Fujifilm Instax Mini 40 review

How does the new Fujifilm Instax Mini 40 measure up?

Fujifilm Instax Mini 40 review
(Image: © Jon Stapley/Future)

Digital Camera World Verdict

The new Instax on the block doesn’t reinvent the wheel, but ramps up the cool factor. The stylish Instax Mini 40 is simplicity itself to use, and provides all the knockabout charm that its target users want. If you just want to point, shoot and be holding a photo 90 seconds later, this is your best buy.


  • +

    Anyone can use it

  • +

    Stylish, textured design


  • -

    Selfie mode hard to access

  • -

    Wasteful film packs

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There’s no replicating the feel of instant film. Digital instant-print cameras may come close, but the alchemy of an instant film photo is intoxicating and unique, and there’s a reason that these white-bordered images have become so iconic. Digital cameras may get more sophisticated and megapixel counts may continue to climb, but there will always be a place for the lo-fi charm of the best instant film cameras.

The Fujifilm Instax Mini 40 is the latest in Fujifilm’s long, successful line of instant film cameras. It isn’t doing anything particularly new. In fact, it’s basically the same internally as 2020’s Instax Mini 11: a very simple camera for those who just want to point and shoot. Its main differences are a reskinned design with a textured surface. Let’s dig in a little further and find out what this new model is all about.

Fujifilm Instax Mini 40 review

(Image credit: Jon Stapley/Future)


• Film type: Fujifilm Instax Mini instant film (62 mm × 46 mm)
• Lens: 2 components, 2 elements, f = 60 mm, 1:12.7
• 0.37x viewfinder
• Minimum focusing distance: 0.3m
• Programmed electronic shutter: 1/2 to 1/250 sec. Slow synchro for low light
• Always-on flash
• Power: 2x AA batteries
• Dimensions: 104 mm × 121 mm × 65mm
• Weight: 330g 

Key features

The aim of the Instax Mini 40 is simplicity, so there’s not a whole lot to say about it in terms of functionality. You load the film packs, a process that requires a little fiddling, but is easy once you get used to it. With this done, you hold the camera vertically, frame up with the 0.37x viewfinder, and shoot.

That’s it. There’s no exposure control of any kind. You can’t even turn off the flash. The camera spits the image out, and it develops within 90 seconds. The only real control you can exercise is activating selfie mode – which is basically just pulling the front of the lens out to zoom in a little. There’s the obligatory selfie-mirror to help you frame up.

The viewfinder, shutter button and flash. (Image credit: Jon Stapley/Future)

Instax film packs are easy to get hold of. They’re cheaper than, and inferior to, Polaroid film; they’re more expensive than, and better than, Kodak’s instant-print ZINK photo paper used in cameras like the Kodak Step. This is all fine, but what is disappointing is how much single-use plastic they involve – in the wrapping and the packs themselves. This isn’t a problem unique to Instax, but it’s disappointing not to see more effort from Fujifilm on this.

Build and handling

Aesthetics don’t always matter. Few people care that the Canon EOS R5 looks boring. But anyone who buys an Instax camera and says they don’t care about how it looks is lying to you. Aesthetics are the whole point of instant film! 

Look the part, be the part. (Image credit: Jon Stapley/Future)

So there’s no shame in saying it’s a big tick for Instax Mini 40 that it looks so much better than the Instax Mini 11. The overly smooth, swimming-pool-toy design of the previous model is supplanted by a textured skin that’s more comfortable to hold, with a stylish silver trim. The Instax Mini 40 just looks cool. 

There’s no grip or anything, but the camera handles well enough. The only annoyance I found was selfie mode. It’s activated by pulling out the lens front, but you have to pull hard enough that it feels like you’re going to break the camera.

Prepare to give this a good, firm yank. (Image credit: Jon Stapley/Future)


(Image credit: Jon Stapley/Future)

Instax shooting comes with some quirks, never more so than in a camera as no-frills as this. Exposures tend to be within the ballpark rather than bang on, with a bias towards overexposure. Blown-out highlights are common, to the point where some Instax users consider them a feature rather than a bug.

(Image credit: Jon Stapley/Future)

If you like the Instax look, you'll have nothing to complain about. The colors pop, there’s a decent amount of detail, and the finished product is ready within 90 seconds. As mentioned, the flash will always fire, even if you’re outside in blazing sunlight, which might be annoying if you’re trying to get an image of, say, a pet without startling it. 

Fujifilm Instax Mini 40 review

(Image credit: Jon Stapley/Future)

Shooting is easy, carefree and fun. The 0.3m minimum focus distance gives you a surprising amount of versatility with your subjects. The shot counter on the rear is a welcome quality-of-life feature, as is the fact that the camera is powered by common AA batteries.

(Image credit: Jon Stapley/Future)


If you don’t care at all about looks, the Instax Mini 11 does the same as this, for cheaper. The Kodak Step offers a similar experience that’s much cheaper to run. But the Instax Mini 40 is sleeker and more stylish than the both of them.

Instant photography has been around for decades. You likely know what you’re getting into here – you’re trading technical perfection for lo-fi charm, and digital convenience for physical permanence. All you really need to know is whether the Instax Mini 40 does everything that instant film shooters need it to, and the answer to that is yes.

Read more:

Best instant cameras
Best digital instant cameras
Best point and shoot cameras
Best cameras for kids
Instax film deals

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Jon Stapley

Jon spent years at IPC Media writing features, news, reviews and other photography content for publications such as Amateur Photographer and What Digital Camera in both print and digital form. With his additional experience for outlets like Photomonitor, this makes Jon one of our go-to specialists when it comes to all aspects of photography, from cameras and action cameras to lenses and memory cards, flash diffusers and triggers, batteries and memory cards, selfie sticks and gimbals, and much more besides.  

An NCTJ-qualified journalist, he has also contributed to Shortlist, The Skinny, ThreeWeeks Edinburgh, The Guardian, Trusted Reviews, CreativeBLOQ, and probably quite a few others I’ve forgotten.