The question of "What's the best iPhone for photography" is a little more complex than just "what's the newest and most expensive iPhone?" Because, while these will have the most sophisticated and advanced camera arrays, depending on your needs and your budget, a slightly older model might end up being a more sensible choice.
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Though with that said, the current iPhone 12 series is pretty much the alpha when it comes to iPhone photography, or smartphone photography in general. The iPhone 12 Pro is the flagship, and it boasts a triple camera array with a 4x optical zoom and even the capacity to shoot Night Mode portraits. The base iPhone 12 is also worth consideration, with a wider aperture on its main camera, and those who like things small will want to consider the new iPhone 12 Mini.
But what if we reach back in time a little? Well, the iPhone 11 Pro and iPhone 11 Pro Max are both widely available and offer potentially really good value for money. They still have triple camera arrays, after all, and are indisputably counted among the best camera phones around. Of course, the fact that they're still great phones means that you don't get much of what's considered to be the main advantage with buying older phones: their price tag isn't a whole lot lower than the most current models.
So if you're really focused on price but know you want an iPhone, it's worth reaching further back in time and looking at models with a few years under their belts their prices have come down significantly. An iPhone 7, for instance, offers a tremendous amount of bang for your buck. We've these and other similar phones in this guide, so you can compare them to the newer models.
There are also newer models like the iPhone SE 2020, which is a refreshed iteration of the classic model that was retired in 2018. The SE takes the processor of the iPhone 11 and squeezes it into the body of the iPhone 8 – the result is one of the best budget camera phones, with images and 4K video that punch well above their weight.
So then, taking all models, ages and price tags into consideration, these are the best iPhones for photography…
The best iPhone for photography in 2021
The iPhone 12 Pro is one of the most advanced handsets for photographers currently available. When compared with phones such as the Samsung Galaxy S20 Ultra, which packs a 108MP sensor, you might initially consider the iPhone 12 Pro's 12MP camera sensors to be slightly less impressive. However, when you're working with a sensor as small as a smartphone sensor, huge megapixel counts don't necessarily mean good image quality.
What the iPhone 12 Pro might 'lack' in megapixels, it certainly makes up for with a variety of imaging features. It features a triple camera unit, including an ultra wide f/2.4 camera, a wide f/1.6 camera and a telephoto f/2 camera. Meanwhile, the front-facing TrueDepth camera features a 12MP sensor as well.
If you're wondering what photography-focused features the iPhone 12 Pro holds over the base iPhone 12 (other than the addition of the telephoto camera), there are a few things you need to know. The first is that the Pro model will have a LiDAR scanner, which will mean faster focusing in low light situations. The iPhone 12 Pro will also be able to use the new Apple ProRAW file format, which means users will be able to combine the great computational photography effects Apple is known for with the power of RAW files.
You can't judge camera phones purely on specs. The iPhone 11 Pro's triple-camera array is hardly cutting edge by today's camera phone standards, but it works brilliantly. The colors, tones and exposures are consistent across all three cameras, and the image processing is perfectly judged to produce natural looking detail and not the usual over-sharpened, over-smoothed smartphone 'look'. The new ultrawide camera is just brilliant for travel photography, landmarks and spectacular interiors, and while it can't quite match the edge to edge image quality of the other lenses, it still produces sharp, distortion-free ultra-wide images that widen your horizons in every possible way. We like the regular iPhone 11 Pro best – the iPhone 11 Pro Max has the same cameras but it's just a bit big, while the regular plain-vanilla iPhone 11 is cheaper but doesn't have the 52mm telephoto lens.
The iPhone 12 Mini of a pleasing trend of Apple filling out the smaller end of its mobile offering, as well as putting out big flagship phones with more features, cameras and pixels than ever. This means it's much more affordable than its contemporaries like the iPhone 12 Pro, as well as being a good deal easier to hold and carry around.
