The best lenses for the Nikon D850 in 2024: I pick my top lenses for Nikon's range-topping and still highly popular DSLR

Nikon D850
(Image credit: Future)

Aimed at professionals and serious enthusiasts who want to take their photography to the max, I think that the Nikon D850 DSLR still packs a punch in the mirrorless age, with high-res 45.7MP stills and 4K video capture. That’s why it’s important to choose top-notch lenses that attain the clearest, sharpest shots.

Almost every F-mount lens on offer is compatible with the Nikon D850 but there are only a few you should lean toward if you want to achieve ultimate image quality. Nikon’s trinity zooms consist of three f/2.8 lenses that cover focal lengths from 14mm all the way up to 200mm in an attempt to negate the requirement for any other lenses in the kit bag. However, there are a few key lenses that I think are worthy of being in this guide, including some fast primes renowned for their optical quality.

Any problematic optical issues will show up with over 45MP of detail. Vibration Reduction is important for photographers hoping to shoot in low light or with longer focal lengths. Speedy autofocus controls down the lens barrel, and sleek, lightweight lens designs are equally important in the handling of lenses, so that every moment can be captured in focus.

Jason Parnell-Brookes author bio photo
Jase Parnell-Brookes

Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters, Jase has spent a good chunk of two decades studying and working in photography and optics. Now the Channel Editor for Cameras and Skywatching at Space.com, their speciality is in low-light optics and camera systems.

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Best lenses for the Nikon D850 in 2024

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Best everyday lens for the D850

(Image credit: Nikon)
Best for everday shooting, it's a brilliant standard zoom

Specifications

Maximum aperture: f/2.8
Vibration Reduction: Yes
Lens Construction: 20 elements in 16 groups
Dimensions: 88 x 154mm
Weight: 1070g
Filter size: 82mm

Reasons to buy

+
Versatile zoom range
+
Speedy and reliable autofocus
+
Four stops of Vibration Reduction

Reasons to avoid

-
Not the lightest lens in the roundup

A staple in any professional Nikon shooter’s kit bag, this lens is the do-all answer to almost any photography assignment. I feel that it’s flexible enough to shoot wide-angle and telephoto with just a twist of the zoom ring has a fast aperture of f/2.8 for isolating subjects from the background and is superbly sharp throughout the zoom range from edge to edge.

It’s a little heavy and certainly not cheap, but paired with all 45.7MP of the Nikon D850’s image sensor it produces stunningly clear photos that are almost impossible to surpass. Its autofocus is lightning fast and the Vibration Reduction of four stops supports the longer end of the focal length range to maintain steady and clear shots.

Read more: Nikon AF-S 24-70mm f/2.8E ED VR review

Best wide-angle lens for the D850

(Image credit: Nikon)
Best wide-angle zoom for landscapes and architectural interiors

Specifications

Maximum aperture: f/2.8
Vibration Reduction: No
Lens Construction: 14 elements in 11 groups
Dimensions: 98 x 131mm
Weight: 1000g
Filter size: N/A

Reasons to buy

+
Sharp from edge to edge, low distortion
+
Fast aperture suits low light and astro

Reasons to avoid

-
Big front element need filter adapter
-
Heavy considering it’s not that long

I feel that this is the best ultra-wide angle lens overall for the Nikon D850. Its 14-24mm gives a great range of really wide-angle perspectives, and it has epic build quality and handling. A fast and constant f/2.8 aperture with a huge field of view make it perfect for astrophotography, wide landscapes and cityscapes and real estate photography.

D850 owners should be aware that there’s no front filter attachment for this lens because the front element protrudes so much, but that's what I've come to expect with most ultra-wide-angle lenses.

Read more: Nikon AF-S 14-24mm f/2.8G ED review

Best street photography lens for the D850

(Image credit: Sigma)
With its classic field of view and fast aperture, it's also ideally compact for street photography

Specifications

Maximum aperture: f/1.4
Vibration Reduction: No
Lens Construction: 13 elements in 11 groups
Dimensions: 94 x 77mm
Weight: 665g
Filter size: 67mm

Reasons to buy

+
Wonderful subject isolation wide open
+
Ideal for travel and portraiture

Reasons to avoid

-
No Vibration Reduction
-
No weather sealing in the lens

At about one third of the price of Nikon’s own 35mm f/1.4, this Sigma Art lens is an absolute steal and doesn’t compromise on image quality. A fast f/1.4 aperture gives depth to images when shot wide open despite the wide-angle focal length of 35mm tending to increase the depth of field

A very useful lens for environmental portraiture, it’s also small enough for street or travel photography where a wide field of view and flare-less results are paramount with changing light conditions and compositions. However, those seeking to shoot in all weather should be aware there are no weather seals on this lens.

