The Sigma 30mm f/1.4 DC HSM | A is part of Sigma’s premium Art range, and is specifically designed for APS-C format cameras, rather than full-frame models with larger sensors. The net result of this is that it’s small and lightweight compared with many rival f/1.4 lenses designed for full-frame. It’s almost exactly the same physical size as the Canon 35mm f/2 lens, but 100g heavier. Build quality feels substantial, like a scaled down Sigma 50mm f/1.4 Art lens (opens in new tab).
Like this larger Sigma sibling, the Sigma 30mm f/1.4 DC HSM | A has a ring-type ultrasonic autofocus and a focus distance scale that’s mounted beneath a viewing panel. It does not, however, have any weather seals, so you’ll want to be careful when using it outdoors. The optical path includes a double aspheric element, with the aim of minimizing spherical aberration, astigmatism and coma.
The nine-blade diaphragm is well rounded and helps to maintain the quality of bokeh when narrowing the aperture. At the widest available aperture of f/1.4, bokeh is soft and the depth of field is tighter than from competing Canon and Tamron 35mm lenses when they’re used on APS-C formats.
Being reasonably compact, the lens does not offer a great deal of room for the ring-type ultrasonic autofocus system. Autofocus speed is a bit on the sluggish side and, although only the rearward optical elements are moved during focusing, these elements are almost as big as the forward elements. Image quality is very good overall but, in our testing, we found that Canon’s own 35mm (opens in new tab) proved marginally sharper. Even so, it’s a superb APS-C format lens and great value at the price.
Well-built, the lens is constructed using metal and TSC (Thermally Stable Composite) parts. It comes bearing Sigma’s usual Super Multi-Layer Coating, applied to reduce ghosting and flare, and in the box there’s also a petal-shaped hood to help control reflections. It’s also worth mentioning that this lens does not have an image stabiliser.
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