Panasonic Lumix S 100mm f/2.8 Macro lens: compact compromises

The Panasonic Lumix 100mm Macro’s compact size ticks all the right boxes for design, but a few optical imperfections stop this for being a runaway success

Panasonic Lumix S 100mm f/2.8 Macro lens attached to a Panasonic Lumic S5II on a tripod
(Image: © Gareth Bevan / Digital Camera World)

Digital Camera World Verdict

The Panasonic Lumix 100mm hugely impresses with its compactness for a full-frame 1:1 macro lens, contrasting starkly with larger competitors. Complementing Panasonic's other prime lenses, its size consistency aids in balancing cameras for video work. However, a few drawbacks let the lens down a little including occasional focus hunting at close range, and slightly less sharpness than rivals.


  • +

    Incredibly compact and light

  • +

    Near silent autofocus

  • +

    Same balance as other Panasonic primes


  • -

    Could be sharper

  • -

    Occasional close-focus hunting

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Panasonic cameras are going from strength to strength, and in 2023 – were the fastest-growing full-frame camera brand. However, Panasonic’s Lumix S L-Mount lineup still lags a little behind the competition, with one major omission being the lack of a standard macro lens. 

Thankfully, the L-Mount Alliance saves the day here for Panasonic shooters, with fellow members Leica or Sigma stepping in to fill this gap with some superb choices like the Sigma 105mm f/2.8 DG DN Macro, as well as Venus Optics and TTArtisan offering some more budget options.

But what is a camera system without good first-party lenses? Now, Panasonic finally has seen fit to plug this very non-macro-sized hole with the brand new Lumix S 100mm f/2.8 Macro lens – although Panasonic being the company of 'firsts' with its Lumix cameras, of course, it's not your typical macro lens. 

Instead, Panasonic hopes to set a new bar for macro lenses everywhere with the world’s smallest and lightest full-frame autofocus macro lens over 90mm with 1:1 magnification. The lens also has the world’s closest focusing distance for a macro lens of the same description. That is a lot of caveats to being a 'world’s first', but Panasonic's reduction in size here is genuinely impressive. 

Panasonic has achieved this size reduction with a newly developed Dual Phase Linear Motor (the motor used for focusing), which Panasonic claims offers the same performance at a fraction of the size. Eagled-eyed readers will spot fewer elements than rivals and no O.I.S as factors that have also most likely contributed to a much smaller body. But has this size reduction also reduced performance? Let's find out.

The Panasonic Lumix S 100mm will look right at home among Panasonic's other Lumix S primes with an identical size and styling. (Image credit: Gareth Bevan / Digital Camera World)

Lumix S 100mm f/2.8 Macro: Specifications

Swipe to scroll horizontally
Focal Length100mm
Aperturef/2.8 - f/22
Lens Construction13 elements in 11 groups, 3 ASPH, 2 UED, 1 ED
Aperture Blades9
Maximum Magnification1.0x
Closest Focusing Distance20.4cm
Focus SystemDouble Focus Dual Phase Linear Motor
OISB.I.S. only
Switch/RingAF/MF Switch, Focus Limiter
WeatherproofingDust/Splash-resistant, Freeze-resistant (-10°C)
Filter Size67mm
Diameter x Length73.6 x 82.0 mm

Lumix S 100mm f/2.8 Macro: Price & Availability

The Panasonic Lumix S 100mm f/2.8 Macro lens is released January 8 and will cost $999 / £999, which places it around $50 cheaper than the recommended pricing for the Sony FE 90mm f/2.8 Macro G OSS and Nikon Z MC 105mm f/2.8 VR S, and a pretty substantial $400 cheaper than the Canon RF 100mm f/2.8 L Macro IS USM

All the lenses here are direct equivalents, although rivals do fit in more glass elements (in varying combinations), more switches, and buttons, and the Canon lens also packs a 1.4x maximum magnification and SA control ring. So you do get what you pay for with the more expensive rivals.

