Sean Weekly is a professional wildlife photographer based in Wales, in the United Kingdom, with his own bespoke wildlife hide at Gigrin Farm Red Kite Feeding Station. He changed from his career in the military and moved to Singapore in 2010 where he bought his first Canon DSLR and never looked back.
He now works as a guide for the Wildlife Worldwide travel company, leading numerous photography trips and 1-2-1 sessions. We recently caught up with Sean to find out his tricks and tips for wildlife photography as well as the essential camera kit he couldn't live without.
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"I’ve had an interest in photography since I moved to Singapore in 2010 as part of a career change from the military. Singapore was full of diverse nature: wild long-tailed macaques living opposite me and snakes, lizards and tropical birds all within a stones throw away, too – it was impossible not to take an interest!
"I now live in rural mid-Wales and being surrounded by the natural world here gives me endless opportunities to develop my camera skills. My passion and job has taken me all around the world, taking photos of a wide array of wildlife species."
"The most significant aspect of wildlife photography for me is being outside, breathing fresh air and feeling at one with nature," he continues.
"I’d recommend that you try not to compare yourself to others, as there’s lots of amazing photographers out there today. I find comparing yourself to people will only serve to destroy your creativity when it comes to producing beautiful images. Shoot what you enjoy and love and your photography will prosper naturally.
"My favorite shot from this year was of a leucistic red kite on the ground during heavy snowfall, captured from my hide in Wales. Unlike albinism, leucism doesn’t completely eliminate pigment; these birds appear lighter than normal, but aren’t fully white. There are roughly only ten leucistic red kites in the whole of Wales, so getting this particular image of one on the ground in heavy snow fall is probably a once in a lifetime photograph!"
01. Canon EOS 5D Mark IV (opens in new tab)(opens in new tab)
"I’ve shot with Canon cameras for more than ten years now and I wouldn’t change a thing. I love how easy I find the controls and button layout, I also find the colors on my Canon cameras to really pop, which I haven’t found with other cameras. My latest DSLR is the EOS 5D Mark IV, which does everything I need it to do with brilliant weather sealing for when I’m shooting outside – 30MP is perfect to crop into a subject when you cannot get any closer."
02. Canon EOS 5D Mark III (opens in new tab)(opens in new tab)
"I’ve kept hold of my trusty old Canon EOS 5D Mark III body too as a backup, just in case my main camera ever developed a fault on a shoot, as that would mean I’d have to pack up and stop shooting early. Although the 5D Mark III is a slightly old camera, it’s still an excellent workhorse, fully compatible with my full-frame EF Canon lenses, has a 22.3MP resolution and 61-point AF system."
03. Canon EF 300mm f/2.8L IS USM Mark II(opens in new tab)
"This telephoto prime is my favorite bit of kit, I have shot with lots of different Canon primes, but this beast is so incredibly fast and sharp. The depth of field and creamy soft bokeh that it produces at f/2.8 is just sensational. I shoot pretty much all of my images wide open at f/2.8 and this has become part of my signature style."
• Best telephoto lenses (opens in new tab)
04. Canon EF 70-200mm f/2.8L IS USM Mark II(opens in new tab)
"Most pro wildlife photographers own a 70-200mm lens and for good reason! This one is much lighter and portable than my big 300mm prime lens, yet it’s still very sharp and versatile. The zoom range is a bit wider than my 300mm lens, so it’s handy for more environmental shots where I want to include more of the wildlife’s surrounding habitat."
• Best 70-200mm lenses (opens in new tab)
05. Canon EF 2x III Extender(opens in new tab)
"I use this on occasion when field craft alone cannot get me close enough to my subject. I will put this on my 300mm f/2.8 lens, which takes it to a 600mm focal length, one of the reasons this teleconverter is often referred to as a ‘doubler.’ But it also reduces light coming in to the lens by two stops, so the aperture goes from f/2.8 to f/5.6 in terms of how much light is coming in. The lens is still incredibly fast and image quality is great."
• Best teleconverters and how they work (opens in new tab)
06. Benro Series 1 Adventure tripod(opens in new tab)
"I love to shoot handheld for the most part, but there are rare times when I need a tripod. I love using this Benro Series 1 Adventure tripod as it gives me incredible flexibility. However there are times when I’m shooting creative images where I will use my tripod. For example, when shooting long exposures and slow shutter panning."
• Best tripods (opens in new tab)
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