer 176 LED Panel does give you, which is, as it turns out, rather a lot for the money. It's a tidy, powerful little light that can easily be mounted on a camera's hotshoe or a tripod, giving you a decent burst of brightness that works perfectly as a fill light or for a quick-and-dirty video light. Colour temperature is fixed at 5600K daylight, though the unit does come with a couple of filters to soften the light if that's your thing. The build does feel a little plasticky and cheap, and it's worth noting that the price as advertised is not strictly accurate, as you'll need to pay extra for the not-included batteries or DC power supply. Still, that total outlay is going to be considerably list than you'd spend on most comparable units. The bottom line is: it works, and works well. What more do you need?

4. Manfrotto Croma2

Smartly designed unit with a decent light spread

Color temperature: 3300-5600K
Lux (at 1m): 900
Power source: 6x AA batteries, Li-ion L-Type
Dimensions: 440x108x170mm
Weight: 300g
Reasons to buy
+Adjustable colour temperature+Good light spread
Reasons to avoid
-Dials lack scale markings-Pricey, and stock fluctuates

The Manfrotto Croma2 offers adjustable colour temperature, which can fluidly transition from 3,300 to 5,600K. Both temperature and power are adjusted with simple dials with no scale markings, so repeating the same settings from shoot to shoot is difficult without a light meter. We recorded light power figures of 750 lux at 3,300k and 900 lux at 5,600K. With both sets of blue and yellow LEDs active at 4,550K, brightness peaks at 1060 lux. Despite a quoted 50º beam angle seeming slightly narrow, real-world use demonstrates a decent light spread. Power can come from the mains, or through two battery options. While the Manfrotto Croma2 is still available, it has experienced some stock fluctuations lately – especially outside of the US – so it can be worth keeping an eye out and being ready to pounce when you see one available. 

Smartphone lights

Phone shooters shouldn't neglect their lighting either! Just because you're using a small, handheld device, that doesn't mean you can't benefit from a small, portable LED light to give you a little extra illumination when you need it. Many are also designed specifically to clip onto a smartphone, so will slot in perfectly to your light, portable setup.

(Image credit: Lume Cube)

The much-loved lighting cube gets a refresh and a power boost

Color temperature: 5600K
Lux (at 1m): 750
Power source: Lithium-ion battery
Dimensions: 41 x 41 x 43 mm
Weight: 99 g
Reasons to buy
+Improved control ergonomics+Good light quality
Reasons to avoid
-Accessories are pricey-App can be unreliable

The little hotshoe-mounted Lume Cube  was a hit on its debut all the way back in 2014, and the Lume Cube 2.0 builds on that success. It improves on a lot of people's complaints about the original Lume Cube, most notably by extending the battery life. The Lume Cube 2.0 will now last for about an hour and a half at 100% brightness, and while this will be reduced a bit if Bluetooth is turned on, it's still very good. You can also continue to use it while it's charging via USB, which is pretty handy.

In terms of the light itself, the Lume Cube 2.0 puts out 750 lux at 1m, and achieves an impressive CRI score of 95. It's highly portable and modular, with loads of accessories available (though these do come at a cost). It's not going to compete with professional studio lights, but it's a great little option to have in a kit bag.

Lume Cube's LED panel can also double up as a power bank

Color temperature: 3200-5600K
Lux (at 5m): 1600
Power source: Internal battery
Dimensions: 151x80x9.8mm
Weight: 180g
Reasons to buy
+Good light power+Can be used as power bank
Reasons to avoid
-Cheaper options exist-Middling colour temp range

The Lume Cube Panel doesn't reinvent anything about LED lighting, but it's a useful unit to have in a pinch and makes for a great shooting companion out on location. For a start, it's not just an LED panel, but also a power bank; when we tested it out, we were lighting our shots while also charging a smartphone, which is pretty handy. It doesn't hold enough juice to replace a dedicated power bank, but it's a handy feature nonetheless. If you don't use this functionality, then the 3.85V Li-Polymer battery will last about 90-100 minutes, which is also really impressive. Brightness is good, and though the colour temperature range is only 3200K to 5600K, this will still be enough for most purposes. 

(Image credit: Aputure)

7. Aputure MC RGBWW LED Light

Extraordinarily tiny, this impressive light suits a slim smartphone setup

Color temperature: 3200-6500K
Lux (at 1m): 100
Power source: Internal battery (charges via USB-C)
Dimensions: 93x61mm
Weight: 130g
Reasons to buy
+Credit card-sized+Controllable via app
Reasons to avoid
-Lacking brightness-No phone mount

A light so tiny it can fit in your wallet (literally: it's about the dimensions of a credit card, and not that much thicker), the Aputure MC RGBWW LED Light perfectly suits a lightweight, smartphone-based shooting setup. Whether you're using your phone for videos or stills, the Aputure MC RGBWW is a great way to give a little burst of light when you need it, with adjustable colour temperature and full output control via the Sidus Link Control App. While it doesn't come with a bespoke smartphone mount, the small size gives you not shortage of setup options, especially if you're willing to get a little creative.

