Rob Redman
Rob is Editor of ImagineFX magazine and also works as creative director of his own studio, Pariah Studios, producing 3D animation, film, and VFX for a variety of clients.
He started his career as a photographer, slowly adding 3D, film, and visual effects to his toolbag, working across TV, web, and print, with clients ranging from Blackmagic Design and HMV to Games Workshop and Royal Mail.
When not at his desk, he can be found building and playing guitars or out in the wilderness with his dog.
Latest articles by Rob Redman

By Rob Redman Published
Review Neewer's X11 has a lot to offer, especially for the budget-conscious shooter.

By Rob Redman Last updated
Buying Guide Scan real-world objects and turn them into digital models, using the best 3D scanners

By Rob Redman Published
Review Wired or wireless, the Sermoon P1 can scan anything, anytime, anywhere

By Rob Redman Published
Review The Feelworld P6XL promises an awful lot for very little outlay but is it all it’s cracked up to be?

By Rob Redman Published
opinion Home scanning just got a whole lot better with the latest release of Capture One

By Rob Redman Published
Review Audio Technica’s latest mic has a clever trick up its sleeve that makes it a big deal.

By Rob Redman Published
I own a fair few cameras and they all have their uses but is it necessary? I think so!

By Rob Redman Published
opinion Developing your own film isn't just a productivity boost but is massively rewarding too.

By Rob Redman Published
Review Amaran's Ray 120c is a pocket-sized powerhouse

By Rob Redman Published
opinion It may not be the 'best' camera, but for me it is the best

By Rob Redman Published
Review Kiwibit’s Beako feeder makes a natural world cinema out of your backyard, and helps out your feathered friends at the same time

By Rob Redman Published
Review Revopoint's Miraco handles everything internally, so there's no need to be tethered to a computer, and that is a big win

By Rob Redman Published
My rock-solid 35mm SLR camera is 50 years old – but still going strong!

By Rob Redman Published
Review Viltox’s clever NexusFocus F1 system brings autofocus capability to PL cine lenses with minimal rigging

By Rob Redman Published
Opinion Three good reasons for going big and shooting on roll film

By Rob Redman Published
Opinion While a slightly complex situation to get your head around, the changes happening to Kodak could be great for us film photographers.

By Rob Redman Published
Review I've been testing Ars-Imagos daylight developing tank and it's made me reconsider my process.

By Rob Redman Published
Review Hollyland's compact Vcore transmitter takes the hassle out of video transmission and I'm all for it.

By Rob Redman Published
Review With built-in computing, all you need is a web browser to access the controls of this portable 3D scanner, and I love the ease of use

By Rob Redman Published
Review Aimed at larger-scale scanning, the Range 2 from Revopoint is the ideal solution for automotive, VFX, and archival projects

By Rob Redman Published
Review Valoi’s 360 Professional makes it easy to scan various formats of negatives for camera scanning

By Rob Redman Published
Review Accsoon's Toprig S60 motorised slider is a great way to add controllable, repeatable camera moves to your projects

By Rob Redman Published
Review I've been testing the Pyro 5 and it has just as much bang for its buck as its big brother
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