100MP? Nope – the Hasselblad X1D II 50C is a $5,750 refresh of the 50MP original

Hasselblad X1D II 50C

After the tantalizing tease of "the next chapter in Hasselblad history", the company has announced the Hasselblad X1D II 50C – surprisingly, a light refresh of the original  50-megapixel X1D, but at a shockingly low price of £5,400 / $5,750.

Most were expecting that the company would unveil a 100MP monster to rival the Fujifilm GFX 100 – and many predicted that the new camera would actually use the same 102-megapixel Sony IMX 461 medium format image sensor. 

• Read more: Best medium format cameras

Instead, the Hasselblad X1D II 50C sticks with the 50MP medium format CMOS sensor of its predecessor "to keep medium format photography portable with its compact build".

It's not without a hint of irony that the promotional video for the X1D II makes the statement, "When image quality is everything, bigger is better."

Though we're somewhat taken aback by the company's decision not to push the megapixel count – especially with multiple full-frame mirrorless and DSLR cameras flirting with the 50MP threshold – the X1D II does feature a few welcome if incremental updates. 

Hasselblad X1D 50C review

Chief among them are a new 3.69 million-dot OLED electronic viewfinder – an improvement over the XGA, 2,6 million-dot EVF of the original, which also benefits from greater magnification of 0.87x. Further, the menu system is now accessible when looking through the EVF.

The rear touchscreen has also received a boost, upped in both size and resolution to 3.6 inches (from 3.0) and 2.36 million dots (from 920 thousand). In addition, the refresh rate has been raised to 60fps for live view. 

While the Fujifilm GFX 100 is a 100MP monster, it's a big ol' tank – the Hasselblad X1D II 50C remains compact

While the Fujifilm GFX 100 is a 100MP monster, it's a big ol' tank – the Hasselblad X1D II 50C remains compact

The user interface has been improved, too, with pinch-to-zoom, swipe image browsing, drag and drop focus point placement, pinch/spread focus point size changes, and faster overall responsiveness. Indeed, the camera is quicker in general, with a notable 46% reduction in startup time. 

One thing that's only marginally faster, though, is the burst rate: 2.7fps, compared to the positively glacial 1.7-2.3fps of the original model. That said, it does boast fast shutter sync speed of 1/2000 sec for flash.

In terms of video, there's not much we can tell you. The only specification from Hasselblad says, "Video: To be enabled at a later date", and we'd imagine that the company would be only too eager to tell us if it could shoot 4K.

The menu system and interface has been improved and made more responsive

The menu system and interface has been improved and made more responsive

The camera is ever so slightly smaller than its predecessor, at 148 x 97 x 70 mm (compared to 150 x 98 x 71mm), though it's put on a bit of weight, at 766 g (compared to 725g).

Perhaps the added weight comes from built-in Wi-Fi, USB and GPS functionality, along with support for UHS-II in its dual memory card slots and the ability to charge the battery in-camera via USB connection.

While we're surprised, and a tad disappointed, that the Hasselblad X1D II 50C didn't match the GFX 100 with a 100MP sensor, we're definitely smiling at the price tag: £5,400 / $5,750. 

While staggeringly low for a Hasselblad camera, the price is appropriate in the context of its Fujifilm rival. Available for pre-order now, the camera will ship in July.

Read more:

Hasselblad X1D 50C review
The best medium format cameras
The best cameras for professionals

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

James Artaius

The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera MagazinePhotoPlus: The Canon MagazineN-Photo: The Nikon MagazineDigital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.