(Image credit: Manfrotto)

8. Manfrotto Lumimuse 8

Now cheaper than at launch, this tiny light is quite something

Color temperature: 5600K
Lux (at 1m): 550
Power source: Lithium-ion battery
Dimensions: 115x71x21mm
Weight: 175g (with battery)
Reasons to buy
+Eight LED lights+Charges via USB+Can be customised with filters
Reasons to avoid
-Limited brightness control

The Manfrotto Lumimuse 8 is just the thing to do a good job in a tiny space, clipping easily onto your smartphone to provide a pretty impressive 550 lux of illumination. It also allows for further customisation through the attachment of filters (sold separately), meaning that you can further harness and control the quality of your light. With only four discrete brightness settings it's not exactly a precision tool, but it'll give you a powerful kick of illumination when you need it, and thanks to its USB charging port, you can keep it gassed up and ready to go throughout an entire day's shoot. 

(Image credit: Joby)

9. Joby Beamo

Shuns the traditional concept of an LED panel

Color temperature: 5100K
Lux (at 1m): 470
Power source: Built-in lithium-ion battery
Dimensions: 39x51x51mm
Weight: 110g
Reasons to buy
+Rugged waterproof design+Magnetic mounting
Reasons to avoid
-Maximum 1,000 lumen brightness is limiting-40 minutes battery life

Need to brighten any scene in the great outdoors? Designed to be dropped, bumped and even take 30m underwater is Beamo Mini, a compact LED light that’s ideal for vloggers using a smartphone. Charging over USB-C, it reaches 1,000 lumens in five steps – a maximum brightness it can hold for 40 minutes – and comes with a diffuser for softer skin tones. As well as a magnetic back it has two cold shoe mounts and a universal 1/4-inch tripod thread, and can be controlled from afar via Bluetooth and the myJOBY app

Studio panels

Need something with a bit more power? Here we've got larger LED panels designed to be mounted on a light stand or tripod. They're great for shoots like portraiture, or for lighting actors in stationary scenes, and for interviews.


10. Rotolight AEOS

Uncompromising quality –and once again, there's an update coming

Colour temperature: 3150-6300K
Max power: 5750 lux at 3 feet
Power source: mains, optional V-mount battery
Dimensions: 29.5 x 29.5 x 2cm
Weight: 1.4kg
Reasons to buy
+Super-soft light quality+Easily portable+Extra features and filters
Reasons to avoid
-Optional battery useful but costly-Updated version on its way

Think of the AEOS as the big brother to Rotolight’s compact hot-shoe mountable NEO 2 LED light. The AEOS is designed to be mounted to a light stand for studio use, but it also features a pair of sturdy metal handles if you’re lucky enough to have an assistant to hold it - and at just 1.4kg and a compact 30cm diameter, that’s a genuine option.

Max power output is a literally eye-watering 5750 lux at 3ft, and the LED colour temperature is steplessly adjustable from a warm 3150K through to a daylight-balanced 6300K. Rotolight’s emphasis on quality continues with a high colour rendering index of over 96. An easy to read rear display shows the current light intensity and temperature, both adjustable by dedicated control dials.

Push these and you reveal the AEOS’s extra features. They include a High Speed Sync flash mode with double the power of the maximum continuous light output, and special effects to emulate flickering fire and emergency vehicle lighting.

Mains power is the standard juice, but you can go off-grid with a rechargeable power pack capable of a 3-hour runtime, albeit for an extra £275/$300.

Update: Also on Rotolight's late-2021 Kickstarter slate was the Rotolight AEOS 2, a successor to this pro-level studio light. It's confirmed to have the same High-Speed Sync RGBWW flash features as the upcoming NEO 3, but is also incredibly thin and light. In fact, at 1.4kg, it's one of the lightest 1x1 panels around, and with grips for two-handed use, is ideal for lighting on the move. It's out for pre-order now and should be available soon – though you'll have to wait for our review before confirming it is everything Rotolight says it is. 

Best LED light panels: Aputure LS 300X

(Image credit: Aputure)

A highly impressive all-rounder LED light for professionals

Colour temperature: 2,700-6,500K
Lux (at 1m): 56,000 (with Fresnel 2X modifier)
Power source: Mains (optional Lithium battery)
Dimensions: 298 x 215 x 344mm
Weight: 1.1kg
Reasons to buy
+Excellent output+Quiet in operation+Well constructed
Reasons to avoid
-Quite pricey

With a redesigned LED chip, the Aputure LS 300X puts an emphasis on versatility, making it a fantastic tool for photographers and videographers in the studio. And yes we do mean videographers – its quiet fans mean it won't overwhelm the sound of a video. 

The Aputure LS 300X offers a huge amount of lighting control, with variable colour temperature from 2,700-6,500K, and compatibility with a wide selection of lighting modifiers. While it's mains-powered, the unit also has the option to switch to battery power, so can be used on location with ease, as well as in the studio. With a huge output of 56,000 lux at 1m, the Aputure LS 300X also has power where it counts, marking it out as one of the best professional lighting solutions around right now. 

