I love using the electronic viewfinder on my Canon camera, but not for the reason you think!

Photographer using a Canon EOS R5 Mark II and RF 100-500mm lens with green foliage blurred behind
Mirrorless cameras like Canon EOS R5 Mark II offer superior EVF performance today – and not just for when you're shooting (Image credit: Peter Travers)

Electronic viewfinders (EVFs) on mirrorless cameras have evolved to be so much better over the last 5-7 years that they leave old-fashioned optical viewfinders (OVF) on DSLRs in their digital dust.

In case you didn’t know, an EVF uses the data from the camera’s imaging sensor to display an image on a small OLED screen (or LCD on the rear of the camera). This means that an EVF shows the image that the sensor outputs. EVF resolution, colour and contrast is much improved, and there’s less lag in the digital live image we see now.

For example, the Canon EOS R5 Mark II’s 0.5-inch OLED EVF has a refresh rate of up to 120fps; in real terms, the lag is measured in milliseconds.

An EVF can also shows you the scene as you’ll capture it, depending on your exposure settings, and show you the effect of changing settings like white balance. Plus when you’re shooting in low light, you can see the subject or scene – making it easier to compose and focus compared to an OVF that shows a near-dark frame due to the lack of ambient lighting.

You can also see things like the digital spirit level better via the EVF, to adjust a tripod head for level horizons, and also dial in a bit more positive or negative exposure compensation as necessary, with the confidence that it’s correct as you get a live preview of the image.

This photographer looks into the EVF on a bright day as it makes it much easier to check your images without reflections (Image credit: Peter Travers)

However, it’s not when shooting that I really love using EVFs. I love how I can use an EVF to review my images much clearer, even in bright conditions – which will leave DSLR users searching for shade to get rid of the reflections as they’re squinting to try to see images on the rear LCD.

Another reason EVFs are so brilliant is because, when you’re checking images through the finder, your eye is closer to the image, so you see the image a lot closer and a lot sharper. Plus, you can set up the viewfinder for your eyesight (via the dioptric adjustment dial).

This is great for someone like me who’s short-sighted and wears contact lenses for long distances, as sometimes I have to hold my camera at arm’s length to check the sharpness of images when I’m looking at the screen on the back of the camera!

EVFs make it easy to check your images and exposures more accurately – this is how you'd see this image of a tree silhouetted at sunrise via a Canon EOS R5 Mark II's EVF (Image credit: Peter Travers)

The EVF is also brilliant for looking at menu screens, again if a font is too small and you can’t read it properly, or simply want to avoid moving your camera into the shade to read the rear screen. Or if you don’t want to take your camera away from your eye as you’re in position to take a shot, and just need to tweak a setting.

You might also like…

Take a look at the best lenses for the Canon EOS R5 Mark II, as well as the best Canon RF lenses overall.

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Peter Travers

The former editor of PhotoPlus: The Canon Magazine, Peter has 18 years of experience as both a journalist and professional photographer. He is a hands-on photographer with a passion and expertise for sharing his practical shooting skills. Equally adept at turning his hand to portraits, landscapes, sports and wildlife, he has a fantastic knowledge of camera technique and principles. 


He is the author of several published photography books including Portrait Photographer's Style Guide, and The Complete Guide to Organising and Styling Professional Photo Shoots with fellow portrait pro Brett Harkness.


Peter remains a devout Canon user and can often be found reeling off shots with his Canon EOS DSLR and EOS R mirrorless gear. He runs Peter Travers Photography, and contributes to Digital Camera magazine

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