HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED review

Fisheye lenses are common enough, but a fisheye zoom like the HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED is actually quite rare

Pentax HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED review
(Image: © Rod Lawton)

Digital Camera World Verdict

Fisheye lenses are pretty specialized tools in the first place, so a fisheye zoom is even more so. Most of us would use a fisheye to get the widest possible angle of view, and that's were this HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED is most interesting. At the 17mm end of the zoom range, it's hardly wider than a good ultra-wide rectilinear lens. Its results are pretty good, though you can expect plenty of edge softness and some color fringing. Like so many older/speciality Pentax lenses, this relies on the AF drive in the camera body.


  • +

    Ultra-wide fisheye capture

  • +

    Compositional control with zoom


  • -

    Crude autofocus

  • -

    Is the 17mm setting useful?

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Fisheye lenses are quite specialized optics and not to everyone’s taste. Their strong curvilinear distortion has a certain creative appeal and may offer some technical applications such as measuring cloud cover or astrophotography, but they’re probably not a lens type you would use every day – especially a fisheye zoom.

The other example that comes to mind is the Nikon 8-15mm fisheye zoom for F-mount DSLRs, but that swaps from a circular view to a full frame capture at opposite ends of the zoom range.

The HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED, however, captures a full frame image at both ends of the zoom range. At 10mm it covers an impressive 180 degrees diagonally, while at 17mm it’s a much less extreme 100 degrees.

Pentax does say that you can remove the lens hood and get a near-circular image on a full frame camera (the Pentax K-1 or K-1 Mark II), but essentially this is an APS-C lens for smaller format cameras like the new Pentax KF.

You can find out more about the Pentax DSLR system with our guides to the best Pentax cameras and best Pentax lenses.


Mount: Pentax KAF
Full frame: Yes/No
Autofocus: Camera body
Stabilization: No
Lens construction: 10 elements in 8 groups
Angle of view: 180-100°
Diaphragm blades: 9, rounded
Maximum aperture: f/3.5-4.5
Minimum aperture: f/22-32
Minimum focusing distance: 0.14m
Maximum magnification ratio: 0.39x
Filter size: N/A
Dimensions: 67.5 x 70mm
Weight: 323g

Key features

The HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED is unusual in being a fisheye zoom rather than a fixed focal length prime. (Image credit: Rod Lawton)

The focal length range might sound similar to conventional rectilinear ultra-wide zooms for APS-C cameras, but with fisheyes the normal relationship between focal length and angle of view breaks down, and the key factor is the angle of coverage. At 180 degrees at the ‘wide’ and (and that really is very wide), this Pentax lens goes wider than any rectilinear equivalent.

This does mean the front element is very bulbous and the dedicated lens hood so shallow that you might scarcely notice it’s there. It also means you can’t fit filters, but then that’s common to a lot of ultra-wide lenses.

The maximum aperture of f/3.5-4.5 may be a factor when shooting in dark interiors, but it’s not going to affect depth of field, which is going to be huge at practically any aperture, unless you get very, very close to a foreground subject.

Build and handling

The tiny petal lens hood is an indication of this lens's huge 180° degree diagonal angle of view at its shortest focal length. The zoom ring is a good size, but the focus ring at the front of. the barrel is pretty narrow. (Image credit: Rod Lawton)

The HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED is quite a nice lens to use, except with autofocus. The zoom action is smooth, and there’s a quality feel to this lens and how it handles.

However, the autofocus is driven by the camera body – the lens has no AF motor of its own – so as usual with body-driven Pentax lenses, the autofocus is noisy, choppy, and hesitant. When it focuses it seems to do it pretty accurately, but the responsiveness and finesse are a million miles from any modern rival, whether it’s a DSLR or a mirrorless camera. Pentax fans must be a pretty forgiving bunch.

There is a manual focus ring, but the distance scale is short with little precision and, because it’s a zoom, there is no depth of field markings for quick zone focusing or hyperfocal distance settings.


At 10mm, you get a huge angle of view.  (Image credit: Rod Lawton)

At 17mm, the angle of view is narrower, but you still get the fisheye effect. (Image credit: Rod Lawton)

The illumination across the frame is remarkably even for a lens this wide. (Image credit: Rod Lawton)

Objects near the center of the frame will appear almost normal, and the fisheye effect only becomes more prominent near the edges. (Image credit: Rod Lawton)

You wouldn't expect pin-sharp optical quality across the frame from a fisheye lens, and this one does show some softening and color fringing at the edges, but then these lenses are designed for their creative impact, not pixel peeping – and this one does perform pretty well. The 10-17mm zoom range is fairly modest, and probably most useful for compositional control. 

The autofocus is quite noisy and choppy, as usual for Pentax's body-driven AF (this lens does not have an AF motor of its own), but it's not a big drawback since fisheye lenses are typically used in a slow and considered way anyway, and you can always use manual focus instead and exploit the huge depth of field at these short focal lengths.

The HD Pentax-DA Fisheye 10-17mm F3.5-4.5 ED does produce remarkably even illumination across the frame, which is great for both indoor and outdoor shots. Our outdoor samples do show strong purple fringing at the edges of the frame, however, which has not been fully corrected in-camera.


(Image credit: Rod Lawton)

Do you actually need a fisheye zoom? The Nikon equivalent of this lens makes sense in that it offers either a circular or a full frame fisheye effect depending on the zoom setting, but the Pentax lens delivers a full frame image at both 10mm and 17mm – on APS-C Pentax bodies at least. The zoom function does, however, offer some perspective and compositional choices, which could be useful for interiors.

Optically, this lens is adequate rather than good. No one expects flawless edge-to-edge sharpness from a fisheye, though, and you do get good center sharpness and remarkably even illumination across the frame.

Read more: You can find out more about the Pentax DSLR system with our guides to the best Pentax cameras and best Pentax lenses.

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Rod Lawton

Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com