Lumix S 100mm f/2.8 Macro: Design & Handling

There is nothing else to do but give a round of applause to Panasonic’s lens design team, for a standard length 1:1 macro lens designed for full-frame cameras, they have really achieved something special with this lens. At only 82mm in length and 300g in weight, there really is no comparison to the equivalent Canon 100mm, Nikon 105mm, or Sony 90mm – with each of those lenses being 385g, 330g, and 302g heavier respectively, and 66mm, 58mm, and 48.5mm longer.

One undeniable benefit of Panasonic’s Lumix S prime lens lineup is the foresight to design each lens to be the same length and filter thread, which is a huge benefit to anyone balancing a camera for video on a stabilizer or gimbal. Weight is also kept remarkably consistent, with the Lumix S prime lineup from the 18mm all the way to the 100mm lenses only differing in weight by 60g between the lightest (35mm at 295g) and the heaviest (85mm at 355g).

No custom buttons to be found, but there is a AF/MF switch and a focus limiter switch. (Image credit: Gareth Bevan / Digital Camera World)

With Panasonic being the hybrid video camera brand to beat right now, it is fantastic to see video-first design running through everything Panasonic puts out, and now seeing its design foresight come to pass like this gives me so much confidence in Lumix going forward.

The lens follows the exact same design language as the rest of Panasonic’s Lumix S lenses. Panasonic lenses are generally very nice, although I do not find them as premium looking or feeling as other brands. The lens is made out of solid plastic and features a rubberized manual focus ring that is easy to find and grip without taking your eye from the viewfinder. The lens is weather-sealed and freeze-resistant, so can brave the elements when shooting outdoors, although should be expected on a lens at this price.

The lens mount is made of metal, and the rubber focusing ring is big and nicely dampened.  (Image credit: Gareth Bevan / Digital Camera World)

The lens has a 67mm filter thread which matches the other Lumix S prime lenses. (Image credit: Gareth Bevan / Digital Camera World)

The focus ring offers a good amount of resistance to not be overly sensitive, essential in precise macro focusing. There is a noticeable lack of switches and buttons on the lens., although with no O.I.S in the Lumix S 100mm there perhaps isn’t much need for more switches. But with other brands adding more custom function buttons to their lenses, it is a shame not to see at least one here.

Hats off to Panasonic – the Lumix S 100mm is remarkably small for a full-frame 1:1 macro lens. (Image credit: Gareth Bevan / Digital Camera World)

Lumix S 100mm f/2.8 Macro: Performance

Image quality is very good, but sadly not as sharp as I would have hoped from the lens of this class and with Panasonic's usual quality. The sharpness is soft at wider apertures, only really getting to be clinically sharp when stopped down to around f/8, which is not uncommon, but it does lag behind rivals if peak sharpness is your number one priority. 

Occasionally – in a few challenging light situations – the lens when shot wide open suffered from a few contrast issues in the JPEG files, with out-of-focus areas just being a bit lackluster, occasionally drifting into muted grey. However, if you are shooting in Raw, then this will be less of a concern as Panasonic's Raw files are excellent.

The sharpness is good when used to take close up shots like this, but not class leading. (Image credit: Gareth Bevan / Digital Camera World)

Focusing was nice and snappy when used at a distance, with the new Dual-Phase Linear Motor being near silent in operation, the Lumix S 100mm combined with the Lumix S5 IIX body had no issue locking on and tracking subjects across the frame during stills shooting and also in video. Panasonic has claimed the new lens motor is faster than its previous incarnation – although I didn't notice any dramatic difference in speed driving focus from near to far than with other Panasonic lenses.

However, there were occasional struggles when it came to close focusing, with the lens sometimes hunting for focus when used close up to a subject before eventually locking on. This was occasional but unfortunately happened more frequently than I found ideal, although I am not sure how much responsibility to share between the camera and the lens – and this is something that could be improved with firmware down the line.

Panasonic’s implementation of in-body Image stabilization is absolutely rock solid, unsurprising when Panasonic invented IBIS, and the Lumix S 100 on a camera with IBIS like my S5 IIX should offer up to 7 stops of correction.

Which in reality – shooting in low light with the Lumix S 100mm allowed me to stop down to around 1/15 of a second handheld and still get plenty of usable shots, although your experience might vary depending on how steady your hands are.

There is no optical image stabilization in the lens however, which is likely a sacrifice made to get the lens down to such a petite size, but I can’t help wondering if a hybrid stabilization system could have achieved even greater heights of handheld steadiness.

