Choosing the best monitors for photo editing is important. It's not just about your own viewing comfort and satisfaction. It's essential that you get a proper rendition of the detail, color and contrast in your photos. When you're editing image, you only have what you see on the screen to go by – and if your monitor isn't up to the job, you can easily end up correcting the monitor's faults when your photos are perfectly fine.
In this guide we've picked some of the best monitors on the market that prioritize resolution, color accuracy, brightness consistency and contrast to display your photos properly.
We appreciate that not every photographer wants to spend hundreds or thousands on a high-end display, so we've split our guide into two parts:
1. Affordable upgrades for photographers who want to replace an older monitor with one that's usefully better but without spending a fortune.
2. High-end, high-performance monitors designed for more demanding work and aimed at enthusiasts, artists and professionals.
Best monitors for photo editing
If your current display is a few years old, there's a good chance you can upgrade it usefully to a bigger, higher-resolution screen with better contrast and color, without spending a fortune. You won't get some of the more advanced features of premium monitors for photographers, but you will almost certainly get a screen a lot better than the one you're replacing.
If you want a useful step up in specifications from our old monitor and the reassurance of a well known brand, you've found it. The Dell UltraSharp U2415 isn't the cheapest 24-inch monitor you can buy, but there is such a thing as false economy, and this Dell does give photographers a good combination of performance and value. The Full HD (1920 x 1080) resolution is about as low as we'd want to go in a 24-inch monitor, if you can accept a little visible pixellation if you look hard enough. Otherwise, this Dell's IPS image quality gives good color and contrast
accuracy with wide viewing angles, and all for an affordable price.
The excellent 27-inch LG 27UL500-W might look expensive compared to budget screens you see in a computer store, but if you can afford the extra it's well worth it. The 4K resolution is ideal for photographers, and the Color Calibration Pro tool boosts the color accuracy of the monitor, which is essential for anyone who is looking for high-end photography capabilities but at a competitive price.
Extras like HDR-10 compatibility, AMD FreeSync support and 98% coverage of the sRGB cover space add even more appeal.
With a slimline design and slender crescent-shaped silver base, the LG 27UL500-W makes most desktop monitors look comparatively clunky. The only real compromise is that, while tilt, height and pivot facilities are available, there’s no swivel mechanism built into the base.
Asus's PB278QV Professional Monitor certainly isn't the sexiest looking display thanks to its thick black bezels and utilitarian design, but its beauty is on the inside. The 27-inch display doesn't just use IPS screen tech, it's also capable of displaying 100% of the sRGB color space. Sure, the percentage coverage of the wider Adobe RGB standard is a much tougher test of a monitor, but at this price point, sRGB coverage is a more appropriate benchmark. Elsewhere, you get a versatile spread of connections - HDMI, DisplayPort, and DVI, and the panel sits on an ergonomically-designed stands with full tilt, swivel, pivot, and height adjustment.
Premium monitors for photographers
This BenQ screen has a 27-inch panel size with a 4K UHD native resolution of 3840x2160 pixels. It also boasts the usual 10-bit color depth, equivalent to more than a billion colours. It’s well built with a sturdy case and a particularly rigid stand, which keeps the monitor wobble-free throughout the range of its tilt, swivel, height and pivot adjustments.
Factory preset sRGB and Adobe RGB modes are available, along with an HDR mode. BenQ claims 100% coverage of the sRGB range and an impressive 99% for Adobe RGB. Palette Master Element calibration software comes with the monitor, to maintain optimum colour accuracy. Other supplied extras include a hotkey puck control dial for easily switching between sRGB, Adobe RGB and advanced B&W display modes.
The SW271's factory presets proved highly accurate for colour rendition, with just a very slight green colour cast. After calibration, colour rendition was close to perfect, with superb coverage of the Adobe RGB color space.
The NEC MultiSync EA271U monitor has a slightly corporate feel to it, supporting ‘cost-saving device management’, whereby all connected NEC devices can be controlled from a central location. There’s also a wide range of eco-friendly settings.
Standard and ‘photo’ viewing modes are accompanied by text, gaming, movie and dynamic modes, but there’s no preset for the Adobe RGB colour space. Connection ports include DP, DVI and HDMI, along with a USB 3.0 hub. Unusually, the MultiSync EA271U also features built-in speakers, though with an output of only 2W each, they're of limited aural appeal. Touch-sensitive virtual control buttons are easily accessible on the lower bezel.
Used in its sRGB preset, the NEC proved disappointingly inaccurate for colour rendition, with a noticeably red colour cast. Switch to the default viewing mode, however, and this monitor really shifts gear, producing spectacularly accurate colours. Brightness uniformity is boosted by a dedicated uniformity-enhancing mode. Adobe RGB colour space coverage is good, but not great.