Read more Sigma 35mm f/1.4 DG HSM Art review

Best portrait photography lens for the D850

(Image credit: Future)
Perfect for portraiture, this lens has an focal length and tight depth of field

Specifications

Maximum aperture: f/1.4
Vibration Reduction: No
Lens Construction: 10 elements in 9 groups
Dimensions: 86 x 84mm
Weight: 595g
Filter size: 77mm

Reasons to buy

+
Stunning clarity and image quality
+
Rounded aperture gives smooth bokeh
+
Strong autofocus performance with D850

Reasons to avoid

-
Specialized focal length

Known as ‘the’ portrait lens, its image quality is valued by many Nikon shooters, not just owners of the D850. But it does pair well with this camera thanks to the fast autofocus, great image clarity, and complementary perspective compression.

The combination of 85mm focal length and fast f/1.4 aperture give an extremely shallow depth of field which is great for isolating subjects in portraiture and still life photography but demands very accurate focusing. With some attention to detail, however, I've found that this lens gives unparalleled quality and absolutely stellar results.

Read more: Nikon AF-S 85mm f/1.4G review

Best telephoto lens for the D850

(Image credit: Future)
I find this to be an excellent lens for event photography and more besides

Specifications

Maximum aperture: f/2.8
Vibration Reduction: Yes
Lens Construction: 22 elements in 18 groups
Dimensions: 88 x 202mm
Weight: 1430g
Filter size: 77mm

Reasons to buy

+
One of the sharpest 70-200mm zooms
+
Autofocus is out-of-this-world fast
+
Enhanced lens coatings minimize flare

Reasons to avoid

-
Certainly not the cheapest telezoom

Portraits, landscapes, concerts, wildlife, sports, this lens can do it all. A fast, constant aperture, powerful four-stop Vibration Reduction, and superior lens coatings make this a lens for any event. Extensively weather-sealed all round, it can be taken into any environment without worry of ingress from dust, dirt, water, or anything else.

The 70-200mm zoom range is ideal for flattening facial features and isolating subjects from busy backgrounds simultaneously. Studded with lens controls all along the lens barrel it’s easy to recompose whether handheld or on a tripod and even features automatic tripod detection to avoid VR shake blur.

Read more: Nikon AF-S 70-200mm f/2.8E FL ED VR review

Best super-telephoto lens for the D850

A terrific telephoto lens with big reach for the D850

Specifications

Mount: Nikon F
Full-frame compatible: Yes
Autofocus type: Ultrasonic (ring-type)
Optical stabilizer: Yes
Minimum focus distance: 1.75m
Maximum magnification: 0.2x
Filter thread: 77mm
Dimensions (WxL): 96x203mm
Weight: 1,570g

Reasons to buy

+
Dual switchable autofocus modes 
+
Full compatibility for aperture control

Reasons to avoid

-
Hefty in weight and price
-
Stabilization is a little mediocre

Nikon’s original AF 80-400mm was the company’s first lens to feature Vibration Reduction, but had a notoriously slow autofocus speed. This replacement AF-S lens has a typically fast and near-silent ring-type ultrasonic autofocus, that works with any Nikon DSLR or mirrorless Z-series camera. It is a great addition to the D850's lens arsenal - giving you a wide telephoto range that makes it suitable for action and wildlife photography – without giving you the weight or the price tag of a telephoto prime.

It obviously lacks the fast maximum aperture of an f/2.8 prime - but I find that it more than makes up for this with its reduced bulk and lower purchase price. It's a great performer that delivers excellent image quality.

Read more: Nikon AF-S 80-400mm f/4.5-5.6G ED VR review

Best ultra-telephoto lens for the D850

(Image credit: Future)
A versatile ultra-telephoto zoom that covers the distance for wildlife and bird photography

Specifications

Maximum aperture: f/5-6.3
Vibration Reduction: Yes
Lens Construction: 21 elements in 13 groups
Dimensions: 108 x 260mm
Weight: 2010g
Filter size: 95mm

Reasons to buy

+
Ultra Sonic Drive gives fast and quiet AF
+
Huge 4.5 stops Vibration Compensation

Reasons to avoid

-
Quite heavy, typical of long lenses

This second-generation (G2) version of one of the best 150-600mm lenses has been rebuilt by Tamron, with improvements in autofocus, stabilization, and flare control. Low Dispersion elements help keep distortion and aberration to a minimum when shooting at either end of the focal length range. Ideal for sports, action, and wildlife the slightly narrower aperture range means it’s best used during the day, or under bright stadium lighting.

