Manfrotto 003 Backlite Stand review: elegant simplicity and sturdy support for backdrop lighting

The Manfrotto 003 Backlite Stand is ideal when you want to go low, and illuminate backdrops while keeping your flash head out of the frame.

Manfrotto 003 Backlite Stand
(Image: © Matthew Richards)

Digital Camera World Verdict

I find it essential to shine a light on backdrops in my home studio, and the Manfrotto 003 Backlite Stand fits the bill perfectly with its short, column-free design. It’s therefore easy to add a backdrop light, angled up from floor level, so the light itself doesn’t get in the way and keeps out of the image frame. I love that it’s so compact and easy to pack away, yet very robust and simple to use.

Pros

  • +

    Easily portable

  • +

    Great for keeping out of sight

  • +

    Ideal for backdrop lighting

Cons

  • -

    Only for low-angle lighting

  • -

    No height adjustment

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Building on 50 years of experience, Manfrotto is best known for its tripods but also has a wide range of other photographic accessories in its catalog, ranging from camera bags and backpacks to studio stands, supports, lighting control paraphernalia, and backdrops. 

Something of a specialist item, the Manfrotto 003 Backlite Stand offers ground-level lighting support and aims to take its place in the ranks of the best light stands, as well as offering low-level support for the best photography lighting kits and the best LED light panels.

It’s something of a ‘flatpack’ compared with regular light stands. (Image credit: Matthew Richards)

Manfrotto 003 Backlite Stand: Specifications

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Max height8.9cm / 3.5"
Min height8.9cm / 3.5"
Load capacity15kg / 33lb
Weight1kg / 2.2lb
Top mount5/8" receiver, 3/8” & 1/4" screw

Manfrotto 003 Backlite Stand: Price

With Italian design flair and high-end build quality, Manfrotto has found a place in the hearts of many photographers worldwide. For tripods in particular, Manfrotto is a name that we tend to trust, and indeed to entrust with our precious cameras and lenses. However, Manfrotto products don’t tend to come cheap. The Manfrotto 003 Backlite Stand is a relatively cut-price item, costing around $55/£49, and while it’s fairly basic, it’s well made and certainly serves a purpose, making it a good buy.

Manfrotto 003 Backlite Stand: Design & Handling

I find that I can get really nice studio lighting setups at home using just one or two flash heads or LED panels, for example using a key light and a fill/hair light. There’s a problem though, in that backgrounds tend to look dull and gloomy. That’s especially true if I’m using a white background, which will generally dim down to an unappealing mid-gray. 

The answer is to use a dedicated backdrop light to brighten it up, so that my whites stay white, so to speak. However, that brings another problem. Mounted on a regular light stand, even at its shortest setting, a backdrop light will be quite high up and often creep into the composition unless I’m being constantly careful to keep it directly behind the person or object while I’m shooting. 

That’s where the Manfrotto 003 Backlite Stand comes to the fore, or rather exits the frame.

The swing-around legs and lack of a central column enable use at virtually ground level. (Image credit: Matthew Richards)

The big idea behind this light stand is that it’s so small. It has a fixed operating height of just 8.9cm / 3.5", so the backdrop light sits pretty much at floor level and can be angled up as necessary to effectively illuminate the backdrop.

A nyloc nut on the main joint avoids any unwanted tightening or loosening on the thread during use. (Image credit: Matthew Richards)

There have been plenty of times when I’ve been hired to take portraits of clients at their homes or at corporate venues. Even with a modest collection of camera kit, studio lighting, and a backdrop, things can quickly get out of hand and there can be several bags of gear to take along for the job. One thing I really like about this backdrop stand is that it folds down small and flat, measuring just over 30cm / 1’ in length. Each of the three legs has a flat profile and swings around so that they’re placed one on top of the other. The only protruding part is the riser that forms the central mount, which has a threaded base held in place with a nyloc nut that prevents unwanted loosening or tightening.

The screw clamp for the reversible spigot is the only time-consuming element, if you need to switch it over. (Image credit: Matthew Richards)

To set up the stand for lighting duty, it’s a simple matter of rotating the two top legs of the three-leg stand through an arc so that they’re evenly spaced. Protruding studs at the top of each leg make it easy to do this, as you basically rotate each of the two upper legs until they won’t turn any more. The whole procedure takes just a few seconds, being quick, easy and highly effective.

Acting as a standard 5/8” receiver, the reversible spigot has a ¼” thread at one end and a 3/8” thread at the other, catering to all eventualities. (Image credit: Matthew Richards)

When set up for use, the stand rests on rubber feet that have a nice anti-slip finish. There’s a further bit of trickery up top. The mounting stud for studio flash heads or LED panels has a standard 5/8" receiver. 

However, there’s also a brass spigot which is reversible in its locking receptacle, and has an additional 3/8” attachment thread on one end and a 1/4" thread at the other. This gives extra options for mounting a flashgun on a threaded base plate or other lamps that require either of the two standard threaded attachment types.

(Image credit: Matthew Richards)

Manfrotto 003 Backlite Stand: Performance

Supports that are small and lightweight often compromise sturdiness and rigidity. That’s certainly not the case here. Despite weighing a mere 1kg / 2.2lb, the stand has a payload rating of 15kg / 33lb. That’s more than enough to cater to pretty much any studio flash head or LED panel that I can think of.

(Image credit: Matthew Richards)

With each leg protruding about 30cm / 1’ from the central point, the stand is easy to fit into tight spaces. And although the footprint is quite small, the fact that there’s no rising column means that the center of gravity is really low. There’s therefore virtually no risk of the stand toppling over, even with relatively heavy lamps being mounted on it. 

For testing, I used an Elinchrom D-Lite 2 flash head with a wide-angle reflector, which weighs in at 1.3kg / 2.9lb, and a Neewer NL660S LED light panel fitted with two rechargeable battery packs, with a weight of 2kg / 4.4lb.

(Image credit: Matthew Richards)

Manfrotto 003 Backlite Stand: Verdict

I find that a full-height light stand is awkward for using a backdrop light. Not only does it interfere with compositions, as if it’s constantly trying to make an appearance in the image frame, but it’s also unnecessarily big and bulky to carry around, or to stow away. For me, the Manfrotto 003 Backlite Stand is a neat, simple and elegant solution for low-level backdrop lighting. It’s also tough and really nicely made, making it very good value at the price.

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FeaturesYou can’t really squeeze a whole lot of features into a low-level floor stand.★★★★☆
DesignIt’s simple but highly effective, thanks to a crafty bit of design work.★★★★★
PerformanceWithout having to achieve any height to speak of, the stand is super-stable.★★★★★
ValueIt’s quite pricey for such a basic stand but well worth the money.★★★★☆

(Image credit: Matthew Richards)

Should you buy the Manfrotto 003 Backlite Stand?

✅ Buy this...

  • You need a low-level light stand for effectively illuminating a backdrop.
  • You’re happy without any facility to raise the stand to slightly greater operating heights.

🚫 Don't buy this...

  • You feel you can adequately light backdrops from either side rather than from floor level.
  • You don’t use backdrops in studio lit shooting scenarios, in which case the stand is superfluous.
Matthew Richards

Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! 

His expertise with equipment doesn’t end there, though. He is also an encyclopedia  when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. 

In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.