Panasonic Lumix LX10 review

The Panasonic LX10 is a compact snapper with sophistication in spades, not least due to its unusually large one-inch sensor

Panasonic Lumix LX10 review
(Image: © Gavin Stoker/Digital Camera World)

Digital Camera World Verdict

Well constructed courtesy of a solid metal build, and featuring a few outer bells and whistles, including lens rings and flip-up touch screen that suggest it’s a cut above our average point and shoot compact, the LX10 boasts inner beauty too via a larger-than-most one-inch sensor size, albeit one married to a small fixed lens that is typical across this class of pocket point-and-shoot camera. Sophisticated yet approachable is our verdict on this one.


  • +

    Bright and effective f/1.4 maximum aperture lens

  • +

    The camera’s autofocus system proves both swift and moreover accurate in use


  • -

    No eye level viewfinder despite its enthusiast pretensions

  • -

    Small form factor means that it lacks much if anything to get a proper grip on when shooting handheld

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Compact cameras can appeal just as much to the photo enthusiast as the absolute beginner – especially when, like the Panasonic Lumix LX10 here, they feature a physically larger than average one-inch CMOS sensor, rather than a bog standard 1/2.3-inch CCD chip. The upshot is, in theory, improved image quality, yet a camera that can still be shoehorned into the pocket of our jeans when deactivated. Does this compact truly offer the best of both worlds then, albeit for what was somewhat a premium price on launch? Read on to find out…


Panasonic Lumix LX10 review

(Image credit: Gavin Stoker/Digital Camera World)

Sensor: 20.1 megapixels 1-inch CMOS

Sensitivity range: ISO80 to ISO25600 equivalent

Video: Maximum 4K resolution

Lens: 24-72mm, 3x optical zoom

Monitor: 3-inch, tilting 1040K-dot LCD screen

Viewfinder: No

Battery life: Up to 260 images

Dimensions: 105.5x60x42mm

Weight: 280g without battery or SD card

Key features

Panasonic Lumix LX10 review

(Image credit: Gavin Stoker/Digital Camera World)

Originally announced back in 2016, the 20.1 effective megapixel Panasonic Lumix LX10 (known as the Lumix LX15 outside North America) is all about a commendably rock solid build twinned with a one inch sensor and a smattering of hands-on control that will appeal to an enthusiast photographer perhaps looking for a smaller sometime alternative to a by-comparison bulkier mirrorless camera or DSLR. Though it outwardly resembles a typical point and shoot camera at first glance, the LX10 offers a bit more than the typical compact snapper does, thanks to a lens that boasts a brighter than average f/1.4 maximum aperture, in theory allowing us to avoid use of the built-in pop up flash, even in lower lighting conditions. The on-board light sensitivity range is also broad here, starting out at ISO80 and topping out at ISO25600 equivalent, a level of spec at one time only found on DSLRs.

Panasonic Lumix LX10 review

(Image credit: Gavin Stoker/Digital Camera World)

The 3x zoom is not as powerful as some compacts, but still gives scope to get in closer to the action (Image credit: Gavin Stoker/Digital Camera World)

With its expertise in video, it’s no surprise to find once again there is an option to film at up to 4K-resolution footage with this Panasonic, which at one point made it the physically smallest camera in its maker’s range with that video ‘power’. At the same time the modest 3x optical zoom range, which tops out at a 35mm equivalent of 72mm, thereby making it a decent option for portraits, also starts out a wide angle 24mm, meaning the LX10 is once again something of a jack-of-all-trades, equally adept at capturing landscapes and wide vistas as people shots.


When it comes to enthusiast photographer targeted compacts, Canon was one of the brands that regularly ruled the reviews and sales roost via its previously long-running PowerShot series. The Canon G9 X Mark II is a comparable example, thanks to it, like the Panasonic Lumix LX10, also incorporating a one-inch CMOS sensor at its heart, although that model doesn’t quite keep up when it comes to video capture, ‘only’ offering a maximum 1980x1080 pixels at its highest available resolution.