Best LED lights: Nanlite Forza 300

(Image credit: NanGuang)

A powerful light that's impressively compact and easy to transport

Colour temperature: 5,600K
Lux (at 1m): 43,060 lux
Power source: Mains (optional Lithium battery)
Dimensions: 310 x 206 x 142mm
Weight: 2.3kg
Reasons to buy
+Puts out a lot of power+Easy to use
Reasons to avoid
-Fixed colour temperature-Heavy power consumption

Part of the relatively new Nanlite range from Nanguang, the Nanlite Forza 300 is a powerful, portable and capable LED Light. Able to put out 43,060 lux at 1m, it's more than powerful enough for most photographic purposes, and it's pretty simple to use. Control is done via the control box, which can be mounted on a light stand using a locking collar to make sure it's out of the way.

The light is very easy to use, though the flip-side of this is that it might be too simplistic for some tastes; there's no colour temperature control, for instance, 5600K is all you're getting. Power consumption is also pretty heavy at 300W, which is more than an equivalent unit from the likes of Rotolight. 

(Image credit: Rotolight)

A high-end light for filmmakers, but suited to stills photography too

Colour temperature: 3000-10,000K
Lux (at 1m): 8.290
Power source: V-mount batteries
Dimensions: 350x150x705mm
Weight: 6.8kg
Reasons to buy
+Very bright and accurate RGBWW LED light+Adjustable diffusion built-in+Easier to manage than larger X2
Reasons to avoid
-Flash function has limited power-Pricey when you add in extras-Flash trigger costs extra

Rotolight has packed the technology and features of its award-winning Titan X2 RGBWW LED light panel into the new Titan X1 which is a lot more portable and cheaper to buy – the both panels are expensive compared to regular photographic lights, reflecting their high-end cinematography market. You can set any color you like, including white, dial in electronically-adjustable diffusion, use special effects for filmmaking and even use it as a high-speed flash. It’s a great tool for hybrid stills photographers and filmmakers.

Read more: Rotolight Titan X1 review

14. Litepanels Astra 6X Bi-Color

It’s the money-no-object choice, but other panels give more bang per buck

Color temperature: 3200-5600K
Max power: 6330 lux at 1.5 metres
Power source: mains, optional Gold Mount or V-mount batteries
Dimensions: 45 x 41 x 13.5cm
Weight: 3.2kg
Reasons to buy
+Stunning light power+Very high CRI+Pro build quality
Reasons to avoid
-A serious investment-Bulky & heavy-Overkill for most amateurs

Litepanels has a reputation for producing quality kit aimed at semi-pro videographers, and the Astra 6X panel certainly feels like a quality product. At 3.2kg it’s designed solely for stationary light stand mounting, but the aluminum yoke cradle is very tough, as is the XLR power input connection, plus there’s a quiet cooling fan to ensure the longevity of the electronics and 256 individual LEDs.

These are guaranteed to be flicker free regardless of the frame rate at which you record, and they can be fluidly adjusted in colour temperature from tungsten through to daylight. The panel manages an impressive minimum colour rendering index of 95 at the tungsten end, rising to an incredibly accurate 98 when outputting daylight-balanced illumination. Outright power is also formidable, as the Astra 6X manages a huge 6330 lux at a distance of 5 feet, and it’s steplessly adjustable down to 0% with no colour shift.

The AC adaptor is neatly integrated into the yoke, and optional adaptor plates are available for attaching a Gold Mount or V-mount power pack.

(Image credit: Interfit)

An intriguing continuous light designed like a studio monolight

Color temperature: 5600K
Max power: 5000 lux at 1 metre
Power source: Battery or mains
Dimensions: 12.7 x 12.7 x 17.8 cm
Weight: 1.78kg
Reasons to buy
+Mains and battery power options+Fairly powerful for an LED monolight+Range of kit options and lighting modifiers
Reasons to avoid
-Less power than a flash-Cooling fans can be audible-No colour temperature adjustment

Is it an LED light or a 'continuous' monolight? You decide – but the Badger Beam could do the same job as an LED panel with a smaller form factor and compatibility with regular Bowens S-type lighting modifiers. That might not mean much to videographers but will be very interesting to photographers who need a continuous light for video work and stills. Available as a standalone LED monolight that runs on AC mains or its own rechargeable battery pack, the Interfit Badger Beam is also available in twin-head kits that feature options of barndoors, pop-up softboxes or umbrellas, complete with lighting stands and carrying cases. It’s a useful, versatile and good-value lighting solution for use at home or on location.

Read more: Interfit Badger Beam review

Read more: 

The best photography lighting kits for home studio or location photography
The 50 best camera accessories
Best video lights

Ben Andrews

Ben is the Imaging Labs manager, responsible for all the testing on Digital Camera World and across the entire photography portfolio at Future. Whether he's in the lab testing the sharpness of new lenses, the resolution of the latest image sensors, the zoom range of monster bridge cameras or even the latest camera phones, Ben is our go-to guy for technical insight. He's also the team's man-at-arms when it comes to camera bags, filters, memory cards, and all manner of camera accessories – his lab is a bit like the Batcave of photography! With years of experience trialling and testing kit, he's a human encyclopedia of benchmarks when it comes to recommending the best buys.