Skip to main content

Home photography ideas: Have a ball, by shooting with a Lensball

Watch video: Home photography ideas – Have a ball, with a Lensball

Useful links

Photography projects at home
Home photography ideas (opens in new tab)

Useful home photography kit
Best tripods (opens in new tab)
Best lighting kits (opens in new tab)
Best reflectors (opens in new tab)
Best macro lenses (opens in new tab)

Allow us to take you through the looking glass, by showing you a fresh new way to shoot your landscapes and other images. We all love to shoot in the great outdoors, but there are only so many ways to take traditional landscapes. 

However, by adding an optically clear glass ball to the equation – such as those made by specialist companies like Lensball – you can unlock new ways to shoot stunning vistas, creative still life images, striking portraits and more.

Due to physics, when you take a photograph of a glass ball, the image inside it will be flipped upside-down. Back at your computer you can choose to leave it as it is, flip the entire picture upside-down, or select the circular image in the ball and rotate that alone by 180º so both the ball and surroundings are in the correct orientation. 

The latter method looks particularly striking, and we’ll go into detail to show you how to do this in step by step. You can achieve this technique by using basic kit, provided that you have a glass ball – all you need is a camera with a kit lens like an 18-55mm or a 24-105mm. You can use a tripod if you like, but this isn’t essential. 

You can either shoot at the wide end, and get really close to the ball to capture the surrounding scenery better, or you can go further back and zoom in with the longer end to make it easier to blur the background out. 

• Best online photography courses (opens in new tab)

How to use a Lensball

01 Dial in the right settings

Set your camera to aperture priority and dial in an aperture of f/5.6 to blur the background or f/22 to keep it sharp like we did, then tweak the ISO until you get a shutter speed of 1/60 sec or faster.

02 focus and take the shot

Place your Lensball on some prominent foreground that doesn’t obstruct the view of the sphere, being careful not to leave fingerprints on it. Focus on the landscape inside the ball and press the shutter to take the shot.

03 make a rough selection of the ball

Open your picture into Photoshop or Elements and grab the Elliptical Lasso tool from the Toolbox and drag your cursor over the Lensball to make a rough selection of the sphere.

• Download Photoshop (opens in new tab)

04 fine-tune the selection

Go to Select > Transform Selection and drag the handles of the bounding box so that the selection lines up perfectly with the outside edge of the lens ball. Hit Enter when you’re done to finalize the selection.

05 feather the edges of the selection

Go to Select > Select and Mask and change the view mode to Overlay so you can clearly see what you’re doing and then tweak the Feather slider to soften the edge slightly. We used a value of 6px and hit OK.

06 flip the image

Press Ctrl / Cmd + J to punch the selection on to a new layer and hit Ctrl / Cmd + T to put it into Free Transform Mode. Hover your cursor over an outside corner and drag it round, rotating until it’s the right way up.

(opens in new tab)

PhotoPlus: The Canon Magazine (opens in new tab) is the world's only monthly newsstand title that's 100% devoted to Canon, so you can be sure the magazine is completely relevant to your system. 

Read more: 

16 essential landscape photography tips (opens in new tab)
The best Lensbaby and Lomography lenses (opens in new tab): the best funky effects lenses
Home photography ideas: Use a prism to shoot dazzling images (opens in new tab)

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Dan Mold
Dan Mold

The Technique Editor on PhotoPlus: The Canon Magazine, Dan also brings his technical wizardry and editing skills to Digital Camera World. He has been writing about all aspects of photography for over 8 years, having previously served as technical writer and technical editor on Practical Photography magazine, as well as Photoshop editor on Digital Photo


Indeed, Dan is an Adobe-certified Photoshop guru, making him officially a beast at post-processing – so he’s the perfect person to share tips and tricks both in-camera and in post. Able to shoot all genres, Dan provides news, techniques and tutorials on everything from portraits and landscapes to macro and wildlife, helping photographers get the most out of their cameras, lenses, filters, lighting, tripods and, of course, editing software.