Fujinon GF30mm F3.5 R WR review

The Fujinon GF30mm F3.5 is a handy 24mm equivalent prime for Fujifilm’s medium format system, filling a gap in the line-up

Fujinon GF30mm F3.5
(Image: © Fujifilm/Digital Camera World)

Digital Camera World Verdict

The Fujinon GF30mm F3.5 fills a gap in the Fujifilm medium format lens range, offering a popular 24mm equivalent wide-angle focal length. It’s a shame Fujifilm couldn’t stretch to an f/2.8 design, but the f/3.5 aperture does keep the weight down and, we presume, the cost, though this is still a pretty pricey lens.


  • +

    Edge to edge sharpness

  • +

    Freedom from aberrations

  • +

    Relatively light

  • +

    Small 58mm filter size


  • -

    Slightly odd elongated shape

  • -

    Modest f/3.5 aperture

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The Fujinon GF30mm F3.5 fills a gap between the very wide GF23mmF4 (18mm equivalent) and the mildly wide GF45mmF2.8 (36mm equivalent). It’s a useful wideangle prime that the GFX system did need. 

Indeed, Fujifilm deserves proper credit for steadily building up its medium format GF lenses into a proper professional system. With the addition of the GF30mm F3.5, there are now eight prime lenses, three zooms and a teleconverter, covering a focal range of 23-250mm, or roughly 18-200mm in full frame camera terms – or 350/277mm if you included the GF1.4X TC WR teleconverter on the GF250mF4 R LM OIS WR.


Mount: Fujifilm GF
Lens construction: 13 elements in 10 groups
Angle of view: 84 degrees
Diaphragm blades: 9
Minimum aperture: f/32
Minimum focusing distance: 0.32m
Maximum magnification ratio: 0.15x
Filter size: 58mm
Dimensions: 84x99.4mm
Weight: 510g

Fujinon GF30mm F3.5

(Image credit: Fujifilm)

Key features

The GF30mm F3.5 is equivalent to a 24mm lens in full frame camera terms. That’s a standard ‘wideangle’ focal length that every photographer likes to have (28mm just doesn’t seem quite wide enough).

Its f/3.5 maximum aperture is pretty tame by regular standards, but this is a medium format camera, where you just don’t get the ultra-fast primes of full frame systems.

There’s very little to say about this lens beyond that. Fujifilm has aimed for maximum edge-to-edge image quality, in a light and portable lens (by medium format standards) with a weather-resistant construction. You don't get a focus distance scale, but you do get a click-stop aperture ring.

Fujinon GF30mm F3.5

(Image credit: Fujifilm)

Build and handling

The length and profile of this lens are curious. It’s reminiscent of the (obviously smaller) 23mm f/2 X-mount lens, with a longer barrel than you would expect and a tapered profile with a narrowing front end.

The GF30mm F3.5 is 99.4mm long. That’s longer than the GF45mm, 50mm and 63mm primes and almost as long as the ultra-wide GF23mmF4. It’s not a problem, as such, and it is quite a light lens at just 510g, but just seems an odd shape. One upside, though, is that it takes 58mm filters – that’s a size shared with some APS-C and full frame lenses, and commendably small for a medium format lens.

The build quality is first rate, as with other GF lens. The focus ring is smooth and nicely weighted and the aperture ring’s click stops have just the right degree of firmness.


Fujinon GF30mm F3.5

The verticals are converging because the camera was tilted, but the lines are all dead straight in this architectural shot, with no visible distortion. (Image credit: Rod Lawton)

Fujinon GF30mm F3.5

Color fringing levels with this lens are very low, and invisible in this image, which includes leaves against a bright overcast sky at the edge of the image – if this doesn't produce fringing, nothing will! (Image credit: Rod Lawton)

Fujinon GF30mm F3.5

On a medium format camera, a 30mm lens is quite 'wide', but depth of field is still quite limited with close-ups. You have to focus carefully and think hard about the lens aperture you need. Even at f/9, the depth of field is pretty limited when you get up close. (Image credit: Rod Lawton)

The autofocus seemed smooth and rapid, but we were testing the GF30mm F3.5 on a GFX 50R, which is the limiting factor here, with its somewhat sluggish contrast-based AF, so we don’t yet know how speedy and responsive it would be on a GFX 100.

Our real-world samples extremely good definition. If you look very closely at detailed subjects it's possible to see a very slight drop in detail at the edges, which is born out by the lab tests, but you really have to be looking for it and visual impression is of complete edge to edge sharpness. There is no visible distortion and no obvious color fringing, even when photographing leaves against a bright overcast sky, though Fujifilm’s inbuilt lens corrections can no doubt claim some credit for this.

Lab results

Fujinon GF30mm F3.5 lab tests

(Image credit: Digital Camera World)

The Fujinon GF30mm F3.5 shows excellent center sharpness, peaking at f/4 and f/5.6. The edge and corner sharpness figures are lower, but still very good. We expect to see significant drop-off away from the center of the image with any lens, but the Fujinon holds up well.

Resolution is tested using Imatest SFR charts and software, and quoted as line widths/picture height, a widely accepted standard of resolution measurement that's independent of sensor size.

Fujinon GF30mm F3.5

(Image credit: Digital Camera World)

Color fringing is very well controlled, and while it is measurable in lab testing it's all but invisible in real world shots. It's also pretty consistent across the aperture range. Color fringing is tested using Imatest test charts and analysis software and measured in pixels.

The Fujinon GF30mm F3.5 recorded a value of 0.2 in our distortion test, also carried out using Imatest charts and analysis software. This is very low and, while measurable in the laboratory, is difficult to see in real-world images.

Fujinon GF30mm F3.5

(Image credit: Fujifilm)


The Fujinon GF30mm F3.5 fills a gap in the Fujifilm medium format lens range, offering a popular 24mm equivalent wide-angle focal length. It’s a shame Fujifilm couldn’t stretch to an f/2.8 design, but the f/3.5 aperture does keep the weight down and, we presume, the cost, though this is still far from being a budget lens. 

Read more:

Fujifilm GF lens roadmap
Best medium format cameras
Best professional cameras
Best Fujifilm cameras

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Rod Lawton

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com