Fujifilm is breaking records – but the memory crisis is hitting so hard, even Instax is affected. Is a price change coming?

Instax Wide photo prints stacked on top of each other with an Instax Wide Evo camera in the centre
(Image credit: Gareth Bevan / Digital Camera World)

Fujifilm has posted record-high revenue in the company’s latest financial report – but even amid strong sales, the rising cost of memory components could spark price jumps. The imaging giant’s latest report, shared on August 06, sheds light on how increasing memory costs could impact cameras, even amid high sales trends.

Across all of Fujifilm’s business categories, the company posted record-high revenue with a 10.3 percent jump from the same time frame in 2025. But the company’s profit actually declined at the same time. Part of that was due to one-time costs in the company’s business and bio categories, but the rising costs of raw materials, including memory and silver, also played a role.

Importantly, the report hints that the memory crisis – driven by high demand from generative AI data centers – could potentially be offset by price increases. The report says that Fujifilm will “Minimize the impact of rising prices through pricing measures and the procurement of alternative materials and components.”

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Fujifilm says the X100VI continues to be a top seller (Image credit: Chris George)

Fujifilm lists both its digital cameras and instant cameras among the tech impacted by the rising memory costs. While a simple instant film camera “stores” photos on instant film and not internal memory, the Instax line includes a handful of hybrid digital-instant cameras that still require digital storage and memory, like the Instax Mini Evo and Mini Evo Cinema. (Even digital cameras that use memory cards rather than built-in storage require memory components for the camera’s processor.)

Fujifilm has factored in an additional 14 billion yen on top of the company’s earlier estimates for increasing memory costs for 2026 – that’s about $88.6 million / £65.8 million / AU$126 million / CA$124.3 million at current exchange rates. Those numbers are in addition to Fujifilm's previous estimated impact of ¥11 billion – $69.5 million / £51.9 million / AU$96.2 million.

Camera sales remain strong – particularly Instax

Fujifilm’s Instax division continues to bring in more revenue than the company’s category for digital cameras – at 96.7 billion yen compared to 72.1 billion yen in revenue – and now the company has more supply after increasing instant film production.

The Fujifilm Instax Mini 41, Mini 40, and Mini 12 (Image credit: Gareth Bevan / Digital Camera World)

While Fujifilm’s X and GFX series sales remain strong, the company has yet to launch a new camera in those categories in 2026, an expected pause ahead of Fujifilm’s highly anticipated next generation. Because of that, Fujifilm says that revenue declined 4.6 percent (excluding foreign exchange rates), as last year’s first quarter sales had two launches that bolstered sales.

While Fujifilm fans are eagerly awaiting the next major release from the camera brand, Fujifilm had a tidbit for fans waitng for new models too: “We will continue to provide attractive products for digital camera users and the video production industry by delivering outstanding image quality through the large format sensors in the GFX series and achieving the best balance of image quality and size through the X series, while also creating cameras with new concepts, such as Fujifilm GFX100RF, X half and Fujifilm GFX Eterna 55.”

Japan earthquake impact expected to be minimal – but may have some delays

Fujifilm also provided an update since one of its plants that manufactures the color filters that X-Trans sensors are known for was evacuated after an earthquake in Japan’s Kumamoto Prefecture on July 28.

Fujifilm said operations began to gradually resume on August 02 and that while no significant financial impact is expected, “delivery delays are expected for certain products.”

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Hillary K. Grigonis
US Editor

With more than a decade of experience writing about cameras and technology, Hillary K. Grigonis leads the US coverage for Digital Camera World. Her work has appeared in Business Insider, Digital Trends, Pocket-lint, Rangefinder, The Phoblographer, and more. Her wedding and portrait photography favors a journalistic style. She’s a former Nikon shooter and a current Fujifilm user, but has tested a wide range of cameras and lenses across multiple brands. Hillary is also a licensed drone pilot.

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