Despite the reduction in size, Apple hasn't skimped on tech for the iPhone 12 Mini. it boasts a beefy dual camera array, with a 12MP 26mm f/1.6 and a 12MP 13mm f/2.4. There's no telephoto like you get on the Pro, but it's still very impressive, and with the capacity to shoot 4K video as well, any content creator is going to have a whale of a time with it.
The only real disappointment is the battery life. Granted, things had to give somewhere, but still, having a 2227mAh battery to work with is really going to curtail your ability to get a full day's use out of the thing, at least without carting around a separate power bank.
If you're looking for the best bang for your buck when it comes to a new iPhone, then we'd argue that the iPhone 11 might just be it. While we love the release of the iPhone 12, the newer handset just doesn't have quite enough features to justify the higher price tag for us. The iPhone 11 does have a few downsides, namely its lack of a telephoto lens and OLED screen, but you can pick it up for such a great price now, that you have to ask yourself how important these features are to you? If you're looking for the very best iPhone for photography, then we'd recommend going with a Pro Max model. However, if you want a great iPhone for taking pictures that won't break the bank, then the iPhone 11 is a natural choice.
The iPhone 12 might not have quite the same wow-factor as the iPhone 12 Pro, but it's certainly no slouch when it comes to its photographic capabilities. The iPhone 12 has a dual camera system featuring an ultra wide f/2.4 camera and a wide f/1.6 camera. While the iPhone 12 doesn't have a dedicated telephoto camera, users can achieve a digital zoom of up to 5x. All of the iPhone 12 models are now capable of HDR video recording with Dolby Vision, although on the iPhone 12 this is only up to 30fps as compared to the iPhone 12 Pro's 60fps. The iPhone 12's front-facing camera is capable of both Night mode and Deep Fusion, which weren't available on the base iPhone 11's selfie camera. The iPhone 12 is also now capable of Night mode Time-lapse. One of the most exciting upgrades for the iPhone 12 family is the new Ceramic Shield display, which features a 4x better drop performance. The iPhone 12 is also compatible with new MagSafe accessories and wireless chargers.
The regular iPhone XS has the same cameras as the Max version. The rears offer two 12-megapixel cameras, one for standard wideangle shots, the other for 2x zoom images. Apple offers a very natural and faithful image preview, which shows a good estimate of the benefits of image processing before that processing has even taken place. The color balance and the character of Apple’s processing are also very pleasant. Other highlights include 240fps slo-mo at 1080p and X-series-only additional modes in the background blur portrait mode, such as Stage Lighting. This blacks out the background, for an image that looks a little like an actor’s headshot. The 2x zoom is also useful, particularly as it has optical image stabilisation just like the main camera. Many people might find this more useful than the new ultra-wide lens on the iPhone 11, so the iPhone XS is still a good option, even though it's now last year's model.
The iPhone XS Max has the same camera setup as the iPhone Xs. So what benefit is there here? It’s pretty obvious, really. The Max has a larger screen, which helps when composing images. This is a particularly bright OLED display with max power of around 650 nits. It copes remarkably well outdoors, and goes into a ‘turbo’ mode when required, to make sure you can see the image preview even when it’s sunny. Both X-series phones also have dual front-facing cameras. The imaging sensor is a 7-megapixel chip just like the recent older iPhones, and the second is a “time of flight” camera. This is used solely for depth mapping. Its primary function is to make the Face ID unlock feature work well, but it also improves “bokeh” images. You can alter the blur effect level, effectively changing the virtual aperture, after shooting the image.
If you're after the best iPhone for photography, the iPhone 12 Pro Max is technically it. However, there is a reason this handset is so far down our list. While the iPhone 12 Pro Max features a more powerful battery life than the other iPhone 12 handsets – and even a slightly better rear camera than the iPhone 12 Pro – it has two major cons. The first is that the iPhone 12 Pro Max is pretty expensive. While the 12 Pro Max will likely come down in price when the iPhone 13 appears later this year, it probably won't be by much. The second downside to the iPhone 12 Pro Max is that the 6.7" screen is so large that users with smaller hands might struggle to use it effectively. However, if you don't mind big handsets and you're happy to splash the cash, then there's still plenty of exciting features to write home about with the iPhone 12 Pro Max. With the best chipset, camera set-up, battery and screen that you can find on an iPhone, it's no surprise that the 12 Pro Max has already proved to be a hit.