An attractively-priced panel compared to equivalent screens from the likes of Eizo and NEC, the Dell UltraSharp still packs full 4K UHD resolution, 10-bit color depth and some neat extras, all inside a smart case with an ‘InfinityEdge’ ultra-thin bezel. There’s no preset Adobe RGB mode, but the standard viewing mode is accompanied by game, movie, custom color and several additional presets, which include an HDR mode.
Video ports include HDMI, DP and mDP, and there’s also a built-in USB 3.0 hub with two downstream connectors at the bottom left hand side of the case. Control buttons on the underside of the case have a tactile feel and work well with the intuitive menu system. The maximum contrast ratio is higher than many rivals, rated at 1300:1
However, image quality is good rather than great, especially in terms of outright color accuracy. One plus point is that there’s very little bleed from the backlight, making for good, strong blacks, although detail can be lost in very dark lowlights.
This 31.5-inch screen is notably larger than a 27-inch model, yet the ultra-thin bezel keeps the overall size from being too intimidating, while the 4K UHD resolution maintains pin-sharp image quality despite the pixels being spread a little thinner than on a 27-inch 4K screen.
Around the back, there are Display Port, Mini DP and dual HDMI inputs, as well as the practically ubiquitous USB 3.0 hub. The 350cd/m2 maximum brightness rating is typical for an LED-backlit panel, while 5ms response time (grey-to-grey) and 178-degree horizontal and vertical viewing angles are respectable.
Distinctive features include an HDR mode and a 1300:1 contrast ratio. On the negative side, there’s no preset Adobe RGB mode and ViewSonic only claims 77% coverage of the full Adobe RGB gamut.
Image quality looks a little dull when using the sRGB preset, which locks out any brightness adjustment. Colour accuracy is good but gamut is a little lacking for the Adobe RGB colour space and brightness uniformity could be better.
Overall, however, image quality is very satisfying, and once you step up to a screen of this scale, you might wonder how you managed with anything smaller!
4K resolution may be de rigueur these days for monitors and televisions, but this Eizo ColorEdge sets its sights a little lower at 2540x1440, resulting in a pixel count of about 3.7MP instead of 8.3MP. The pixel density is also lower for a 27-inch screen, at 109ppi rather than 163ppi, but image quality still looks absolutely super-sharp.
Ports at the rear include DVI, HDMI and DP, along with two upstream USB 3.0 ports. There are three downstream USB 3.0 ports behind the left-hand side of the case. Bundled software includes Quick Color Match, to enable easy colour matching between screen viewing and printed output. It also comes with ColorNavigator software for use with independent calibration hardware (not supplied).
Colour accuracy of our review sample was pretty much spot on, straight out of the box. The Eizo ColorEdge also delivers excellent gamut for both sRGB and Adobe RGB, with presets available for both colour spaces, direct from the menu system. Uniformity across the screen is particularly good, and there’s very little backlight bleed.
It may not set any resolution records, but this is the benchmark for every other measure of screen quality.
Here are the key specifications and technologies you need to look for in a monitor you're going to use for photo editing.
• Screen size: Bigger is better, but a 27-inch screen is about as far as we'd go. It's a good compromise between screen space and a comfortable working distance, but a 24-inch display is fine if you work quite close to the screen, or even the 21.5-inch display of a smaller iMac model.
• Resolution: Cheaper screens tend to max out at full HD 1920 x 1080 resolution. That's fine in a smaller screen, but at larger sizes (20-inch and above). You'll start to see the dots. If you can, look for high resolution 4K or Mac 'Retina' screens is that you don't see the pixels. Photos look beautiful and you don't have to zoom in to see if they're sharp.
• Aspect ratio: Most modern screens have a 'widescreen' 16:9 aspect ratio. This corresponds to current video standards and also gives a little space at the side of the screen for tools and palettes when you're editing regular still images. Once you've used a 16:9 screen, you won't go back to an old 'narrow' 4:3 display. Also consider ultrawide monitors, which can give you more space to view more windows or palettes – and are an alternative to using a second screen.
• IPS screen technology: IPS (in-plane switching) screens have much better colour and contrast consistency than older, cheaper, older TN (twisted nematic) panels. All the screens in our premium list use IPS technology.
• Graphics card: When buying a high-end display, it’s important to make sure your computer’s graphics are up to the task of displaying 4K resolution smoothly. Most recent PCs or Macs should have the necessary firepower to run Photoshop on a 4K screen, but older computers may not.
• Color gamut: The base level standard for all displays and devices is sRGB. You can’t go wrong with this because every device will support it. However, in commercial publishing, where the demands are higher, they like to use the larger Adobe RGB color space. High-end photographic monitors can display most/nearly all of the Adobe RGB gamut.
• USB-C connection: this makes it easy to hook up your monitor to a computer with USB-C output. We have a separate guide to the best USB-C monitors for photo editing.