Its enhanced Vibration Compensation offers a helpful 4.5 stops of optical stabilization to make it easy to shoot handheld, which, considering it’s just over 2kg in weight, is plenty achievable if needed.

Read more: Tamron SP 150-600mm f/5-6.3 Di VC USD G2 review

Best macro lens for the D850

The best macro for the Nikon D850, if you can find one!

Specifications

Elements/groups: 14/12
Diaphragm blades: 9
Autofocus: Ultrasonic (ring-type)
Stabilizer: Yes
Minimum focus distance: 0.31m
Maximum magnification: 1.0x
Filter thread: 62mm
Dimensions (WxL): 83x116mm
Weight: 750g

Reasons to buy

+
High standard of build quality
+
3-stop optical stabilization

Reasons to avoid

-
Stabilization fairly ineffective for close-ups
-
Expensive to buy

You might well be wondering why I've included an obsolete lens in this guide. Well, premium F-mount macro lenses are now very thin on the ground, especially with competing Sigma and Tamron alternatives also having been discontinued.

This was Nikon’s top-flight FX-format macro lens, offering a maximum of 1:1 magnification and while you might not be able to find one brand new, it's well worth looking around for a second-hand bargain. It includes a ring-type ultrasonic autofocus system with fully internal focusing, 3-stop VR II stabilization, and Nano Crystal coating. Image quality is super-sharp, ideal for resolving the finest of detail and texture in macro photography.

Read more: Nikon AF-S 105mm f/2.8 G IF ED VR Micro review

Lab data and comparisons

The graphs below show the comparative performance of the lenses in this guide, based on our in-house lab tests. Top spot for sharpness goes to the Sigma 35mm prime lens, although the Nikon AF-S 85mm and AF-S 70-200mm aren’t far behind. The Nikon AF-S 14-24mm is the worst for distortion, while averaged figures very much flatter its edge-sharpness at the short end of its zoom range.

Scores for sharpness and color fringing are averaged from data taken across the entire image frame, from the center to the edges and corners, throughout the aperture range. For zoom lenses, the scores are also averaged from data measured at all marked focal lengths, and the same applies to distortion. Bear in mind that these average values don't fully reflect specific areas of performance. For example, a zoom lens might have noticeable barrel and pincushion distortion at its shortest and longest focal lengths respectively, which tends to average out when looking at the data overall. For more detailed graphs of each lens's performance, which give the full picture, check out the graphs in our full standalone lens reviews.

How to choose the best lens for the Nikon D850

Which lenses fit the Nikon D850?

The D850 uses the Nikon F mount and is compatible with all lenses designed for that mount. Nikon’s own F-mount lenses have AF-S or AF-P at the start of their model names.

Some F-mount lenses are designed for use with APS-C format cameras rather than full-frame cameras such as the D850. Nikon lenses that fall into this category have DX as part of their model names. While they physically fit on the D850, these lenses produce a cropped image. None of the lenses in this guide is a DX-format lens.

If you are buying a third-party lens for the D850, always check that it is designed for full-frame (or FX) Nikon cameras like the D850, rather than APS-C (or DX) Nikons.

The D850 is not able to use Z lenses, which are made for use with Nikon’s mirrorless Z cameras. If you upgrade to a Z camera later, you can buy an adapter that allows most F-mount lenses to work with your new camera.

How do I know which lens to get for my D850?

The reason there are so many types of lens in the first place is that different scenes demand different lens designs, particularly when it comes to focal length and aperture rating.

Usually, you will decide what you want to photograph, then get a lens with the focal length that suits the situation. For example, to shoot landscapes you will need a wide-angle lens, while for sports and wildlife you will need a telephoto.

You can watch this video that explains focal length: it helps you work out what kind of lenses you need for different genres of photography.

How we test lenses

The lens experts in our testing lab run a range of tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.

We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the centre of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths.

There's more to it than just the technical side, though! Beyond the lab, our reviewers test lenses in real-world environments – and sometimes on professional shoots! We work with lenses both indoors and outdoors, in studio conditions and in natural light, with as many different subjects as is possible (or appropriate – there's no point testing a landscape lens' ability to shoot a portrait!).

We take into account everything from handling and ease of use to speed of autofocus and the overall quality of the images produced.

Find out more about how we test and review on Digital Camera World

Jase Parnell-Brookes

Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters Jase has spent a good chunk of two decades studying and working in photography and optics shooting and writing all over the world for big-name brands and media outlets. Now the Channel Editor for Cameras and Skywatching at Space.com their speciality is in low light optics and camera systems.

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