The lens and B.I.S. does handle low light really well, this was shot at f/2.8 but handheld in a dark room, and the details are still clear. (Image credit: Gareth Bevan / Digital Camera World)

Lumix S 100mm f/2.8 Macro: Sample Images

These shots were all taken using the Panasonic Lumix S5IIX camera with its 24MP sensor and the Panasonic Lumix S 100mm f/2.8 Macro lens. 

This close up on a wide aperture loses some of the finer details in the texture of the 20-60mm lens body. (Image credit: Gareth Bevan / Digital Camera World)

The 100mm focal length is good for picking out small details in a scene like this footprint on the beach. (Image credit: Gareth Bevan / Digital Camera World)

In this shot the macro capabilities are shown off well, if you zoom in you can see the individual wool fibres. (Image credit: Gareth Bevan / Digital Camera World)

This shot is one that I had issues with the final contrast in the JPEG, with the overall tones being a little grey and muted. (Image credit: Gareth Bevan / Digital Camera World)

The lens handled backlighting well, with next to no chromatic aberrations around the edges of the rocks. (Image credit: Gareth Bevan / Digital Camera World)

Lumix S 100mm f/2.8 Macro: Lab Results

We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.

We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing (chromatic aberration).


(Image credit: Future)

Sharpness isn't as impressive as we'd hoped from an S-series lens. Center sharpness is downright poor at large apertures, requiring you to stop down to f/8 to get the best out of the lens. Things get even softer as you move out to the corners of frame, and narrowing the aperture doesn't do much to help, unless you're happy to stop down to f/11. However, it is worth noting that we tested a very early production sample lens, so it's possible final retail examples will perform better.


(Image credit: Future)

Color fringing is very well controlled and of a low order, across the entire image frame.

Distortion: 2.01

The lens produces moderate pincushion distortion, though this is without any in-camera distortion correction applied.

Lumix S 100mm f/2.8 Macro: Verdict

The Panasonic Lumix achieves something special with its diminutive size, for a full-frame macro lens the compactness and lightness achieved are genuinely remarkable and make similar lenses from the other big brands seem almost too big by comparison. The lens also perfectly complements the other prime lenses in Panasonic’s full-frame range, with the nearly same size and weight across the board – making balancing them for video so much simpler.

The downside is that there are a few compromises when it comes to performance. The lens when focused at the near end hunted for focus more than I would have liked, although the focus was silent and very accurate when locked. The lens could also be a bit sharper throughout the frame, and with more contrast to final images. The lack of optical image stabilization is actually no issue with Panasonic’s excellent B.I.S., although I wonder if combination stabilization could have reached even dizzier heights.

However, if you are a Pansonic shooter then you have been patiently waiting for a Lumix S macro lens, while this isn't quite a flawless entry – it is a brilliant compact macro lens worthy of adding to your collection, although you might still look at rival systems a little jealously.

(Image credit: Gareth Bevan / Digital Camera World)

Should I buy the Lumix S 100mm f/2.8 Macro?

✅ Buy it if...

  • Having a super compact macro lens is important to your workflow
  • You want an autofocus macro lens for stills and video
  • You want to expand your Lumix S prime lens collection

⛔️ Don't buy it if...

  • You need more than a 1:1 magnification
  • You want a versatile lens that can cover multiple distances
  • Cheaper 0.5x magnification lenses are good enough for your macro needs


Sigma 105mm f/2.8 DG DN Macro

The Sigma 105mm f/2.8 DG DN Macro was the macro lens to recommend to Panasonic full frame photographers before the Lumix S 100mm, but the Sigma still holds its own, with quick autofocus, an aperture ring, great image quality, backed up with a solid weather resistant build for around $200 less than the Lumix S 100mm.

Laowa 90mm f/2.8 2x Ultra Macro APO

If you are only a stills photographer, and you don’t mind manual focusing then the Laowa 90mm f/2.8 2x Ultra Macro APO is definitely one to check out. Offering outstanding image quality from the macro specialists at Venus Optics, the lens has a big 2:1 magnification for enhancing every little detail in your subject.

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