The iPhone XR is one of the most interesting phones in the 2019 line-up from an Apple fan’s perspective. It’s now and older, cheaper iPhone (still not that affordable, mind). The lack of a zoom camera is its biggest loss. The iPhone XR has only the one rear camera, the same 12-megapixel stabilised get-up as the iPhone XS. You get great images, sure, but a zoom is handy for gigs and other situations when you can’t simply move closer. Here you have to use a compromised digital zoom. Other differences? While the iPhone XR has the same processor as the pricier iPhone X models, it uses an LCD screen rather than an OLED. This screen is larger than the iPhone Xs’s, though, and battery life is far better than that of the smaller, fancier iPhone Xs too.
In one sense the iPhone 8 Plus may seem a step above the iPhone XR. It has a 2x telephoto camera, with a 12-megapixel sensor. Don’t mistake this for a like-for-like alternative to what’s on offer in the iPhone Xs Max, though. This telephoto lens is not stabilised, making it more likely you’ll get blurry images when light level is sub-optimal. In daylight, however, the iPhone 8 Plus takes excellent images that aren’t too far off those of the newest iPhones. The phone itself now seems rather dated. It has a 16:9 5.5-inch screen with relatively large borders, and what now seems a fairly lazy screen to surface ratio. Still, this only becomes an issue in a direct comparison. We were perfectly happy with the iPhone 8 Plus in 2017. Things have changed since then, but not that much. Our hands haven’t suddenly shrunk.
The iPhone SE (2020) is a brilliant proposition: a $399 / £415 / AU$749 iPhone that takes the form factor and camera of the iPhone 8, and pairs it with the processor and software magic of the iPhone 11 Pro. The result is a pocket-friendly handset in terms of both size and price, with fusion technology that delivers highly respectable photographs and 4K video. Its smaller 4.7-inch 720p screen isn't as bright and doesn't refresh as fast as the flagship models, but that also means that its battery doesn't get gobbled up as fast either. It sticks with Touch ID instead of Face ID, and boasts Qi wireless charging. It's IP67 water and dust resistant, and features image stabilization for rock-solid 4K 60fps video. Between the A13 Bionic chip and Apple-standard software updates, the iPhone SE is the best value handset out there.
Now here’s a blast from the past. The iPhone 7 was released in 2016, and is testament to iPhones’ supreme shelf life. On paper its camera sounds almost identical to the iPhone 8’s. It has a single 12-megapixel rear sensor with OIS and an f/1.8 lens, and a 7-megapixel selfie camera. Apple made notable improvements in 2017 that are missing in this older model, and photographers will notice. Autofocus is slower, dynamic range is a little worse and colour reproduction is a little less punchy or charming, particularly in less than ideal lighting. It’s still a good camera, particularly as a breezy auto mode shooter, but the years are taking their toll on this most affordable iPhone. Step away from the camera and the iPhone 7 looks almost identical to the iPhone 8. Both have 4.7-inch LCD screens of 1334 x 750 pixel resolution. You miss out on HDR support for the phone’s own screen (it still takes HDR photos), and the TrueTone feature. This alters the display’s colour profile to suit the ambient lighting.
The iPhone 7 Plus was the first Apple phone to have a 2x zoom camera. This seemed very special back in 2016, but today? Not so much, but it’s still useful. This phone stacks up much like the iPhone 7. Dynamic range and colour benefit from less optimisation, although the actual sensor is genuinely different too. Low-light performance is only OK by today’s standards. Still, the main camera is stabilised so the low-light shooting experience is still better than that of some mid-range and entry-level Androids. The phone’s design is very similar to the iPhone 8 Plus’s. It’s relatively bulky, and has a 16:9 screen and a dated shape. iPhone build ages well, though, and this still feels like a top-quality mobile.
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