Of course Panasonic itself has previously sold a long-running line of digital Lumix branded compacts, which themselves offer an alternative to the LX10 here. That said, when using this alongside Panasonic’s own Lumix ZS70 and Lumix ZS200 compact digital cameras, which we were at the time of writing – both of which boast the eye-level viewfinder that the LX10 doesn’t – we were hard pressed to notice a discernable difference when it comes to image quality, despite the LX10’s larger one-inch sensor as opposed to the TZ90 camera’s smaller 1/2.3-inch CMOS chip. This would suggest that the Leica lens technology and processing employed by all three cameras also has its own distinctive part to play in the end result. Not unsurprisingly perhaps, back when the LX10 was originally launched, Panasonic claimed it enjoyed a generous quarter share of the compact camera market.


(Image credit: Gavin Stoker/Digital Camera World)

Pick the Panasonic Lumix LX10 up and its metal build and heft surprises, due to its somewhat underwhelming overall size, being not a great deal bigger than the proportions of a credit card. Its maker has crammed a lot into its unassuming dimensions however, which feels like a feat of engineering it itself – especially size the rear panel LCD screen flips up so it can face the user to aid the composition of selfies.

This is in lieu of any built-in viewfinder – unlike the same brand’s TZ90 and TZ200 compacts which do feature an EVF, albeit a tiny one, there isn’t one included here, thus allowing Panasonic to make the LX10 more tiny still.

Unfortunately a small camera body also hasn’t allowed any room for anything much in the way of a handgrip. The lack of one plus the smooth finish to the body prevented us from getting as firm a hold on this one as we’d have liked.


On a camera this size, the Panasonic Lumix LX10’s lens is one of the ‘fastest’ around, courtesy of its f/1.4 to f/2.8 aperture range and the camera’s performance is just as highly polished as its metal exterior, thanks to a responsive touch screen and dual control rings encircling the lens, one of which puts user selectable aperture settings at our literal fingertips when holding the camera. Which is again a nice touch, if you’ll forgive the pun.

Image quality wise, we are getting plenty of punch and detail out of the camera’s photographs along with decent contrast and color saturation, even if they are no match for a mirrorless camera or a DSLR with a dedicated lens attached to best (or better) match the chosen subject matter. That said, there is something also to be said for the convenience the LX10 provides. We’re more likely to take it out and about with us – and therefore more likely to get the picture, or video, we’re after – than either of the two bulkier classes of camera just mentioned.

Sample images

(Image credit: Gavin Stoker/Digital Camera World)

(Image credit: Gavin Stoker/Digital Camera World)

(Image credit: Gavin Stoker/Digital Camera World)


(Image credit: Panasonic)

When we looked at this camera for a group test, we opined that the Panasonic Lumix LX10 was pretty much a perfect combination of features, performance and price. We were remiss not to add ‘size’ to that summation too. As anyone buying this over, say, a mirrorless camera – which at one time could be had for a similar outlay – is only really going to be doing so because even the smallest of mirrorless options, when combined with an interchangeable lens, is still bigger and bulkier on the pocket than the LX10. Those who want to point and shoot sometimes, but still exercise a bit of creative control when the mood takes them, are the ones who will be ultimately getting the most out of this camera.

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Gavin Stoker

Gavin has over 30 years’ experience of writing about photography and television. He is currently the editor of British Photographic Industry News, and previously served as editor of Which Digital Camera and deputy editor of Total Digital Photography

He has also written for a wide range of publications including T3, BBC Focus, Empire, NME, Radio Times, MacWorld, Computer Active, What Digital Camera and the Rough Guide books.

With his wealth of knowledge, Gavin is well placed to recognize great camera deals and recommend the best products in Digital Camera World’s buying guides. He also writes on a number of specialist subjects including binoculars and monoculars, spotting scopes, microscopes, trail cameras, action cameras, body cameras, filters and cameras straps.