Could Sigma extend its coveted telephoto run with a 300mm f/2.8? This patent supports the possibility
Sigma’s been on a legendary telephoto run of late, so even the faintest possibility of a 300mm f/2.8 is worth delving into
A very interesting Sigma patent has been made public, which seemingly refers to the existing Sigma 200mm f/2 DG OS Sports and a yet-to-be announced 300mm f/2.8.
The news comes from Japanese photography news outlet Asobinet. This patent was filed back in April 2024, and it’s very important to note that imaging companies regularly file patents – and while some do come to pass, others do not.
Still, a 300mm f/2.8 lens would certainly make sense given that Sigma has turned out a pair of exceedingly well-received telephoto releases of late. I am, of course, talking about the aforementioned 200mm f/2 and the much-talked-about Sigma 300-600mm f/4 DG OS Sports.
Both lenses received a perfect score on test, and are helping to redefine optical speed and value.
We’ve seen 300mm f/2.8 primes (and zooms) before, but they’ve typically been very expensive, so my hope – should Sigma ever release such a lens – would be that it’d be smaller and cheaper, much like how the 300-600mm f/4 redefined 600mm f/4 pricings.
And yes, while $6,599 / £5,899 / AU$12,995 is still a huge sum of money for a lens, it’s more than half the price of a top-tier 600mm f/4 – and that’s for a less-versatile prime.
In an imaging world where it feels like camera tech has, in many places, reached a bit of a saturation point, I find myself more and more excited by optical advancements.
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Cheap lens manufacturers such as Viltrox are busy raising the bar at the lower end of the market, and I think Sigma’s been doing much the same at the more premium end. Whether or not a 300mm f/2.8 is ever released by Sigma, I'm certainly looking forward to what the camera and optics giant releases next.
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Mike studied photography at college, honing his Adobe Photoshop skills and learning to work in the studio and darkroom. After a few years writing for various publications, he headed to the ‘Big Smoke’ to work on Wex Photo Video’s award-winning content team, before transitioning back to print as Technique Editor (later Deputy Editor) on N-Photo: The Nikon Magazine.
With bylines in Digital Camera, PhotoPlus: The Canon Magazine, Practical Photography, Digital Photographer, iMore, and TechRadar, he’s a fountain of photography and consumer tech knowledge, making him a top tutor for techniques on cameras, lenses, tripods, filters, and more. His expertise extends to everything from portraits and landscapes to abstracts and architecture to wildlife and, yes, fast things going around race tracks...
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